Artek buys factory where Alvar Aalto developed his furniture

Stool 60 by Alvar Aalto

News: Finnish furniture brand Artek has acquired the production facilities that were used by its co-founder Modernist architect Alvar Aalto to develop his signature bent wood furniture.

HKT Korhonen, a factory founded by Otto Korhonen near the Finnish city of Turku, has been used by Artek ever since the furniture company was founded by Aalto, his wife Aino, art promoter Maire Gullichsen and art historian Nils-Gustav Hahl in 1935.

After Artek was sold to the Swiss design brand Vitra in September, the new owners bought HKT Korhonen to maintain the continuity and further development of Aalto’s products.

“Under its new owner, Artek comes into contact with a significantly larger and more international market,” said a statement from the brand. “When the chain of operations also includes manufacture, production can be developed to better serve a continuously evolving and growing market.”

Armchair 41 by Alvar Aalto for Paimio Sanatorium
Aalto designs produced at the factory include Armchair 41 (this image) and Stool 60 (main image)

Artek’s core archive comprises Aalto’s birch wood furniture designs, which were originally created in cooperation with Otto Korhonen’s factory. These designs include Armchair 41 created for the Paimio Sanatorium that Aalto completed in 1932 and Stool 60, the much-copied classic that’s been in continuous production since 1933.

The statement adds that “a proprietary manufacturing company also offers a framework for product development at Artek.”In recent years the brand has been collaborating with high-profile contemporary designers, including Shigeru Ban and Naoto Fukasawa, to develop new products.

The buy-out by Vitra in September was intended to give Artek a more international presence. Speaking about the deal at the time, Artek CEO Mirkku Kullberg said: “The international dimension, which was a clear goal already in Artek’s founding manifesto of 1935, needed to be revitalised.”

Artek will make the next major presentation of its portfolio at the Stockholm Furniture Fair next week.

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developed his furniture
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Good Food for Goodforks

Après son projet Handcrafted Typography, Marion Luttenberger, artiste autrichienne, revient avec une série qu’elle a faite en collaboration avec son amie Briony pour Goodforks. Elle s’amuse avec des aliments en formant des figures esthétiques qui défient souvent les lois de la gravité.

Portfolio de Marion Luttenberger.

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Pylon: An intelligent Wi-Fi system that allows safe, secure connection without a password

Pylon


Whether it’s hosting a house party or having clients come to your office, chances are you’ve dealt with giving out your network details—and you know it’s a bit of a pain. It can also be a security liability; with so many of your…

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Posters Inspired by the Cities of the World

Le studio Me&Him&You a été fondé par Peter O’ Gara & Ronan Dillon. Ils ont décidé de réaliser une série de posters des grandes villes du monde, montrant les plus hauts bâtiments de chacune d’entre elles. Des créations minimalistes limitées à 400 exemplaires chacune, représentant ainsi Londres, Berlin ou Paris.

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Martijn Van Strien’s Dystopian Brutalist Outerwear is “a kind of trend forecast”

Dezeen and MINI World Tour: graduate designer Martijn Van Strien explains that his range of coats made from single sheets of black tarpaulin are designed for an imagined future world where money and resources are in short supply.

Dystopian Brutalist Outerwear by Martijn Van Strien

Dystopian Brutalist Outerwear, which Van Strien exhibited at the Design Academy Eindhoven graduate show during Dutch Design Week last year, consists of five coats made out of cut sheets of folded tarpaulin.

Dystopian Brutalist Outerwear by Martijn Van Strien

“It’s a kind of trend forecast for a dystopian future that, when everything is not so great with the economic stuff that’s going on right now, we might be heading towards,” says Van Strien. “It will be cold; people will be unhappy; we’ll be living in buildings that are just grey blocks. These are coats that we could produce for people that don’t have a lot of money, when we don’t have a lot of materials, when a coat needs to last for a lifetime.”

Dystopian Brutalist Outerwear by Martijn Van Strien

Van Strien says he chose tarpaulin because it is cheap, resilient and simple to work with.

“[The coats] are all cut from a single piece of black tarpaulin,” he says. “You then have to weld the parts together with heat. In the front I’ve made closures with magnets and that’s pretty much it. This material is super easy to work with, you don’t need to finish it or anything and it will last forever.”

