How Designers Can Thrive (Not Just Survive) in Uncertain Times

How are you feeling? Let me guess… uncertain, a bit scared… even cheated maybe? The unique thing about this problem is that it’s affecting everyone globally… and while everyone’s facing the impact of this pandemic, the way we react to it is what sets us apart. What if I told you that your outlook towards this problem could help you thrive as a designer?

If the core of what we do as designers is to solve problems, there’s no better time than uncertain times to do what we do best. If you ditch your fearful mindset, be perceptive towards opportunity, and put in the work to adapt, you could not only survive, but thrive in these uncertain times.

Let’s dive into exactly what you’ll need to do to pull this off:

Reframe Your Aim

When times are good, companies focus on making money. When things take a turn for the worse, companies shift their focus towards not running out of money. To stay valuable, you too need to shift in order to help them do just that. It’s important that you reapply your skills in a way that aligns with your client’s current goals.

How can you reshape your once revenue-focused expertise to now support your client or company with their cost-saving efforts? Now more than ever, your contributions need to be directly tied to business results that create an immediate return on investment.

Pivot To A Pressing Problem

Does your design role now seem irrelevant? That is because your job solves a problem that is no longer a priority. During uncertain times, external forces come along that drastically change the landscape we had gotten used to. With the new reality, comes new problems. These problems probably look drastically different than they did before the change.

To thrive in a downturn (or really any market), you need to solve a relevant and important problem. This is what makes your role valuable. If the problem you solve is no longer relevant, then you’re no longer valuable.

Let go of what has now become irrelevant, keep your finger on the pulse of what your clients or company is struggling with and then figure out how you can use your expertise to help them in the best way that you can.

Within uncertain times lies great opportunity. Those who are the quickest to adapt will thrive.

Create Certainty Through Strategy

Just as you’ll need to pivot, your client/company may have to do the same. If they find that their product has now become irrelevant due to the new landscape, they’ll need to adapt their product to solve a new problem.

As designers, our superpower is to see the future. Not by guessing, but by empathizing with users, understanding the big picture, utilizing our creative thinking to connect the dots, and visualizing solutions before they ever exist. This ability of ours, offers foresight and confidence to place the right bets- just what your client needs in order to act in the face of uncertainty.

To help your client navigate these uncertain times, offer your strategic expertise. Help them to understand their current predicament, their customer’s needs, the new landscape, and how they could pivot to solve a more valuable problem for their customers. Designers thrive when their clients thrive.

Support Not Sell

These unforeseen events have created uncertainty, for both you and your client. Your client feels the pressure to keep their people and business in good health. You feel the pressure to land a project or two before your savings dry up. Rather than desperately pitching your service to an unwilling client, now is the time to stop selling and start supporting.

Instead of trying to convince your already nervous prospects, to hire you, let them come to you when they are ready. (p.s. if your service doesn’t address a problem that is important to them, they’ll never be ready.) Tap into your runway of savings while you thoughtfully pivot your offer and find ways to help both your current and future clients.

Do not go silent, but instead keep showing up. Take advantage of extra free time to invest sweat equity into building and strengthening your relationships. Focus on being genuinely helpful and supportive. Share informative content through blogging and social media. Find ways to relieve the new found pains that your connections are experiencing.

What this does is builds trust and loyalty as clients see that you are there for them- providing value in both good times and bad. Play the long game and you’ll build a long-lasting business.

Serve A New Space

While there are a lot of people and businesses hurting right now, there are quite a few that are busier than ever. Take some time to do your research on which industries are booming because of this new landscape. Businesses in these industries (such as healthcare, sanitization, and virtual tools) may need design and your expertise now more than ever.

You don’t have to stick with what you’ve always done and who you’ve always done it for. Pay attention to where the demand is and then redirect your efforts to serve in that space. Be flexible. Get creative. Remember, those who are the quickest to adapt will thrive.


ABOUT THE AUTHOR

Kelly Custer is the Founder + Design Director of Knack

Pairing her transportation design education from the College for Creative Studies in Detroit, Michigan with over 8 years of design consulting experience in consumer products, Kelly has built a strong passion for mobility. She founded Knack in 2014 and leads the studio to deliver irresistible simple mobility products.

