Carlo Ratti's Pura-Case uses "ozone power" to sanitise clothes

Italian studio Carlo Ratti Associati has designed a concept for a battery-powered wardrobe purifier that uses ozone to remove bacteria and viruses from the user’s clothes.

The portable case can be placed in a hallway or inside a closet and will be made from recycled fibres, which will be coated to keep the ozone inside the case during the sanitisation process.

According to the studio, the case uses ozone to remove an estimated 98 per cent of micro-organisms, bacteria and viruses from the user’s clothes and fabric items contained inside within one hour.

The Pura-Case concept is Carlo Ratti Associati‘s vision of what the “new normal” of domestic life post-coronavirus will look like.

“As the entire world adjusts to a new normal in terms of health and hygiene, Pura-Case aims to promote top sanitation standards in the key interface between us and the environment – clothes,” said architect Carlo Ratti.

“Pura-Case is an alternative to large-sized devices currently being used in hospitals,” he added. “It can play a vital role in the post-pandemic world next year as we regain our old social life.”

Users would place their clothes inside the case, which has space for up to four hangers, and close it with an air-tight zipper before beginning the cleaning cycle.

The purification process, which takes around one hour to complete, can be started and controlled directly using the battery-powered panel on top of the case or remotely via the Pura-Case mobile app.

The ozone released penetrates the fabric to sanitise it while simultaneously removing any odour. Once the system is finished, the ozone, which can be harmful to be exposed to, is reduced to oxygen through a natural decay process, making the case safe to open.

Carlo Ratti Associati envisions the case being used in offices, households and restaurants – particularly by individuals whose work requires frequent contact with strangers.

“Viruses or bacteria can survive on clothes for long periods,” explained the studio. “Ozone, a naturally-occurring triatomic form of oxygen (O3), is commonly used in the health and textile industry to sanitise fashion items, objects, and spaces.”

“Pura-Case brings this technology safely into the household,” it continued. “It uses ozone to sterilise clothes while reducing the need for unnecessary washing and thus the consumption of water.”

The project was commissioned by tech startup Scribit, which recently converted part of its production line to respond to the coronavirus outbreak.

Pura-Case is currently being developed as a prototype at the startup’s factory in Turin, Italy, and has been launched through a Kickstarter crowdfunding campaign.

Ratti also teamed up with Italian architect Italo Rota to design a two-bed intensive care unit from shipping containers, which has been built at a hospital in Italy to help people suffering from Covid-19.

The intensive care pod, called Connected Units for Respiratory Ailments (CURA), has been installed at a temporary hospital built within the Officine Grandi Riparazioni complex in central Turin, and had its first patient admitted on 19 April.

The post Carlo Ratti’s Pura-Case uses “ozone power” to sanitise clothes appeared first on Dezeen.

Famous Brands Logos Adapted to the Coronavirus Context

Le confinement dans le monde entier a inspiré les créatifs….

Jure Tovrljan est un directeur de création basé en Slovénie. L’épidémie de coronavirus a inspiré l’artiste qui a revisité les logos de célèbres marques pour les adapter au contexte actuel de confinement et de distanciation sociale.

De la sirène de Starbucks avec un masque au basketteur du logo de la NBA confiné devant son ordinateur, Tovrljan a su apporté une dose d’humour et de légèreté dans un contexte lourd. Le travail de l’artiste incite cependant à respecter les mesures de confinement avec par exemple, le  Just Do It de Nike transformé en Just Don’t Do It.











Rick Banks’ new book explores the art of football lettering

In 2013, designer Rick Banks released a limited-edition book exploring an often overlooked but fascinating aspect of graphic design. Football Type traced the history and development of typography in football, from the numbers sewn on to kits in the 1930s to custom fonts created for major clubs and sports brands.

The book was the result of two years’ research, which saw Banks and author Sheridan Bird contacting numerous designers and trawling various visual archives. Released in a run of 1,000, it quickly sold out, and with profits from sales donated to the Football Foundation, it helped raise over £20,000 for grassroots football club Horwich St Marys in Bolton.

Seven years on, Banks has released a sequel. Football Type 2 is described as a revised edition, with all of the content from football type “plus lots more”. Like its predecessor, the book contains a mix of bizarre and beautiful fonts along with interesting stories about squad numbers and the letters featured on players’ shirts.

