NAIAS 2011 :: Q+A Michael Mauer, Porsche Design

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This is the first of a series of Q+As contributor Tamara Warren conducted with designers from the NAIAS 2011 show.

The Porsche 918 RSR was the talk of the North American International Auto Show. Porsche Design Director Michael Mauer is responsible for the 767 horsepower sexy plug-in hybrid racecar that’s due to be a motor sports contender. It’s the racier version of the 918 Spyder hybrid introduced in fall 2010 and due for showrooms.

C77: What do you feel you achieved with the 918 RSR?
Michael Mauer: There is such an intense appreciation for this car and there is the responsibility to the pleasure of driving. We had to visually capture this in the car. For design purposes we develop the design language and surfaces around it. If you look at the 918 there are subtle lines. We still stick to Porsche’s background.

How do you balance the love for past Porsches with new cutting edge design?
Maybe you need to be more careful, but we’re not doing retro design. The 918 Porsche has a strong history. It is always a balance between history and visionary, but still respecting our identity. There’s no need to do radical design changes. The shape is the same, we try to envision brand value.

What’s your process like?
I personally sketch by hand, because the little sketches are reminders when I try to visualize the cars. The younger designers like to do this on the computer.

What are your influences outside of cars?
Inspiration is everywhere. As a designer you are more sensitive and open to visual things. If you talk about interiors and materials from the furniture industry, there are a lot of possibilities there.

Tamara Warren, a Motor City native, is co-founder/editor of the car and culture blog Gotryke.com. Her articles have appeared in over 80 publications covering culture, music, the arts, automobiles and design. She has written for The New York Times, Rolling Stone, Delta Sky, Nylon, Vibe, Automobile and Forbes Autos. Check out her work and Gotryke.com and her clips on Tamarawarren.com.

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Eco-design from Colombia: Cyclus bags

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Another piece of animal-inspired design, this one based on an anteater: The Pangolin line of bags uses recycled inner tubes to recreate an armadillo-like shell, which hinges open via chrome pivots and latches shut with magnets.

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It’s manufactured by Colombia-based Cyclus, a company pushing the eco-design philosophy on several fronts. In addition to using inner tubes as their chief raw material, Cyclus also takes in used clothing and plastic bottles and employs low-income families to process those materials into useable fabric. You can check out their product line-up here, and learn more about their process here.

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Hello my name is…Icebreakertags

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Our favorite swiss-miss, Tina Eisenberg, launched a new website today to help event organizers break the ice at their next mix and mingle. Similar to a nametag, Icebreakertags allow users to create their own conversation-starting question, customize with a logo, and generate a printout with 10 tags. The idea came to Eisenberg while organizing her monthly lecture series CreativeMornings. Check out our coverage of last week’s CreativeMorning with Milton Glaser. I <3 NY!

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Kaws Companion

A l’occasion de l’exposition de l’artiste Kaws à partir du 30 janvier prochain au Aldrich Contemporary Museum, voici cette vidéo présentant le montage et le déplacement d’une de ces pièces les plus importantes : Companion (Passing Through). Bande son signée Sébastien Tellier.



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80.84 by Ninkipen!

House by Ninkipen

Japanese studio Ninkipen! have completed a family house in Nara, Japan, comprising staggered rectangular volumes.

House by Ninkipen

A skylight pierces both floors of the residence to draw light down into the kitchen.

House by Ninkipen

The open-plan interior is finished in white, with wooden flooring and detailing.

House by Ninkipen

There are no doors inside the house, instead rooms flow into one another through interconnected doorways.

House by Ninkipen

The living spaces and one bedroom are located on the ground floor with a further two rooms on the next floor, each adjoining a roof terrace.

House by Ninkipen

Photographs are by Hiroki Kawata.

House by Ninkipen

More Japanese houses on Dezeen »
More residential architecture on Dezeen »

House by Ninkipen

Here’s some more information from the architects:


This is a small residence for a couple with one child, situated in Nara, Japan.

House by Ninkipen

The neighborhood is determined by a large number of individual houses spread over a gentle slope facing south.

House by Ninkipen

During the design process, the lot right beside was yet empty and it was unclear what was going to be built.

House by Ninkipen

Therefore, the design had to be autonomous, but at the same time it should be able to react positively on whatever was going to be built next door.

House by Ninkipen

The volume of the house is constituted of an uneven volume, split and shifted both in ground plan and elevation into sub-volumes that are visually separated, but connected through continuous lighting and ventilation.

House by Ninkipen

The interior space is characterized by interconnected cubes with no doors, privacy is ensured by deliberate nooks and narrowings between the rooms.

