227 Flat by OODA

227 Flat by OODA

A suspended net provides a hammock over the staircase of this apartment in Porto by architects OODA

227 Flat by OODA

Residents can climb onto the net from a top-floor landing and there’s room for a couple of people to sit down at once.

227 Flat by OODA

Sliding glass doors on one side of the hammock open out to a terrace with a view out to sea.

227 Flat by OODA

The architects installed the net during a renovation of the whole two-storey apartment and have also added wooden floors in each room.

227 Flat by OODA

We’ve previously featured a set of hammock seats suspended from a metal structure.

227 Flat by OODA

See more stories about apartments »

Photography is by ctrl + N.

Here are a few more words from OODA:


227 FLAT
Porto 2012

In a place nearby the sea in Porto, we had the chance to design a complete transformation of a two storey apartment.

227 Flat by OODA

It was our intention to play with the light that strongly flows into the apartment merging it with new program needs.

227 Flat by OODA

The relation between voids, volumes and the function among then was the prime project drive aiming to create fine detailing while suggesting new surprising spaces and features to be used and lived in a daily basis.

227 Flat by OODA

Team: Diogo Brito, Rodrigo Vilas-Boas, Francisco Lencastre

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by OODA
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Burp

Brusque farmer is driving the truck with his big fat pig in the back. Passing the dark and foggy roa..(Read…)

Star Wars Fans – I Give You X-Rings

One of my favorite companies Black Badger Advanced Composites just released another amazing set of rings, this time inspired by the Star Wars universe. Appropriately called the X-Rings, each one is graphic in appearance and handcrafted from DuPont Corian. There’s more though – they GLOW! If you’re a Star Wars fan from the original trilogy, it may be time to put away the toy X-Wing and upgrade to an X-Ring. REAL DOPENESS!

Designer: James Thompson, Black Badger Advanced Composites $400


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(Star Wars Fans – I Give You X-Rings was originally posted on Yanko Design)

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Sushi Bazooka makes Sushi Rolling Easy and Hilarious

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No, we don’t usually go in for infomercial-grade products, but then again we’ve never seen the Sushi Bazooka before. When was the last time you saw a kitchen gadget being hocked by three singing sushi chefs, each holding a perfectly made sushi roll on a graphic with the slogan, “Make perfect Sushi rolls! Quick! Easy! Hilarious!” If you aren’t excited yet, maybe the sixteen exclamation marks on the ad will do the trick, or perhaps the fact that you can become a sushi master with this “convenient and washable 3-piece set” will get you to pick up your phone and order NOW!!

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We understand that some people are actually good at rolling sushi with nothing more than a bamboo mat, but for everyone who’s ever tried to impress a date with a homemade sushi dinner only to wind up with rolls that disintegrate when you cut them up, this Sushi Bazooka, as cheesy as it is, is actually kind of awesome. Oddly enough, it’s produced in New Zealand, so the instructions are in English—not that you’d actually need to reference them. This plastic wand is pretty self explanatory: “Make sushi. Eat sushi. Wash sushi off. Repeat the process at your convenience.” What more do you need to know? Could this just be the next $25 piece of kitchen crap you buy? Yes, it very well could be. OR it could also be the light saber of the sushi world? Remember, “Do, or do not (make sushi). There is no try.”

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Inklings

Temporary tattoos with old-school flavor

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For the fainthearted tattoo enthusiast, Inklings supplies authentic-looking ink in temporary form. Following in the footsteps of Tattly, the basic concept brings stick-on designs out of the schoolyard and into the realm of skin fashion. While Tattly charmingly satisfies the palate for design nerds, Inklings focuses on traditional macabre iconography with mostly black and gray illustrations. Winged skulls and drooling devils are offset by a run of art deco “Space Jamming” designs.

With a waggish degree of overstatement, Inklings’ own Dalasie Michaelis expresses the desire to “pry the temporary tattoo from the insipidness that currently binds it. Mend its disfigured little wings, rename it, and send it free into the hearts, forearms, upper arms, minds and sometimes ankles of everyone.”

Given the history of temporary tattoos, it’s no easy feat to rethink the gimmicky arcade prize, but the secret to Inklings’ success is a sense of play and rad designs. Pick up the tattoos up from the Inklings online shop, but buyer beware—even temporary tattoos can be a gateway drug toward permanent iterations.