When she’s not in the studio, she can be found on a mountain bike trail, trying to keep up with her husband on her dirt bike, or exploring the Tennessee river on their vintage stand-up jet skis.

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Icona Design models asymmetric concept yacht on grand piano

Fibonacci Concerto by Icona Design for VDF x Ventura Projects

Icona Design is presenting Fibonacci Concerto, a concept yacht that evokes a grand piano, at VDF x Ventura Projects.

Exhibitor: Icona Design
Project title: Fibonacci Concerto

Icona Design is an international studio composed of designers and engineers that specialise in automotive design.

The studio is introducing Fibonacci Concerto, a concept yacht design, during VDF’s collaboration with Ventura Projects.

Fibonacci Concerto “imagines a new way of experiencing the sea”. It is designed with an asymmetric body that is modelled on a grand piano, and blurs the boundary between the yacht’s interior and exterior.

The yacht’s asymmetric form is also intended to give a sense of movement to the yacht even when it is stationary.

Website: www.icona-designgroup.com
Email: raffaello.porro@studiorpr.com


Virtual Design Festival is the world’s first online design festival, taking place from 15 April to 30 June 2020.

Ventura Projects are exhibitions curated by Utrecht- and Milan-based Organisation in Design that cover the latest developments in contemporary design.

As part of VDF, Ventura Projects is presenting the work of 88 international designers, academies and brands. See work from all the VDF x Ventura Projects participants at dezeen.com/vdf/ventura-projects.

The post Icona Design models asymmetric concept yacht on grand piano appeared first on Dezeen.

Sarah Reinbold's ceramic sculptures comment on "the fragility of the mind"

Sarah Reinbold for VDF x Ventura Projects

Sarah Reinbold is exhibiting Zwischen Hier und Dort, a collection of ceramic and plaster sculptures, during the VDF x Ventura Projects collaboration.

Exhibitor: Sarah Reinbold
Project title: Zwischen Hier und Dort

Sarah Reinbold is a visual artist that creates sculptures and installations that comment on emotional vulnerability.

Zwischen Hier und Dort is her latest installation, which comprises a mix of everyday objects and abstract sculptures finished in vibrant colours. She is showcasing it as part of VDF’s collaboration with Ventura Projects.

Every object Zwischen Hier und Dort is made as a reference to a certain event or feeling experienced by Reinbold. They are handcrafted using ceramics and plaster, materials that can be easily broken, to reflect “the fragility of the mind”.

Website: www.sarahreinbold.nl
Email: reinbold.sarah@gmail.com


Virtual Design Festival is the world’s first online design festival, taking place from 15 April to 30 June 2020.

Ventura Projects are exhibitions curated by Utrecht- and Milan-based Organisation in Design that cover the latest developments in contemporary design.

As part of VDF, Ventura Projects is presenting the work of 88 international designers, academies and brands. See work from all the VDF x Ventura Projects participants at dezeen.com/vdf/ventura-projects.

The post Sarah Reinbold’s ceramic sculptures comment on “the fragility of the mind” appeared first on Dezeen.

SOdA School of Design presents Liquid Memory exhibition

Liquid Memory for VDF x Ventura Projects

SOdA School of Design is presenting Liquid Memory, an exhibition of student work, as part of VDF’s collaboration with Ventura Projects.

Exhibitor: SOdA School of Design, Pforzheim
Project title: Liquid Memory

SOdA School of Design, Pforzheim, is one the oldest universities dedicated to design and creative subjects in Germany.

It is introducing an array of its students’ design projects in an exhibition entitled Liquid Memory during the VDF x Ventura Projects collaboration.

The exhibition explores the concept of memory, and features the work of 20 students. Projects range from jewellery to product design, and also include collaborative innovations spanning different disciplines.

Website: www.designpf.hs-pforzheim.de
Email: christine.luedeke@hs-pforzheim.de


Virtual Design Festival is the world’s first online design festival, taking place from 15 April to 30 June 2020.

