Apple Accessories designed to fulfill every tech lovers dream!

Love it, hate it, but you can’t really ignore Apple! With the work from home situation taking a toll on our work setups now is the need, more than ever for multi-functional designs. Also what this hour needs are designs that make us smile. With our gadgets holding our attention for maximum time these days (can you imagine how this quarantine would be without our phones or the internet?!) these electronic powerhouses need these accessories to give you the most of their capabilities. Our curation today brings you the best of Apple accessories – to amplify your productivity, help you create a portable setup as well as to fill you with joy!

Joyce Kang and C.O Design Lab’s Pod Case gives the Apple Watch a much-needed history lesson, introducing it to the ancestor that started the Apple craze. The watch’s screen roughly matches the screen size found in classic iPod Nanos, while its body is only a slight bit thicker. The Pod Case, made in silicone, slides right over the Apple Watch body, giving it a funky throwback, while also letting you use the watch as-is. Obviously, the jog-wheel on the front is a dummy one (although it could work if it connected via Bluetooth), but the watch can easily be navigated using the touch-screen.

It seems that Stephen Chu may have made one of the most marvelous breakthroughs in the computer peripherals category. Say hello to the Kolude KD-K1, a sleek external keyboard with a pretty interesting twist. With circular keys that sit within a machined aluminum base giving it a neo-retro vibe, the Kolude KD-K1 keyboard is a visual treat with tactile scissor-switch keys that make it a great keyboard to type on too. Designed to be the Swiss-Army-Knife of keyboards, the Kolude KD-K1 makes sure you’ll never have to bend over and reach behind a CPU to plug a pen-drive in again.

iBoy gif

The iBoy fidget toy is the perfect desktop accessory for every apple lover! Say hello to the iBoy by Philip Lee, a collectible that captures the combined joy of an action toy with the world’s most famous music playback device. Modeled clearly using Apple’s classic player as inspiration, the iBoy comes with movable hands and legs that attach and detach via magnets, and droid antennae that manifest themselves on each side of the iBoy’s head in the form of earphones! The iBoy’s design captures the most realistic, believable details of the music player, turning it into a nostalgic retro-inspired keepsake. The iBoy’s torso is all ABS plastic, while the back is a polished chrome metal. The figurine even comes with a display and ports (not real ones, obviously) and is complete with realistic artwork etched onto the metal back, and real tactile controls and rotating jog-dial on the front with realistically believable feedback that feels exactly like the original.

The doqo case turns your iPad Pro into a MacBook… with a trackpad and multiple ports! Designed to give iPad Pro users the laptop experience, doqo’s case design transforms your tablet into a full-fledged MacBook. Slip the iPad Pro into the doqo and there’s little difference between this setup and any of Apple’s laptops. The case comes with a gorgeous aluminum design, a full-sized keyboard, a functioning trackpad, and enough ports to make a MacBook Pro jealous! Integrated into its slim profile is an SD card reader (remember those?) and even an HDMI port that lets you connect your setup to a larger display! You’ve also got 2 USB-C ports for charging your iPad or diverting power to an iPhone and 2 USB 3.0 ports for pen drives, hard drives, or any dongles you may need to go about your day-to-day activities.

The DoBox Mini can turn your iPad/iPhone into a full-featured computer… with ports! This small aluminum box, roughly the size of a power-bank, unleashes your smart device’s true abilities. It connects to your home Wi-Fi network via a cable, and to your smart device via an app… and that’s where the magic begins. The DoBox Mini now turns your iOS device into a powerhouse of sorts. Ports on the DoBox Mini become ports you can use with your iOS device. You can plug a USB Mouse, Keyboard, an HDMI-connected display, or even a USB Drive or SD Card, and they all become accessible via your smartphone or tablet. All the control lies within the DoBox app. You can connect devices, share data, store data, and even stream movies to an external display.

