Viennese apartment with pretend skylights by Alex Graef

British architect Alex Graef has combined two art deco apartments in Vienna to create a home with clean white walls, restored oak floors and a row of artificial skylights (+ slideshow).

Beletage Apartment in Vienna by Alex Graef

Alex Graef renovated the two nineteenth century apartments to create an occasional home for an art collector. The architect designed a series of bright spaces with large open walls and built-in shelves to create places for hanging paintings and displaying small sculptures.

Beletage Apartment in Vienna by Alex Graef

One side of the residence contains the bedroom, library and kitchen, while the other side accommodates the living room, dining room and study.

Beletage Apartment in Vienna by Alex Graef

A series of pre-Columbian sculptures are dotted throughout the apartment to tie the spaces together and are highlighted by new lighting fixtures.

Beletage Apartment in Vienna by Alex Graef

“A layer of directional spotlights highlight the sculptures, each of which is visible from another, and thereby directs the flow through the space,” Graef told Dezeen.

Beletage Apartment in Vienna by Alex Graef

More lighting sits within three slices in the ceiling above the kitchen, creating the effect of a row of skylights.

Beletage Apartment in Vienna by Alex Graef

“The artificial skylights and deep-recessed dimmable ceiling spots provide basic uniform light levels to the space,” added the architect.

Beletage Apartment in Vienna by Alex Graef

Original oak parquet floors were restored on one side of the apartment, while the other side features new terrazzo flooring.

Beletage Apartment in Vienna by Alex Graef

Sliding doors between rooms are upholstered in a textured white fabric.

Beletage Apartment in Vienna by Alex Graef

The bathroom is contained behind newly added partitions and features dark tiled walls that contrast with the bright white of the rest of the residence.

Beletage Apartment in Vienna by Alex Graef

Photography is by Michael Nagl.

Here’s a project description from the architect:


Beletage Apartment in Vienna

London architect Alex Graef remodelled and furnished a large apartment in a 19th century building in Vienna for a non-resident client.

A deep plan, created by combining two adjacent apartments, was unlocked by demolishing all central partitions and inserting a series of gently rotated volumes containing bathrooms and ancillary spaces. An existing collection of pre-columbian miniature sculptures was used as a narrative device and installed as permanent client to host their often absent occupiers.

This created fictional views and axial relationships, which helped to determine and communicate a geometry that meets and transports often sparse but ever changing daylight deep into a large central space.

Floor plans of Beletage Apartment in Vienna by Alex Graef
Floor and ceiling plan – click for larger image

There it is met by a layered system of artificial lighting which looks to augment, complement and play, starting with a dominant central artificial skylight and using brightly lit wall faces and suspended lighting objects to mark moments and give structure to an otherwise free flowing spatial sequence.

The subtlety of light colour and intensity is enhanced by white as the dominant for all visible surfaces, helped by an interplay of different textures, reflections and refractions. Gaps between hard white volumes are filled by soft upholstered, white textured sliding doors, while inside surfaces of bathrooms and visible furniture use dark heavy materials and moments of bright colour.

Through large openings to an outer rim of existing rooms which are restored with their original wooden floors and traditional stucco, colour enters the white central space and further adds to its complexity and ever changing atmosphere.

Architects: Alex Graef Associated Architects Ltd (Alex Graef, Marek Dziubas, Christoph Eppacher, Natascha Madeiski, Heidi Lee, Thomas Dunning)
Consultant Engineers: Hollinsky and Partners, Vienna

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skylights by Alex Graef
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Inga Sempé unveils Ruché armchair covered with a quilt for Ligne Roset

Paris designer Inga Sempé has added an armchair to her Ruché collection of furniture with quilted covers for French design brand Ligne Roset (+ slideshow).

Ruché Armchair by Inga Sempé for Ligne Roset

Like Inga Sempé‘s earlier sofa and bed in the range, the Ruché armchair comprises a simple wooden frame with a loose padded cover draped over the top for comfort.

Ruché Armchair by Inga Sempé for Ligne Roset

The piece has an asymmetric design, with one armrest the same height as the backrest and the other sitting just proud of the seat so that the user can drape their legs over the side.