Dystopian Brutalist Outerwear by Martijn Van Strien

The coats were designed to provoke a reaction and make people think about where the world could be heading, Van Strien says.

“A lot of people feel a bit creeped out [by the coats] and that is the goal, that we think about how we’re handling our social malaise,” he explains. “I see myself as a fashion designer, so I’ve looked at this from a purely aesthetic point of view. But the thought behind it is something that I feel very strongly about. I never make a garment just because it’s pretty, it always has to tell a story.”

Dystopian Brutalist Outerwear by Martijn Van Strien

Despite being designed for a future that does not exist yet, Van Strien says he has been approached by a number of people interested in putting the coats into production.

“I was not planning on putting these coats into production when I first made them, it was just a statement,” he says. “But a couple of parties have come up and they asked me if I wanted to take them into production so now I’m considering it.”

Martijn Van Strien portrait
Martijn Van Strien. Copyright: Dezeen

We drove around Eindhoven in our MINI Cooper S Paceman. The music in the movie is a track called Family Music by Eindhoven-based hip hop producer Y’Skid.

You can listen to more music by Y’Skid on Dezeen Music Project and watch more of our Dezeen and MINI World Tour movies here.

MINI Paceman outside Evoluon building, Eindhoven
Our MINI Paceman outside the Evoluon building, Eindhoven

The post Martijn Van Strien’s Dystopian Brutalist
Outerwear is “a kind of trend forecast”
appeared first on Dezeen.

Richard Clarkson’s Awesome ‘Blossom’ Is Blowing Up: The Story Behind the ‘World’s First Inflatable 3D Print’

RichardClarkson-Blossom-1.jpg

We’ve been fans of Richard Clarkson‘s work since he was a dewy-eyed student at Victoria University of Wellington’s School of Design—which admittedly was not all that long ago—where he developed projects from the steampunk smartphone to a heady algorithmic chair. Now in his final term at SVA in New York City, Clarkson is a world away from his native New Zealand, yet he is more committed to his craft than ever as he looks forward to completing his MFA amongst the very first graduating class of the Products of Design program.

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May 2014 will also mark the two-year anniversary of a project from his Victoria days, which was only recently cleared for publication (more on that below). Working with supervisor Tim Miller, Clarkson took the class on “Creative Digital Manufacturing” as an opportunity to experiment with revolutionary new 3D printing technology—and even though he completed the project over a year and a half ago, he notes that “Blossom” may well be “the world’s first inflatable 3D print.”

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The heart of the design is a mixed material—thanks to a breakthrough in “simultaneous deposition of different build materials in a single print”—that can be rigid and flexible in different regions across its form. “[As in] nature, materials can be distributed seamlessly within objects for structural and functional advantage… The variation offers an opportunity to generate complex forms and dynamic structures that are impossible to make by any other means.”

While the video above nicely illustrates the final results, Clarkson shared more about the process—including why he’s just gotten around to publishing—and more details about just how he achieved his breakthrough.

(more…)

Inside Evernote Office in California

Le Studio O+A à San Francisco, a fait le design des bureaux de la start-up « Evernote », située à Redwood City en Californie. La décoration est colorée et boisée avec le slogan inscrit sur un tableau noir à l’entrée et le logo en bois : un éléphant. Plus de photos du lieu et des bureaux dans le suite de l’article.

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Interview: Will Adler of WILL Leather Goods: Discussing the Eugene, Oregon-based brand’s new leather bicycle project and larger creative influences

Interview: Will Adler of WILL Leather Goods


“People like the unexpected,” says Will Adler, founder of WILL Leather Goods, a brand he single-handedly built from the ground up at his residence in Eugene, Oregon. While predominantly known for their selection of accessories for…

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Job of the week: interior designer at Vitra Campus

Job of the week: interior designer at Vitra Campus

This week’s job of the week on Dezeen Jobs is a position for an interior designer at the Vitra Campus in Weil am Rhein, Germany, which includes the five-storey VitraHaus showroom designed by Herzog & de Meuron (pictured). Visit the ad for full details or browse other architecture and design opportunities on Dezeen Jobs.

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at Vitra Campus
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How your dog can protect you before you’re born

Herein we explain how pets can help your immune system, beginning when you’re in utero!Video..(Read…)