Daily Obsesh – Blee Inara Love Wrap Bracelet

imageThese days one is never enough. Especially in this economy, the best way to get more is to find a deal: ‘buy one; get one half off’, or even better: buying one that does the job of two.
The Blee Inara Love Turquoise Suede Wrap Bracelet is a great item to get the most for your money. The bright, turquoise, suede, strap with the word “love” in gold looks awesome against all skin colors. The stap comes in lenght long enough to wrap around multiple times. It’s like have seven bracelets instead of one.
Not in the mood to wear a bracelet today? No problem, a quick swith up and you bracelet can be your new necklace, or fixing it around your up-do for a headband with flare.
Between the variety of functions and the Swarovski-crystal detailed charm at the end, it’s not hard to see the value in this accessory

Introducing New Era Introducing

NewEraIntroducing-CraigGreen.jpgCraig Green’s winning entry from 2010

Premier baseball cap purveyor New Era—brand of choice for the MLB and streetwear aficionados—is pleased to announce New Era Introducing, inviting designers to reimagine their flagship model 59FIFTY fitted cap, as they did for last year’s XC contest.

New Era Introducing is a global creative project showcasing unique talent from across the world. The project gives creative minds of tomorrow an opportunity to make their own statement using a blank New Era 59FIFTY as their canvas. Those judged to show the most unique display of self-expression will go on to form a touring gallery exhibition and be published in a limited edition New Era Introducing book.

New Era Introducing will initially be launched in EMEA (Europe, Middle East, and Africa) where the winning creation for that region will be awarded a £10,000 bursary to launch their creative career.

To reiterate: the contest is currently only open to residents of UK, France, Germany, Spain, Italy, Sweden, UAE and South Africa. Phase I calls for digital images by September 7, at which point 15 lucky entrants from each country will be given the opportunity to actually create their design on a blank cap. Ten of these Phase II entries will make it into a traveling exhibition and limited edition book.

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Gallery of 2010 entries above; more after the jump…

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Hunters Bend by Tove Emilsson

Hunters Bend by Tove Emilsson

These wallets and spectacle cases are each made of a single piece of leather that’s been folded into shape then hardened in boiling water.

Hunters Bend by Tove Emilsson

Called Hunters Bend, the collection was created by London designer Tove Emilsson while studying at HDK School of Design and Crafts in Gothenburg, Sweden.

Hunters Bend by Tove Emilsson

Boiled leather, or cuir bouilli, can be moulded while still wet but becomes permanently tough and rigid once dry.

Hunters Bend by Tove Emilsson

It was used to make armour in medieval times and more recently by London designer Simon Hasan, who graduated from the Royal College of Art in 2008 with a series of vases and stools made of boiled leather.

Hunters Bend by Tove Emilsson

Two years later Tortie Hoare was awarded New Designer of the Year for her range of boiled leather furniture.

Here are some more details from Emilsson:


Hunters Bend
Tove Emilsson, 2011

The Hunter’s Bend project is about how our personal possessions affect our perceived identity and in what way the value of an object may increase with the relationship that is built up towards the user.

I have looked upon traces of time as an extension of an existing object.

The outcome is a series of leather cases made out of one piece of folded leather, hardened and locked within itself.

The history contained in leather, as a living material has been an important part of the project as well as how its features are used in the making and then allowing the product to change with use.


See also:

.

Industrial Makeshifts
by Simon Hasan
Boiled-leather products
by Simon Hasan
Leather furniture
by Tortie Hoare

Aerial Photography Part II

Dans le même esprit que la première série “Aerial Photography”, voici de nouveaux clichés uniquement aériens de la Grande Bretagne. Des découvertes de lieux inédits et surprenants au dessus du paysage britannique. A découvrir dans la suite de l’article.



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Previously on Fubiz

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Teach Less, Integrate More by Paul Backett

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This is the first post in a 6-part series from Ziba’s Industrial Design Director, Paul Backett, on rethinking design education.

A lot of recent discussion about design education argues for expanding the design student’s skill set. Many of today’s Industrial Design programs ask their students to be social scientists, technologists, business analysts and brand strategists—just about everything. The reality is, most of these skills are best learned through experience on the job, and the traditional ID skill set still makes for the best foundation: framing the problem, exploring ideas, making prototypes and storytelling.

