Premiere: “DUMB” by Hanni El Khatib

The LA-based musician explains how a changed perspective influences the track

Earlier this year, LA-based singer/songwriter/multi-instrumentalist Hanni El Khatib announced his upcoming album, FLIGHT, which he wrote mostly in the wake of a life-changing car accident. The record (out 15 May on Innovative Leisure) is evidence not only of El Khatib’s ability to evolve and experiment as a musician, but also his dramatically shifted perspective—something that he says manifested in various ways creatively and personally. Today, we’re delighted to premiere the single “DUMB,” a song that he and his collaborator Leon Michels (frontman for El Michels Affair who has worked with Sharon Jones & The Dap-Kings, Lana Del Rey and others) based on an 808 bass sound and a vocal sample. We also spoke with El Khatib about writing music, and how it’s changed for him.

Tell us about writing “DUMB.” Was there a mood or message you wanted to create for the listener or was it something for yourself?

Musically I had been searching for the right track to explore minimalism. The whole song was built off of an 808 bass tone and a vocal sample we created, and I just wanted it to have some tension and to feel unresolved but at the same time feel dense and complex.

It’s pretty different from the previous releases from the record. Can you tell us a little about the flow of the new album?

The whole record is pretty impulsive. I wanted to work very intuitively and truly make songs that felt good to me at the time. That was the whole point of it. No idea was off the table. I really just wanted this album to feel like a mixtape or playlist I would actually listen to. Of course there is a common theme and vibe to this record, but I wanted it to feel more like a collage of sounds, not bound to one genre or style in particular. It was all about the sonic textures and creating a mood.

The whole experience gave me that much needed push to really embrace all aspects of myself in order to create freely

You said about “ALIVE” that your perspective had shifted since the accident. Did that manifest in that particular song or in your overall approach to making music?

Well… around the time of the accident I still hadn’t given myself a deadline for the record. I was operating in the mindset of endless exploration and still was unsure if what I was working on would become the album. Leon Michels and I had been sending demo ideas back and forth and recording together whenever we were in the same city, but it was all a bit loose and there was no sense of urgency. However, after I got in that car wreck, I instantly felt the need to finish these songs and ideas that we had started. I think I hit Leon up the next day and was like… “I need to book a flight to NY today so we can wrap this record up!” I think it’s safe to say that the story manifested itself in “ALIVE,” but the whole experience gave me that much needed push to really embrace all aspects of myself in order to create freely. Strangely, it feels like a blessing.

Considering the distance you have from the writing the album now, and perhaps also the current climate, do you find yourself listening to the record in a different way?

In a way these songs have found themselves in a new context given the state of the world at the moment. It’s so weird that songs like “ALIVE” and “STRESSY” lyrically and sonically somehow seem like they were written and recorded in quarantine. I love how music can morph with its environment and to people’s emotions.

Images courtesy of Dustin Aksland

Escapism or Bad Taste: Pre-Pandemic Tours of Celebrities' Fantastic, Well-Stocked Kitchens (That Many Say They Never Cook In)

Architectural Digest dug through their archives of celebrity house tours, then edited together “14 of the Finest Celebrity Kitchens” and posted a supercut this week. After watching it, I’m not sure where it falls on the line between escapism and bad taste.

To be clear, I can’t fault the celebrities; the footage was shot pre-pandemic, and it’s rich and famous people doing what rich and famous people do. But I wonder how ordinary folks are supposed to feel, seeing these out-of-reach, well-stocked kitchens that many of those profiled say they never actually cook in. (I think if I was one of those celebs and found that the footage was airing now, I’d be pretty pissed.)

Dezeen Weekly features highlights from week one of Virtual Design Festival

Mark Dytham and Astrid Klein of Klein Dytham Architecture speak to Dezeen as part of Virtual Design Festival

The latest edition of Dezeen Weekly includes a converted farmhouse in France, an impressive face mask designed to help protect against coronavirus and week one highlights from Virtual Design Festival. Subscribe to Dezeen Weekly ›

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Aviointeriors proposes plastic barrier to allow safe flying

This is what flying economy class could look like post COVID-19! Inspired by the Roman god of beginnings and transitions, the Janus seat is the future of travel.

This design could be the new norm in the airline industry to allow passengers some degree of isolation and distancing while sitting next to each other. The first concept of the two-faced Janus seat by Aviointeriors simply reverses the center seat and separates all three passengers with a shield made of transparent material. This creates a protective barrier for everyone while giving each passenger their own space isolated from others, even from people who walk through the aisle. It is made using easy-to-sanitize and safe materials with an option to customize the transparency.

Named after the Roman god of beginnings, transitions, time, duality and endings, who had two faces, which meant he could look both to the future and to the past. Very fitting as we transition from this pandemic into our new normal!

