Hasta La Ideas

The Los Angeles County Museum of Art‘s film program is back in the news again, following a few years of quiet after the uproar over its existence two years back. You might recall that, facing few attendees to its screenings and shrinking endowments forcing museums across the country to cut back, the LACMA announced in the summer of 2009 that it would be trimming back their film program substantially. This led to lots of uproar from the community and the likes of Martin Scorsese and Kenneth Turan, followed by lots of donations that wound up saving it (a year later, it was reported that the program was in possible trouble again, but that didn’t seem to catch nearly the same level of heat). Now some better news, with the announcement that the LACMA has partnered with Film Independent (pdf), the non-profit organization behind the Spirit Awards and the Los Angeles Film Festival. The partnership has gone into effect immediately, but overt evidence of the relationship won’t start to appear until late this summer. Here are some of the details from the official announcement:

LACMA and Film Independent will inaugurate the new weekly Film Series in September 2011 with previews of feature-length narrative and documentary films; archival films and repertory series; conversations with emerging and established filmmakers and artists; international showcases; family films; and special guest-curated programs. In addition, monthly postscreening receptions will bring together the Los Angeles creative community by offering a gathering place for film lovers, artists and the general public. The current LACMA film program, as well as Film Independent’s year-round Film Series will continue through mid-September. Additionally, LACMA will continue its Tuesday matinee series and film programs presented in conjunction with special exhibitions.

Along the way, the new pair also picked up the NY Times as their sole presenting sponsor for the program. Says the release, “this collaboration will serve to establish a larger cultural presence in Los Angeles for The New York Times.” And right here is where we’d make a “no one reads in LA” joke, but we’re not going to because we’re better than that.

New Career Opportunities Daily: The best jobs in media.

Marking the end of Winter, the concept for this month’s What Happens When restaurant is a Spring garden party inspired by Renoir’s “The Luncheon of the Boating Party.” An eight meter long awning-like canvas stretches across the room framing the dining settings with the warm antique pastel tones found in the painting. Playful branch-like light fixtures made from double socket adapters with small bulbs painted in different colors hang throughout the space referencing an outdoor garden.

Check out our What Happens When photo gallery to the see more pics from the latest transition, and check back monthly as we add each new movement.

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The showpieces for Icelandic designer Sruli Recht‘s first menswear collection are made of 21 blackbirds and 27 stillborn lambs.

Icarus, Post-Crash (above) is made of skinned and tanned blackbirds sewn onto a reindeer hide, while Born Out of This (below) is made of lamb skins pieced together into a coat.

Called When Gravity Fails, the collection incorporates Icelandic wool and leathers made of horse, hunted wild reindeer, birds, fish and lamb.

More about Sruli Recht on Dezeen »
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Photographs are by Marinó Thorlacius.

The information below is from Sruli Recht:

When Gravity Fails – a diagonal line for men

“born out of this
and trying to get back in

worn out from bliss
and floating in sin

falling back through this future
and from where I’ve been

sky-born, deliberate
draped raw from within

“Icarus, post-crash” Show Piece One

21 Svartfugl [blackbirds] on a hunted wild reindeer base. After meeting a group of hunters, hunting birds and beasts, we struck up a deal: all the birds they could bring me, in exchange for a pound of breath.

And birds they brought, bags and bags of them. Hands soaked in feathers and flesh, they were sorted through, sent on ice to my tanner (a craftsman so brilliant I heard he once tanned air). What returned to our studio was not a pile of feathers and feet but rather the full-bodied, beaked husks of those once soft flying blackbirds. And out of their box they were pulled, put onto the stand, and the garment quite literally designed itself. All we had to do was sew it together… by hand and heart, on a reindeer base, body to body to back to wing, to have our Icarus, post crash, sombre and in between.

“Born out of this” Show Piece Two

27 still born lambs, 3 regular lambs, military dead-stock lining. And it was said, during a conversation in the cold, cavernous walls of the tannery, chromium sulphate hanging low in the air, and not a piece of natural light leaking in, “what is that heap over there?” Looking vaguely at the iridescent white pile to his left, said he “That…? They were not meant to be.” And so it was agreed, I would take those lost souls, and from him to me they came.

Shaken, preferred, and pieced together, these almost once vessels, together now one, and draped as a single square, and a sleeve, and a pleated set/raglan hybrid, with darted shaping. A coat to end all, and begin again.

GARMENTS

The collection consists of a total look – from coats, jackets and cardigans, to trousers, shorts and leggings, complimented by shoes, boots, bags, gloves and silver jewellery – 55 styles, approximately 130 with material variations. Our shoe/ boot samples are produced by Guðrún Edda Einarsdóttir.

MATERIALS

The studio worked very closely with Atlantic Leather, a tannery in the north of Iceland run by the native Icelanders, working with the raw skins to make new materials… basically designing new leathers. I spent a lot of time up there playing with’ better these skins, and designing their treatments and finishes. So that is where all the leathers in this collection come from — horse, hunted wild reindeer, birds, fish and lamb.

Similarly we are using Icelandic wool and working with a local knit producer here to make our own knit constructions. All this means that about 98% of the collection is made from Icelandic materials, and material that we have in some way developed in our studio. The other 2% is the jersey we have to import because it isn’t made here.

We have spent the last year taming these wild and fantastic natural Icelandic materials for an international market. Our debut men’s line was presented during Men´s Fashion Week in January 2011 at Showroom Romeo and Tranoi, Paris.

Photographer – Marinó Thorlacius
Model – Emil Þór Guðmundsson
Stylist – Arash Arfazadeh

See also:

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Masked – In Flight by Sruli Recht	R¿ng by Sruli Recht	Concrete Buckle by Sruli Recht

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