“There is a lot more history in this book than the first one,” Banks tells CR. “I sourced a lot of 1960s shirts from the NASL (North American Soccer League) – this was a gold mine and inspired a lot of the British shirts in the 90s.”

The book also showcases some of the many designs that have been created since the first edition was released in 2013, such as lettering created for special World Cup kits around the world, and designs created for non-league clubs and five-a-side teams.

Banks decided to publish a sequel after being inundated with queries from football fans looking to get their hands on a copy of the first book. “I was getting constant emails from people asking if the original book was still available to buy. I only did 1,000 copies last time and they sold out in three weeks, and my personal file copies were selling for £350 each! So two years ago I decided to do a sequel.”

The book was created in collaboration with sports journalist Denis Hurley, who also runs football kit blog Museum of Jerseys. “[Hurley] wrote the whole book. His knowledge on football kits is phenomenal – he often out-trumped me! – and he picked errors and holes from the first edition…. It was fantastic working with him,” adds Banks.

As with the first book, it’s been a labour of love. “Getting permission from all the clubs and brands was the hardest part…. Thankfully, the vast majority of contributors were happy to help out,” says Banks.

With his first edition, Banks set out to raise awareness of football shirt lettering, and show how far it had come since the crude handmade lettering which appeared on kits in decades past. As he points out, “clubs and brands are starting to invest in good agencies and designers to create beautiful type” – resulting in some striking and innovative designs.

The latest book builds on this, while also reflecting the changing face of football itself. One of the examples featured inside is creative agency Nomad’s typography for the Women’s Super League – Europe’s only fully professional women’s league – which hints at the recent growth and success of the women’s game.

The book comes in two versions: the standard edition costs £40, while a limited edition, priced at £65, comes with a bespoke numbered dust jacket. Copies are available to order from Face37’s website and books will be shipped from next week.

face37.com

The post Rick Banks’ new book explores the art of football lettering appeared first on Creative Review.

Pentagram’s lockdown poems remind us of the simple things

With social distancing unlikely to disappear soon, we’ve begun to see a whole raft of ads, music videos and even TV dramas emerge from our new WFH production studios over the past few weeks.

Having a bit more time on their hands than normal, Pentagram’s Naresh Ramchandani and his team decided it would be a good opportunity to put their own homes to good use.

“While it’s not much fun to be stuck in our homes, there are some simple and unexpected pleasures to be found there. We thought it would be nice to share some of those pleasures with our friends and followers. And so began a many-home production,” says Ramchandani.

The end result is Home Poems, a series of short films featuring poems by mindfulness poet Henry Ponder. Chosen by Ramchandani’s team, the short but sweet poems highlight simple pleasures such as waking up to the sound of birdsong, the joy of dunking biscuits, and even the surprising diversity of a hard boiled egg.

In the spirit of collaboration, Ramchandani adds, every element of the films were also produced in a different home.

“Director Steven Qua shot nine of the films in various rooms around his home. Then director Kevin Macdonald shot the tenth film on the staircase of his home. Then musicians Yuri Suzuki and JeanGa Becker created the music in their homes. Then Harry Pearce and Tom Walker created the titles out of old Swiss spelling tiles in their homes. And finally, the poems were kindly voiced by Henry Ponder himself in his home.”

Follow the project on @pentagramdesign

The post Pentagram’s lockdown poems remind us of the simple things appeared first on Creative Review.

This Lamborghini-inspired wristwatch is challenging swiss-made designs to make luxury watches affordable!

Within the spectrum of people who collect things, you’ve got the lower tier of hobbyists who collect coins and stamps, and right at the top you’ve got the cool collectors (coolectors, if you will) who collect watches, and cars. The Aventi A-10’s design caters to the upper echelon of curators. Inspired by Haute Horlogerie and hot automobiles, the A-10 is the soul of a supercar in the body of a wristwatch… and it doesn’t cost millions of bucks.

The Aventi A-10 is to watches what a Lamborghini is to cars. It’s aggressively sporty, a performance powerhouse, and an instant eye-catcher. The A-10 comes with an edgy form that pays tribute to its namesake, the Aventador, along with a skeletal inner-design that’s inspired by the car’s chassis. The timepiece even features Superluminova artwork on the body, lighting up at night, just like an automobile would.

