Movie: a mechanical maze that rearranges itself

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that rearranges itself
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Movie: Marc Newson on making things himself

The post Movie: Marc Newson on
making things himself
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News: Venice Biennale “cannot get any worse ” – Wolf D. Prix

The post News: Venice Biennale “cannot
get any worse ” – Wolf D. Prix
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Special feature: design for Paralympic athletes

The post Special feature: design for
Paralympic athletes
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Special feature: Paralympic design

The post Special feature:
Paralympic design
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Paralympic design: adaptive rowing equipment

Stabilising pontoons and specially designed seats are just some of the modifications that can be made to equipment used by rowers at the London 2012 Paralympics.

Paralympic design: adaptive rowing equipment

The hulls of the adaptive boats are identical to those used by able-bodied athletes, apart from the single scull that is wider.

Paralympic design: adaptive rowing equipment

Pontoons or floats may be fixed to the riggers to help athletes who can’t use the full lower body to balance the boats.

Paralympic design: adaptive rowing equipment

Seats in an adaptive single are high-backed and fixed into position to support the lower and upper back while in a double the seat is slightly lower backed to allow for trunk movement but is still fixed.

Paralympic design: adaptive rowing equipment

Rowers are restrained by velcro straps that allow for easy release in case of a capsize.

Paralympic design: adaptive rowing equipment

Athletes classified as visually impaired wear masks that cut out all light whilst on the water.

Paralympic design: adaptive rowing equipment

The Paralympic rowing finals take place at Eton Dorney on Sunday 2 September.

As part of a series of stories about Paralympic design we’ve also featured the Nike Spike Pad worn by Oscar Pistorius and racing wheelchairs used by David Weir and Shelly Wood at the games, and you can see all our stories about London 2012 here.

Here is some more information from British Rowing:


Equipment

Adaptive rowing challenges barriers to participation in the sport for individuals with learning, physical and sensory impairments, by providing opportunities supported by a range of technical and coaching resources.

Often you will find that there will be no need to fork out hundreds of pounds for new boats – it is possible to row in a normal boat with some of the following equipment and adaptions that are inexpensive and easy to use:

Boats

The hull of the adaptive boat is identical to able-bodied boats (with the exception of the single scull, which is a wider boat). In the Paralympics, all boats are standard boats, though in normal international adaptive rowing the LTA4+ is allowed to be slightly different. Stabilising pontoons (floats) may be fixed to the riggers of all the boats except the LTA4+.

Seats and straps

Seats in an adaptive double or single are different to the seats in an able-bodied boat (the seats in the LTA4+ are the same). In the single, a high-backed seat is used and fixed into position to support the lower and upper back. The rower is strapped to this seat to prevent trunk movement. In the double, the seat is slightly lower backed to allow for trunk movement but is still fixed.

Seats are also available to fit indoor rowing machines. Clamps can fix seats into a stable position and various protectors (such as gel protectors) will ensure there are no injuries caused by the fixed seats.

Gloves

To help athletes with limited hand function, gloves are available which help the athlete grip a blade or handle. These can be used in both indoor and on water rowing.

Restraints

Velcro restraints are used in racing to ensure that there is no leg or trunk movement as appropriate. These are always fixed with velcro so in the event of a capsize athletes can quickly remove the restraints. They can also be used in indoor rowing and outside racing to give increased support whilst using a seat.

Masks

To help ensure a fair and level playing field, athletes classified as visually impaired must wear a mask whilst on the water. This mask must cut out all light.

The post Paralympic design:
adaptive rowing equipment
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And Now, the Treadmill Bike

TreadmillBike-tease.jpg“The future of urban transportation”

Earlier this week, we wrote about the FLIZ, an admittedly outlandish concept for what we billed as ‘the Flintstones bike.’ Reactions varied between backhanded and forehanded critique: the unconventional hunchbacked frame unanimously raised questions of safety and comfort, while many commenters rejected the concept on principle, deriding the designers for stripping the bicycle of its essence. (Ironically enough, those who defended the project praised the fact that the designers were willing to explore the concept at all.)

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Still, the FLIZ team wouldn’t have entered the project in the James Dyson Awards if they were afraid of constructive criticism, and I imagine that the judges will share some of these concerns. After all, the concept has nothing on the Treadmill Bike, which “offers a sure grip while protecting your feet from dirt and other contaminants commonly found on the earth’s surface”:

And let’s not forget about the Uberhood and the Bike Butterfly.

TreadmillBike-spinners.jpg“Add some bling-bling to an already-sweet ride with a pair of ‘Deuce Extreme’ Spinna rims. Fo’ shizzle.”

Happy Friday, enjoy the long weekend!

via Bed Is a Computer

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David Taylor

The Stockholm-based Scottish artisan introduces a family of candlesticks

David Taylor

Based out of Stockholm, Scotsman David “Superdave” Taylor calls himself a metal craftsman. The self-proclaimed job title doesn’t necessarily do him justice, however, given that his roster of work regularly transcends the boundaries between design, art and craft. Yet, tags aside, the man is a true contemporary artisan in…

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Happy Socks for Keds

Ovviamente da Colette.

Happy Socks for Keds

Book Review: "Mars Attacks," A Retrospective

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If you were ever once a kid chances are there was something you loved to collect. For me it was Archie comics, for my brother it was lead soldiers and baseball cards, for my BFF up the block it was miniature spoons (don’t ask) and for some kids who were of prime collecting age in 1962 it was the graphic Mars Attacks trading cards. Before Tim Burton directed his 1996 film version (inspired by, methinks, the series’ 1994 rerelease), Mars Attacks was a trading card series produced by Topps, a company better remembered, perhaps, for their baseball cards packaged with a bright pink piece of Bazooka Joe brand bubble gum, which was manufactured onsite at their headquarters in Brooklyn. The Mars Attacks card packs also came with a heavily powdered slab of the delightfully difficult-to-chew gum, but unlike Topps’ other long-running series, Mars Attacks’ saga of alien destruction was considered too controversial and was shut down soon after production began.

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The scenes depicted on the cards were actually toned down from even more gruesome images of dogs set ablaze by laser beams and battered corpses, human and alien alike, but parents, teachers, reporters and the local DA thought the battle scenes were still too bloody and the women way too buxom for young children’s eyes.

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After printing ground to a halt the cards’ value soared; A full set of 55 cards is worth $25,000 today—more if you throw in an original wrapper or two. Adding to its cult classic status is the fact that the artwork for Mars Attacks was painted by Norm Saunders, “one of the most lauded pulp cover illustrators of the 40s and 50s.” Since every card needed to pop with the action and intensity of a pulp book cover, Saunders’ contribution was instrumental to the cards overwhelmingly popular reception amongst kids and teenagers as well as the adoration of fans that lives on today.

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