Borneo Modofoker
Posted in: Borneo Modofoker, lui èLui è Borneo Modofoker.
Skullcandy ha lanciato un nuovo progetto in collaborazione con alcuni dei migliori deejay producer europei. Prima release è dedicata a Parigi con ONRA.
All Unitasker Wednesday posts are jokes — we don’t want you to buy these items, we want you to laugh at their ridiculousness. Enjoy!
This week’s unitasker and suggestion for an alternative were sent in to us by reader Tammy, and my initial thoughts were: “but Tammy, you could use the bowl for something else, like pasta!” Which, let’s be honest, you probably could use the bowl for something other than watermelon if you were willing to take the risk of getting stabbed by its pointy edge. However, since the bowl is painted like a watermelon and is called a Watermelon Serving Bowl, my guess is that most people buying this bowl are only getting it out of the cupboard a few times a year (or decade) just to serve watermelon in it.
The reason I went ahead and chose this (potential) multi-tasker as our unitasker selection, though, is because of its awesome product description. In the product description it details the perfect alternative that won’t cost you $30 and doesn’t take up any space in your home to store. From Pier 1′s website:
This hand-painted earthenware bowl works on the same principle as a real watermelon bowl except it doesn’t ever expire.
Maybe I’m alone on this, but the product description made me laugh aloud. In my opinion, a watermelon rind expiring is a convincing reason NOT to buy the bowl. There is no need to store a watermelon rind in your kitchen after you use it and no need to spend time and water cleaning it afterward and you can throw it into a compost pile instead of a landfill and since it comes with the watermelon you’re serving, you don’t even have to pay for it! You probably don’t even need a recipe or instructions for how to make a serving bowl out of watermelon rind, but MyRecipes has a nice image so I’ll link to it:
Thanks, Tammy, for sending in this item and reminding me that solving problems that aren’t really problems often can lead to unnecessary clutter.
Like this site? Buy Erin Rooney Doland’s Unclutter Your Life in One Week from Amazon.com today.
Delivering healthful omega-3s to vegans and habitual snackers
As one of the few vegan and vegetarian sources for omega-3 fatty acid—the essential fatty acid with a slew of healthful benefits to its name—it’s no wonder flax seed bears a “superfood” designation. But for all its known advantages, flax seed isn’t exactly a common ingredient in everyday foods—at least not yet. From a meal replacement bar to a dairy alternative, here are three new ready-to-eat flax products that are pushing the trend.
Intended to satisfy the nutritional requirements of a single meal, these vegan whole food bars pack organic flax seeds in with a mix of other superfoods, including organic acai, mangosteen, camu camu and purple corn. The bars aren’t baked, so they retain a moist and chewy texture that pairs well with the sweetness of the dried fruits, while the absence of preservatives means eating cleanly as you fuel up.
Sold at select grocers nationwide and online for $2.99 per bar
As the latest addition to KIND’s Healthy Grains line, this whole grain granola is a healthy and delectable snack that bears the distinct flavor of blueberries, without being overly sweet. As a marquee ingredient, the granola’s flax seeds provide 750 mg of omega-3 fatty acids while other whole grains like amaranth, quinoa, oats, millet and buckwheat make for clusters that are big enough to be enjoyed as bite-size pieces — to be enjoyed by the handful or the bowlful. Bags sell for about $5 at KIND’s online shop, or click here for store locations
Adding to your grocer’s expanding aisle of non-dairy products, Good Karma’s flax milk is a low-calorie, non-GMO, soy-free alternative to the other dairy alternatives. Its amount of omega-3s alone —1200 mg per serving — is reason enough to start pouring it onto cereal, or into coffee and blended smoothies. Flavors include Original, Unsweetened, and Vanilla, all ranging from 25-60 calories per one-cup serving — much fewer than most milk-like products, yet the flax milk is surprisingly creamy. The slightly sweetened vanilla, our favorite, pairs nicely with coffee, without the need for additional sweetener. Good Karma is available on Amazon in packs of 12 ($28 per pack), and at select natural grocers natural grocers for $3.50-$4.50 per half gallon.
Today it is IKEA, not Singer, that is the world’s largest furniture manufacturer. Its Swedwood Group production arm moves some 100 million units of furniture a year. That’s a lot of wood, and the question is, where does it all come from?
As we saw in the Singer post, if you were around 100 years ago and asked a floor manager at their South Bend or Cairo factory where their wood came from, they could simply point out of the window. Ikea’s modern-day needs are considerably more complex.
There aren’t enough forests in the world to sustainably make 100 million units a year out of solid wood or even plywood, so it’s no surprise that the bulk of IKEA’s stuff contains particle board. To be able to create products out of sawmill shavings, sawdust and otherwise unuseable wood chips is an intelligent solution… or at least it would be if we could eliminate the carcinogenic formaldehyde needed to glue it all together. Even so, IKEA’s massive sourcing needs require those wood scraps be gathered from myriad sources, so you may be astonished to learn a single dresser can contain 26 different species of wood from 18 different countries.
