Thomas Vu’s lunch box concept would make a great toolbox

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Product design student Thomas Vu’s Lunch Box concept features a dry-erase surface for doting moms and creative kids to scribble on. The box itself is designed with flat sides, so you can throw the thing on a scanner to save Junior’s masterpiece.

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I like the idea and think it would be great for kids, but looking at it, I also deeply wish I had a toolbox like this. When building something I’m constantly scribbling calculations and cut measurements on nearby pieces of wood, scribbles I will later have to erase by sanding; if I had a more rugged version of Vu’s box, problem solved.

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Check out the rest of Vu’s book on Coroflot.

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Design That Matters’ NeoNurture turns auto junk into human life

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Two years ago we read a report on Treehugger about the Massachusetts-based nonprofit Design That Matters’ endeavors to create an infant incubator out of recycled car parts. The thought that dead Toyotas could bring life to some of the nearly 4 million infants that will die of post-birth complications each year was heartening; for remote villages without hospitals, a local dead-car hulk could provide critically useful.

Well, now they’ve done it. The NeoNurture incubator is featured in the Cooper-Hewitt’s National Design Triennial and has received coverage in Time Magazine, and Design That Matters is working towards full production with the assistance of the Center for Integration of Medicine and Innovative Technology. There are still some hurdles to be overcome, as you can imagine for a machine designed to be cobbled together from whatever auto parts are on hand:

The project traces its roots to a heaping pile of dead Toyota 4Runners. “In the summer of 2007, a few guys just tore one apart,” [DTM CEO Timothy] Prestero said. “They discarded thousands of pieces until they had things that are plentiful in rural areas: headlight assemblies to provide heat, air-intake filters and such, which could be repurposed without much fuss.”

The greatest design challenge for the group has been resisting standardization. “As soon as you say, ‘You can only use a 4Runner’s headlight,’ the value goes out the window,” Mr. Prestero said. This problem might ultimately determine what aspects of NeoNurture’s approach will translate to mass production.

Read all about it in this Times article.

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Macy’s Confirms UnBeige Report of Karl Lagerfeld Collaboration

Macy’s has officially confirmed our exclusive report of an imminent collaboration between designer Karl Lagerfeld and the national retailer. “Karl Lagerfeld holds a unique place in the world of fashion, an icon who is the ultimate modernist,” said Terry J. Lundgren, chairman, president, and CEO of Macy’s, Inc. “Through the decades, his style and vision have marked the history of design. It is a tremendous honor to bring his inimitable perspective to our fashion customer.” The collection will debut in approximately 250 Macy’s stores and on macys.com in September 2011. According to a report in today’s issue of WWD that credits UnBeige with breaking news of the deal, the Lagerfeld line is part of a new designer initiative that Macy’s will launch in February. Other designers and brands slated to create capsule collections for the national retailer include London-based Kinder Aggugini, Vivienne Westwood, Paul Smith, Calvin Klein, and Versace.

New Career Opportunities Daily: The best jobs in media.

Around the Design World in 180 Words: Typographical Edition

  • The Type Directors Club has kicked off its annual competitions in communication design (print, digital media, student work), typeface design, and movie titles. This year, the TDC has decided to award its first “Best in Show,” which design competition chairman Roberto de Vicq de Cumptich likens to “electing a king—or queen—of typography.” The early bird deadline is December 17, and procrastinators have until January 12, 2011 to enter.
  • The Pentagram Calendar has been reborn as the 365 Typographic Calendar. Pentagram alumnus Kit Hinrichs is now producing it through his new San Francisco-based design office, Studio Hinrichs. “So many people, designers included, have no idea who designed the beautifully crafted typefaces that are very much a part of our everyday life,” he has said. “I wanted to enable people to become more aware of type as a designed object.” The dozen typefaces celebrated in the 2011 edition are a mix of iconic creations by the likes of A.M. Cassandre and Le Corbusier, and the work of contemporary stars including Zuzana Licko and Christian Schwartz. Order yours online in small or jumbo size.

    New Career Opportunities Daily: The best jobs in media.

  • Galapagos Islands

    Un regard et une véritable évasion avec cette vidéo de Darek Sepiolo sur les magnifiques îles Galapagos au-dessus et en dessous de la surface, tourné avec une caméra Sony EX1. Un lieu étonnant, à découvrir en images et vidéo HD dans la suite de l’article.



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    Previously on Fubiz

    The Mack Truck Syndrome: How replaceable are designers?

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    I stopped pursuing corporate design work years ago, because the lowly rungs I occupied allowed little individual creativity. “If I got hit by a bus tomorrow,” I told friends, “and they replaced me with another designer, the work would come out exactly the same.”