Designer: Aviointeriors

The “hid-den” Multifunctional Home-Office Concept

hid-den, a concept project by Sidegiggle, is “an exploration of the mini-den, a private space for focus and creativity.” The modular system can work in “BookcaseMode,” which features three movable bookshelves, or in “DenMode” which uses the bookcases as three of its walls, and a contrasting shelf- and mirror-clad cutout as its door. Inside, the square footage allows for a small desk or a little reading room. Overall, the concept provides a little escape and solace for those living in smaller spaces. Read more at Sidegiggle.

The Aventi A-10 is to watches what a Lamborghini is to cars

Within the spectrum of people who collect things, you’ve got the lower tier of hobbyists who collect coins and stamps, and right at the top you’ve got the cool collectors (coolectors, if you will) who collect watches, and cars. The Aventi A-10’s design caters to the upper echelon of curators. Inspired by Haute Horlogerie and hot automobiles, the A-10 is the soul of a supercar in the body of a wristwatch… and it doesn’t cost millions of bucks.

The Aventi A-10 is to watches what a Lamborghini is to cars. It’s aggressively sporty, a performance powerhouse, and an instant eye-catcher. The A-10 comes with an edgy form that pays tribute to its namesake, the Aventador, along with a skeletal inner-design that’s inspired by the car’s chassis. The timepiece even features Superluminova artwork on the body, lighting up at night, just like an automobile would.

At the very heart of the Aventi A-10 superwatch is its engine, the tourbillion. Sitting slightly to the left of center, like the human heart, the tourbillion provides the A-10 with its steady flicker of a heartbeat, giving it industry-defining timekeeping accuracy while also becoming the watch’s crown jewel… and while most timepieces with tourbillions can often end up costing anywhere between 5-8 figures, the Aventi A-10 remains accessible and affordable, thanks to its aggressive, disruptive crowdfunding business model. Decentralized manufacturing across Europe, USA and Asia, and its crowdfunding model challenges all the norms making this one of the highest value for money timepieces available.

Each watch comes with a hardy titanium case, complete with a scratch-proof ceramic coating and a sapphire crystal ‘windscreen’. The timepieces even have their own color range, borrowing from Lamborghini’s palette, with colors like Rosso Red and Modena Yellow. If you’re in the mood for something truly exotic, the A-10 even comes in an all-sapphire variant, exposing the watch’s intricacies, almost like an exploded view of your favorite car… and in keeping with its supercar-inspiration, the watches come with carbon-fiber wrist-belts, because that’s what it takes to build a watch truly worth collecting!

Designer: Hannu Siren

Click Here to Buy Now: $1,199 $1,199 (40% off). Hurry, only 6/493 left! Raised over $645,000.

Aventi A-10 – The First Accessible Tourbillion Watch

In Italian, Aventi means “having.” Aventi cuts the premium cost barrier attached with tourbillon watches with the A-10. The watch features premium elements like skeletonized tourbillon, titanium case, Cerakote coating, 100% Swiss Super-LumiNova and pure sapphire case.

Drawing inspiration from both supercar and luxury watch craftsmanship, their designers engineered a watch that embodies both worlds – a superwatch. This evocative timepiece communicates power, luxury and style. Unconventional and sublime in its appearance, the A-10 is designed to evoke that same feeling of first experiencing a supercar.

150 Times More Affordable Than The Average Superwatch

Aventi A-10 Specification

The Chassis:

– Automotive grade titanium with a 3020 degree melting point
– Density of 4.51/cm3
– ​​Titanium is used in supercars to reduce weight and increase strength

The Windshield:

– Highest grade sapphire crystal with 99.9996% purity
– Up to 2000kg/mm2 of hardness and 3.98kg/dm3 density
– Sapphire crystal is an incredibly scratch and shatter resistant crystal used as standard in luxury watchmaking
– An industry FIRST – they apply five layers of anti-reflective coating on the outside AND inside of the glass

The Lights:

– 100% Swiss Super-LumiNova BGW9 Grade X1
– Non-radioactive
– High temperature resistance
– Resistant to all environmental influences
– UNLIMITED number of charges and discharges – it will not fade
– Blue Line – emission at 485nm

The Coating:

– Automotive grade ceramic coating made in the USA
– H-Series Cerakote with temperature stability up to 500 degrees
– The thick ceramic coating is used to protect against abrasion, corrosion while increasing impact strength and hardness.
– Another luxury watch industry FIRST is the use of Cerakote. The team is able to create watches in colors never seen before.
– Colors inspired by the automotive industry. Precisely coated by Aventi’s partners in Japan.

The A-10 Skeletonized Tourbillon Engine:

– 22 jewels
– Frequency of 28800/Hz
– Power reserve of 72 hours
– Hand winding, two hands at center with double barrels
– Co-axial escapement system

This is NOT a Swiss movement. They consulted many movement manufacturers all around the world and finally settled with one that offers not only the highest quality and technology but also the best value.