And that’s for a “neat” sourced piece of furniture. But as a recent investigative article by Grist explains, tracking where a particular batch of wood chips actually came from is becomingly increasingly difficult to do:
This hilltop house by Japanese studio Tato Architects comprises a metal barn on top of a glass box (+ slideshow).
Located between a mountainous district and the harbour-side town of Kobe in southern Japan, the two-storey House in Rokko contains a kitchen and dining room inside its transparent ground-level storey.
A balcony surrounds the gabled first floor, creating an overhang that shades the glazed facade below.
Upstairs, the bathroom is separated by a transparent glass partition.
During construction, the foundations had to be dug by hand as no machines were able to climb the steep terrain to reach the site, while the streel structure had to be pieced together from sections small enough to be carried up one by one.
We’ve featured a few houses in Japan with glazed bathrooms, including one with a garden behind its walls and one with a whole room dedicated to plants.
See more Japanese houses on Dezeen »
Here’s a project description from Tato Architects:
House in Rokko
Looking for the way an architecture does not fix the affect to the environment too much I have been somewhat anxious about what an architecture in a place commanding a fine view should be. It is the state of affairs freezing affect towards the environment. What is the way, while enjoying the view, not to be dominant to the environment?
At an end of the residential area developed in the past halfway up Mt. Rokko the site was broad but too steep to bring in heavy machines for driving piles. A plane of 3.5 m by 13.5 m was left when a sufficient distance was secured, for manual digging for foundation, from the old breast wall and heaped soil.
The site was not necessitating much anxiety about people’s eyes. As people’s eyes from below would not reach the first floor, the first floor was walled with glass all around so that the fine view could be commanded to full extent, which was equipped with kitchen and visitor’s toilet.
The first floor, while functioning as what is called LDK, was assumed to be used for such varieties of activities out of daily life as treating guests, creating music with friends, or taking care of his bicycles.
A bedroom, storing facilities, facilities using water were arranged on the second floor, which was leveled high with a roof of conventional appearance to join in the existing rows of old houses. The high- leveled second floor was walled around with wide openings distributed equally for the ease of natural ventilation.
Thermal storage system using midnight electricity was laid into slab concrete and on the second floor far-infrared radiation film floor heating system was supplemented. And in summer it is expected that balcony and eaves will block the sunlight and breeze from Mt. Rokko will carry indoor heat through.
Steel-frame construction was adopted complying with the client’s wishes. As physical labor was obliged, small 100 mm by 100 mm H-section steel was selected and each construction material was limited to weigh about 100 kg for carrying up to the site.
Steel plate of 4.5 mm thick was laid for the cantilever balcony all around to make up for the loss of level structural plane caused by a large cutout of the second floor for stairway.
Observing the environment carefully without responding downright resulted in this house of hollow bare mortar floor ceilinged high and walled around with glass.
I feel I have found a way to cope, on an equal footing, with the environment peculiar to this scenic site where the environment, the architecture and the resident’s various things of various styles and ages are mingling with each other.
Project name: House in Rokko
Location of site: Kobe Japan
Site area: 295.31m2
Building area: 56.00m2
Total floor area: 94.50m2
Type of Construction: Steel
Program: house & atelier
Project by: Tato architects
Principal designer: Yo shimada
Design period: Jan. 2010 – Mar. 2011
Construction period: Aug. 2011 – Nov. 2011
Our guest reporter, Callum Peters, paid a visit to the University of Chester’s degree show, Untitled, which is running until June 28 at the University’s Kingsway Buildings. Highlights of the show include some grow-your-own typography, a rethink of the traditional CV, and Interflora redesigned for men.
Nichola Watkiss had some really interesting ‘natural’ typography on show, as part of her 100% ecological publicity campaign – Buy Nothing Day – encouraging people to grow their own fruit and veg rather than going out to buy it. nicholawatkiss.blogspot.co.uk
These eye catching vintage-inspired typographic posters by Lorna Evans are part of her Cars & Comedy project, which uses quotes from famous comedians to illustrate people’s stereotypical attitudes towards different drivers. ldecreative.blogspot.com
Thomas Morris’ CV caught my eye, positioned on the back of his portfolio. Bucking the trend of the traditional CV he uses some detailed infographics to illustrate his skills and experience, as well as his interests. It shows that paying attention to your CV is just as important as having a tidy portfolio.