At the very heart of the Aventi A-10 superwatch is its engine, the tourbillion. Sitting slightly to the left of center, like the human heart, the tourbillion provides the A-10 with its steady flicker of a heartbeat, giving it industry-defining timekeeping accuracy while also becoming the watch’s crown jewel… and while most timepieces with tourbillions can often end up costing anywhere between 5-8 figures, the Aventi A-10 remains accessible and affordable, thanks to its aggressive, disruptive crowdfunding business model. Decentralized manufacturing across Europe, USA and Asia, and its crowdfunding model challenges all the norms making this one of the highest value for money timepieces available.

Each watch comes with a hardy titanium case, complete with a scratch-proof ceramic coating and a sapphire crystal ‘windscreen’. The timepieces even have their own color range, borrowing from Lamborghini’s palette, with colors like Rosso Red and Modena Yellow. If you’re in the mood for something truly exotic, the A-10 even comes in an all-sapphire variant, exposing the watch’s intricacies, almost like an exploded view of your favorite car… and in keeping with its supercar-inspiration, the watches come with carbon-fiber wrist-belts, because that’s what it takes to build a watch truly worth collecting!

Designer: Hannu Siren

Click Here to Buy Now: Titanium for $1,099 $2,000 (45% off). Hurry, less than 48 hours left! Raised over $685,000.
Click Here to Buy Now: Pure Sapphire for $3,300 $5,000 (34% off).

Aventi A-10 – The First Accessible Tourbillon Watch

In Italian, Aventi means “having.” Aventi cuts the premium cost barrier attached with tourbillon watches with the A-10. The watch features premium elements like skeletonized tourbillon, titanium case, Cerakote coating, 100% Swiss Super-LumiNova and pure sapphire case.

Drawing inspiration from both supercar and luxury watch craftsmanship, their designers engineered a watch that embodies both worlds – a superwatch. This evocative timepiece communicates power, luxury and style. Unconventional and sublime in its appearance, the A-10 is designed to evoke that same feeling of first experiencing a supercar.

150 Times More Affordable Than The Average Superwatch

Aventi A-10 Specification

The Chassis:

– Automotive grade titanium with a 3020 degree melting point
– Density of 4.51/cm3
– ​​Titanium is used in supercars to reduce weight and increase strength

The Windshield:

– Highest grade sapphire crystal with 99.9996% purity
– Up to 2000kg/mm2 of hardness and 3.98kg/dm3 density
– Sapphire crystal is an incredibly scratch and shatter resistant crystal used as standard in luxury watchmaking
– An industry FIRST – they apply five layers of anti-reflective coating on the outside AND inside of the glass

The Lights:

– 100% Swiss Super-LumiNova BGW9 Grade X1
– Non-radioactive
– High temperature resistance
– Resistant to all environmental influences
– UNLIMITED number of charges and discharges – it will not fade
– Blue Line – emission at 485nm

The Coating:

– Automotive grade ceramic coating made in the USA
– H-Series Cerakote with temperature stability up to 500 degrees
– The thick ceramic coating is used to protect against abrasion, corrosion while increasing impact strength and hardness.
– Another luxury watch industry FIRST is the use of Cerakote. The team is able to create watches in colors never seen before.
– Colors inspired by the automotive industry. Precisely coated by Aventi’s partners in Japan.

The A-10 Skeletonized Tourbillon Engine:

– 22 jewels
– Frequency of 28800/Hz
– Power reserve of 72 hours
– Hand winding, two hands at center with double barrels
– Co-axial escapement system

This is NOT a Swiss movement. They consulted many movement manufacturers all around the world and finally settled with one that offers not only the highest quality and technology but also the best value.

Swiss makers didn’t even come close – the most affordable EXISTING Swiss movement costs close to $10,000 USD, with costs of upwards of $1 million to develop a custom movement.

They have partnered with Hong Kong-based PTS Resources in conjunction with Hangzhou Watch Company (an ISO 9000 company) to manufacture an improved variation of the Calibre 3450 Skeletonized Tourbillon Movement. This is the finest and highest grade skeletonized Tourbillon available on the market.

The Strap:

– Tapering strap in rubber with a sporty carbon-fiber inlay and case-color accents.

