UX Week 2010: First Impressions

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pemGuest post by Russell Maschmeyer./em/p

pAdaptive Path’s a href=”http://www.uxweek.com/”UX Week 2010/a kicked off Tuesday at the Mission Bay Conference Center in San Francisco, and it couldn’t have been a better day for it; the first beautifully hot, summery weather I’ve seen since I landed at SFO earlier this summer. This year’s UX Week promises an interesting line-up of game designers to meta-thinkers, each steeped in the study of people and behavior. You may consider UX folks nerds, but give us credit for being some of the most socially adept nerds you’ll ever meet./pa href=”http://www.core77.com/blog/events/ux_week_2010_first_impressions_17239.asp”(more…)/a
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Apple preparing to take huge production method leap forward with “the most advanced manufacturing machine on the planet”

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pApple’s “A HREF=”http://www.engadget.com/2010/08/25/apple-to-hold-special-event-september-1st-well-be-there-li/” special event/A” scheduled for next week (and probably heralding the arrival of a new iPod Touch) is intended to excite consumers, but it is yesterday’s Apple news that’s sure to capture the imagination of industrial designers./p

pAs A HREF=”http://www.cultofmac.com/worlds-most-advanced-machinery-was-reason-for-apples-liquidmetal-deal-expert-says/55322#more-55322″ reported by Cult of Mac/A, Apple has or will soon have “the most advanced manufacturing machine on the planet,” a prototype injection molding machine designed to accommodate Liquidmetal, the new material recently licensed by Apple. (The photo above is a “similar” machine made by the same company, Switzerland’s Buhler Group.)/pa href=”http://www.core77.com/blog/materials/apple_preparing_to_take_huge_production_method_leap_forward_with_the_most_advanced_manufacturing_machine_on_the_planet_17238.asp”(more…)/a
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Trial Date Set for Associated Press vs Shepard Fairey Case

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Now that one part of the Shepard Fairey vs. the Associated Press ordeal is over, with photographer Mannie Garcia withdrawing his suit against the AP, it’s time to get back to the main event. A trial has finally been set, beginning March 21st in New York and expected to take three weeks. While still facing possible criminal charges for falsifying information and erasing evidence, this trial will concentrate solely on the AP’s allegations that Fairey used a photograph, taken by Garcia, that the AP holds the copyright to and was not credited or paid by the artist for its reuse in his now-iconic Barack Obama poster. Neither Fairey or his lawyers have said much about how they intend to fight the suit, though one of his attorneys gave a quick peek, according to the AP’s report on their appearance in court this week as the trial dates were arranged:

One of Fairey’s lawyers, Geoffrey Stewart, told the judge that Fairey will show at trial how he made the Obama image, calling it a work of art based on one photograph.

“This isn’t like some copyright case that involves hundreds of this and hundreds of that,” he said. “It’s really quite simple.”

New Career Opportunities Daily: The best jobs in media.

James Leal Centre by Sarah Wigglesworth Architects

James Leal Centre by Sarah Wigglesworth Architects

This visitor centre in Redbridge, England, by UK firm Sarah Wigglesworth Architects features a zig-zag roof with oversailing wooden trusses.

James Leal Centre by Sarah Wigglesworth Architects

Situated in the heart of Ray Park, The James Leal Centre becomes a gateway to the Roding Valley and contains leisure and education facilities.

James Leal Centre by Sarah Wigglesworth Architects

The north-facing sides of the roof have a shallow pitch and are covered in solar thermal collectors, while the south-facing sides are steeper and admit indirect natural light.

James Leal Centre by Sarah Wigglesworth Architects

A translucent canopy covers a forecourt to the west, which can also be used as an outdoor gallery.

James Leal Centre by Sarah Wigglesworth Architects

Photos are by Mark Hadden.

James Leal Centre by Sarah Wigglesworth Architects

Here’s a bit more from the architect:


Ray Park Visitor Centre, Redbridge, London
2006 – 2009, £1.2 million

Located on elevated ground on the site of the former 18thC Ray House, this new sustainable building acts as a gateway to the Roding Valley Corridor, providing recreation and leisure facilities.

James Leal Centre by Sarah Wigglesworth Architects

The flexible open plan space contains a café, exhibition, internet and toilet facilities, a teaching/training space and the Greenspace Team’s office.

James Leal Centre by Sarah Wigglesworth Architects

An external translucent canopy defines a large forecourt to the west that acts as a gathering zone and outdoor exhibition area with cycle and disabled parking facilities.

James Leal Centre by Sarah Wigglesworth Architects

The cafe extends south over a new terrace adjacent to raised planting beds which grow edible plants for use in the café.

James Leal Centre by Sarah Wigglesworth Architects

The brief for a sustainable building is reflected in the roof form. Multiple pitches support solar thermal collectors on shallow south faces while steeper north faces allow good roof light.

James Leal Centre by Sarah Wigglesworth Architects

The design includes passive earth tube cooling and a biomass boiler.

James Leal Centre by Sarah Wigglesworth Architects

James Leal Centre by Sarah Wigglesworth Arch

Click above for larger image

James Leal Centre by Sarah Wigglesworth Arch

Click above for larger image

James Leal Centre by Sarah Wigglesworth Arch

Click above for larger image

James Leal Centre by Sarah Wigglesworth Architects

Click above for larger image

James Leal Centre by Sarah Wigglesworth Architects

Click above for larger image

James Leal Centre by Sarah Wigglesworth Architects

Click above for larger image

James Leal Centre by Sarah Wigglesworth Architects

Click above for larger image


See also:

.

