The Office 2.0 by Pedrali

Dezeen promotion: Italian brand Pedrali has released a colourful furniture collection for use in all areas of the workplace.

Pedrali launches Office Collection
Laja armchairs and dining table by Alessandro Busana

The Office 2.0 comprises chairs, armchairs, modular seating, tables and stools designed in response to today’s more open and flexible office layouts.

Pedrali launches Office Collection
Noa chairs by Marc Sadler and Arki-Table by Pedrali R&D

The simple shapes and colourful upholstery of the furniture allow it to look as appropriate in work stations as it does in meeting rooms and reception areas.

Pedrali launches Office Collection
Noa chairs by Marc Sadler

Some pieces were designed by Pedrali’s in-house team, while other items are the work of Italy-based designers Marc Sadler, Claudio Dondoli and Marco Pocci, Alessandro Busana and Cazzaniga-Mandelli-Pagliarulo.

Pedrali launches Office Collection
Google Campus in Ireland by Camenzind Evolution and Henry J Lyons Architects

A few of the designs have been used to furnish the Google Campus in Ireland by Swiss architecture studio Camenzind Evolution and Dublin studio Henry J Lyons Architects.

For more information visit the Pedrali website. See more furniture design »

Keep reading for more text from Pedrali:


The massive changes occurring in workplaces, driven by technological progress, have profoundly influenced the design of contemporary offices.

Thanks to the introduction of new devices for mobile communication the employees do not have to be physically present in the office. They have to be available 24/7 but they are not bound to their desks as they live the work environments in a more dynamic way.

Pedrali launches Office Collection
Gliss Wood by Claudio Dondoli and Marco Pocci

Based on an extensive analysis of these changes, Pedrali has come up with a wide range of new fittings that are able to respond to the new and emerging demands of the second generation office: chairs, armchairs, modular seating, tables and stools for reception areas and conference rooms, open areas for meetings and rapid exchanges of information, furniture for break out areas and canteens.

A clean and bright coloured collection that has been also selected to furnish some areas of the Google Campus in Ireland, designed by the Swiss architecture studio Camenzind Evolution in collaboration with local firm Henry J. Lyons Architects.

Arki-Table by Pedrali R&D

Industrial look, rigorous shapes and versatility. The Arki-Table family of tables has been enriched by three new versions, that still keep the extremely thin tops and the peculiar structure with trestle legs.

Available in rectangular, square or round versions with steel or solid oak legs, extruded aluminium frame and solid laminate top. Top available with cable management for rectangular version.

Pedrali launches Office Collection
Host modular seating by Pedrali R&D

Host by Pedrali R&D

Host is a modular system, consisting of seating elements that offer different combinations. Steel tube frame Ø 16mm in chromed finish. The seat is completely upholstered with fire retardant polyurethane foam which can be covered with fabric or leather. Optional: linking device.

Pedrali launches Office Collection
Noa office chair by Marc Sadler

Noa by Marc Sadler

A family composed of chair and armchair which combines the elegance of proportions to the comfort of the seat thanks to the innovative construction technique. The seat is upholstered and contained in a polycarbonate shell with a polished external surface. The upholstery can be in fabric or leather. Noa is available in the stackable version with chrome-plated steel or powder coated four legs or in the version with die casted aluminium central base with four spokes with castors.

Pedrali launches Office Collection
Gliss Lounge by Marco Dondoli and Marco Pocci

Gliss by Marco Dondoli and Marco Pocci

Considered one of the “icon collections” of Pedrali, Gliss, expand its horizons introducing three new chairs that keep the same design idea. Gliss Wood chair has ash wooden legs and polycarbonate, technopolymer or upholstered genuine leather shell. Gliss Lounge chair has steel sled frame or aluminium swivel base with technopolymer or upholstered genuine leather shell. Gliss Swing is the rocking chair. Soft upholstered covering for Gliss Lounge shell available.