The Design

Supercars have a design that is filled with sharp angles and straight lines. Because of this they were not able to use industry standard parts to make this watch. This meant they had to build and create everyting – custom.

The sapphire crystal was especially difficult to work with. After all, the only crystal harder than sapphire is diamond. Glass on watches are usually predictable design: round. So most supplier and manufacturers only cater to that. They custom engineered sapphire crystal for Aventi and used high precision lasers to cut the glass to fit perfectly in the case.

With 68 individual facets and 144 edges, each hand finished piece is forged from a single solid block of pure sapphire crystal in a process that takes over 100 hours.

Each sapphire case is then treated to five layers of anti-reflective coating for a crystal-clear look from any angle, before a thick layer of clear ceramic is applied for additional impact resistance and toughness.

Reviews

Michael Blakey is a Music, TV & Film Producer, along with a watch collector.

Click Here to Buy Now: Titanium for $1,099 $2,000 (45% off). Hurry, less than 48 hours left! Raised over $685,000.
Click Here to Buy Now: Pure Sapphire for $3,300 $5,000 (34% off).

Watch all eight episodes of Netflix's Abstract: The Art of Design series

Netflix Abstract series

Netflix has made all eight episodes of its documentary series Abstract: The Art of Design, which features set designer Es Devlin, architect Bjarke Ingels and interior designer Ilse Crawford, available to watch for free during coronavirus lockdown.

Streaming company Netflix has made season one of its design series available on Youtube as part of an initiative to make its documentaries free to watch during the coronavirus lockdown.

“For many years, Netflix has allowed teachers to screen documentaries in their classrooms,” said Netflix. “However, this isn’t possible with schools closed. So at their request, we have made a selection of our documentary features and series available on our Youtube channel.”

“We hope this will, in a small way, help teachers around the world,” the streaming company continued.

The series follows eight leading designers operating in different industries. There are episodes dedicated to Ingels, Devlin and Crawford, as well as graphic designer Paula Scher, automobile designer Ralph Gilles, Nike shoe designer Tinker Hatfield, illustrator Christoph Niemann and photographer Platon.

Season one was released in 2017, with season two following in 2019 – this series is not yet available on Youtube.

Watch all eight episodes below:


 

Christoph Niemann: Illustration

The first 45-minute long episode of Abstract: The Art of Design focuses on the career of German illustrator Christoph Niemann.

“From New Yorker covers to Instagram sketches, illustrator Christoph Niemann plays with abstraction and interactivity and questions authenticity,” said Netflix.


 

Tinker Hatfield: Footwear Design

This episode focuses on Nike shoe designer Tinker Hatfield, who is the designer behind iconic trainers including the Air Jordan and Air Max.

“Tinker Hatfield’s background in architecture and athletics sparked his game-changing shoe designs for Nike, including the iconic Air Jordan series,” said Netflix.


 

Es Devlin: Stage Design

The season’s third episode focuses on British set designer Devlin, who has designed stages for artists including Beyoncé, Kanye West and U2.

“Over the last two decades of working, one of the things I’ve discovered is that often, things are made to fill voids,” said Devlin to open the episode. “The impetus to fill that void with art, to me is fundamental.”


 

Bjarke Ingels: Architecture

In his episode, filmed before the opening of his Serpentine Pavilion in London, Danish architect Ingels explains how he is changing people’s perception of architecture.

“Architect Bjarke Ingels unites function, fantasy and sustainability in ‘pragmatic utopian’ designs like a clean power plant topped with a ski slope,” said Netflix.


 

Ralph Gilles: Automotive Design

The fourth episode profiles car designer Gilles, who is the global head of design at automotive manufacturer Fiat Chrysler.

“His award-winning designs have steered the brand into the future with a sleek new sports cars and a self-driving electric van,” said Netflix.


 

Paula Scher: Graphic Design

This episode focuses on how graphic designer Scher, the first female principal at Pentagram, shaped the face of New York.

“Paula Scher paints with words as an American graphic designer, artist, and educator,” said Netflix. “For more than three decades she has been at the forefront of graphic design and developed identities for esteemed institutions such as The Public Theater in NY, Jazz at Lincoln Center, Target, Bloomberg, and Microsoft.”


