Extrusion by Philippe Malouinfor Carwan Gallery

Extrusion by Philippe Malouin for Carwan Gallery

Hackney designer Philippe Malouin worked with traditional craftsmen from Beirut to create a series of bowls and plinths by shaping wooden blocks made of many smaller, tessellating batons.

Extrusion by Philippe Malouin for Carwan Gallery

Commissioned by Carwan Gallery, his Extrusion project combines the techniques used to make decorative wooden inlays with those of a lathe-worker.

Extrusion by Philippe Malouin for Carwan Gallery

The constructed block would normally be sliced into thin layers and used to decorate boxes but Malouin freezes the traditional process at this point and hands it over to be turned on a lathe.

Extrusion by Philippe Malouin for Carwan Gallery

The Extrusion collection was shown at Design Days Dubai in March, Milan in April and will travel back to Carwan Gallery in Beirut this summer.

Born in Canada and graduating from Design Academy Eindhoven in 2008, Malouin now has a studio in Homerton and you can read all our stories about his work here.

Here are some more details from Malouin:


Carwan Gallery was kind enough to invite me to visit Beirut last year. During my visit, I was taken around the city to visit the many inspiring landmarks, including the Oscar Niemeyer international fair (below). Construction stopped in 1975 at the outbreak of the Lebanese civil war and was never restarted. We also visited local craftsmen and manufacturers in order that we might produce the gallery’s next collection in Beirut.

One specific craft interested me, which was intarsia making. Intarsia makers produce amazing wood-inlayed and patterned boxes. These inlays are used only for decorative purposes on the outside of the boxes. I was especially interested in the way in which a thin patterned sliver comes to life from a bigger ‘wooden sushi roll,’ which will be sliced into wafer-thin pieces in order to be inlayed on the exteriors of the wood boxes.

The geometric patterns were very beautiful, but it’s the ‘wood-sushi’ block itself that inspired me the most. I was also interested in using more than one craft, or more than one craftsman in order to realize the final piece. I was introduced to a local lathe-worker and the idea came together: I wanted the intarsia worker to create intricately patterned wood logs to then give to the lathe-worker, who would transform them into objects.

Key:

Blue = designers
Red = architects
Yellow = brands

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Designed in Hackney is a Dezeen initiative to showcase world-class architecture and design created in the borough, which is one of the five host boroughs for the London 2012 Olympic Games as well as being home to Dezeen’s offices. We’ll publish buildings, interiors and objects that have been designed in Hackney each day until the games this summer.

More information and details of how to get involved can be found at www.designedinhackney.com.

Bridge Studio by Saunders Architecture

Slideshow: we’ve already featured three artists’ studios from Canadian Fogo Island, making this wooden hut on legs the fourth (photographs by Bent René Synnevåg).

Bridge Studio by Saunders Architecture

Designed by Saunders Architecture of Norway, Bridge Studio has an angled body that projects out towards a lake.

Bridge Studio by Saunders Architecture

A wooden bridge connects the square glazed entrance with the lichen-coated granite of the surrounding terrain.

Bridge Studio by Saunders Architecture

The base of the building slopes at the same angle as the roof to create two tiered floors inside.

Bridge Studio by Saunders Architecture

On the upper tier is a built-in desk that faces a large window, while a wood-burning stove and small kitchen occupy the lower level.

Bridge Studio by Saunders Architecture

A solar panel mounted further up the hill generates all the electricity the studio needs.

Bridge Studio by Saunders Architecture

So far four of the six planned studios are complete. You can see the other three here.

Bridge Studio by Saunders Architecture

Here’s some more information from Saunders Architecture:


Bridge Studio Deep Bay, Fogo , Newfoundland

As with all the Fogo Island Arts Corporation’s Art Studios, Bridge Studio is paired with a traditional Newfoundland Saltbox house, this one is located in Deep Bay, the smallest community on Fogo Island with a population of one hundred and fifty people. The Bridge Studio’s Saltbox House is a freshly painted, in sharp contrast to its dilapidated condition, only a few months previous. A local carpenter who is putting the finishing touches on the house, points out the project’s double-hung, wood frame windows that were crafted at the local woodshop, initiated and operated by the Shorefast Foundation.

Bridge Studio by Saunders Architecture

The trek to the Bridge Studio from the Deep Bay House looks short on a map. Of course, on the ground is a different matter as the topography enters the equation and one navigates the rocky landscape of the lichen clad granite outcroppings on this sublimely beautiful stretch of coastline leading to Bridge Studio, an art studio, completed in June 2011 by the Fogo Island Arts Corporation.

