Clerkenwell Design Week 2014 preview

Smith installation by Studio Weave for Clerkenwell Design Week

Dezeen promotion: new products by Edward Barber and Jay Osgerby and a pavilion by Studio Weave will feature at this year’s Clerkenwell Design Week in London from 20 to 22 May.

Tunisia Made lighting and vessels by Hend Krichen
This image: Tunisia Made lighting and vessels by Hend Krichen. Main image: Smith installation by Studio Weave

Highlights of the fifth annual Clerkenwell Design are set to include installations around the central London district and product launches from prominent designers and brands.

London-based Studio Weave has designed a pavilion for St John’s Square that references Clerkenwell’s craft heritage and will host a series of workshops during the event.

Mews tiles by Barber Osgerby and Mutina for Domus
Mews tiles by Mutina, Edward Barber and Jay Osgerby for Domus

Design duo Edward Barber and Jay Osgerby will showcase a new range of tiles for Domus created with Italian ceramics company Mutina.

A new line of pendant lights by Arik Levy is to be presented by Barcelona lighting manufacturer Vibia.

Skyline lamps by Örsjö
Skyline lamps by Örsjö

More lighting on show will include British studio Deadgood‘s metal laser-cut Marionette lamps and new a range of lights from UK brand Another Country by New York designers Workstead.

Register free online to attend Clerkenwell Design Week 2014, taking place from 20 to 22 May.

Read on for more information from the organisers:


Trend Spotting at Clerkenwell Design Week – 20-22 May 2014

At the forefront of design and innovation, Clerkenwell Design Week (20-22 May 2014) – now in its fifth year – once again plays host to a curated showcase of some of the best creative ideas from both design and architecture. The key shows, Design Factory, Platform, Detail and Additions, will present a comprehensive collection of the latest designs by leading brands from the UK and around the world. These four shows, coupled with a range of specially commissioned projects – as part of CDW Presents, firmly place Clerkenwell Design Week as a leading festival for innovations and design trends.

Deroma lights by Pinch
Derome lights by Pinch

Texture

A mix of materials, natural surfaces and tactile fabrics emerges as a key trend at this year’s Clerkenwell Design Week. Celebrating its 40 years of textile innovation, leading fabric brand Camira will launch its new Silk fabric, a mix of three natural fibres including flax, wool and silk. Pinch Design’s new Derome light will have its UK launch at the festival, while Swedish brand Örsjö will launch Skyline by Folkform, a new lighting collection with a pixilated effect – inspired by the architecture in Stockholm.

Architectural

Clerkenwell is renowned for its high concentration of architects, and it is only natural that this influence is reflected at Clerkenwell Design Week with architectural themed designs. Chisel & Mouse will present their scaled-down models of architecture landmarks, introducing the new Frank Lloyd Wright collection at Additions. Newcomer to the festival, Discipline will launch the sculptural Last Side Table by Max Lamb at Design Factory.

In collaboration with designers Edward Barber and Jay Osgerby, Domus and Italian ceramic house, Mutina will showcase a new collection of tiles – entitled Mews – by the designers at the festival. The range is inspired by the landscape, history and personality of London. Meanwhile, Barcelona based lighting manufacturer Vibia will present Wireflow, a new line of pendant lights by Arik Levy that symbolises linear and three-dimensional geometries, on the top floor at Design Factory. For CDW Presents, architecture practice Studio Weave – led by Je Ahn – has created Smith, a pavilion that pays homage to Clerkenwell’s heritage of craft making. During the festival, a series of workshops will be held in this space on St John’s Square.

Cushions by Toghal
Cushions by Toghal

Pattern

Floral prints and colour-popping fabrics are a key trend at Clerkenwell Design Week. Newly launched African textile specialists Toghal will exhibit at the new show Additions. Their first collection takes inspiration from the Mbuti of the Congo forest and the Yoruba from Nigeria.

Pattern enthusiasts Lewis and Wood will showcase their new wallpaper and fabric collections at Detail, while Tori Murphy – known for her geometric designs – applies soft muted colours to her British made, woven textiles, resulting in a soft and luxurious look.

Craft

Another prominent trend this year is craft – products with emphasis on the maker and materials. Young designer Hend Krichen will bring her Tunisia Made collection, a series of vessels created using Tunisia’s artisanal skills and craftsmanship, to the festival.

At Platform, new design company Tamma Design – run by Estonia born Johanna Tammsalu – will showcase its porcelain Solid Spin lamps, while The Camberwell Collective, a group of third year students and recent graduates from the BA 3-D Design course at Camberwell College of Arts, will present a selection of their latest work.