    I’ve used and heard the “If I got hit by a bus” metaphor for things all of my life, only recently realizing the phrase was an urbanism; outside New York’s ample opportunities for M16 Crosstown crosswalk calamity, apparently the rest of the U.S. says “If I got hit by a Mack truck.” (For you non-Americans, that’s a brand-name tractor-trailer that crawls our highways, hauling our goods and mowing down unwary pedestrians.)

    The Mack truck, like Stockholm, even has its own syndrome. InformationWeek talked to Product Design Manager Christian Feldhake (of Torelli Bicycle) about the “Mack Truck Syndrome,” whereby a small firm can be crippled by the sudden loss of a single member. The solution, as Feldhake sees it, is a system called ERP, or Enterprise Resource Planning. It entails a computer-based “dashboard” filled with relevant data points that anyone, theoretically, can use to step in and resume someone else’s role. It sounds more applicable to business than design. At least that’s what we designers, with our individual creative urges, hope.

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    A shop for monsters and a brand new writing centre

    Introducing the Hoxton Street Monster Supplies, residence of the newly formed Ministry of Stories and the latest site for Dave Eggers’s ongoing 826 literacy program. The branch, the UK’s first, has been fully kitted out monster-style by We Made This

    As the designers explain on their blog, in keeping with the model of the other 826 writing centres in the US (where children aged 8-18 can get one-to-one tuition with professional authors) each is housed behind a fantastical shop-front designed to fire the imagination, and – through selling merchandise – generate income for the centres.

    In San Francisco’s Pirate Supply Store you can buy glass eyes and peg-legs, for example; 826NYC’s Superhero Supply Company offers custom-fit capes; while Seattle’s Greenwood Space Travel Supply Company sells – as the 826 site has it – “all your space commuting appurtenances”.

    The look and feel of the first 826 site in the UK, Hoxton Street Monster Supplies: Purveyor of Quality Goods for Monsters of Every Kind, fell to We Made This after they initially talked about the idea of a UK version on their blog – having seen Eggers talk at TED in April 2008 – and noted that several others had had similar thoughts.

    Interest in the idea grew and arts entrepreneurs Lucy McNab and Ben Payne were able to secure support for the project from the Arts Council, as well as seed-funding from the JJ Charitable Trust. To help things along even more, author Nick Hornby – a keen advocate of bringing 826 to the UK – lent his support to the initiative.

    The Ministry of Stories and its Hoxton Street Monster Supplies alter-ego is the result. “The shop was established in 1818, and ever since then has served the daily needs of London’s extensive monster community,” explain We Made This on their blog. “Step inside, and you’ll find a whole range of essential products for monsters. You can pick from a whole range of Tinned Fears (each of which comes with a specially commissioned short story from authors including Nick Hornby and Zadie Smith), a selection of Human Preserves, and a variety of other really rather fine goods.

    “The project has been an utter joy to work on, letting us flex both our design and our writing muscles in equal measure,” they add, “as well as working with a fantastic team of collaborators including architects, writers, designers, dramaturgs (look it up) and others.”

    Of course, the shop also holds a secret – a disguised entrance that opens onto the Ministry of Stories. “The Ministry is designed to feel really special,” say We Made This, “the space was architected brilliantly by Andrew Lock, Catherine Grieg and David Ogunmuyiw; with fantastic wall illustrations by the very lovely Heather Sloane.”

     

    The identity for the Ministry grew out of a series of branding workshops where hundreds of names for the project were mulled over, say WMT. “Alistair [Hall] then happened to stumble upon his grandmother’s old post-war ration book, featuring the Ministry of Food logo, and that was that. The Ministry had found its name, mood, and identity.”

    You can follow more about the Ministry on the MoS website (designed by Manifest), the MoS Facebook page, and the MoS Twitter feed. More pictures of the Ministry are on Alistair’s MoS Flickr set. WMT would like to thank Benwells, Robert Horne, Fenner Paper and Colorset UVI for their help on the project.

    Dressed Up Furniture by KAMKAM

    Furniture by KAMKAM

    Seoul designers KAMKAM have designed a collection of felt-covered furniture that can be fastened using buttons, belts and zips.

    Furniture by KAMKAM

    Above: Cham Bench

    Called Dressed Up Furniture, the range includes a bench, cabinets and stools, which all have little areas for storage, hidden behind a felt door.

    Furniture by KAMKAM

    Here’s some more information from the designers:


    ‘Dressed up furniture series’.
    This series is made up of four items, Dressed up stool, Cham, Cham bench and Belt felt.

    Furniture by KAMKAM

    Dressed up stool
    The button on this personified stool is not just a visual effect but a new experience of extended actions such as storing, opening and closing doors.

    Furniture by KAMKAM

    The upholstery can be locked by the three buttons on the side and also fixed by rolling it up using a magnet when you store something inside.