AXS Technologies from Brooklyn, NY has created a new and innovative product that unifies all of your most important devices into one sleek system essentially making the AirPod’s native charging case obsolete. Power1 takes portability and functionality to a new level giving you a system that’s doubly useful because it doesn’t just charge and protect for your iPhone… it charges and protects your Airpods too and ensures they are always with you and ready for use. Designed as an evolution of traditional battery cases, Power1 not only holds an extra battery but also manages your Airpods like no other system. Armed with proprietary design, Power1 comes with two modes. One, where it charges your Airpods only (up to 30 times on a full battery), and a second mode that charges your Airpods as well as your phone, giving both gadgets full advantage of Power1’s 3000mAh internal battery.

The iMac G3, in its translucent, colorful, flavorful glory is considered to be the starting point of Apple’s aesthetic dominance in the tech industry, and also the product that sealed Jonathan Ive’s reputation as a designer to be reckoned with. Available in thirteen different ‘flavors’, the iMac G3 looked absolutely stunning, offering a candylike color scheme and a translucent housing that let you peer into the ‘mind of the computer’. Spigen’s Classic C1 pays tribute to that glorious phase in Apple’s timeline, with its three-part case for the iPhone X that mimics the technology-meets-translucent glory of the iMac. Available in seven of the thirteen colors (Spigen’s stayed true to the colors too), the case sits in three parts around the iPhone. The inner cover gives the case its skeletal design, with the circuit-board design and the cutout near the Apple logo – just flip it over and it even has the ‘hello (again)’ text that was displayed in the iMac G3 advertisements.

Zendure’s SuperHub basically solves the problem of having multiple devices to charge and just one power outlet. Designed as a power-brick but with multiple ports, the SuperHub lets you use one outlet to route power to all your devices, while at the same time, allowing you to transfer data between them… serving the role of a USB hub along with a power-delivery system. Armed with an AC power input on one end, and two USB-C ports, one USB-A port, and a 4K HDMI port on the other, the SuperHub takes ownership of both power as well as data delivery. You can connect multiple devices, including your laptop, to the SuperHub, charging them simultaneously, while also letting you plug an external display in to broadcast your phone, tablet, or laptop’s screen on it.

The designers of DGRule describe it as an “invisible hub” and I guess we can see why. The DGRule promises to be a convenient alternative to the limited Thunderbolt 3 USB-C ports since they aren’t always compatible with all devices. Subtle, discreet, and far from bulky, DGRule snaps onto both sides of the MacBook Pro. The cushion pad ensures it stays glued onto the laptop, no matter which position you work in. Available in Space Gray or Silver, it camouflages with your laptop, appearing to be a natural extension of it. Created from CNC aluminum, this allows the hub to comfortably merge with the MacBook Pro.

Apple Pencil

The motion of using a dropper to transfer colors was reinterpreted with the data delivery interface with an Apple pencil-like tool which has been christened as iSpoid for this concept project. The group of Korean designers (Chi-Eun Jang, Hyeokryul Kwon, Jaegeun Kim, Jeongmin Lim) who came up with this conceptual product wanted to make data transfer and data sharing between devices as easy and joyful without the stress of connecting via Bluetooth, hard drives, and the quest for finding the right device to AirDrop.

Peter Barber Architects creates terraced tenement block in Peckham

95 Peckham Road housing by Peter Barber Architects

Peter Barber Architects has built a tenement-style housing block at 95 Peckham Road in London that steps back from the street to create numerous, south-facing roof terraces.

Built alongside a main road in south London, 95 Peckham Road contains 33 homes in a six-storey, pale-brick housing block alongside the road with lower rise maisonettes arranged around a communal courtyard at the rear.

95 Peckham Road housing by Peter Barber Architects

Peter Barber Architects describes the road-side block, which was photographed by Morley von Sternberg, as an evolution of the traditional tenement block.

“Tenement style mansion buildings tend to have an intimate number of apartments per floor, are often arranged with a degree of verticality, and often have quite picturesque architecture – or at least these are some of the characteristics we have carried through in the design of 95 Peckham Road,” explained Phil Hamilton, director at Peter Barber Architects.