Ruché Armchair by Inga Sempé for Ligne Roset

“My idea was to offer different ways of sitting: normal, sideways, straight or slouchy,” Sempé told Dezeen. “As all edges are upholstered, there are no hard parts to avoid.”

Ruché Armchair by Inga Sempé for Ligne Roset

“An armchair is almost as expensive as a sofa so I believe that it should be as comfortable as the main piece of the living room,” she continued. “Sometimes the armchair is more like the poor and less comfortable member of a range that includes a sofa.”

Ruché Armchair by Inga Sempé for Ligne Roset

The design is available with the higher armrest positioned on the left or the right, and it’s intended to be used with an existing ottoman in the range.

Ruché Armchair by Inga Sempé for Ligne Roset

The frame comes in natural or varnished beech, blue-grey or red, while the upholstery can be made up in a choice of Ligne Roset fabrics including velour, wool, thick cloth, microfibres or leather.

“I have to say that I was not behind the choice of the sofa’s colours,” she confided. “It often happens that the company does not want to involve the designer on the colours, and so one discovers it at the fair. Sometimes one could cry; sometimes one can be lucky.”

Ruché Armchair by Inga Sempé for Ligne Roset

Ligne Roset will showcase the new piece at Maison & Objet trade show in Paris from 24 to 28 January 2014, where Sempé has chosen to present it in red and taupe.

“I have chosen this colour to contrast with the red structure, and to be rather happy and enlightening as it has to be presented at this dark time of the year in Europe,” she explained.

Ruché Armchair by Inga Sempé for Ligne Roset

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saska modern desk

Desk, or rather secretary hand made aut of oak wood and veneered blockboard. Hand turned and polished knobs out of brass or aluminum. Please, type “sa..

Dezeen’s A-Zdvent calendar: Oscar Niemeyer

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N stands for late Brazilian architect Oscar Niemeyer in our fourteenth festive A-Zdvent calendar. This image by photographer Pedro Kok depicts the entrance to the Ibirapuera Auditorium in Sao Paulo, completed in 2005, while the architect’s most famous projects include the National Congress of Brazil and the Cathedral of Brasília.

See more architecture by Oscar Niemeyer »

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Just How Original Were the First iPhone & iOS 7? According to Kirby Ferguson’s Latest ‘Everything Is a Remix’ Case Study, Not at All.

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One more for today, via new Gizmodo-spinoff Sploid: We took note of filmmaker Kirby Ferguson’s “Everything is a Remix” project when it launched in 2011; given his thesis—that art and innovation increasingly consists of merely recombining existing ideas in novel ways—it will only become more true as time marches on. Ferguson has just revisited the project with a one-off case study on the iPhone, and while it’s definitely worth watching, it does feel a bit like armchair analysis—dissecting these specimens (see also: the viral “Was iOS7 created in Microsoft Word?” vid) or, say, identifying all of the samples in a Girl Talk album is, as the clich&ecute; goes, to miss the forest for the trees, and overlook the seamlessness of the the system as a whole (which, as we all know, was Jobs’ genius in the first place).

That said, it’s nice to see all of the reference points in one place, and unlike the latter example, in which the DJ’s All Day actually boosted sales of its source material, hardware is a zero-sum game. As an immaterial good, we hear or listen to dozens, if not hundreds, of songs every day; most of us only own a single phone.

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Get Popped: Hand Forge Bottle Opener

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Bring a little fire-god into your drinking routine. The Hand Forge bottle opener offers that je ne sais quoi that comes from being heated to 2,000 degrees and smashed into shape. Rough-hewn but carefully made, each bottle opener is forged individually on the anvil, then finished by hand and inspected for proper fit. This piece of badass static machinery never fails to grab attention (or bottle caps). Put the power back in your power-drinking.

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The Hand Forge Bottle Opener – $36
Available now at Core77’s Hand-Eye Supply

Order now for guaranteed holiday delivery!

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Into The Atmosphere

Into The Atmosphere, c’est le nom de cette superbe vidéo en timelapse réalisée par Michael Shainblum en l’honneur de l’État de Californie et de ses paysages. Entre montagnes, déserts ou encore paysages de littoral, cette création a pris près d’un an et est composée de plus de 12 000 photos.

