House in Alcobaça by Aires Mateus

Portuguese studio Aires Mateus has transformed a house in Portugal into a bright white building with a sprawling extension (+ slideshow).

House in Alcobaca by Aires Mateus

The three-storey house is located in Alcobaça, a Portuguese city dominated by the presence of a twelfth century monastery, and it occupies a large irregularly shaped site on the edge of the river Dull.

House in Alcobaca by Aires Mateus

Aires Mateus upgraded and extended an existing residence and made every surface inside and outside of the house white, allowing it stand out amongst the brown and pink tones of the surrounding local architecture.

House in Alcobaca by Aires Mateus

The new windows appear as narrow vertical slices. Some of them overlap the white-painted frames that housed the windows before the renovation and each one is sunken into a deep recess, revealing the thickness of the exterior walls.

House in Alcobaca by Aires Mateus

Residents enter the house on the middle floor, where a staircase leads up and down towards either a top floor mezzanine or a lower floor living room.

House in Alcobaca by Aires Mateus

A curved skylight punctures the roof overhead and projects a teardrop-shaped splash of light onto the walls of the stairwell.

House in Alcobaca by Aires Mateus

Another curved opening leads from the living room to the rooms of the expansive extension, where a kitchen, a dining room and three bedrooms are spaced out around a series of small square courtyards.

House in Alcobaca by Aires Mateus

Storage closets are contained inside each of the thick walls that separate the rooms.

House in Alcobaca by Aires Mateus

The L-shaped garden wraps around the edge of the house and is bounded by the chunky white perimeter walls.

House in Alcobaca by Aires Mateus

Aires Mateus is a Lisbon-based architectural studio led by Manual and Francisco Aires Mateus. Past projects include a nursing home in Alcácer do Sal and houses with sandy floors that were exhibited for the Venice Architecture Biennale 2010.

House in Alcobaca by Aires Mateus

See more Portuguese houses on Dezeen, including a house in Lisbon with bushy plants on its facade.

House in Alcobaca by Aires Mateus

See more architecture in Portugal »

House in Alcobaca by Aires Mateus

Photography is by Fernando Guerra.

House in Alcobaca by Aires Mateus

Above: lower ground floor plan – click above for larger image

House in Alcobaca by Aires Mateus

Above: upper ground floor plan – click above for larger image

House in Alcobaca by Aires Mateus

Above: top floor plan – click above for larger image

House in Alcobaca by Aires Mateus

Above: cross section – click above for larger image

House in Alcobaca by Aires Mateus

Above: long section – click above for larger image

House in Alcobaca by Aires Mateus

Above: rear elevation – click above for larger image

The post House in Alcobaça
by Aires Mateus
appeared first on Dezeen.

Laser Cut Paper

Focus sur le créatif Eric Standley, un artiste américain qui multiplie les projets autour de ce concept « Laser Cut Paper ». Avec ces séries d’œuvres de papier découpées au laser, ce dernier nous offre des images de compositions splendides. Le tout est à découvrir en images dans la suite de l’article.

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towa desk

With this table, we proudly present a design studio and office desk. It comes with a wealth of first class details, perfect processing and convincing ..

Pentax Evangelion Q10 Limited Editions

Pentax has announced a range of limited edition Pentax Evangelion Q10 cameras(JPY 59,800 about $650)..(Read…)

Oh No They Di’nt!

Walking and texting is challenging enough as it is… but walking with my morning coffee and texting is damn near impossible if not dangerous! The Uppercup is the first cupholder designed just for iPhone – perfect for fanboys who love their coffee too. Ok… so maybe it’s not a practical solution to any real problem, but it’s definitely a clever statement about the flood of wild iPhone accessories on the market.

Designer: NATWERK


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(Oh No They Di’nt! was originally posted on Yanko Design)

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For the Purist

The XXXVI DG doesn’t fold, it has no electric motor, no phone charger or place to put an iPad, it can’t fly and it’s not an amphibious vehicle. It is, however… a bicycle with two wheels, gears, pedals and a frame. It was inspired by the purest form of the bike and simply applies traditional construction with modern materials to maximize the basics of a design that’s worked for over a century. It’s not going to be the fastest, smoothest, or even the most advanced…but it is… TIMELESS!

SPECS:

Frame type: titanium frame + bolted aluminum components
Fork angle : 17.5∞
Front brakes : 200 mm ,1 piston brake caliper
Rear brakes : 200 mm , 2 piston brake caliper
Front rim : 36″ / carbon fiber
Rear rim : 36″ / carbon fiber
28 spokes: 310mm flat spokes / stainless steel
Hubs: 200mm – mono hubs / aluminium
Cassette: single – 13
Cranckset: HammerSchmidt
Overall Length : 2001 mm
Overall Width : 500 mm
Overall Height : 1020 mm
Seat Height (min) : 900 mm
Ground Clearance : 180 mm
Wheelbase : 1140 mm
Weight : 11 kg

Designer: Paolo De Giusti


Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
Yanko Design Store – We are about more than just concepts. See what’s hot at the YD Store!
(For the Purist was originally posted on Yanko Design)

No related posts.

Daydream in the Clouds

Who hasn’t dreamt of laying on the clouds?! This playful seating collection called Cirrus brings the fluffy stuff indoors in a whimsical series of gentle sofas and lounges. As comfortable as they look, each piece is composed with a rigid OSB frame and sinuous spring system in the seat and back surrounded by flexible PUR foam so it keeps shape without sacrificing comfort.