29morris.blogspot.co.uk
Emma Wilson’s rebrand for Beaumaris sweet shop The Penny Farthing is a fresh and endearing take on the traditional pic ‘n’ mix. The bright, youthful colours and simple logo make a refreshing change from the usual traditional sweet shops that are sometimes hidden away on our high streets.
emsypie.com
I was intrigued by David Yates’ project for Interflora, making flowers an acceptable gift for men and challenging the stereotype of them being something exclusively for women. He has designed more masculine packaging as well as a new name – Floriography – specifically for the male market.
lovethydesigner.com
Hayley Miles’ typographic film posters for the Wizard of Oz were refreshingly different to many of the over-processed movie posters we see today, with each one referring to a different character from the story.
hayleymiles.com
It was interesting to see how Laura Edwards’ Site Seeing Cities illustrations have been applied to other products such as pens, tea towels and notebooks. Laura has a really nice illustrative style.
lauraedwardsdesigns.com
James Matthews tackled the problem of design students failing to engage properly with typography. His solution was Hype for Type – an interactive workbook based around the principles of typography, to highlight its importance to first years.
jm-gd.co.uk
James Bingham created a complete Japanese Picnic range for M&S, including attractive packaging for Watermelon Lemonade, Sushi and Pumpkin & Honey Cake. It manages to fit perfectly with the M&S brand.
badda-bing.co.uk
Simon Farmer’s quirky typographic quote prints were created for the Three Sides of the Mersey exhibition, celebrating football around the Merseyside area including Liverpool, Everton and the often forgotten Tranmere Rovers, situated on the Wirral.
simonfarmer.tumblr.com
Leigh Woosey’s project aims to make gaming more accessible for those with impaired vision, through use of other senses such as touch. He created an instruction manual for an iPhone game to appeal to the target market, with audio instructions and high-contrast visuals.
leighwoosey.com
Alex Franklin’s self-promotional work was intriguing. He branded water bottles to give out to visitors entitled Refreshing New Thinking. The tagline on the rear of the bottle is a witty touch – “freshly sourced from Alex Franklin’s Kitchen Sink”.
franklindesign.wordpress.com
CR for the iPad
Read in-depth features and analysis plus exclusive iPad-only content in the Creative Review iPad App. Longer, more in-depth features than we run on the blog, portfolios of great, full-screen images and hi-res video. If the blog is about news, comment and debate, the iPad is about inspiration, viewing and reading. As well as providing exclusive, iPad-only content, the app will also update with new content throughout each month. Try a free sample issue here
CR in Print
The July issue of Creative Review features a piece exploring the past and future of the dingbat. Plus a look at the potential of paper electronics and printed apps, how a new generation of documentary filmmakers is making use of the web, current logo trends, a review of MoMA New York’s group show on art and type, thoughts on how design may help save Greece and much more. Also, in Monograph this month we showcase a host of rejected design work put together by two Kingston students.
Please note, CR is no longer stocked in WH Smith high street stores (although it can still be found in WH Smith travel branches at stations and airports). If you cannot find a copy of CR in your town, your independent newsagent can order it for you or you can search for your nearest stockist here. Alternatively, email Laura McQueen (laura.mcqueen@centaur.co.uk) or call her on 020 7970 4878 to buy a copy direct from us. Based outside the UK? Simply call +44(0)207 292 3703 to find your nearest stockist. Better yet, subscribe to CR for a year here and save yourself almost 30% on the printed magazine.
La Sea Shepherd Conservation Society est une ONG maritime fondée en 1977 par Paul Watson, écologiste canadien, dédiée à la protection des océans. Voici cette nouvelle campagne de communication avec des visuels impactants réalisés par Viken Guzel et Jean-Christophe Royer. A découvrir dans la suite de l’article.
Dezeen Wire: the latest RIBA Future Trends Survey shows that the workload index for UK architects has seen a significant increase compared to this time last year.
Improvements were reported in the housing, community and public sectors, whereas the commercial sector saw a slight decline.
See past RIBA Future Trends Survey results here.
Here is the report from the RIBA:
RIBA Future Trends Survey results for May 2012
The upward trend for architects’ workloads, which started at the beginning of the year, continues to grow according to the latest results from the Royal Institute of British Architects’ (RIBA) Future Trends Survey.
The Future Trends Workload Index for architects for May 2012 stands at +13, compared with +2 at the same time last year. Large practices with 51 or more staff are the most optimistic about future workloads, reporting a balance figure of +29. Across the UK, most regions reported encouraging workload forecasts, with the only exceptions being Scotland (0) and Northern Ireland (-14).
Across sectors, housing improved by a single balance point to +16, the commercial sector dropped two points to +4, and the community sector forecast saw a two point rise to -7. The public sector forecast saw a significant advance and now stands at -8, compared to -14 in April 2012.
Speaking about the public sector rise, RIBA Director of Practice, Adrian Dobson said:
“This month’s results may be an indication that public sector workloads are beginning to stabilise now that the initial cuts in public sector capital programmes have filtered through. They may also reflect a growing belief that the Government is going to introduce some new fiscal stimulus, which could include additional expenditure on public sector construction.”
The RIBA Future Trends Staffing Index for May 2012 remains stable and is virtually unchanged at -1. In May 2012, 20% of respondents to the survey stated that they had personally been under-employed in the last month. This is the best figure recorded since the RIBA Future Survey began in January 2009 and is further evidence that the economic outlook for architects may be gradually improving.
The latest quarterly data series from the survey has also shown how overall student employment has decreased by 40% since 2008, revealing that the recession has impacted disproportionally upon those architects in the early stages of their careers.