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In the Details: Converting the Sleeping Bag into an Everyday Household Blanket

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Early this year, on a surf-and-ski trip gone awry, the San Franciso–based designers Wylie Robinson and Nick Polinko found themselves stranded in their car overnight in sub-zero temperatures. Luckily, they had sleeping bags, which not only kept them warm until they could get their car towed but gave them an idea for a new product—a high-performance blanket for the home that they dubbed the Rumpl and launched on Kickstarter this month.

“We felt that the soft, warm, durable materials used in our bags had the potential for many uses other than camping or super-technical apparel,” Polinko says. “We realized the everyday blanket was severely lacking a modern update, and the boring style options at local home supply mega-stores were dull and repetitive.” Looking at the options available, they noticed that everything seemed to be made for either college students or Martha Stewart. With a shared spite for dealing with clumsy duvet covers and an affinity for the feel of technical materials, the two knew they could develop something better. “We set out to solve a problem that we had, and found out that lots of other people felt the same way,” Robinson says.

But realizing their vision was hardly a straightforward task. Robinson and Polinko knew exactly what kind of material they wanted—a durable, water-resistant coated nylon like the kind found in high-end jackets and sleeping bags. Their first step was to source the material in bulk, a surprisingly challenging task. With backgrounds in product design and graphic/environmental design, respectively, Polinko and Robinson had a lot of experience building new products from scratch, but never in the soft-goods department. To fill that gap, they brought in an apparel designer.

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Core77’s 2013 Ultimate Gift Guide: Hipstomp’s Had-It-Up-to-Here with the Holidays Gift Guide Picks

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The Core77 Ultimate Gift Guide is one of the more popular pieces of content that we put together every year, both for our readers and those of us who have the privilege—and eye—for making the selections. In the interest of capturing the communal spirit of this year’s Gift Guide, the contributors will be selecting a few of their favorite picks from their cohorts’ lists alongside one of their own.

In other words, hint, hint.

Most stuff is junk, it just is. So when it comes to buying gifts, do the planet and your giftee a favor and get them something they’ll actually use, rather than throw out or toss in a corner.

For this year’s Gift Guide, I looked around my place for some of the most useful things I own, with a particular focus on objects that can not be replaced by other objects; meaning, almost everything on this list has a unique function or performs its task in a far better way than you could do it before that object existed.

None of the items on my list are sexy, so if you’re looking for wow-factor during the unboxing, you’ve got the wrong list. But assuming your giftee actually does the things these objects were designed for, they will find themselves using them time and time again, and you’ll get the credit for being one of those people that buys useful, kick-ass gifts.

To keep the Core77 Gift Guide going, we staffers were asked by the Core77 brass to pick some items out from other staffers’ lists. I take this to mean that after picking these items, we’ll then have them purchased for us on the company dime. Right? Boss? …Hello?

Rain Noe, Senior Editor

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From Glen Jackson Taylor’s list, I’ll pick the Sheffield Kevlar Shears. (Note that Glen has three names, like some kind of famous political assassin, and his gifts are also three-worded. Something is going on there.) Why shears that can cut through Kevlar? Because you never know when friends are going to come knocking on your door at 2am because one of them was shot and they can’t go to the cops, and because you took a veterinary course in college you then have to put on a white lab coat and look nervously reluctant while you fish the bullet out with a pair of tweezers and drop it into a silver kidney-shaped bowl with an audible “clink.” And you might need the shears to cut through their clothes. Of course if they were wearing Kevlar there’d probably be no bullet for you to remove, so, fine, maybe I didn’t think this pick through… $76 at Best Made Co.

From Mason Currey’s list, I’ll select the 2014 Cat Calendar. I’m a dog guy and I don’t like cats, but my dogs like eating paper, and I’m hoping they go for the cat calendar before they hit my copy of the Woodcraft catalogue. $50 from United Bamboo

From Fosta’s list, I’ll pick the Magnetron Carabiner. Why? You know why. Don’t play dumb with me. $30 from Black Diamond

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Miami Art Week 2013: Folded, Rippled and Melted: Our highlights of non-traditional shapes across sculpture and painting

Miami Art Week 2013: Folded, Rippled and Melted


Whether angled or oozing, wave-like or crumpled, shapes in art and design have always stepped beyond the boundaries of traditional form. During our recent exploration of art in Miami, a few works caught our attention, and also begged to be touched. While we actually couldn’t poke at any of…

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