    Furniture by KAMKAM

    Above: Belt Felt

    The highly elastic soft sponge of upper side guarantees durability of the comfortable seat.

    Furniture by KAMKAM

    Cham
    “Cham” is mingled with clothes in terms of functional and shape.

    Furniture by KAMKAM

    Above: Dressed Up Stool

    Consumers can experience more flexible and higher level of ‘Opening’ and ‘Closing(Locking)’ with this little cabinet which is formed by upholstery method.

    Furniture by KAMKAM

    It can be fastened by the belt or the inner magnet which fixes the belt-door rolled.

    Furniture by KAMKAM

    The size of the door can store little sundries.

    Furniture by KAMKAM

    Above: Cham

    The furniture is named after the North Pole monster ‘Cham’, a character of Korean novel.

    Furniture by KAMKAM

    The shape of the furniture ‘Cham’ has soft appearance that resembled mild and comforts people by the inherent intimacy. This is a reddot design award winning product 2010.

    Furniture by KAMKAM

    Cham bench

    The series of ‘Cham’, mixed of clothes and bench. Using elastic sponge on upper side and finishing the external with Upholstery method, ‘Cham-bench’ will give you durable comfort.

    Furniture by KAMKAM

    Belt felt
    ‘Union’, the theme of “Belt Felt,” is structurally applied clothes and furniture.

    Furniture by KAMKAM

    The clothing concept ‘belt’ blended to furniture has functionality that assigns flexibility to opening and closing doors.

    Furniture by KAMKAM

    The fabric, which is not woven, but compressed by strong heat and moisture, emphasizes the theme ‘Union.’

    Furniture by KAMKAM

    This collection is on exhibition in Seoul, Korea

    Furniture by KAMKAM

    Furniture by KAMKAM


    See also:

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    An Furniture by
    KAMKAM
    Close to be Open by
    Agnes Ögren & Valerie Otte
    More furniture
    on Dezeen

    As design catches up to robotics computing, mechanical arms get cooler

    If I asked you to sketch the archetypal industrial robotic arm, you’d probably draw something like a swing-arm lamp: Straight members connected by elbow-like joints, perhaps on a rotating base like a shoulder. The finite, easily-calculable axes of motion of such an arrangement lent themselves well to the early days of robot design and the primitive computer systems that had to manage their motion.

    Now, as those computer systems become capable of far more complex calculations, it’s only natural that design would follow suit. Thus German engineering company Festo has designed a robotic arm based not on the human arm, but on an elephant trunk–or actually, what resembles three elephant trunks bound together.

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    The elegant, biomimetic design of Festo’s Bionic Handling Assistant is capable of “more degrees of freedom and an unparalleled mass/payload ratio.” What’s even cooler is how the trunk expands, contracts and turns by alternately inflating or deflating air sacs within each vertebrae-like selection, which you can see in the animation below. A more aesthetically-pleasing performance is not a prerequisite of industrial efficiency, but it sure is a neat by-product.

    via tg daily

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    Ready. Steady. Go! by Sandra Janser and Elisabeth Koller

    Austrian architects Sandra Janser and Elisabeth Koller have painted streets in Graz, Austria to resemble a running track as part of a regeneration project

    Ready. Steady. Go! by Sandra Janser and Elisabeth Koller

    Called Ready. Steady. Go!, the 750m-long installation on the Jakoministraße and Klosterwiesgasse aims to attract visitors to the area.

    Ready. Steady. Go! by Sandra Janser and Elisabeth Koller

    The red strip measures at 750 metres and covers the road and pavements, with grey lines dividing it into lanes.

    Ready. Steady. Go! by Sandra Janser and Elisabeth Koller

    The installation was completed for Design Month Graz 2010 and won the first prize in a design competition.

    Ready. Steady. Go! by Sandra Janser and Elisabeth Koller

    Here’s a bit more information about the project:


    In the course of Design Month Graz 2010 the project „Ready. Steady. Go!“ by architects Sandra Janser and Elisabeth Koller won the first prize in the design competition for the installation of a visual frame in the Jakomini district. The intention of this visual frame is to define the streets Jakoministraße and Klosterwiesgasse in order to mark them as a significant design area with a visible and positive identity. The entrance to the Jakomini district is clearly recognized by the north and south street endings. The streets themselves are revamped leaving them with a fresh inviting look for visitors to explore.

    Ready. Steady. Go! by Sandra Janser and Elisabeth Koller

    The running track as presented in the project „Ready. Steady. Go!“ was applied in September 2010. It attracts attention to the changes in the quarter and will make people stop and absorb the newly created atmosphere. A total of 750 meters or 4600 square meters along the streets and pavements around the block are coloured in red, the lines separating the tracks are grey.


    See also:

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    CDSea by
    Bruce Munro
    The Longest Bench by
    Studio Weave
    More installations
    on Dezeen