What’s far more important, and more neglected, is that students learn to properly integrate the skills that they do learn. It’s not enough to know how to sketch, model or do user research; these skills must connect to each other, in every project the student undertakes. Used correctly, they enable us to find the solutions and tell the stories that ensure their success. But by expanding the list of “capabilities” students have, many schools are sacrificing the most important capability of all: to approach a design problem with tools that work together seamlessly.

And this has had serious negative consequences. In the 11 years I have worked as a designer, I have seen a deterioration of the core skills of design—the essential craft of what we do. When I left school in 2000, CAD and digital rendering were simply tools at our disposal. Since then they have become so powerful and so easy that they tempt students to skip over the fundamentals of the design process. It’s far easier today to jump into CAD and deliver a glossy rendering that disguises lazy design work. This simply wasn’t possible in the past.

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Don’t let fear clutter up the life of your dreams

Yesterday, my grandmother turned 102. The two of us have been close my entire life, and it doesn’t surprise me that she’s still alive. She has always been a rule breaker (she has traveled the globe alone, went straight to business school after graduating high school, and established her career path before she got married at 30, which was rare for a woman in the Depression-era 1930s). She also is extremely witty, a voracious reader, and insists on wearing a strand of pearls and makeup every day. She ran a successful thousand acre family farm for more than 60 years and worked in the Kansas Legislature until they forced her to retire in her late 80s.

Whenever I see my grandmother or think about her, the word fearless pops into my mind. In all my life, I’ve never known her to be afraid of anything. She has strong resolve and even greater determination. I’m partially convinced the reason she is still alive is because she has successfully convinced Death that dying isn’t an option for her.

I’m writing about my grandmother today because I’ve realized that her fearless attitude has greatly improved the quality of her life. She has lived an incredible 102 years because she’s never been afraid to take advantage of each moment. She has also lived a life primarily free of clutter — even now all she has are her eyeglasses, clothes, shoes, some jewelry, a wheelchair, bedding, toiletry items, and hundreds of photographs of friends and family. When she still lived in her farmhouse, she didn’t own much, either. Her happiness hasn’t ever been found in things and it hasn’t been controlled by fear.

Is fear cluttering up your life and keeping you from experiencing the life of your dreams? Is physical cluttering keeping you from focusing on what matters most to you? Take a lesson from my amazing grandmother and get rid of the fear and clutter and commit to pursuing the life of your dreams.

Like this site? Buy Erin Rooney Doland’s Unclutter Your Life in One Week from Amazon.com today.


Ophelia

Ophelia, a beautifully designed swivel armchair with class and a twinkle in her eye. However respectable she may seem at first glance, Ophelia can loo..

Smart String Tape Measure

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DIY’ers and carpenters know the trick of using a piece of string to measure something you can’t get a tape measure around; you wrap the string around, say, a pole, mark it, measure the string, and now you’ve got your circumference (and can calculate the diameter).

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The Smart String Tape Measure finally encapsulates this practice into a tool. The retractable string corresponds with an on-screen display that gives you the dimension, which you can then plug into the equation of your choosing; it even stores multiple dimensions, which will come in handy if you’re measuring-&-CADding. The industrial design of the tool itself looks pretty lame, and I don’t like that it’s one more thing you have to carry in your toolbox and that it’s delicate, but if you have to measure a lot of irregular surfaces it’s probably a damn sight quicker than marking and measuring string.

The tool’s popularity has outstripped production; at press time the $11.99 item was out of stock, but the next shipment’s due in just a few days.

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High & Dry

Architectural dish rack dries delicate glassware safely and beautifully
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With the
High & Dry dish rack
,
Black + Blum’s
architectural artistry transcends humdrum household ware into a harmonious form and function showpiece. Intent on turning “something quite mundane into something spectacular,” creative partners, Dan Black and Martin Blum, designed a sturdy, sculptural rack with fragile glassware as the protective focus.

The Calatrava-esque solution allows delicate glasses to safely air dry. A sleek cupholder for cutlery adds a design-conscious accent to the accessory, topped off by the rack’s spot-on flip up spout for water drainage.
Made from easy-to-clean polypropylene and stainless steel, the no-fuss High & Dry offers a collapsible and compact answer to an urbanite’s cramped but creative-minded kitchen.

Available in white, green or grey, the High & Dry dishrack retails for $50.


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