 

Platon: Photography

British portrait and documentary photographer Planton is the focus of this season’s penultimate episode.

“Platon’s fearless portraits capture the soul of world leaders and ordinary people,” said Netflix. “A shoot with General Colin Powell provides a window into his process.”


 

Ilse Crawford: Interior Design

The season concludes with an episode focused on British designer Crawford.

“Interior designer Ilse Crawford creates spaces and objects that engage the sense and promote well- being, from high-end hotels to IKEA furniture,” said Netflix. “As founder of Studioilse, she brings her philosophy to life, along with her multidisciplinary team, by designing furniture and products that support and enhance human behaviour and actions in everyday life.”

The post Watch all eight episodes of Netflix’s Abstract: The Art of Design series appeared first on Dezeen.

This BMW Motorrad e-scooter concept is all about clean aesthetics and clean energy

Carota Design’s interpretation of a BMW e-scooter captures the soul of the Motorrad range, but with a design that’s on the lighter side of Motorrad’s form-heavy design-language spectrum. Designed to look almost like the successor to BMW’s Concept Link from 2017, the e-scooter uses a similar CMF, but with leaner, lighter, and narrower forms. The matte-finish metal panels look distinctly like something from BMW’s playbook, while those orange accents around the windscreen give the e-scooter the pop of color it needs.

The e-scooter’s front comes with paneling that conceals the rider’s legs, pretty emblematic of scooter designs, while motor and battery seem to reside in the space in front of the rear wheel. Carota’s design features a cantilever seat that cuts down on the boot-storage, but provides a loop on the left to secure your helmet in place. The seat naturally transforms into the e-scooter’s taillight, which forms a razor-thin arc that’s visible from the back as well as the sides. The headlights, on the other hand, are present in the form of edge-lit details on the front. Given the conceptual nature of this two-wheeler, it’s sort of difficult to make guesstimates regarding what the e-scooter’s performance would be like, but if it’s anything like the Concept Link, you’re looking at a sufficiently advanced, fully-electric two-wheeler… probably with a reverse gear too!

Designer: Carota Design

This AI-Powered Calculus Tutor Hopes to Make STEM Careers More Accessible

Calculus is already synonymous with frustration and confusion for students around the world, but the coronavirus outbreak has forced students into an abrupt virtual learning routine that adds an extra barrier to getting homework help.

Unfortunately, it’s also a prerequisite for many degrees. In a thought piece recently published in Fast Company, Milena Marinova identified calculus as a barrier that keeps STEM talent from graduating and entering the field. Almost one-third of students either fail or drop out of their required calculus course, creating a “leak in the pipeline” that ultimately contributes to millions of STEM jobs left unfilled.

Since 2018, Marinova has served as head of artificial intelligence at Pearson, a leading education company whose name you’ll probably recognize from your old textbooks. Last year Pearson committed to a digital-forward strategy driven by new technologies, including AI. Unlike traditional linear learning methods, AI can adapt to individual learning patterns and dramatically change how we learn, particularly for non-intuitive subjects like calculus.

Marinova put together a multi-disciplinary group to figure out how AI can demystify calculus. “If we could crack the code on the most difficult math discipline first, we could scale the technology across nearly any subject where people struggle to learn,” Marinova explains. They teamed up with design firm Doberman and in just under a year released Aida, an AI-powered calculus tutor unlike any other.

Aida applies AI techniques to make calculus relevant and relatable, two words that are seldom used to describe the topic. Designed for Calculus 1 students, the app includes step-by-step demonstrations and a range of original videos developed to provide real-world context for calculus applications—crucial for developing real understanding.

In creating the interface, Doberman designers Nils Westerlund and Victor Essnert worked side-by-side with learning specialists and in response to user feedback. “We put prototypes in front of about 150 users throughout the entire process, from very dumb early prototypes all the way to the final, functional product,” they told us in a recent interview. “We observed, asked questions, and built our understanding of what resonated and what people really were looking for in a math tutor in digital form.”

Unlike existing digital tools that will readily solve the problem for you (and make homework a breeze) Aida’s focus is taking the user on a learning journey and equipping them with the tools to succeed when they’re flying solo. Students are encouraged to work out problems for themselves using pen and paper, but when they get stumped they can upload a photo of their work, and Aida will analyze the calculations line by line. They’ll be prompted to revise their work three times before an answer is given.

