Daily Obsesh – Fanciful Feather Hair Clip

imageShake a hair feather! Ok, ok … we know it’s tail feather, but if you happen to fancy a feather for your hair, well, we’ve found the perfect piece!


The Fanciful Feather Hair Clip from Anthropologie is such a pretty piece of plumage to adorn your lustrous locks. Feather accessories for your hair are all the rage this Spring season. With 1970s influences making a major statement, feathers for your hair are the the haute hippie hair accessory. And this one, with its colorful ikat print, boho beads and bespeckled feathers, has a sturdy brass clip at the back so it will surely stay in place.


Wear it to dress up billowy blouses and high-waisted flare jeans, as well as floaty, flirty floral dresses!



Where to BuyAnthropologie



Price – $15.00



Who Melimeli was the first to add the ‘Fanciful Feather Hair Clip‘ to the Hive.

UM Project’s Awesome Sound Engineering Console

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More wicked furniture for musicians: When recording engineer/mixer/producer Allen Farmelo needed an analog console for his Fort Greene studio, he turned to Brooklyn-based designer Francois Chambard, principal of design firm UM Project.

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Chambard’s partially-wheeled solution is sort of Mid-Century Modern meets Captain Kirk. The console, which is completely collapsible in case it needs to be transported, is eye-catching from any angle; but from the user’s position the design more or less disappears, allowing the operator to focus on the music.

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NYC-based sound magazine Sonic Scoop took a look at how the two collaborated:

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What is surprising is just how much Farmelo and Chambard found in common as they compared notes. For visual cues, they initially bonded over mutual appreciation for classic mid 20th century design, Scandinavian minimalist sensibilities, and the landscape and architecture of Iceland. And as for process?

Chambard, a soft spoken and thoughtful craftsman, could also identify with the analog/digital duality of the recording world: “My process is analog, but I embrace the digital world as well. I like to think of it as “techno-craft.” Borrowing back and forth between the contemporary computer-assisted world of industrial design, and the tradition of craft and handmade goods.”

Farmelo elaborates: “Francois has the challenge bringing industrial steel and wood together, and I have the challenge of bringing a software arpeggio and a string quartet together. We have to both highlight those differences and blend them together in a way that works.”

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Reflections on LIFT Conference 2011

lift_01.jpgAll images by Ivo Näpflin, courtesy of LIFT Conference – Creative Commons Attribution 2.0 Generic

A few weeks ago I was, together with about 1000 other people, in Geneva, Switzerland, to attend the 2011 LIFT conference.

LIFT is really a series of events, launched in 2006 and now taking place in France, Korea and Switzerland, built around a community of pioneers who get together to explore the social implications of new technologies. The LIFT conferences are driven by a dynamic and informal team of people whose public faces, Laurent Haug and Nicolas Nova, are quite well known in the user experience community.

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The main event is the acclaimed three-day yearly conference in Geneva (now in its 6th edition) and this year the theme was: What can the future do for you?

Writing about a design and technology conference has changed a lot recently — especially when that conference streams all sessions immediately and Twitter comments have become pervasive.

So I chose to wait a bit, look back at some of the videos (they are all online here), let it all sink in and look back in reflection.

My angle is personal of course, but it struck me that there were a number of core themes that drove a substantial part of the discourse at this year’s LIFT. They are also, I think, the main challenges we as experience and interaction designers will need to address: networks, identity, people and openness, and algorithms.

NETWORKS

lift_04.jpgDon Tapscott

Today we are vividly witnessing the fact that revolutions don’t get made by leaders anymore. And this is illustrative of a larger social paradigm shift in our society, argued Don Tapscott, author of the 2006 bestseller Wikinomics, How Mass Collaboration Changes Everything, in his keynote presentation. Social media has lowered transaction and collaboration costs and enhanced people’s capability to collaborate. Hierarchical leadership models are becoming more and more outdated, stalled and failing. The Industrial Age and its institutions have run out of gas. In short, Tapscott says, we are facing nothing less than a turning point in human history, and this creates friction, of course. The huge challenge for us now is to shape this emerging open network paradigm which, to many in charge, seems to lack structure and organization. There is no easy answer in how our societies and businesses can deal with the challenge of rebuilding themselves along this new model of networked intelligence. We do know the principles though — collaboration, openness, sharing, interdependence and integrity, and you may want to see the presentation or read Tapscott’s new book Macrowikinomics: Rebooting Business and the World to understand how these principles are currently starting to be applied in business and government.

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Pop-Up Peanut Gallery to Feature Art of the PB&J

Smooth or crunchy? This eternal question, known to excite strong opinions in choosy moms, is rarely debated in art musems and galleries, but change is afoot—and just in time for New York’s Armory Arts Week. The peanut butter perfectionists at Peanut Butter & Co. are teaming with the National Peanut Board (March is its poster legume’s designated month) to launch the Nutropolitan Museum of Art, a pop-up art gallery devoted to the peanut butter and jelly sandwich. Lee Zalben, founder and president of Peanut Butter & Co., worked with food photographer Theresa Raffetto and food stylist Patty White to create 365 exciting new takes on the PB&J. A selection of the photos will be exhibited at the Nutropolitan, a three-day affair that opens to the public next Friday, March 4, at Openhouse Gallery in Manhattan. All proceeds from sales of the prints will be donated to the Food Bank For New York City. The city’s hub for integrated food poverty assistance should also clear plenty of shelf space for gourmet peanut butter, because everyone who pops into the gallery will receive a a free jar of Peanut Butter & Co. peanut butter (one per family) and a second jar will be donated to the Food Bank in their honor. PB&J nuts not in New York should check out the event’s soon-to-debut Tumblr here. And did we mention that a jar of PB & Co. Dark Chocolate Dreams—think peanut butter cup in a jar—can be yours for a few clicks and $6?
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New Career Opportunities Daily: The best jobs in media.