Ventura Projects are exhibitions curated by Utrecht- and Milan-based Organisation in Design that cover the latest developments in contemporary design.

As part of VDF, Ventura Projects is presenting the work of 88 international designers, academies and brands. See work from all the VDF x Ventura Projects participants at dezeen.com/vdf/ventura-projects.

The post SOdA School of Design presents Liquid Memory exhibition appeared first on Dezeen.

Imperfect Perfection lighting range is made using bacteria

Imperfect Perfection for VDF x Ventura Projects

Studio Lionne van Deursen is presenting a material research project and lighting range made using bacteria for VDF x Ventura Projects.

Exhibitor: Studio Lionne van Deursen
Project title: Imperfect Perfection

Studio Lionne van Deursen is a material research and product design studio.

The studio is introducing its Imperfect Perfection research project during the VDF x Ventura Projects collaboration, in which it has created leather-like sheets of bacterial cellulose.

Bacteria cellulose is a biodegradable material made using yeast and bacteria. As the making process is unpredictable, every sheet has a different colour and translucency.

The studio’s first application of the material is in a range of Imperfect Perfection lamps, for which it is used to diffuse the light source. Each lamp is unique, and the variations of each sheet is enhanced using natural pigments.

Website: www.instagram.com/lionnevandeursen
Email address: studio@lionnevandeursen.com


Virtual Design Festival is the world’s first online design festival, taking place from 15 April to 30 June 2020.

Ventura Projects are exhibitions curated by Utrecht- and Milan-based Organisation in Design that cover the latest developments in contemporary design.

As part of VDF, Ventura Projects is presenting the work of 88 international designers, academies and brands. See work from all the VDF x Ventura Projects participants at dezeen.com/vdf/ventura-projects.

The post Imperfect Perfection lighting range is made using bacteria appeared first on Dezeen.

Joe Doucet designs face shield to be a fashion accessory

Face shield by Joe Doucet

New York’s Joe Doucet has designed a less “uncomfortable and awkward” face shield to protect against coronavirus that could be worn like a pair of sunglasses.

Doucet‘s conceptual design comprises a curved, see-through guard that fronts a dark sunglass lenses and arms. The minimal shield would be put on like a pair of glasses.

The designer developed the face shield in response to the question: “how do we encourage mass adoption of an unwanted necessity?”. He hopes this version could be a more attractive option of personal protective equipment (PPE) for non-medical users.

Face shield by Joe Doucet

“Covid-19 is understandably going to have a longterm effect on how we re-engage with daily activities and the wider world,” said Doucet.

“Until a vaccination is confirmed to be effective and rolled out through a global, mass immunisation programme, we all will have to integrate forms of social distancing and PPE into our daily routines.”

Face shields are an effective way to protect the eyes, nose and mouth from Covid-19 infection. They are typically used in conjunction with masks and limited to frontline medical workers who are most at risk of infection. But they could become more commonly worn by the general public as outbreaks continue.

Face shield by Joe Doucet

In a recent interview with Dezeen, US physician and epidemiologist Michael Edmond said the public should wear a shield whenever they leave home.

Doucet believes, however, that current designs aren’t comfortable enough to encourage people to wear them.

“Studies have shown that face shields or visors are much more effective than surgical style face masks, but in their current, basic format they are uncomfortable and awkward,” he added.

“It is hoped that improving the basic face shield design will encourage far greater uptake of its usage and help everyone adjust to the ‘new normal’ that awaits us.”

The designer has envisioned the shield in visuals he created with 3D design tools – a new skill he acquired in lockdown.  “I modeled these in Fusion 360 and rendered in Blender,” he continued. “No photoshoots happening these days.”

He create the renderings to look like a fashion shoot with models wearing the devices in empty streets..

Face shield by Joe Doucet

Doucet, who is currently searching for a brand or manufacturing partner to produce the shield, imagines that the entire device would be made out of polycarbonate and manufactured in the same way as typical sunglasses.

A number of architects and designers have re-focused design skills to create PPE, as hospitals and medical workers face shortages amid the crisis.