95 Peckham Road housing by Peter Barber Architects

“Perhaps the difference or enhancement is that 95 Peckham Road is also designed primarily as street based housing,” Hamilton told Dezeen.

“It has multiple private front doors along the pavement edge, activating the public space, and multiple courtyard gardens, balconies and roof terraces on each floor providing generous private amenity for each of the apartments and allowing the occupants to further colour the building’s appearance.”

95 Peckham Road housing by Peter Barber Architects

The building’s street facade has a ziggurat form that steps back from the road to give each apartment a large outdoor terrace.

“The ziggurat form articulates the massing and steps the building back as the building rises, stepping the apartments and maisonettes further from the road, but also creating good sized south facing roof terraces for each home,” said Hamilton.

“We hope that the residents will make good use of the roof terraces and courtyards, perhaps filling them with growies, plants, pergolas, umbrellas, stuff – if this happens, the building character will continue to evolve as residents occupy their space, enlivening the facades, adding to the personality of the building, further enriching the connection between the building and its setting.”

95 Peckham Road housing by Peter Barber Architects

A row of courtyard maisonettes with front courtyards facing the street occupy the lower-two levels of the block. These are designed to function alongside the busy road.

“Including a terrace of courtyard maisonettes at the lower floors next to the pavement edge lifts the bedrooms a storey above the street,” said Hamilton.

“The ‘notched’ form of the maisonettes also allows the living space at ground floor to be dual aspect with its main aspect sideways into a secluded private front courtyard,” he continued. “The maisonettes also have glazing with good acoustic rating, and a mechanical ventilation heat recovery system so that they don’t rely so much on ventilation through the windows.”

95 Peckham Road housing by Peter Barber Architects

Above the maisonettes, the block contains dual aspect apartments on the second and third storeys and eight maisonettes, divided by notches, on the upper two levels.

“This typology not only provides spectacular living space next to large roof terraces, it also minimises the amount of common stair and lift, improving the building’s efficiency and cost,” added Hamilton.

95 Peckham Road housing by Peter Barber Architects

Away from the street a courtyard is surrounded by houses and maisonettes, along with a raised picnic area that is located in a space too narrow for a home.

“The pedestrianised courtyard square at the rear provides a quiet, tree lined communal space with concrete benches for residents to enjoy; while also providing access to the courtyard homes surrounding the square,” said Hamilton.

“A raised ‘picnic folly’ on the far side of the square ensures active frontage on all sides – this part of the site is too narrow for a house – and provides an informal external space for neighbours to congregate and meet.”

95 Peckham Road housing by Peter Barber Architects

The housing block at 95 Peckham Road is the latest designed by Peter Barber Architects, which was established in 1989 by British architect Peter Barber, to use setbacks to maximise outdoor space.

“A repeating characteristic of the architecture – indeed of the practice’s work – is a highly articulated form, with alternating heights, and a gradual stepping of the facade and roof profile,” explained Hamilton.

“This not only softens the appearance of the building’s massing, but also means that all of the homes benefit from the use of a good sized roof terrace or courtyard garden, and often both. The roof terraces and courtyard gardens are generously proportioned and much larger than the planning policy minimum requirements.”

The studio has previously completed a block of 26 shared-ownership homes around a central courtyard in Stratford, housing with turrets, setbacks and balconies in north London and a terrace of shingle-clad houses in east London.

Photography is by Morley von Sternberg.


Project credits:

Architect: Peter Barber Architects
Project architect/director: Phil Hamilton
Design team: Peter Barber, Phil Hamilton, Alasdair Struthers, Emma Kitley
Client, developer and contractor: Kuropatwa
Structural engineer: Hall Davis
Building control approved inspector: BCA
M&E consultant: Mendick Waring

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What happens when a Tesla Cybertruck and a minivan have a love-child…

Named after the very man who pioneered the edgy, angular, low-poly aesthetic, the Brubaker Box is a minivan inspired by the designs of Curt Brubaker – who’s work also directly influenced design of the Tesla Cybertruck.