Designer: Dizajno


Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
Yanko Design Store – We are about more than just concepts. See what’s hot at the YD Store!
(Daydream in the Clouds was originally posted on Yanko Design)

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City Camouflage by Roeland Otten

Dutch designer Roeland Otten uses mosaic tiles, paint and photographic prints to disguise scruffy public buildings like this former public toilet in Amsterdam (+ slideshow).

City Camouflage by Roeland Otten

Above: mosaic tiles on Air Quality Measuring Station in Amsterdam

For the latest instalment in Roeland Otten’s City Camouflage project, the tiles provide a pixelated view of Jan van Galenstraat shopping street.

City Camouflage by Roeland Otten

Otten’s project began in 2009 with the transformation of a former electricity substation on the corner of Graaf Floristraat and Heemraadsingel in Rotterdam.

City Camouflage by Roeland Otten

Above: Transformatie Huisje in Rotterdam uses a photograph printed on aluminium

He clad the building in sheets of aluminium printed with high-resolution photographs of the surrounding streets, so that it seems almost invisible among the houses and trees.

City Camouflage by Roeland Otten

Last year he used acrylic paint to transform a rusty electricity substation on the Boompjeskade waterfront in Rotterdam.

City Camouflage by Roeland Otten

The bold graphic paintwork makes the substation blend in with the water and foliage nearby.

City Camouflage by Roeland Otten

Above: acrylic paint was used for Dazzle Painted Electricity Substation in Rotterdam

Similar projects featured on Dezeen include a glass building disguised as an old farmhouse in the Netherlands and clothing that blends in with manhole covers and vending machines.

City Camouflage by Roeland Otten

We previously featured Otten’s collection of 26 chairs that spell out letters of the alphabet.

City Camouflage by Roeland Otten

See all installations »
See all Dutch architecture »

Here’s some more information from Otten:


Air Quality Measuring Station (2012)

An old public toilet building used to measure the quality of the air in this thoroughfare in Amsterdam was to be renewed, but the district council determined the area shouldn’t suffer from another concrete element. The design camouflages the little concrete building of GGD (Health Department of the city) Amsterdam.
 The tiling patterns bring back the lost views as pixelated images of the shopping street Jan van Galenstraat.

Made in 2012. Materials: Winckelmans tiles 5 x 5 cm in 24 colours, anti-graffiti coating. Dimensions: 1.8 x 3 x 2.8 m

Location: Jan van Galenstraat, Amsterdam, the Netherlands

Dazzle Painted Electricity Substation (2012)

In the newly developed park at the Boompjeskade/Leuvenhoofd in Rotterdam there was a rusty 70s electricity substation that was not on any map, 
therefore not taken care of, and was still there after the completion of the area. 
Commissioned by Rotterdam City Development, the old object got a fresh look with this dazzle painting.

Made in 2012. Materials: acrylic paint, anti-graffiti coating. Dimensions: approx. 2 x 1.5 x 2.5 m

Location: Leuvenhoofd, Rotterdam, the Netherlands

Transformatie Huisje (2009)

Purpose of the design is to bring back the lost view in this historical part of Rotterdam that was taken up by a concrete electricity substation.
 It was the winning entry of a contest for artist and designers organised by the Graaf Florisstraat in 2007.

Made in 2009. Materials: coated hi-res print on aluminium. Dimensions: 3.5 x 2.5 x 2.5 m

Location: crossing Graaf Floristraat/Heemraadsingel, Rotterdam, the Netherlands

The post City Camouflage
by Roeland Otten
appeared first on Dezeen.

Apps for Close Friends

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In the world of tech design, bigger seems to be better. The more people you can reach, the more you can broadcast, the more successful your app. And yet the root of the mobile phone—or the phone more generally—has always been about one-on-one conversation. It was relatively recently that we could send a blast to more than a few people at a time through apps like Twitter and Foursquare.

Which is why I was intrigued by a recent piece from Jenna Wortham in the New York Times noting what’s happened now that our mobile experiences have scaled:

As these media have matured and more of our colleagues, former flings, in-laws and friends have migrated to them, our use of them has changed. We’ve become better at choreographing ourselves and showing our best sides to the screen, capturing the most flattering angle of our faces, our homes, our evenings out, our loved ones and our trips.

Dubbing this experience “success theater,” she goes on to note apps that are designed for more intimacy, like Snapchat or Facebook Poke. After years of being encouraged to gather as many followers and friends as possible, many users are swinging in the opposite direction.

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Which got me thinking about two apps that have picked up steam as of late. Both of them—WhatsApp and WeChat—focus on simple sharing for small groups or individuals. You could call them, reductively, complex SMS systems, but what they allow is much broader. From sharing videos and pics to even voice memos, they make facilitate one-on-one exchanges between friends, rather than blasts and curated photos designed for public consumption. The ability to create small groups means that circles of friends can easily chat and share ideas, with all the multimedia features of a Twitter or Facebook and none of the pressure to perform.

WhatsApp seems to be more popular with my American, European and African friends, whereas WeChat, developed by China’s Tencent, is clearly dominant in China, and perhaps other parts of Asia. It’s not a surprise to me that they’ve caught on, and I suspect more and more apps like them will start popping up. If the latter decade was focused on scaling up social media and watching sites like Facebook enter the mainstream, maybe this decade is about designing for intimacy, designing for the social experiences we want to share just with a handful of friends.

(more…)

Death Valley Dreamscape (Time-Lapse Video)

"my brave team and I trekked to the world-famous Eureka Dunes in Death Valley National Park to ..(Read…)