Images by James Thorne


Last Chance to Register for Mediabistro’s Social Curation Summit

The Social Curation Summit kicks off tomorrow, July 31, in New York City, and time is running out to register (full-access passes go up $100 at the door). Join social media pros, brand marketers, entrepreneurs, and VCs for sessions revolving around brand loyalty, next-generation storytelling platforms, and filtering. Attend expert panels, including “Inspiration for DIY Communities,” “Leveraging Community for Curation and Commerce,” “The Social Media Mixtape,” and more. The summit is the must-attend event for anyone interested in the emerging technologies that are transforming the way we share, follow, and engage online—Pinterest and Tumblr, anyone? Connect with more than 40 expert speakers, including Derek Gottfrid (VP of Product, Tumblr), Scott Belsky (CEO, Behance), Oliver Starr (Chief Evangelist, Pearltrees), and Steven Rosenbaum (Author and CEO, Magnify.net). Check out the full speaker lineup and program here. Time is running out to save, so register now and save $100.

New Career Opportunities Daily: The best jobs in media.

Core77 Design Awards 2012: Museumvirus, Student Winner for Service

Over the next few weeks we will be highlighting award-winning projects and ideas from this year’s Core77 Design Awards 2012! For full details on the project, jury commenting and more information about the awards program, go to Core77DesignAwards.com

05-kunsthal-museum-virus-Colloured-glases-and-quest.jpg Museumvirus is a three-phase interactive game that teaches in the classroom and the museum.

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Museumvirus

Designer: Clementina Gentile

Location: Roterdam, Netherlands

Category: Service

Award: Student Winner

With her understanding that progressing technology should influence the way we teach, Clementina Gentile developed Museumvirus. This interactive game bridges the gap between the classroom and museum. This clever game uses multiple interfaces to capture the fleeting attention of today’s youth.

Museumvirus is an educational game divided in 3 phases. The first phase takes place at school. Through an online game played on the interactive white-board children identify themselves with different virus profiles. In the second phase the 4 virus groups, with the help of decoding glasses, read 4 sets of secret messages spread allover the museum exhibition. In this way they can answer a set of questions and obtain a secret code. In the third phase, back at school, with the secret code students access the last part of the online game: a interactive story with animated visuals.

How did you learn that you had been recognized by the jury?

I wrote down on my agenda the day that the winners of my category were supposed to be announced. It was a monday afternoon. And that monday was a pretty quiet one. I did not have that much to work on and I completely forgot to check my agenda. Late in the evening I remembered, so I simply went to the website to check the winning projects, taking for granted that mine was not there. When I saw the picture of Museumvirus I stared at the page for few seconds. I clicked on the link and I saw my name and only then I realized I was the winner of the student category. It was completely unexpected and I started jumping alone in the room.

What’s the latest news or development with your project?

The flexible and adaptable framework of the game was actually designed to be reused for different exhibitions and contents. Unfortunately at this moment the museum did not have the chance in terms of budget and logistics to actually update the contents and re-tailor the game for a different exhibition. I could possibly propose the game to other museums or cultural institutions.

What is one quick anecdote about your project?

It was in general extremely funny to work with children and to get their feedback—they are always to the point. My attempt of being an unobtrusive observer, mingling with them, was revealed to be more successful than I would have ever thought when a 13-year-old boy asked me if I was new in the school. One pretty remarkable moment was the final user test with a classroom in a secondary school. At the end of the evaluation I asked them to please return the decoding glasses, because I had only one pair of them and I still needed them to adjust the colors of the booklets. One pair of glasses was missing and the teacher was upset, but we could not guess who was the young thief. Until one of the student expressed out loud a comment which betrayed himself. “Why are they being so cheap?” he said, referring to me and my colleague. We could not help but laugh.

What was an “a-ha” moment from this project?

I got really inspired by research from MIT: “Hanging out, Messing around and Geeking out. Kids living and learning with new media.” The research showed in an incredibly vivid and analytical way the differences and gaps between standard education and new informal learning practice children are mostly acquainted with in the context of the new media ecologies. After reading this publication and after the actual observations in the school and in the museum context it came natural as an epiphany the idea of bridging this gap, bringing elements and features of this informal ways of learning into the traditional school context. It was still fuzzy on how I would get there, but what was clear to me was the need of a service which could merge school and museum almost into a unique cultural institution capable to offer an playful learning experience over space and time. After some more days of research and work and brainstorming sessions, Museumvirus was born.