The Brubaker Box is essentially for families who want to adopt the Cybertruck aesthetic without necessarily buying a pickup. Made possibly for edgy soccer moms, the minivan comes with a slightly softer low-poly design that’s more approachable and friendly (after all, you want to look more like a family person and less like you’re Mad Max-ing your way through life).

The Brubaker Box comes with a metallic finish and as a quirky touch, wooden bumpers. The car seats two at front and has a spacious rear, accessible by a single sliding door. on the opposite side, instead of a second door is an entertainment center to keep the kids occupied on long road trips. Windows on the side and two long sun-roofs that run along the top help illuminate the insides of the car during the day, while a light strip between the sun-roofs helps in lower light settings. The interiors of the car reflect a sense of cleanliness and purity that sort of mirrors the outside. There isn’t an overwhelming presence of seats at the back, giving you a lot of breathing space (which if you have kids, should be a blessing), while the dashboard on the front is absolutely pristine too, with just a steering wheel and two displays to provide essential information. The car’s conceptual, but it’s safe to assume that something this futuristic doesn’t run on gasoline. The car doesn’t look like it comes with boot space, indicating a sort of electric skateboard setup that puts the batteries and essential components under the cuboidal cabin. A pretty nifty combination of being boxy yet out-of-the-box, no?

Designer: Samir Sadikhov

Standard Issue creates open-source design for CNC-cut face mask

Face mask by Standard Issue

Brooklyn design agency Standard Issue has created an open-source design for a face mask that can be CNC-cut and produced on a large scale.

Standard Issue‘s product, called One Mask, is designed so it can be produced by companies that have access to automated cutting and seaming technologies, such as manufacturers for furniture, fashion and sportswear brands.

The face mask is not intended to be medical grade but instead aims to help ramp up the production of masks for use by the public. The Centers for Disease Control and Prevention (CDC) has urged everyone living in the US to wear a face cover whenever they are outside of their homes to help slow the spread of Covid-19.

Face mask by Standard Issue
A central seam runs along the front of Standard Issue’s mask

“A month ago we identified the real issue was not around the design of a face mask, but the design of a face mask that provides reasonable protection and can be mass-produced for rapid and wide distribution,” Victor Abellan told Dezeen, who is head of operations at Standard Issue.

The design comprises two, symmetrical shapes that can be cut-out from a single piece of material. Standard Issue has designed the patterns so they can be cut by a computer numerically controlled (CNC) router, helping to produce them quickly on a large scale.

The two pieces are then connected to one another at their widest point with ultrasonic welding, which is a common manufacturing technology in many industries, including furniture and sportswear.

“It can be produced by organisations in many industries,” the studio said. “The technology required to produce One Mask is ubiquitous.”

“Manufacturers of sneakers, outdoor and athletic gear, furniture, window coverings, clothing and packaging are a few of the many industries that might pivot to manufacture One Mask.”

Standard Issue advises using a “breathable, pliable, soft, non-woven material that will not fray” to make the mask. “The use of nonwoven fabric is a simple choice as it does not require stitching to prevent fraying and it is extremely effective blocking particles from passing through it,” it added.

One Mask has a seam that runs down the centre of the nose, mouth and chin, and four straps are tied around the head to secure it.

Standard Issue said it based the mask design on the medical-grade N95 mask, which Lien-teh Wu created in 1910 in response to the pneumonic plague in China. The mask was similarly designed from cloth and sewn together down the middle.

Face mask by Standard Issue
The One Mask design is secured with two ties

Standard Issue’s design comes with a pattern file and a step-by-step brochure. The studio said that the design could also be cut and sewn by hand.

“It can easily be made at home using a sewing machine,” Abellan said.