Brands including Nike and Apple, architects including Foster + Partners and BIG and educational institutions including Cambridge University and MIT have all developed or adapted designs for face shields recently, utilising 3D printing, laser cutting and even origami

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Bjørne models laser-cut Ljós lampshades on mountain sunsets

VDF x Ventura Projects: Ljós by Bjørne

Italian studio Bjørne launches its handcrafted Ljós lighting, which is designed to evoke mountain sunsets, as part of the VDF x Ventura Projects collaboration.

Exhibitor: Bjørne
Project title: Ljós

Bjørne is the Italian studio of designer-maker Leonardo Perina, which specialises in handcrafted wooden products designed for minimal spaces. As part of VDF, it is launching the Ljós lampshade.

Ljós has a faceted form composed of 28 sheets of laser-cut birch plywood, which is modelled on shadows cast by sunsets over the Italian Alps. It offers soft lighting that recreates the “mountain-like feeling of calm and restfulness”.

The product is designed by Bjørne to suit to any type of space, available with a length of either 35 or 60 centimetres. Users can also choose between two different shapes as the plywood sheets are reversible, and can be easily repositioned and fastened without glue or screws.

All of the wood used to produce Ljós is sourced locally, with the majority of it sourced from trees hit by the Vaia flood in 2018.

Photography is by Joe Rasera.

Website: Bjørne
Email address: bjornedesign@gmail.com


Virtual Design Festival is the world’s first online design festival, taking place from 15 April to 30 June 2020.

Ventura Projects are exhibitions curated by Utrecht- and Milan-based Organisation in Design that cover the latest developments in contemporary design.

As part of VDF, Ventura Projects is presenting the work of 88 international designers, academies and brands. See work from all the VDF x Ventura Projects participants at dezeen.com/vdf/ventura-projects.

The post Bjørne models laser-cut Ljós lampshades on mountain sunsets appeared first on Dezeen.

Object Carpet and Ippolito Fleitz Group collaborate on flooring collection

Object Carpet x Ippolito Fleitz Group for VDF x Ventura Projects

Object Carpet has teamed up with Ippolito Fleitz Group to create its latest carpet collection, which is launching as part of VDF x Ventura Projects.

Exhibitor: Object Carpet
Project title: Object Carpet x Ippolito Fleitz Group

Object Carpet is a German carpet brand and manufacturer that is launching its new range during the VDF x Ventura Projects collaboration.

The collection has been developed in partnership with design studio Ippolito Fleitz Group, and aims to help users define the mood and purpose of any room.

Named Object Carpet x Ippolito Fleitz Group, it features carpets in 100 different colours that are made using nylon yarn from recycled fishing nets.

As part of the launch, Object Carpet has created a playful campaign with fashion photographer Monica Menez to offer a new “perspective on how carpets can shape a space”.

Website: www.object-carpet.com/ocxifg
Email: martin.boehringer@object-carpet.com


Virtual Design Festival is the world’s first online design festival, taking place from 15 April to 30 June 2020.

Ventura Projects are exhibitions curated by Utrecht- and Milan-based Organisation in Design that cover the latest developments in contemporary design.

As part of VDF, Ventura Projects is presenting the work of 88 international designers, academies and brands. See work from all the VDF x Ventura Projects participants at dezeen.com/vdf/ventura-projects.

The post Object Carpet and Ippolito Fleitz Group collaborate on flooring collection appeared first on Dezeen.

Jonathan Bocca marries marble with paper for Essenza lighting

Jonathan Bocca introduces the Essenza lighting collection as part of VDF’s collaboration with Ventura Projects.

Exhibitor: Jonathan Bocca
Project title: Essenza

Jonathan Bocca is an interior and furniture designer. He is introducing a lighting collection called Essenza as part of VDF’s collaboration, which is available as either a floor or table lamp.

Each product in the range extends from a base of discarded Vagli marble, which draws focus to a delicate and transparent canvas through which the light shines. This is made from Japanese mulberry paper.

According to Bocca, the goal of the project is to couple artisanal manufacturing with discarded materials, and demonstrate how a single object can be used to “define and give strength to its surrounding environment”.