Swiss makers didn’t even come close – the most affordable EXISTING Swiss movement costs close to $10,000 USD, with costs of upwards of $1 million to develop a custom movement.

They have partnered with Hong Kong-based PTS Resources in conjunction with Hangzhou Watch Company (an ISO 9000 company) to manufacture an improved variation of the Calibre 3450 Skeletonized Tourbillon Movement. This is the finest and highest grade skeletonized Tourbillon available on the market.

The Strap:

– Tapering strap in rubber with a sporty carbon-fiber inlay and case-color accents.

The Design

Supercars have a design that is filled with sharp angles and straight lines. Because of this they were not able to use industry standard parts to make this watch. This meant they had to build and create everyting – custom.

The sapphire crystal was especially difficult to work with. After all, the only crystal harder than sapphire is diamond. Glass on watches are usually predictable design: round. So most supplier and manufacturers only cater to that. They custom engineered sapphire crystal for Aventi and used high precision lasers to cut the glass to fit perfectly in the case.

With 68 individual facets and 144 edges, each hand finished piece is forged from a single solid block of pure sapphire crystal in a process that takes over 100 hours.

Each sapphire case is then treated to five layers of anti-reflective coating for a crystal-clear look from any angle, before a thick layer of clear ceramic is applied for additional impact resistance and toughness.

Reviews

Michael Blakey is a Music, TV & Film Producer, along with a watch collector.

Click Here to Buy Now: $1,199 $1,199 (40% off). Hurry, only 6/493 left! Raised over $645,000.

OMA reveals updated design for Washington DC garden bridge

11th Street Bridge Park by OMA

Architecture firm OMA and landscape studio Olin have released updated visuals for 11th Street Bridge Park – a raised garden that will extend over Washington DC’s Anacostia River.

11th Street Bridge Park by OMA

The update follows the National Capital Planning Commission‘s approval of the scheme to construct a park spanning Washington DC’s Anacostia River earlier this month.

OMA and Olin, who won a competition to redesign the area in 2014, have now released new renderings that detail 11th Street Bridge Park with several green spaces and mixed-use buildings.

11th Street Bridge Park by OMA

“At a time when we are paradoxically isolated from one another but united in a common cause, public spaces that we all share and that benefit health have become more important than ever,” said OMA partner Jason Long.

“Our work has focused on creating a new civic space that engages with the Anacostia River and refining the programme for the park to ensure it will be a place for everyone in DC.”

11th Street Bridge Park by OMA

11th Street Bridge Park will occupy a series of piers that previously supported a roadway spanning the river. It will be composed of a split-level structure that meets in the centre to form a cross shape.

On the two upper levels, lifted by trusses, there will be gardens and lookout points connected by a series of walkways. These will also lead to the lower level where there will be additional green space, plazas and a cafe.

Pedestrians will access the raised park via ramps and paths that are constructed at either riverfront. A roadway will run alongside the 11th Street Bridge Park, which will extend the full width of the river.

Visuals show the landscape occupied by colourful benches and hammocks, play equipment, including slides built into a small hill and a waterfall feature.

11th Street Bridge Park by OMA

A small performance stage attaches to the underside of the bridge on one side of the design. On the opposite side of the bridge, the raised portion creates a roof for a cafe and patio space. An additional triangular building on the site can be used for public events.

OMA and Olin beat proposals from Balmori Associates and Cooper, Robertson & Partners, Stoss Landscape Urbanism and Höweler + Yoon Architecture, and Wallace Roberts & Todd , NEXT Architects and Magnusson Klemencic Associates.

11th Street Bridge Park by OMA

Since winning, the firms have worked with the District Department of Transportation, non-profit Building Bridges Across the River and the Anacostia Watershed Society to develop the project. Construction is expected to start in 2021.

“This project will be the first public space in the nation’s capital that will make a bridge a destination – a park above the river – where access to green spaces can significantly encourage physical activity while building social capital,” OMA said.

11th Street Bridge Park by OMA

11th Street Bridge Park joins a number of infrastructure reuse projects in North America. Others include Diller Scofidio + Renfro and James Corner Field Operations‘ hugely popular High Line park on a reclaimed a section of a disused elevated railway line along the Lower West Side of Manhattan.

OMA was founded in 1975 by Dutch architect Rem Koolhaas. It has recently completed a department store in Gwanggyo, South Korea clad with tessellated triangles of stone and a luxury resort in Bali.

Renderings are by Luxigon.