Fashion brands like COS and Prada have already pivoted their production to make face masks in response to the shortage of personal protective equipment (PPE) during the Covid-19 pandemic.

Others have focused their efforts on producing face shields for medical workers treating coronavirus patients. They include brands like Nike and Apple, architecture studios such as Foster + Partners and BIG, and educational institutions like Cambridge University and MIT.

In an interview with Dezeen, physician and epidemiologist Michael Edmond said everyone should wear shields whenever they leave home.

Photography is courtesy of Standard Issue.

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LOOT Comic Book Store Turned Kids’ Drawings Into Action Figures

The Brooklyn retailer and workshop encourages young readers to create as much as they consume

Brooklyn‘s LOOT operates differently than most comic book stores: a $30 monthly subscription provides customers with unlimited access to the club and its comic collection, as well as the opportunity to take books out one at a time. For those who don’t frequent the brick and mortar store, comics are available for $5 online. LOOT founder Joseph Einhorn’s mission is simple: to give kids access to an endless supply of comic books at an affordable rate. He hopes the stories inspire readers and keep them in the shop’s orbit.

Image by Catherine Michelle Bartlett for LOOT

Seeing how young readers light up when they enter their favorite characters’ worlds, Einhorn saw an opportunity to bring more characters to life via a creative challenge for kids. He launched a contest that challenged kids to conceptualize their own comic book character and then submit their work to LOOT.

“The contest idea came to us in the best way possible… from the kids,” Einhorn tells CH. “We have been trying to encourage the kids to be as original as possible when making and selling their own comics at LOOT.” The shop also stocks original comics by children from all over and encourages storytelling, creativity, and comic-crafting through hosted workshops in their airy second-floor studio. Kids who sell their comics there also take 90% of the profits; the 10% LOOT takes simply covers transaction processing fees. “We talk a lot about how character development is at the core of all their favorite comic franchises. As a result, kids started to submit more in-depth character profiles, sometimes in lieu of full-on comics. We decided to see where that could go and making an action figure was what they were most excited about.”

Images courtesy of LOOT

Einhorn fielded the submissions from people under the age of 18 and ran through the entries with the help from a panel of guest judges: Coco Baba founder (and mother of comic-loving kids) Emma Heming Willis, comic-based movie actor Colin Ford, and prolific sculptor and graphic artist Djordje Djokovic. Together, they settled on four winners. Then, Einhorn turned the project over to Concrete Jungle Studio artist Steven Cartoccio. Using a 3D printer and his abundant experience, Cartoccio would turn each of the designs into action figures.

Images courtesy of LOOT

“I was a fan of Steve’s art. He came in to the shop and was blown away,” Einhorn says. “He really loves what we are doing and he said he would help out in any way we need. When the kids asked for their own action figures, he took the call.” Cartoccio has since completed the first of the four winning submissions: Princess Anya by 12-year-old Haile.

Though the contest’s submission window has since closed, LOOT ensures (alongside the rollout of the rest of the winners’ figurines) that the shop will remain open virtually.

Image by Catherine Michelle Bartlett for LOOT

“Given everything going on in the world, we have been moving our classes online and trying to come up with ways to keep families engaged in art during these challenging times,” he says. “Our DMs are open. If a kid submits anything, we will respond and try to help them develop their ideas and if we see something that is so good that we feel it needs to be made, we’ll bring it to Steve and see what we can do.”

Hero image by Catherine Michelle Bartlett for LOOT

Coronavirus pandemic reveals "inequities" in New York housing say local architects

The coronavirus pandemic has highlighted the issues with housing in New York City that must be addressed following the crisis, according to architects in the city.

As people self-isolate in their homes to reduce the spread of Covid-19, private outdoor areas have become invaluable spaces for people to safely get fresh air. But, according to Nathan Rich, co-founder of local architecture studio PRO, many living in New York’s public housing don’t have access to such areas.

Coronavirus “absolutely revealing needs” in housing

“Access to outdoor space is obviously more relevant now than ever before, especially for lower-income residents,” Rich told Dezeen.