Pedrali launches Office Collection
Laja armchair by Alessandro Busana

Laja by Alessandro Busana

A family composed of chair and armchair in different versions. The comfortable seat is made of crossed elastic belts, covered by polyurethane foam. The back is slightly elastic and comfortable. The upholstery could be entirely with fabric or leather for the outside and fabric for the inside shell. The wide range of colours allows monochromatic upholsteries or bichromatic combinations, inside/outside.

Pedrali launches Office Collection
Malmö armchair by Cazzaniga-Mandelli-Pagliarulo

Malmö by Cazzaniga-Mandelli-Pagliarulo

A collection of ash wood furniture born from an imaginary journey along the sides of a Scandinavian lake. When, in 2012, the chair, the armchair and the table have been presented, immediately garnered the interest of the market. Both the chair and armchair have ash timber frame in bleached or black stained finish; multilayer, fabric or leather upholstered shell. Malmö extendable table has ash wooden legs matched with solid laminate or ash veneered table top.

Pedrali launches Office Collection
Malmö table by Cazzaniga-Mandelli-Pagliarulo

The armchair also won two international awards: the Good Design Awards, the prestigious award sponsored by the Museum of Architecture and Design “Chicago Athenaeum” and the Red Dot Design Award 2013.

For the Salone del Mobile 2013 the Malmö family expanded to new contexts entering in lounge environments, waiting areas and cafes. The collection has been enriched with a lounge armchair, the coffee tables and the barstools, all made of solid ash frame with tapered legs. The result is a unique Scandinavian taste of exceptional lightness.

www.pedrali.it

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Core77 Design Awards 2013 Honorees: Furniture & Lighting, Part One

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Over the next few weeks we will be highlighting award-winning projects and ideas from this year’s Core77 Design Awards 2013. We will be featuring these projects by category, so stay tuned for your favorite categories of design! For full details on the project, jury commenting and more information about the awards program, go to Core77DesignAwards.com.


Student Runner-Up

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  • Project Name: Rocking Lump
  • Designers: Michael Neville
  • Cranbrook Academy of Art


The Rocking Lump is no ordinary cardboard chair. This project is my largest experiment with cardboard pulp to date. My goal was to create a chair that had a small ecological footprint and could double as both a rocking chair and an adult-sized rocking horse. This object is designed for enjoyment and play. Rocking Lump is designed for two primary sitting positions. In one, the user can lounge on the form, using the “handle” as a backrest. In the other position, the user rides the form as a rocking horse. Most importantly, this object showcases handmade construction.

– How did you learn that you had been recognized by the jury?

Honestly, I was alerted when my phone started vibrating. It woke me up! A few close friends were congratulating me about the award via text and Facebook. I really didn’t believe it until I logged into my email to find the official announcement. It was a huge surprise! It was even more pleasant to learn that Ryan Pieper, a classmate of mine, had also been awarded in the same category!

– What’s the latest news or development with your project?

I am continuing to work with paper pulp as a construction material for furniture making. However, the Rocking Lump is still the only adult-sized project with this material to date. I have been primarily producing child-sized rockers with the paper pulp. Conceptually, the link between the recyclable/biodegradable nature of the material and the short life span of a child’s toy is much stronger to me. I am essentially producing toys that can be conscientiously disposed of. I am continuing to experiment with the qualities of the paper pulp itself. I am currently researching and producing natural dyes to color and pattern the surface of the pieces. I am also researching paper “recipes” to realize greater tensile strength and aesthetic variation. Concerns over the paper pulp’s durability have led me to investigate natural finishes as well.

– What is one quick anecdote about your project?

The debut of the Rocking Lump was for my first-year review in February. This involves the Artists-In-Residence (AIRs) at Cranbrook visiting a curated space of yours to review and critique your work. It is a tense day, concluding weeks and weeks of work and anticipation. One of the AIRs silently walked about the room before sitting down in the Rocking Lump and commenced her critique of my work, all the while gently rocking back and forth and caressing its sides. At one point, the Academic Dean strolled though my review space and asked if he could ride it… times when you wish you had a camera!

– What was an “a-ha” moment from this project?