Aida touts the same kind of advanced algorithms that power consumer apps like Netflix and Spotify that today’s students grew up using. The more a student uses the app, the more the content is geared toward helping their specific areas of difficulty.

“AI as a technology is based on learning and that was a really interesting premise for us, that we were making a learning, learning platform—not only built on learning but also for learning,” Westerlund and Essnert said. “We talked about this a lot internally, how can we find that poetic relationship between the learner and the machine, because it really is a dialogue.”

Named after programming pioneer Ada Lovelace, Aida started as a math tutor but there are plans in place to expand the platform to other topics. The app is currently available to download for free on the Apple store through June 2020 and for $2.99 a month afterward. Considering that many people rely on expensive private tutors to get them through a semester of Calculus, this option will remain much more accessible. Needless to say, the app has also acquired even more relevance now that many students have to practice distance learning.

It’s still the early days of AI tutors but combined with simple UI they hold a lot of potential for creating new and engaging learning experiences to empower students outside of the classroom. Regardless of the long-term impact, as Marinova writes, “if we can alleviate some of the pain points around calculus, we may see more students awarded STEM degrees, and we’ll have a better shot at closing the talent gap in the near future.”

Mattel’s Everyday Heroes Action Figure Line

Mattel honors essential workers with their new #ThankYouHeroes line from Fisher-Price. This diverse roster of everyday hero action figures includes four types of nurses, EMTs, doctors and delivery drivers, as well as a Little People Community Champions set that consists of a doctor, nurse, EMT, delivery driver, and grocery store worker. The individual figures can be purchased for $20—with $15 of those dollars going to the #FirstRespondersFirst initiative from sales now through 31 May. Read more about the collection and Mattel’s contributions at Mashable.

Director Stefan Hunt’s Emotional Dance Short, “They Saw The Sun First”

With voice-over guidance from NYC’s elderly, a poignant film about life, death, and the dances we do in-between

“I started working on this project when I noticed a lack of eldership in my life,” director Stefan Hunt says about the creation of his dance-documentary hybrid short, They Saw The Sun First. The eight-minute film—directed by Hunt, produced by Jess Lowe Chaverri, shot by Cole Graham and choreographed by Vanessa Varghese—pairs dances with recorded conversations of NYC’s elderly, an unexpectedly synchronous combination.

He continues, “I realized that nearly all the ‘life advice’ I was consuming on social media / podcasts / newsletters was from younger people. And I asked myself the question, ‘Where are the voices of our elders?’ With that question in mind, I began interviewing aging New Yorkers about life, death and everything in-between.”

The first recording in the voiceover unfurls as a score by artist French Kiwi Juice (aka FKJ) fades in. “Dear young people, oh boy, you have a lot on your plate. You have a lot on your plate because the biggest job you can have is getting old,” the voice of an older woman explains. “When I was young, I thought I knew everything. But I found out I didn’t know everything. Dumbest kid in the world. I think I’m still the dumbest kid in the world,” another professes. These audio files set the tone for the dance scenes; each, choreographed for the voice that plays over it, furthers the message, amplifying its most profound points through gestural movement.

“I can only describe this experience as truly life-changing,” Hunt says in a statement accompanying the release. “I get chills thinking back to it. With these recorded gems of wisdom I set out with an incredible team to create a film that speaks to the youth of today.” He hopes the captured quotes provide some sort of reassurance or inspiration for the life ahead of those watching—perhaps it reintroduces them to the vibrancy of everyday life.

“If you keep looking backwards, you may miss what’s in front of us. Human beings have got an opportunity to participate in the greatest show on Earth,” an older man named John explains in the short. His words resonate deeply, as if he was speaking directly to the viewer.

Isolated, each recorded quote hits home, but compounded with the contemporary choreography, the messaging proves even more effective. The juxtaposition between the youthful dancers and the wise voices encourages viewers to appreciate the individuality of each party, drawing similarities between the two.

The film ends with the same face in the first frame: a young woman, short of breath, gazing at the beach before her. The sun, rising over the resting waters, harkens back to the title, a portion of the widely circulated proverb: “Old people’s speech is not to be dishonored—after all, they saw the sun first.”

Images courtesy of Stefan Hunt