Cremorne Riverside Centre by
Sarah Wigglesworth Architects
Bermondsey Bike Store by
Sarah Wigglesworth Architects
More
architecture stories

Why Great Ideas Can Fail

pDesigners are proud of their ability to innovate, to think outside the box, to develop creative, powerful ideas for their clients. Sometimes these ideas win design prizes. However, the rate at which these ideas achieve commercial success is low. Many of the ideas die within the companies, never becoming a product. Among those that become products, a good number never reach commercial success./p

pWhy would brilliant ideas fail in the marketplace? The reasons are complex. Part of the problem is that design consultancies are outsiders, hired by one division of the company, but not necessarily accepted by the other divisions. A product, however, requires the support of the entire company: design and development, engineering and marketing, sales and service, supply chain and distribution chain. Products enter into a complex eco-system, both within and outside of the company. Successful products have to navigate a complex path. The idea and initial design is only one piece of the story./pa href=”http://www.core77.com/blog/columns/why_great_ideas_can_fail_17235.asp”(more…)/a
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Karl Johnson

Victorian paper art revival comes to NYC
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Profiling people on September 11th may sound off, but when it’s done by master scissor artist Karl Johnson, your silhouette will never look so good. The Southern California-based artist brings his services to the NYC, handcrafting paper cut-outs of personalized portraits.

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Johnson fashions the beautiful, vintage-inspired silhouettes from black paper in just a matter of minutes. A nearly extinct art form, his work spans simple to intricate, with each piece suggesting rich sentiment and personality of t.

Johnson will be on hand from 10am-5pm, 11 September 2010 at Babesta Cribz. Each profile costs just $25 with duplicates available for $15.


A Depressed Whale

Ars Electronica 2010

REPAIR – ready to pull the lifeline
In search of ways out of this mess we’ve gotten into, the 2010 Festival
for Art, Technology and Society ..

Five new typefaces from Conqueror

I have a distant memory of my father holding up a sheet of paper to the light and showing me a watermark for the first time – I must have been about six. But I still remember the watermark – it was for Conqueror paper.

Now the long established paper range is having a bit of a relaunch aimed at printers and designers, and to promote this, its manufacturer Arjowiggins has not only commissioned a batch of attractive marketing materials full of illustrations by Seb Lester, photography by Thomas Brown and artwork by Tsang Kin-Wah – but it has also commissioned five new Conqueror typefaces designed by Jean François Porchez of French foundry Typofonderie.

Here’s a look at the typefaces and the promotional brochures and, even more unusually, some web films hosted on YouTube that support the Conqueror relaunch campaign – and which carry the strapline: “It’s not what you say… it’s how you say it”.

Introducing AW Conqueror Sans:

Below is AW Conqueror Didot:

AW Conqueror Inline:

and AW Conqueror Carved:

Carved comes in various layers allowing designers to use all of them together or just one or two layers at a time:

 

All of the five typefaces are available to download for free from conqueror.com – the idea being that Conqueror provides a portfolio of tools (as well as paper) for designers to use.

The paper range itself has grown to include a new range made from Bamboo – which is fast growing  and renewable; a selection of Print Excellence papers within the Wove and Bamboo ranges which guarantee faster drying times than the other papers and handles well complicated and creative prints and patterns; plus there’s a whole heap of new colours available in the Conqueror family of papers.

Here are those YouTube films I mentioned earlier, created by Reflex Group:

 

 

For more details about the Conqueror paper range – and to find out how to download the typefaces detailed above, visit conqueror.com

The science of buying: Women are at the wheel

The website She-Conomy (a site that focuses on the business of marketing to women) recently published the article “Men, Women Lead 4 Out of 5 Stages of the Buying Process.” This interesting article discusses Marti Barletta’s research in the book Marketing to Women and how when “men and women buy as partners, women control at least four out of five stages of the purchasing process.”

The five stages of the buying process are Kick-off, Research, Purchase, Ownership, and Word-of-Mouth. Barletta’s research found that the only stage of the purchasing process men dominate is the actual laying down of the cash, and that women are in control of the other four. Then, she implies that men don’t actually control the buying, even though they think they do.

The explanation about the Research stage of the buying process is eerily similar to how we plan purchases in our home, except it isn’t always me taking on this role:

Once the decision has been made to make a purchase, it is the woman who does research to develop the short list. She may begin with numerous options, but she is very detail oriented as she narrows the field … They consult with close friends and family, as well as experts, Web social networking, local news and magazines. Once she feels she has investigated all of her options thoroughly, she compiles the short list or makes a final decision.

It is this list or choice that she shares with the man. So if your product or service doesn’t make it on this list, it is very unlikely it will be considered when it comes time to make the purchase. After all of the research and time she has put into it, she typically knows exactly what she wants.

In my relationship with my husband, we usually alternate who is the researcher and who is the buyer based upon who is interested in the purchase. Having the researcher not being the person who is putting down the money for the product usually means that we’re spending more wisely than we do independently. We’re smarter consumers because there are two of us involved in the process.

Even if the research is true and the majority of women in relationships do control the five stages of the buying process, it doesn’t always have to be this way in your home. You can mix things up as a way to keep your spending in check and be smarter consumers. If you’re not in a relationship, you can use these five stages as a checklist to ensure that you’re being a smart consumer and not simply purchasing things on impulse.

Overall, I found this article to be a fascinating analysis on the buying process and how products find their way into our homes. The more we know about the science of buying, the better, more informed consumers we can be.

Thanks to reader Deb for introducing us to this research.

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