My “aha” moment came shortly after I saw the paper pulp crumble apart during construction. I begrudgingly began to rebuild the form, questioning my motives and worrying over the value of my time here in graduate school. Was the time this piece demanded worth it? What was this piece even intended to do? As I said in my original Q & A, the Rocking Lump was essentially a scaled up version of a smaller rocker I had previously produced. Beyond stretching the material limits of the paper pulp to achieve an adult-sized form, I was pretty clueless as to what my other goals for making it were. The “aha” came at this moment, when I fully realized the absurdity of what I was making and decided to embrace it. I remember it distinctly. I was making another batch of pulp (super labor-intensive) when it dawned on me that this project was about play to its core. The making was free play, formless and with little direction or aims. The outcome had little importance to me, its function various and loose. I went to sleep that night with a big smile on my face.

View the full project here.

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Ballpoint Barber

Réalisée par Peter Simon, cette vidéo Ballpoint Barber nous propose de découvrir en stop-motion monté à l’envers un homme chauve utilisant une stylo magique pour se faire pousser les cheveux et la barbe. Une création sympathique à découvrir dans la suite sur une musique de Paul Otteson.

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Fashion X Technology: Ying Gao: The experimental fashion designer creates technology-driven clothing that responds to sounds, voices and human presence

Fashion X Technology: Ying Gao


Montreal-based fashion designer Ying Gao merges a poetry in craftsmanship with technological curiosity. After attending university at the Haute…

Continue Reading…
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The Things They Carried: Remembering September 11 Through Objects


The helmet worn by FDNY Engine 16 Lieutenant Mickey Kross, who survived the collapse of the North Tower. (Courtesy Skira Rizzoli)

At the distance of a dozen years from September 11, 2001, a new book relives the tragic events of that day through a selection of artifacts—Minoru Yamasaki‘s World Trade Center model, shattered plane fragments, the four-inch heels worn by Michele Martocci as she walked down from the 62nd floor of the South Tower and onto St. Vincent’s Hospital, and the wallet and wedding ring that once belonged to Robert Gschaar, who worked thirty floors higher.

The Stories They Tell (Skira Rizzoli), edited by Alice M. Greenwald and Clifford Chanin, also offers a preview of the National September 11 Memorial Museum, slated to open early next year. “At the 9/11 Memorial Museum, every object tells a story, bringing history into vivid focus,” writes Joe Daniels, president and CEO of the National September 11 Memorial & Museum, in the book’s introduction. “The objects connect us to people who owned them, made them, used them, or survived them.”

New Career Opportunities Daily: The best jobs in media.

From Skulls to Sexy Pinups, Lethal Threat Wants Your Graphic Design Skills in Yonkers, New York

Work for Lethal Threat!

wants a Graphic Designer
in Yonkers, New York

Speed, aggression, thrill seeking, controlled danger, living on the edge…

These are the characteristics that represent what Lethal Threat Designs are all about. They create apparel, embroidered items, stickers and sculpted items with designs that incorporate the use of tattoo style themes such as pin up girls, skulls, and horror related imagery.

They’re looking for a Graphic Designer who would be right at home with this style, and perhaps even action sports, who also brings high level communication and organization skills to the table.

Do you have what it takes? Apply Now

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Dezeen’s responsive site is live! -redirect

If you’ve visited Dezeen on a mobile device over the last few weeks you may have noticed some improvements… our mobile-friendly responsive site went live at the end of last month.

Dezeen's new responsive site

The new responsive design detects the device you’re using and serves the optimal user experience for that device. So if you’re using a mobile phone, you’ll see a stylish new interface with simplified navigation. There is just one column of stories, with all other navigation tidied away into drop-down menus.

Dezeen's new responsive site

Dezeen is proud of its logical yet stylish layout and we think we’ve found a way to bring those same qualities to smaller mobile screens. The mobile experience is designed to be as simple, clean and fast-loading as possible. Features such as slideshows and movies automatically reformat to work seamlessly on iPhones, Android devices and other mobile gadgets.

Dezeen's responsive site

We’ve been testing the site extensively since it went live and we think we’ve ironed out all the bugs, but let us know if you spot any more.

We’re still working on ways of sharing stories via social media on mobile, and on offering a way to view the desktop version of the site, in case you’d prefer that experience.