(more…)


Clapham Library by Studio Egret West

This library by London architects Studio Egret West looks like a row of books (+ slideshow).

Clapham Library by Studio Egret West

Clapham Library occupies the lower floors of a 12-storey building, sitting underneath a number of private apartments.

Clapham Library by Studio Egret West

The exterior of the building is clad in white bricks infused with a mineral aggregate which gives the facade a sparkling effect.

Clapham Library by Studio Egret West

Inside the library, bookshelves follow the curve of a wide spiral ramp which leads up from the cafe and children’s library on the basement level to the reading room on the upper level.

Clapham Library by Studio Egret West

A spiral staircase also corkscrews straight to the upper level for quicker access.

Clapham Library by Studio Egret West

On the basement level, the children’s area doubles as a space for readings and musical performances with room for up to 100 seats.

Clapham Library by Studio Egret West

A study bench inside the long ramp provides additional seating for events, while the ramp itself can also be used as a viewing platform.

Clapham Library by Studio Egret West

Acoustic buffers hang down from the ceiling at angles to limit noise in the library.

Clapham Library by Studio Egret West

The library completes the £80m Clapham One regeneration scheme, which also includes a leisure centre, a doctor’s surgery and housing.

Clapham Library by Studio Egret West

We recently featured another project by Studio Egret West – a shoal of titanium fish outside a shopping centre in east London.

Clapham Library by Studio Egret West

See all our stories about libraries »

Clapham Library by Studio Egret West

Photography is by Gareth Gardner.

Here’s some more information from Studio Egret West:


Cathedral Group and Studio Egret West collaborate on new London library

The new Library Building in Clapham has opened its doors to complete the £80m Clapham One mixed-use regeneration scheme, which has transformed leisure services across two sites in Clapham Town Centre. The Clapham One development has been delivered by PPP (Public Private Partnership) specialists Cathedral Group, working in partnership with United House and Lambeth Council.

In addition to the new library, the scheme also provides a highly sustainable leisure centre, a new GP surgery and some of the most high quality residential accommodation in the borough including affordable housing, in partnership with Notting Hill Housing Group.

Clapham Library by Studio Egret West

The £6.5m, 19,000 sq ft public library, which has been designed by the architects Studio Egret West, is located in the heart of Clapham on the High Street on the site of a former office block, Mary Seacole House. In addition to holding more than 20,000 books, it provides a stunning new performance space for local community groups, as well as modern meeting room facilities. It is housed in a 12-storey, mixed-use building, with the community uses focused on the ground floor and the Clapham High Street frontage, and the high quality residential apartments above.

Behind the Library is the Primary Care Centre which includes two separate facilities, the Clapham Family Practice and a Primary Care Trust Resource Centre. There is also a basement car park that provides plant area and the required parking for the Primary Care Centre and the Library, along with car parking for the residential homes above.

Clapham Library by Studio Egret West

Click above for larger image

Library design

The Library has been designed as a distinctive public building with a well-defined identity that sits underneath a discreet, private building of desirable homes above. The Library embodies an audacious spiral design of seamlessly connected spaces. The openness and flexibility of the central space allows it to be transformed into a performance area, where the open spiral ramp offers visitors a great view of any performance.

The spiral represents a path of seamless learning, which connects the multifunctional building in a way that has not been seen before. On entering, it is immediately apparent where all the various elements of the building are located with the ramp spiralling up towards the reading room and down towards the childrenʼs library.

Clapham Library by Studio Egret West

Click above for larger image

The bookshelves follow the spiral of the ramp and face towards the open side of the ramp. This means that wherever you are standing, and especially from the entrance you will be able to see the main focus of the Library, the books. The books are arranged on standard shelving units that sit on level plinths which are part of the Library ramp. The books follow the ramp into the basement area where the childrenʼs Library is located.

Angular acoustic buffers hang down from the ceiling to prevent too much noise. At the bottom of the ramp, in the centre of the space and overlooked by the whole building, is the performance space which doubles as a reading area for the childrenʼs Library in the daytime.

Clapham Library by Studio Egret West

Click above for larger image

The stage is overlooked by the ramp as it spirals down from the reading room. As well as having a possible 100 seats at ground floor, there is also a study bench that follows the inside edge of the spiral, which can be used as additional audience seating. This configuration enhances the flexibility of the performance space. It can be used as a traditional theatre with rows of seating in the ʻstallsʼ and the ʻcircleʼ along the ramp even provides an ʻupper circleʼ.