Bridge Studio by Saunders Architecture

Along the winding path one encounters short runs of wooden stairs and ramps, installed in critical locations to help visitors ascend some of the trail’s steeper inclines. After walking about twenty minutes, the first sign of the Bridge Studio is an isolated solar panel (and battery enclosure) mounted on a hilltop to take full advantage of the Island’s limited sunshine. These solar cells generate electrical power for the near-by Bridge Studio, dramatically located on a steep hillside overlooking the calm waters of an inland pond.

Bridge Studio by Saunders Architecture

The first impression of the Bridge Studio is its abstract quality. From the side elevation, it ap- pears as a windowless wood-clad parallelogram, hovering above the landscape, propped up by four piers and connected by a sixteen-foot bridge to the adjacent hillside. As one approaches the three hundred and twenty square foot studio, it becomes more transparent – with a generous glass entry and a large square window at the other end of the room.

Bridge Studio by Saunders Architecture

Viewed from the glass entry, the ceiling from the entry slopes up to the top of a large picture window at the opposite end of the room. The picture window’s sill is flush with a built-in desk, the perfect place to write and contemplate the view. To mirror the sloped ceiling, the floor of the Bridge Studio is composed of two levels. The lower area, that accommodates an entry area, long counter and wood-burning stove is divided from the upper area by a short run of stairs. From the entry, the perspectival aspect of the project is augmented by alignment of the four-inch painted spruce planks that line the ceiling, the walls and floor.

Bridge Studio by Saunders Architecture

From the aerial photographs, the isolation of the Bridge Studio becomes apparent, a highly restrained, slightly distorted, elongated box sited on an outcropping of rock, overlooking a sheltered pond of water. The form, although resolutely contemporary recalls a traditional Newfoundland fishing stage (in the local nomenclature) a wooden vernacular building, typical of traditional buildings associated with the cod fishery in the province. It was in these fishing stages, equipped with cutting tables, that fishermen would clean and salt the once plentiful codfish that was distributed worldwide.

Bridge Studio by Saunders Architecture

It is an interesting twist that the Bridge Studio echoes this vernacular form, once a typical sighting in any Newfoundland outport. The fishing stage and the cod give way to the studio and the production of art. The Fogo Island Arts Corporation creating an opportunity for a roster of accomplished artists to generate works of art that in turn enrich the international scene of contemporary art.

Bridge Studio by Saunders Architecture

Client: Shorefast Foundation and the Fogo Island Arts Corporation
Architect: Saunders Architecture – Bergen, Norway
Team architects: Attila Béres, Ryan Jørgensen, Ken Beheim-Schwarzbach, Nick Herder, Rubén Sáez López, Soizic Bernard, Colin Hertberger, Christina Mayer, Olivier Bourgeois, Pål Storsveen, Zdenek Dohnalek
Associate Architect: Sheppard Case Architects Inc. (Long Studio)

Bridge Studio by Saunders Architecture

Structural Engineer: DBA Associates (Long Studio)
Services Engineer: Core Engineering (Long Studio)
Builder: Shorefast Foundation
Construction Supervisor: Dave Torraville
Builders: Arthur Payne, Rodney Osmond, Edward Waterman, Germain Adams, John Penton, Jack Lynch, Roy Jacobs, Clarke Reddick
Construction photos: Nick Herder
Text: Michael Carroll

Bridge Studio by Saunders Architecture

Size: 130 m2
Location: Fogo Island, Newfoundland, Canada
Status: Finished 2011

Bridge Studio by Saunders Architecture

Photography: Bent René Synnevåg

Bridge Studio by Saunders Architecture


Here are the other three Fogo Island studios we’ve featured:

Squish Studio by Saunders Architecture

Squish Studio by Saunders Architecture

Tower Studio by Saunders Architecture

Tower Studio by Saunders Architecture

Long Studio by Saunders Architecture

Long Studio by Saunders Architecture

“Start-ups look to the crowd” – New York Times


Dezeen Wire:
New York Times technology reporter Jenna Wortham investigates how crowd-funding site Kickstarter is changing industrial design – New York Times

The article focusses on the success story of the Pebble watch , which has to date received a record-breaking $7,718,678 of pledges through the platform with 17 days still to go. See our story about it here.

Read more about Kickstarter on Dezeen here and watch an interview about crowd-sourcing and open design with Domus editor-in-chief Joseph Grima here.