House with Slide

Un excellent concept de maison à Tokyo pensé par le studio japonais Level Architects avec “House with Slide”. Une résidence de 3 étages accessibles soit par un escalier, soit par un tobbogan pour chaque étage de la maison. Explications en images dans la suite de l’article.



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Previously on Fubiz

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Stance: Dunny Meets Sneaker Culture

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For those of you with both creative feet and creative fingers, here’s a new toy to tickle your fancy. A fascinating mashup of two worlds, Stance is a project by Delroy Dennisur that brings together the DIY designer toy community with the sneaker culture.

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“There’s an incredible passion within the sneaker culture,” says Delroy, an industrial designer who spent a lot of his childhood in Florida doodling shoes in the margins of his notebooks. “You start your life wanting to be that cool kid with the kicks,” he mused, and now he’s channeled that spirit into creativity that straddles into the world’s fascination with customizable toys. The production piece will be vinyl plastic, the same material as the Dunny, so you can either leave it as a blank collector’s item, or use pencil, pens, markers, and paint. He’s starting off with the iconic basketball shoe, but hopes to further the concept and branch out to other shoes and ideas.

Part of what makes DIY toys like Stance so compelling is their ambiguity and ability to strike a perfect balance of abstraction and recognition, allowing people to extrapolate with their own imaginations. It seems reminiscent of a 3D version of the oh-so-seductive napkin sketch — a basic concept and framework is there, but beyond that, anyone can envision anything they want from it and infuse it with their own individuality.

For the next two weeks, you can help Delroy launch the project on Kickstarter.

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Winter Night Longboard

Une nouvelle vidéo de freestyle et de longboard dans les rues de Madrid pendant une nuit d’hiver avec les riders Ra, Nacho, Quique, Kati, Paula, Borja, Luis et Jorge y Guido. L’ensemble fait partie de la série “Surfing the city”. Le tout sur la bande son At Home de Crystal Fighters.



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Previously on Fubiz

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Industrial Design Piracy Continues to Thrive, Plagiarus Continues to Fight It

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Design piracy is not new, and since 1977 an organization called Action Plagiarus has been handing out annual “awards” to the most egregious copycats. For the 2011 Plagiarus Awards, top prize went to the Multifunctional Workbench rip-off seen above, which was originally designed by one German firm and nearly dead-copied by another. As for which photo is the real thing and which is the copy, they don’t even say.

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What’s becoming a little scary is how closely the copies are able to mimic the originals. But as Hansgrohe-Axor points out in an e-mail blast following the blatant copying of their Focus S faucet by a Chinese manufacturer,

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“…Our original product offers considerably more in terms of functionality, and it therefore represents greater value for the user,” [says Richard Grohe.] In the case of the Focus S, this additional functionality consists of a flow limiter, for example, which reduces water consumption to five liters per minute, the QuickClean anti-lime scale function, and an integrated hot-water flow safety restriction.

“The makers of pirated copies generally hope to be competitive on the basis of low cost,” says the Deputy Chairman of Hansgrohe. “They therefore invest little in the functionality and quality of the products. Usually it is the consumer who is disadvantaged. Consumers will always be better off choosing the original product.”

If you guys think ID piracy is bad now, just wait until 3D scanners and RP become truly ubiquitous. And eventually, some manufacturer will get really meta and make knock-offs of those too.

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Baudouin: Serial Photographer

An up and coming French photographer talks his way into subjects’ homes for striking eccentric portraits

By Isabelle Doal

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A once aspiring Jazz bassist, Baudouin has found his calling as a photographer. His portraits are all of strangely familiar French characters and he has gained notoriety by creating ironic collections like “Friends,” “Unknown But Nice” and the “The Parisian Ladies.” I recently spoke with Baudouin to get some insight on his process—he confessed to having a systematic, almost ritualistic method, following a strict set of rules every time he shoots. In his work the process isn’t just as important as the result, it is an inherent part of it.

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Baudouin explained that the whole process begins by picking a girl on the street, usually from a terrace cafe. The next part is the trickiest, convincing the subject to let him into her apartment. Each photo takes anywhere from one to four hours, the ritual begins immediately upon entering the location. The camera is always the same distance from the subject, always the same angle and focus. Baudoiun shoots on medium format film which forces him to put more thought in each photo. Baudouin’s lighting is equally deliberate, avoiding shadows and dramatic intensity, he works to make the subject blend in to the background. The natural looking setting is contrasted by the disturbing or eccentric poses he coaxes his subjects into.

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Baudouin is more concerned with composition, with the graphic aspect of his set ups as opposed to catching a moment or telling a story. In this regard he is a portraitist but also an interior photographer, using the subjects as a platform to construct what he calls “nice pictures.” Baudouin refers to his photos as, “a momentary interpretation” and advises not to take any of it too seriously, “after all, it’s just a picture,” he says. And Baudouin’s photos don’t aim to be anything more than just that, which in itself can sometimes tell a story.

Baudouin is currently working on finishing his series “Parisian Ladies,” once complete he will be publishing the collection as a book.

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Hellohikimori

Hellohikimori

All kinds of cool things to watch, really nice site too.

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