Main image is by Roberto Angiolini, thumbnail is by Giulia Raya.

Website: www.jonathanboccab3db.myportfolio.com
Email: boccajonathan@gmail.com


Virtual Design Festival is the world’s first online design festival, taking place from 15 April to 30 June 2020.

Ventura Projects are exhibitions curated by Utrecht- and Milan-based Organisation in Design that cover the latest developments in contemporary design.

As part of VDF, Ventura Projects is presenting the work of 88 international designers, academies and brands. See work from all the VDF x Ventura Projects participants at dezeen.com/vdf/ventura-projects.

The post Jonathan Bocca marries marble with paper for Essenza lighting appeared first on Dezeen.

"Would consider this in the top five sexiest buildings of the last year"

Fire Station Wilrijk by Happel Cornelisse Verhoeven

This week, readers have been won over by a fire station in Antwerp which looks exactly like a fire station.

Red hot: a fire station in Antwerp designed by Happel Cornelisse Verhoeven has caught readers’ attention thanks to its glazed red bricks.

“Would consider this in the top five sexiest buildings of the last year,” praised Hugo. “Constructivist, honest and functional paired with beautiful materials and attention to detail.”

Orangikaupapa agreed: “Very, very satisfactory. I am taken immediately to the endless hours of childhood playing with Bayko bricks.”

“The red is a bit kitsch but the more I look this over, the better it gets,” continued JZ. “Classical proportioning with enough variation in the rhythms to create interest. It contributes contextually and is a robust build, it seems.”

Apsco Radiales was also impressed: “Credit to the architects. They made a fire station look like a fire station. Old Chinese proverb: make the thing look like what it is, not what it is not.”

As was this commenter:



What do you think of the fire station? Join the discussion ›


Musée Atelier Audemars Piguet by BIG

Clockwork: readers have likened a spiral-shaped building in Vallée de Joux, Switzerland, to edible delights. Musée Atelier Audemars Piguet was designed by BIG for the watchmaker to house its collection of timepieces.

“Looks like a frosted Danish possibly with cinnamon and raisins inside,” said Ben Chow. “Yummy.”

“Mmm, Cinnabon,” added E.T.

“Really?” continued Benny. “A Swiss roll, in Switzerland no less? New low for the crew at BIG.”

“It’s not a Swiss roll,” replied Geof Bob. “But a spiral like a watch spring – before batteries. Oh, you knew that, so why the negative comment? Ah, because it’s BIG.”

This reader felt similarly:



Do you think Musée Atelier Audemars Piguet looks good enough to eat? Join the discussion ›


The Rye Apartments by Tikari Works

Less is more: commenters are divided over this apartment building in south London, which features a rust-red facade and an abundance of wood in its interior. Tikari Works designed the building to have a “sibling relationship” with neighbouring properties.

“Quite a nice design,” said Dariusz Boron. “Although it seems no London architect has ever had to use their kitchen. The wooden backsplash is going to get quite grungy near the sink.”

“A splash of paint and some wallpaper inside wouldn’t go amiss,” added Alfred Hitchcock.

Chris D had some reservations too: “Nice external design, but the public realm at ground floor is ugly with all the concrete, and grey brickwork would have been a better choice. The interiors make me feel queasy – you can’t turn away from knotty pine wherever you look.”

Geof Bob was more positive: “Pleasing mix of angular volumes, textures and shades, outside and in. These non-identical twins stand up for themselves, without needing another ‘sibling relationship’ with neighbouring properties.”

This reader also gave the thumbs-up:



Are you a fan of The Rye Apartments? Join the discussion ›


Masque Thing by Max Kuo

Stretch appeal: architecture studio Allthatissolid has designed a cabinet with rubbery doors that stretch and form breast-like shapes when pulled open and readers can’t get enough.

“What a giant load of fun,” said JB. “And faux materials are always delightful.”

Spadestick agreed: “Silicone stone – wow!”

“This is so wrong, yet so right,” added Logomisia.

“What a fun surprise!” concluded David Braha.

This reader summarised the doors in one word:



Are you equally excited by the stretchy cabinet doors? Join the discussion ›

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