563 – Pop by Lat and Pop by Long

Did you know that almost 90% of the world’s population lives in the northern hemisphere? And that half of all Earthlings [1] reside north of 27°N? Or that the average human lives at 24 degrees from the equator – either to its north or south? Bill Rankin did. Or at least he found out, while …

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See NYC’s New Tallest Building…By Sailing Here on the Titanic II

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Yesterday the currently-under-construction “Freedom Tower,” or One World Trade Center, grew to a height of 1,271 feet, edging out the Empire State Building to become the tallest building in New York City. As a native I’m kind of bummed that we didn’t rebuild the Twin Towers exactly as they were, but I realize property developers will not be swayed by bloggers pining away for the skyline of their youth.

Lost skyscrapers is nothing new to New York, as explained in architecture professor Max Page’s The Creative Destruction of New York. Once-iconic structures like the bell-shaped Singer tower and the original Grand Central Station were demolished and replaced with new structures in decades past. The conventional wisdom seems to be that when something that large is destroyed, there’s no point in rebuilding the exact same thing.

Unless, perhaps, it never got to where it was supposed to go. An Australian mining billionaire named Clive Palmer has announced he has commissioned a replica of, get this, the Titanic. And that he’s then going to have the thing sail from England to New York, icebergs be damned, in 2016.

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Interview: Joseph Grima at Dezeen Studio

Milan 2012: end-user collaboration and open-source production were hot topics in Milan this year. In this movie filmed at Dezeen Studio powered by Jambox at MOST, editor-in-chief of Domus magazine Joseph Grima discuses their influence on the design industry and how these themes played out in the Future in the Making exhibition that the magazine hosted in an eighteenth century Italian palazzo.

We published an abridged version of this interview in our Saturday TV show (below).

Dezeen was filming and editing all week from Dezeen Studio powered by Jambox at MOST. See all the TV shows here.

Best of Art Center Grad Show, Spring 2012: Sol Jeane’s knitted Happy Meal

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Sol Jeane studied media design in San Francisco after his family moved there when he was 19-years-old, but instead of continuing on in media design he applied to Art Center as an illustration major “to learn the traditional foundations in art.” But once he got there he found out he wasn’t so interested in learning the foundations after all. “I really like challenging new things and tried many different mediums…from paper to 3D sculptures. By the end of my 7th term, I no longer knew what my artist style was, or how I wanted my work to look. But one of my teachers in the senior class once said to me that style comes naturally, and I took it to heart.”

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That explains why Sol’s most provocative work isn’t so-called traditional illustration, but his sculptural, 3D projects, especially his knitted food. I love how the natural curl of the yarn mimics the shape of frying bacon and how the plushness of a knitted bun is actually better looking than the real thing.

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This Week on the mediabistro.com Job Board: LIVESTRONG, The Sak, Chesapeake Bay Foundation

This week, LIVESTRONG is hiring a new art director, while The Sak Brand Group is on the hunt for a graphic designer. Chesapeake Bay Foundation is also looking for a graphic designer, and WENN is seeking a picture desk editor. Get all the details below, and find more just-posted gigs on mediabistro.com.

For more job listings, go to the Mediabistro job board, and to post a job, visit our employer page. For real-time openings and employment news, follow @MBJobPost.

New Career Opportunities Daily: The best jobs in media.

Cool Hunting c/o Quarterly Co: Shipment Two

Our latest shipment with the subscription service features Joshua Harker’s 3D filigree brilliance

Back in November 2011, we announced our partnership with the subscription service Quarterly Co., which offers users the chance to receive gifts in the mail from a roster of design-minded contributors four times per year. For the second shipment, Cool Hunting co-founders Josh Rubin and Evan Orensten sent subscribers a miniature “Crania Anatomica”, a sculpture by Chicago-based artist Joshua Harker.

We first learned about Joshua when he was seeking funding for the project on Kickstarter with the goal to raise $500; he ended up with $77,271, the highest funded sculpture project in the history of the website. Now, Joshua has created a version exclusively for our second Quarterly shipment. We’re thrilled to offer subscribers a little something that celebrates the human form and serves as a solid addition to any cabinet of curiosities. Subscribers have been receiving theirs over the last few days and have been tweeting pictures of the little 3D-printed filigree wonder in various settings.

Due to high demand, Quarterly Co. is currently closed to new subscribers, but you can join their waiting list or check out their blog for more information.

Images by Josh Rubin


Dezeen Music Project: A1 Autoroute du Nord by Monster Bobby

If you’re a fan of retro keyboard sounds, you’ll love this track by Monster Bobby. A1 Autoroute du Nord is a driving, pulsing track with a definite nod to 1980s synth-pop. It also reminds us of some of the excellent 80s-inspired music on the soundtrack to last year’s Nicolas Winding Refn movie, Drive.

About Dezeen Music Project | More tracks | Submit your track