Dezeen's responsive site on iPhone 5

Comment counts will also be added to the homepage soon (and by the way we’ve also overhauled our comment engine, which is now run by the more elegant and customisable Disqus solution, rather than Intense Debate).

Suggestions for further improvements are most welcome!

Dezeen's responsive site on iPad

Desktop, laptop and tablet users will still see the full, three-column version of Dezeen. Our analytics show that readers feel very comfortable visiting the full version Dezeen on devices such as iPads – the number of users visiting Dezeen on tablets more than doubled over the past year compared to the previous year. Mobile users grew 70% over the year and have grown a further 20% since we introduced the new responsive site.

The site has been designed by our office mates Zerofee. The next steps will be to roll out responsive versions of our Dezeen Jobs recruitment site and our Dezeen Watch Store ecommerce site. Our World Design Guide maps already feature responsive design.

The post Dezeen’s responsive
site is live! -redirect
appeared first on Dezeen.

Learn Infographics and Get a Free Webcast


A dollar bill stamped with fact-based infographics from the Occupy George project.

Ready to respond to requests of “Show me the data!” with more than a sad little bar graph? The Mediabistro mothership is now recruiting would-be data visualizers for an online course in infographics that can “engage an audience in your brand, cause, or mission.” Guided by veteran creative director Sascha Mombartz, whose resume includes stints at The New York Times and Google, students will get up to speed with online tools (we’re looking at you Many Eyes) and develop a robust spec for a data visualization. The infographical fun starts next week, and if you register by tomorrow (no later than 11:59 p.m. EST on September 12), we’ll throw in a free webcast. Use promo code WEBCAST at checkout. Then use all of the dollar bills you save to circulate your newly created infographics.

New Career Opportunities Daily: The best jobs in media.

Explore 3D Printed Fashion, Food Next Week in California

3D-printed guitars, food, and fashion will be displayed and discussed at Mediabistro’s Inside 3D Printing Conference & Expo next week, September 17-18 in San Jose, California. Join us there and network with leaders in the Silicon Valley tech community.

Design-oriented sessions include “Tools of Creation” and “The Future of Retail and Materials for 3D Printing,” which will be led by Isaac Katz of Electronic Art Boutique and David L. Bourell of Laboratory for Freeform Fabrication.
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New Career Opportunities Daily: The best jobs in media.

Unitasker Wednesday: Nail Perfect

All Unitasker Wednesday posts are jokes — we don’t want you to buy these items, we want you to laugh at their ridiculousness. Enjoy!

Regular readers of this site know that I don’t have fingernails, so most everything about painting and decorating fingernails doesn’t make it onto my radar screen. However, I have hung out with enough people who do their nails to pick up some understanding so I’m not a complete idiot about the subject. I’d earn a solid C- if I were to be graded on painting fingernails.

But, even as a below average student on fingernail painting, even I know this week’s unitasker selection is overkill. Introducing Nail Perfect:

This gigantic doodad is to help you avoid painting your finger as part of the fingernail-painting process. Okay, fine, I’ll concede that accidentally painting your finger could be annoying. I can imagine that being bothersome.

However, this device doesn’t save you any time or effort — after you’re done painting your nails you still have to clean fingernail polish off the machine. It’s either a little fingernail polish remover on a Q-tip to remove the polish from your skin or fingernail polish remover on a cotton ball to take the polish off the device. Cleaning is still cleaning.

One of the reviewers on Amazon also pointed out that you have to leave a single nail in the slot until it dries before being able to apply a second coat. So, instead of being able to paint all 10 fingernails and then returning to the first fingernail to apply a second coat … you paint one nail, wait 5 minutes, paint a second coat on it, and then go to the next fingernail, paint it, wait 5 minutes, paint a second coat on it, etc. Doing all your fingernails could easily take an hour instead of 20-30 minutes. I can’t imagine how long it would take if you needed to do three coats …

And, last but not least, this thing doesn’t work for toenails. Sigh. You still have to clean the polish off your skin on your feet or find a manufacturer to start producing a Toenail Perfect gizmo. (I see dollar signs!)

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