Bent wall lamp by Workstead
Bent wall lamp by Workstead

Woodwork

A rustic revolution, there is a growing emphasis on natural materials in furniture design. German based Vitamin Design will bring its Stool Klotz to Clerkenwell Design Week, a solid design that embraces the natural knots and formations in the wood. Meanwhile Barnby and Day will showcase hand-made furniture from their country workshop near the picturesque Hay-on-Wye, including a new handmade range using American black walnut and oak.

As part of CDW Presents, design collective Okay Studio, supported by the American Hardwood Export Council, has produced an exhibition – entitled FIVE, to celebrate the festival’s fifth edition. Inspired by five American hardwood species – tulipwood, ash, hard maple, red oak and cherry, five design teams from Okay Studio are working independently to create an eclectic mix of designs that will be on show at the Scin Gallery during the festival.

Lighting

Lighting is always a standout feature for Clerkenwell Design Week, and this year is no different with a dedicated lighting floor at Design Factory. Leading lighting experts Holloways of Ludlow, Artemide, Anglepoise, Prandina, Catellani and Smith, Studio Italia Design and ModoLuce will showcase their lighting range in the area.

A festival regular Deadgood will present its Marionette light, made from laser cut, folded sheet metal, while British design brand Another Country will launch an exclusive new range of industrial lighting by New York design studio, Workstead.

www.clerkenwelldesignweek.com

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Ultimate Reality: Augmented reality’s next step, tested in a recent media campaign for History Channel’s Vikings

Ultimate Reality


If you live in New York City, you might have seen big ads for the History Channel’s “Vikings” program on bus shelters and phone kiosks; if you’ve noticed fans waving their cellphones in front of them, it means you’ve also spotted …

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Magic Pencil Earphones

Pour un peu plus de 20€, vous pouvez obtenir ces écouteurs originaux pensés pas Megawing et appelées Magic Pencil Earphones. Disponibles en trois coloris, ces écouteurs sont compatibles avec les smartphones et propose un design pour le moins original, donnant l’impression d’avoir un crayon enfoncé dans les oreilles.

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Aesop’s identity for Toastits toasties

Aesop has created a playful pastel identity system for new Camden street food outlet, Toastits.

Toastits opens on Monday at Camden Lock Market and will serve a range of gourmet toasties, including the intriguingly named Bloody Mary. Owner Phillie Kenyon Shutes asked Aesop to create an identity that would convey an artisanal feel, but with a little added personality.

The brand logo features a ‘T’ in a slice of bread marked with grill lines. As Aesop designer Danii Maltman explains, it had to be simple, versatile and instantly recognisable.

The marque has so far been applied to coffee cups, napkins, wrapping paper, stationery and loyalty cards, which also feature a series of graphic patterns. Napkins and stationery play on the brand’s name, with phrases such as ‘nice raclette’ and ‘you’re drooling’, while cups are marked ‘D cup’ and ‘C cup’.

“The brief was very open – there were no limitations – which was great as we managed to put in a few discoverables that play on the Toastits name…[to] keep it playful and cheeky whilst still looking contemporary,” explains Maltman.

The pastel palette may seem an unusual choice for a sandwich stall, but Maltman says the aim was to stand out from the brightly coloured, hand written signs found around Camden Lock.

“The colour palette was [also] inspired by chalk colours from market chalk boards, but is ultimately young and fresh, which reflects the personality of the owner,” Maltman adds.

It’s a simple scheme but a distinctive one, and Maltman says the idea was to create “a scalable design that could start a bit more lo-fi and easily expand and grow as the business grows.”

Make It Wearable: Submit Your Vision on the Future of Wearables to Intel

Content sponsored by Intel

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If you haven’t heard yet, Intel is looking for visionaries to enter the MAKE IT WEARABLE global challenge. All it takes to enter is for you to upload a one-minute video on your vision of the future of wearables. Five winners will receive $5,000 and a free trip for two to the award ceremony in San Francisco to take place in November of this year. For complete rules and to enter check out the competition website.

For those of you who want to develop a complete wearable product, we will be launching the Development Track of the challenge in the summer of 2014 with a grand prize of $500,000. You will be able to enter by submitting a proposal and pitch video of an innovative and creative product concept. Submissions will be judged on a balance of creativity, feasibility and market potential.