Project Credits:

Partner: Jason Long
Associate: Yusef Ali Dennis
Team: Titouan Chapouly, Alireza Shojakhani, Yiyao Wang, Gonzalo Samaniego
Landscape Architect: Olin
Structural & Civil Engineer: WRA, Delon Hampton
MEPFP: Setty
Community Outreach Advisor: ARCH Development
Acoustics Consultant: Threshold Acoustics
Lighting Designer: MCLA

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Four authors including Julia Watson and DJ Spooky discuss environmental design live on VDF today

Four authors discuss environmental design live on VDF today

VDF has teamed up with Terreform One to bring together authors Mitch Joachim, Julia Watson, Eran Chen and Paul Miller in a live discussion about sustainable design in a post-coronavirus world.

The four authors will discuss their work live on VDF today at 5:00pm UK time.

Four authors discuss environmental design live on VDF today
Mitch Joachim is one of four authors who will discuss environmental design as part of VDF

Mitch Joachim, co-founder of New York architecture research platform Terreform One, will discuss his new book Design With Life: Biotech Architecture and Resilient Cities.

Designer and environmentalist Julia Watson will talk about Lo-TEK, Design by Radical Indigenism. Eran Chen, founding principal of New York architect ODA, will speak about Unboxing New York.

Paul Miller, AKA DJ Spooky, will discuss Digital Fictions: The Future of Storytelling.

Four authors discuss environmental design live on VDF today
DJ Spooky will his book Digital Fictions during the talk

The discussion has been put together as a reflection of Earth Day yesterday. “It’s time to use the power of design to combat planetary extinction,” says Joachim, whose non-profit and research organization Terreform One looks at how design practices can cultivate biological processes and create resilient answers to tomorrow’s most pressing urban challenges.

“We are always looking for new narratives, where nature can provide solutions and connect us to our surroundings,” said Eran Chen of ODA. “It’s time to look at new typologies to reconnect society”.

Four authors discuss environmental design live on VDF today
Julia Watson’s book is called Lo-TEK: Design by Radical Indigenism

“We need to learn how to live symbiotically with nature and stop designing it into extinction,” said Julia Watson, whose book explores how technologies developed by indigenous communities could offer solutions to climate change.

“What some see as advanced technology I often see as tone-deaf and two-dimensional. We can’t design around nature, we must learn to design with it.”

“There are so many examples,” Watson told Dezeen in a recent interview about her book Lo-TEK: Design by Radical Indigenism. “They have increased biodiversity; they’re producing food; they’re flood-mitigating; they’re resilient in terms of foreshore conditions; they’re cleaning water; they’re carbon sequestering.”

About Virtual Design Festival

Virtual Design Festival, the world’s first digital design festival, runs from 15 April to 30 June 2020. It is a platform that will bring the architecture and design world together to celebrate the culture and commerce of our industry, and explore how it can adapt and respond to extraordinary circumstances.

Four authors discuss environmental design live on VDF today
Eran Chen will discuss his book on ODA

VDF will host a rolling programme of online talks, lectures, movies, product launches and more, complementing and supporting fairs and festivals around the world that have had to be postponed or cancelled and it will provide a platform for design businesses, so they can, in turn, support their supply chains.

To find out what’s coming up at VDF, check out the schedule. For more information or to join the mailing list, email vdf@dezeen.com.

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Underwater Photographs of the Unique Pink Manta Ray

Il n’existe qu’une seule raie manta rose connue au monde et le photographe australien Kristian Laine a eu l’honneur de pouvoir photographier l’animal.

Surnommée l’inspecteur Clouseau d’après La Panthère rose, l’animal grand de 3 mètres vit près de l’île Lady Elliot, qui fait partie de la Grande barrière de corail. L’inspecteur Clouseau avait été vu moins de 10 fois depuis sa découverte en 2015.

« Je n’avais aucune idée qu’il y avait des mantas roses dans le monde, alors j’étais confus et je pensais que mes stroboscopes étaient cassés (…). Je me sens humble et extrêmement chanceux » a déclaré Laine au National Geographic.

Pour d’autres photos sous-marines de Laine, suivez le sur Instagram ou sur son site.





Cheat Sheets: Simple, Brilliant Design to Making Cooking (and Cleanup) Easier

Cheat Sheets make it easier to cook, and to clean up afterwards. As a product design, it checks all the boxes with me:

– Simple execution

– Makes a common task easier

– Eliminates hassle of clean-up

– Eliminates material waste

– Smart use of material

Cheat sheets are simply silicone dividers that nest into a standard half sheet pan or the included one, allowing you to keep ingredients separate. This means you can easily pull out different parts of the meal at different times, when you’re cooking things that require it.

You also no longer have to use aluminum foil (I hate the amount we go through) nor worry about scrubbing the pan (I’ve given up on trying to keep mine clean).

In addition to the design, developer Prepd released these on Kickstarter at the perfect time, when all of us are cooking at home. Which explains why they’ve racked up a staggering $522,442 at press time on a $10,000 goal! And there’s still 28 days left to pledge.