“Almost none of the more than 400,000 public housing residents in New York City, for example, have any kind of access to outdoor space from their apartments,” he added.

“The coronavirus crisis is absolutely revealing needs and inequities in New York City housing that we should be thinking about.”

PRO balcony diagram for NYCHA
PRO has designed ways to add balconies onto existing housing towers

Rich’s studio PRO has been designing case studies for the public housing authority in New York, known as NYCHA. The studio has proposed adding balconies onto existing public housing towers to enhance the lives of tenants.

He said the update could also extend the life of the buildings, many of which have not been renovated since they were built in the 1940s.

“The balconies could better insulate the ageing brick facades, while providing a place for localised heating/cooling condensers,” said Rich. “Residents would have private outdoor space that would simultaneously bring far more sunlight and air to the apartment interiors.”

“The lessons from the virus are immediately self-evident”

The problem is also not limited to public housing. According to the latest American Housing Survey, as reported by the New York Daily News, nearly 80 per cent of people that live in the city’s housing complexes with over five residences don’t have access to a “porch, deck, balcony or patio” from their apartment.

Eric Chen, the founder of New York architecture firm ODA, said that providing outdoor spaces has also been overlooked in city developments, which aim to make the most of little space.

“The lessons from the virus are immediately self-evident to architects who have been striving for these things, against the tides of developers and the bottom line, for so long,” he said.

“There must be a better way to arrange our homes in our increasingly dense cities where we can enjoy our privacy while acknowledging our neighbours, where we can all access outdoor spaces and feel the sunshine on our face.”

Chen believes that the prevalence of high-rises and penthouses throughout the city, which has turned “isolation into a status symbol”, should also be reconsidered.

“It’s time to look at more successful typologies to reconnect society”

“The social housing experiment of the 1950s and 60s created a new architectural typology, which was compounded by an underlying social construct, driven by capitalism, that told us to mind our own business,” he explained.

“Somehow, during the age of high rises that followed, turned this idea of isolation into a status symbol, as private penthouses, accessed by private elevators, today float high above the city streets.”

Chen argues that it will also take “more than a balcony” to create the necessary changes to New York housing. He cites examples in European cities, where apartment buildings often wrap around a block and have a hollow space at their core for communal gardens.

“It’s time to look at more successful typologies to reconnect society,” he said. “In 2020, as the wave of Covid-19 subsides, I believe it will be a greater need for intimacy within communities.”

“We will have to reimagine creative solutions to the spatial inequalities this crisis has surfaced”

David Brown, principal of the New York office of international firm Woods Bagot, said the pandemic called on architects to come with “creative solutions” to adapt urban apartments, many of which are being hacked by their residents.

“Tenement dwellers are taking full advantage of the scraps of outdoor space we have always used in summer – fire escapes, tar beaches (roofs), and stoops,” Brown told Dezeen.

“For those of us still dedicated to the socially sustainable project of the high-density, mixed-use city, we will have to reimagine creative solutions to the economic and spatial inequalities this crisis has surfaced to bring dignity and amenity to small urban apartments.”

Woods Bagot has already developed a modular system that adapts apartments to make them better suited for working at home because of coronavirus.

Brown added that as New Yorkers realise the danger and difficulty of city living, and adjust to working remotely, they could rethink their urban life entirely.

“It remains to be seen if this crisis will make society rethink its relationship to urbanity – we are learning to work remote and potentially raising fears of density, proximity and public transit,” he said.

Photograph is courtesy of Shutterstock.

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Promote your brand with a bespoke Virtual Design Festival talk, video or full-day takeover

Promote your brand with a bespoke Virtual Design Festival talk or video

Do you want to explore interesting ways to tell the story of your brand or products? We can collaborate on a digital talk, discussion, video or another bespoke content idea as part of Virtual Design Festival.

Perhaps you want to launch a new product or service or talk about an existing one. Or maybe you’re a tech company that wants to speak to the global architecture and design community. Or an architecture firm with bold ideas.