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Penguin to unveil new covers on WeTransfer

Iain Sinclair, American Smoke. Cover by Nathan Burton

Penguin Books has launched a partnership with WeTransfer where selected book covers for new titles will be showcased via the full screen backgrounds to the file transfer website…

The first series to be shown via the website is for the publisher’s Street Art Series of novels which feature covers by artists: ROA, gray318, Nathan Burton, Sickboy and 45rpm. The series actually launched last year – details on the ten participating artists are here – but today’s launch will pilot what looks to be an ongoing collaboration between the publisher and WeTransfer.

Zadie Smith, Embassy of Cambodia. Cover by gray318

For the Street Art series the covers are photographed as still lives, surrounded by objects which reflect the subject of the books. If users click on the image they are taken to Penguin’s online store.

While the project isn’t launching with an entire set of brand new cover designs (three from this series were released in June last year), the tie-up is an interesting way of promoting forthcoming editions. WeTransfer has 20m monthly users so the cover artwork – and the book, of course – has the potential to reach a wide audience. The next series of covers will be premiered on WeTransfer later this summer.

Nick Cave, And the Ass Saw the Angel. Cover by ROA

Zoë Heller, The Believers. Cover by Sickboy

Joshua Ferris, Then We Came to the End. Cover by 45RPM

WeTransfer have also recently collaborated with the British Fashion Council, designer Nelly Ben and Where’s Wally.

Exotic House in Rio de Janeiro

Gisele Taranto Arquitetura a construit la « Tempo House » en remettant à neuf une maison coloniale de Rio de Janeiro. L’architecte a conservé la dimension exotique de la nature profuse. Divisée en deux blocs, la maison possède un SPA, un patio, une piscine et un home cinema. Une belle maison à découvrir dans la suite.

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Grimshaw unveils “world’s largest airport terminal under one roof” for Istanbul

News: a design team led by London firm Grimshaw has revealed plans for a new six-runway airport in Istanbul capable of accommodating up to 150 million passengers a year.

Istanbul Airport by Grimshaw, Nordic and Haptic

The Grimshaw-led team, which also includes Norwegian firm Nordic Office of Architecture and London studio Haptic, says the Istanbul New Airport Terminal One will become the “world’s largest airport terminal under one roof”, covering a site of nearly 100 hectares.

Described by the designers as “modern and highly functional, with a unique sense of place”, the terminal will feature a vaulted canopy dotted with skylights. These will focus daylight onto key sections of the interior, including check-in desks, passport control and shops.

Istanbul Airport by Grimshaw, Nordic and Haptic

The airport will be located 20 miles outside the city on the Black Sea coast. It will be built in four phases, with the first expected to open in 2018 and serve up to 90 million passengers a year.

A large plaza and transport hub will be built at the entrance, allowing the airport to integrate with existing rail, metro and bus routes.

Istanbul Airport by Grimshaw, Nordic and Haptic

Grimshaw recently completed an airport in St Petersburg with golden ceilings, designed to reference the gilded spires of the Russian city’s churches. But partner Andrew Thomas says this new project will aim to capture “design worthy of the world city of Istanbul”.

“The Istanbul airport attempts to reconcile the requirements for a top modern, functional airport with something that is rooted in local identity,” added Haptic director Tomas Stokke.

“We were inspired by the local use of colours and patterns, the quality of light and how it penetrates buildings, as well as by traditional architecture such as the Süleymaniye Mosque.”

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terminal under one roof” for Istanbul
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Cantilevered granite forms developed by Zaha Hadid for CITCO shelving

Milan 2014: architect Zaha Hadid has cantilevered a series of elongated strips of black granite to create a fluid storage unit for Italian brand CITCO.

Tela Shelving by Zaha Hadid for CITCO

Zaha Hadid lengthened the interconnected elements of the Tela Shelving for CITCO to make the heavy stone look as weightless as possible.

“Tela is a shelving system characterised by an interesting dichotomy: the solidity of the black granite of which it is composed seemingly dissipates with the elongated cantilevers,” said Hadid.

Shelves are connected to each other by sloping sections that support the cantilevers on both sides, so each of the three levels looks like a wavy line when viewed straight on.

Tela Shelving by Zaha Hadid for CITCO

This group of connections is offset from the centre of the unit and make the shelves appear to have been pulled up from a single flat piece of stone.

“At the centre of the configuration, its structural core, are the interweaved shelves which appear to open and unfold from a single surface to follow parallel trajectories,” Hadid said.

CITCO displayed the shelving on its stand at the Salone Internazionale del Mobile, which concluded on Sunday.

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by Zaha Hadid for CITCO shelving
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Formula 1 Pit Stops 1950 & Today

Observe how the art of the pit stop has evolved since 1950. The first pit stop is from the..(Read…)