Alternatively, the space can be used for smaller scale readings with seating around tables next to the stage area. As the performance space is at the centre of the building below the void, it lends itself to orchestral or musical performances. With musicians located in the reading area and the audience viewing from the ramp above the whole space will fill with music.

The Cafe is located on the ground floor. It has a prime high street position in the new Library without interfering with any of the community facilities in the building. It acts as a magnet from both the street and the Health Centre.

Clapham Library by Studio Egret West

The exterior of the building is designed to be elegant and unobtrusive. Although the form of the building is unique, the colouring has been kept purposefully low key. Cladding reinforces the form of the building, but also gives it a texture that will become more interesting the closer it is viewed.

The material employed is a white split-clad brick infused with quarts (sparkling Mica aggregate) for adding glistening qualities. The blocks are formed by breaking a single cast element into two sections, the broken (or split) face is unique to every block and has a three dimensional finish. From afar the masonry finish will have a uniform look, leaving the form of the building to shine through. When viewed from close-by the finish will be non-uniform with shadows and bright spots providing texture to the building.

Rising above the library and around the corner of the High Street into St Luke’s Avenue is the residential component in the form of three white, sculptured volumes. The soft curvaceous, three-fingered composition breaks up the massing of the building, gently stepping down to meet the Georgian house scale of the neighbouring residential streets. A cantilevered element at the first floor level is supported by a large, render-clad sculpted column, nicknamed ‘the stiletto’.

Developers: Cathedral Group and United House
Partners: London Borough of Lambeth
RSL partners: Notting Hill Housing Trust
Architect: (Mary Seacole House site) Studio Egret West
Contractor: (Mary Seacole House) United House
Contractor’s Architect: DLA Architecture and Studio Egret West (Library fit out)
Architect: (Leisure Centre site) LA Architects
Contractor: (Leisure Centre site) Morgan Ashurst

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Studio Egret West
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Olympic stamps by Hat Trick Design

London 2012 stamps by Hat Trick Design

Dezeen Wire: London studio Hat Trick Design have produced a set of Royal Mail stamps featuring iconic architecture from the capital to celebrate the London 2012 Olympics.

London 2012 stamps by Hat Trick Design

Tower Bridge, Tate Modern, the London Eye and the Olympic Stadium all feature on the stamps alongside the Olympic sports of fencing, diving, cycling and running.

London 2012 stamps by Hat Trick Design

London Mayor Boris Johnson said: “Even fleet-footed Hermes himself would hang up his winged sandals and send his letters through Royal Mail if he saw the quality of these beautiful Olympics-themed stamps.”

London 2012 stamps by Hat Trick Design

We’ve also previously shown stamps for Royal Mail and the Dutch postal service featuring design classics.

London 2012 stamps by Hat Trick Design

See all our stories about the London 2012 Olympics »

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Hat Trick Design
appeared first on Dezeen.

HHI Ninety-Two

Philadelphia’s custom motorcycle outfitter’s new stripped-down city slayer

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Built from a beefy 2007-08 Triumph Bonneville body, Hammarhead Industries‘ new Ninety-Two model falls firmly in line with the bad ass, bare-essentials aesthetic HHI has effortlessly grown to own. Originally designed and built as a one-off for the founder of Swedish workwear brand Dunderdon as part of their recent collaboration collection, the Ninety-Two turned out so well James Hammarhead and the crew decided to introduce it as a new model.

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Designed to battle the streets—and come out on top, unscathed—the Mad Max-esque motorcycle is outfitted with Marine-grade materials for the fenders, seat and matte-finish paint. And as the unofficial HHI saying goes, “you can have any color you’d like, as long as it’s black.” The Ninety-Two is murdered out accordingly, and better off for it.

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Stripped of all non-essential elements, the Ninety-Two gets the special treatment from HHI intakes, Keihin FCR carbs and a wide-open Zard exhaust to boost performance and make sure it’s ready to hit hell from the second the gun sounds. On top of the internals, the performance-driven, 865cc Twin Triumph features aggressive suspension, wheels and tires that stand up to cobblestone streets or cross-country trips.

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As the newest model to be introduced, the streamlined Ninety-Two is now available from Hammarhead Industries exclusively for $16,500 with a lead build time of 90 days. Visit HHI online for a closer look at the Ninety-Two and other equally impressive offerings from the Philadelphia-based builders.