We’ll work with you to come up with a unique way of telling your story. Our in-house video studio is able to operate remotely to create high-quality content that will resonate with our audience. We can even assign a day of VDF to your brand and create multiple posts as part of a take-over for greater impact.

Each piece of content will be published on the Virtual Design Festival microsite, as well as being featured on Dezeen (over three million monthly visitors) and included in Dezeen’s daily newsletter, which has 170,000 subscribers.

We can also create highly engaging video content to publish on Dezeen’s social media channels, which have a combined total of over five million followers.

We can create one-off talks or videos, or a series of content.

For bigger partnerships, we can increase your brand’s exposure by giving it a dedicated day in the Virtual Design Festival schedule. In addition to publishing the series of content, we would put it in a featured slot at the top of the Virtual Design Festival homepage and give you dedicated advertising banners across the Virtual Design Festival microsite.

Contact us now for details of prices by emailing vdf@dezeen.com.

VDF also offers an affordable platform for students and graduates and a digital products fair where designers and brands can promote their wares.

About Virtual Design Festival

Virtual Design Festival is the world’s first online design festival, taking place from 15 April to 30 June.

The festival has already generated substantial interest around the world, with contributions lined up from many leading designers.

“The global design community has collaborated to launch the first virtual design festival in response to the coronavirus lockdown,” wrote The Guardian newspaper.

Designer Ron Arad described VDF as “a great initiative to bring us together at this extraordinary time,” while Tom Dixon said: “The Virtual Design Festival allows us an unexpected digital platform to describe our latest thinking.”

“Thank you Dezeen for keeping the light on,” said Stefano Giovannoni. “I look forward to this digital festival with Dezeen,” said Yves Behar.

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Lena Hall: Piece of My Heart

Very few possess the vocal chops necessary to cover a Janis Joplin song; even fewer can imbue such a cover with the fire of the late icon. Actor and singer Lena Hall—Tony-winner and cast member of TNT’s Snowpiercer TV show—demonstrates both in her ferocious take on “Piece of My Heart.” Off her new covers album, The Villa Satori: Growing up Haight Ashbury (which she refers to as from a cabaret show about her childhood), the Joplin number falls among impassioned versions of songs by The Beatles, Radiohead and Alanis Morissette.

Brilliant Invention from Germany Makes Oiling Your Bike Chain Fast, Easy and Clean

This is one of those product designs that’s so smart, you’re almost angry that you didn’t think of it first. The Green Disc is meant to replace that oily rag you use at home to oil your bike chain:

I don’t know that I’d carry it with me, but I like the compact size and oil-proof container that allows you to. I’m also digging how simple it looks to load and use.

Designed and made in Germany, the €19 (USD $21) gizmo is killing it on Kickstarter right now–$142,000 on a $7,100 goal at press time, with 18 days left to pledge.

The Only Creative How-to Book You Need for Quarantine – The House Industries Lettering Manual

We have mixed feelings on the sudden wellspring of how-tos and virtual classes that’s emerged in response to creative-types being coop-ed up. As with any skill set or knowledge base, design requires exercise to prevent atrophy and with so much of our profession affected by the sudden seizure of the gears of industry, we appreciate the new abundance of opportunities to keep sharp.

However, working in a profession built upon an abiding commitment to craft and a discriminating eye for style we must hold ourselves to a high standard and seek out the very best means with which to hone our personal practice.

It is for this fact that we recommend you pick up a copy of the House Industries Lettering Manual (launching today!) a stack of paper, some pencils and start in on a meditative quest to rediscover and build on those foundational design truths.

Your guru is hand-lettering master Ken Barber, maker of epic logos, miner of the vernacular commercial aesthetic, member of iconic design enterprise House Industries. A journeyman such as Barber stands out in today’s noisy market of down-time pursuits, but in his steadfast commitment to craft he makes the best argument for a designer’s attention.