House by Ninkipen

Even though the house is with 80.84 m2 relatively small, the continuous spaces that always let anticipate the following room, convey a sense of larger extent.

House by Ninkipen

Project name
80.84
Architect
YASUO IMAZU/ninkipen! Architect office

House by Ninkipen

Use: house
Location: Nara, Japan

House by Ninkipen

Process

Design 2008.2-2008.7
Construction 2008.8-2009.3

House by Ninkipen

Scale
Site area 134.57m2
Building area 65.24m2
Total floor area 80.84m2


See also:

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House of Resonance by FORM/Kouichi Kimura Mole by
Ninkipen!
Rroomm by
Ninkipen!

frog design is Seeking a Creative Director in San Francisco

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Creative Director
frog design

San Francisco, CA

frog design, a global innovation firm is seeking a Creative Director. The position requires a deep understanding of the user experience around all consumer products (physical, web, environmental). They are looking for a profoundly engaged and experienced leader to spearhead new creative and strategic thinking for projects with interactive and haptic elements.

The Creative Director should have deep experience and practical expertise in both Product User Interface and Website design programs. The Creative Director will help set the direction, style, and methodology of the collective frog design group. They will also help set bar for quality and innovation in the office. For individual projects, the Creative Director will integrate clients’ business requirements into design strategies, interaction, and visual solutions. A balanced understanding of strategy, usability, interaction, and visual design is a must. Business development experience is necessary, and experience lecturing and writing about design is preferred.

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The best design jobs and portfolios hang out at Coroflot.

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Alexis Bittar Updates Astor Jewels for St. Regis

Jewelry designer Alexis Bittar, whose cozy Upper East Side shop we adore for its mix of taxidermied wildlife and ever-more-exquisite cuff bracelets, is on a roll. Last year, the wizard of Lucite took home the Council of Fashion Designers of America’s Accessory Designer of the Year award, made a splash with ads featuring Joan Collins, and opened a trio of boutiques outside of New York (in Los Angeles, San Francisco, and Chicago). His latest project is a hospitable collaboration: St. Regis Hotels tapped Bittar to help celebrate the opening of the brand’s twenty-first luxe property—a beachfront resort in Puerto Rico where the butlers “specialize in poolside rituals” (sign us up!)—with a jewelry collection. He took his inspiration from the legendary baubles of Caroline Astor, the socialite mother of St. Regis founder John Jacob Astor IV, and created a necklace, earrings, and brooch (at right). The hand-carved and hand-painted pieces, which range in price from $310 to $490 and are available at Bittar’s stores, mix the designer’s signature Lucite with crystals and pearls. Meanwhile, we’re looking forward to his next round of print ads, which we hear were shot by artist Jack Pierson.

New Career Opportunities Daily: The best jobs in media.

SimpliFried round-up

It’s difficult for me to believe, but our sister site SimpliFried has been live for two weeks now. In case you missed our big announcement, we started this new site as a way to help readers relieve stress surrounding mealtimes (because this is the area of life we struggle with the most).

As a quick round-up, these are the posts we’ve had so far on SimpliFried:

If you haven’t check out SimpliFried yet, please do. We’re excited about the community we’ve built there and are loving what’s coming up on the schedule.

Like this site? Buy Erin Rooney Doland’s Unclutter Your Life in One Week from Amazon.com today.


Subaru on How to Design a Mediocre Car

Introducing the 2011 Mediocrity, which of course comes only in beige:

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No, it’s not a real car; it’s an amusing commentary by Subaru on the current state of mass-market auto design. The website of the viral campaign features silly and de rigueur touches like mock social networking features, a “build your own” section and the ever-important Designer Interviews, where they discuss their “inspiration” for the car’s design:

Dig it? There’s more videos here.

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Maximo Riera’s Animal Chair collection

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Cadiz-based artist Maximo Riera has thirty years of experience in photography, painting and sculpture, and that diverse background served him well for his recent and ambitious undertaking: The Animal Chair collection, a series of furniture based on mammals, reptiles, and insects.

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Each creation retains the animal’s natural vitality whilst being totally biologically accurate in their appearance. This collection is an homage to these animals and the whole animal kingdom which inhabits our planet, as an attempt to reflect and capture the beauty of nature in each living thing.

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The recently completed project took Riera some three years, and most of the chairs have not yet been publicly unveiled on his website except his Octopus Chair, seen here. “This piece has required the highest technology and engineering in order to manufacture and develop it,” explains Riera. “More than thirty professionals from four different companies have been involved in the process which has been developed entirely in the United Kingdom.”

Other animals in the furniture line-up include the Rhino, Lion, Beetle, Whale and Walrus; we’ll keep you posted as they go public.

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