Un excellent concept par le designer Igor Chak avec ce canapé unique inspirées du graphisme du célèbre jeu “Space Invaders”. Le canapé est entièrement en cuir, avec deux surfaces de verres. Voici plusieurs mises en scène et de nombreux visuels dans la suite.
Photographer Fernando Guerra has sent us his photos of this prefabricated house in Cedeira, Spain, by Madrid studio MYCC.
Called Prefabricated Nature, the holiday home sits on a site sloping down towards the sea and is surrounded by a forest of eucalyptus trees.
The end walls and roof of the house are made of cement and wood fibre while the gabled ends are clad with Corten steel, which is perforated with images of trees.
The six-metre by three-metre house was fabricated in a Madrid factory and assembled on site in three days.
Here’s some more information from MYCC:
PREFABRICATED NATURE
Built in three months and assembled in three days, this vacation house located in the Galician municipality of Cedeira is a good example of the many possibilities that modular construction, up to now associated with catalogue houses, offers today.
The program demanded by the client, along with the unique site of the house and modulation and transportation needs of prefabricated construction, inspired the design of this house built by the young Madrid studio MYCC, formed by Carmina Casajuana, Beatriz G. Casares and Marcos González.
The house is located on a steep slope, in a remote location in the northeast corner of the Iberian Peninsula, an area dominated by the imposing presence of the ocean and the slender forest of eucalyptus trees surrounding it.
The terrain is surrounded by harvest fields, family farms and pitched roof houses. This image, protected by the area’s building codes, determined the geometry of the house that, simplified up to the point of evoking the basic house, was conceived as an autonomous piece that sits as a landscape observer and that speaks, with new terms, about the traditional language of the place.
The volume was wrapped with two materials with the purpose of setting up a dialogue with the landscape.
The roof and the side facades were covered with Viroc®, a prefabricated mixture of cement and wood shavings that, because of its gray color, recalls the wood of eucalyptus trees.
This fibercement has a great strength efficiency in spite of being light and, therefore, is easy to maintain and move.
The two main facades of the house were clad with perforated Cor-ten trays following the schematized image of a forest silhouette, recreating the image of the surrounding vegetation.
This material was chosen because it is part of the local tradition of fishing towns like Cedeira, used for the construction of boat hulls, and the gradual and controlled oxidation of which gives the material self-protecting qualities.
Its patina and changing color create a lively image that relates with the natural environment.
This interplay between the natural and the artificial also benefits the interior spaces, where the light that crosses through these silhouettes casts shadows of trees in the different rooms.
Being a vacation house, the interior spaces are free-flowing and open up to the unique landscape, turning it into the protagonist.
The six modules that make up the house, of approximately 6 meters in length and 3 in width (the maximum reasonable width to enable their transportation by trailer) organize the program as follows: the first one contains the bedroom, which can be divided into two thanks to a blind concealed in the ceiling, and which becomes a partition wall when more rooms are needed; the second contains the bathroom and stairs; the third the kitchen; and the last three the living room.
The top floor, under the roof flaps, houses an attic that is a free-flowing space with a double facade that opens up to the sea views towards the southwest and to the forest towards the northeast.
It is a space that flows out onto the living room without a designated use, and that can perform as a guest bedroom, tai-chi room or playing area for kids.
The house combines two different systems: prefabricated construction (2D) for the attic and modular construction (3D) for the ground floor.
The modules were built in the facilities of the construction company IDM in the Madrid town of Valdemoro.
These modules were built with a structure of beams and galvanized steel columns and with floor and ceiling slabs of composite decking with reinforced concrete.
The facade walls are dovetail sandwich panels formed of two sheets of lacquered aluminum and an 80-millimeter-thick polyurethane web plate.
Several layers of waterproofing stretch beneath the furring strips to which the exterior facades are fixed. Towards the interior, a ventilated air cavity of 20 centimeters lets the structure go through, and there is a perimetral panelling of plasterboard with 46 millimeters of rock wool.
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The result is a 30-centimeter-thick wall with a ventilated facade cavity, interior cavity and 12 centimeters of total insulation. After an assembly trial in the factory, and after making sure that everything fit in properly, the different modules and trusses of the building were taken apart to be packed and moved in trailers the whole 700 kilometers separating the factory from the remote seaside site where its was to be installed.
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All the parts were put together again on the designated site in just three days, and the finishing touch-ups were done in the following two weeks.
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The end result is a high-quality product, designed with high standards of energy efficiency and whose manufacturing entails a contribution to environmental balance, because the generation of polluting residues and emissions is controlled. The very name of the piece stresses its main assett: a house that is manufactured, not built.
Click above for larger image
Something that reminds us of the efficient chain production of the industrial warehouse, covered and controlled, unlike traditional construction that is at the mercy of external elements that can affect the construction process. One could say that this type of manufacturing moves towards a sustainable architecture which makes a responsible use of the limited resources available.
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American firm Peter Rose + Partners have completed a cypress-clad extension to a yoga centre in Western Massachusetts, USA.
Called Kripalu Annex, the extension to the Kripalu Center for Yoga & Health is connected to the main building by a glazed walkway with a planted roof.
It provides accommodation for visitors with 80 rooms and a yoga studio.
Screens made of cypress batons slide across windows to alter the shade and air admitted to guests’ rooms.
Here’s some more information from the architects:
PETER ROSE + PARTNERS ANNOUNCES OPENING OF PRIZE-WINNING HOUSING ANNEX AT KRIPALU CENTER FOR YOGA & HEALTH
Elegant, Environmentally Sensitive Structure Wins American Institute of Architects’
2010 National Award for Specialized Housing
Architecture firm Peter Rose + Partners has completed the Kripalu Annex, the first step in the firm’s master plan to reshape the Kripalu Center for Yoga & Health. The project, which reflects Rose’s career-long commitment to ecologically innovative design, has recently been declared a winner of the prestigious AIA National Housing Award in the category of Specialized Housing; just one day later, I.D.’s 2010 Annual Design Review awarded Kripalu an Honorable Mention in the Environments category.
Tucked into 300 acres of dense forest in the Berkshire Mountains, Kripalu (kri-PAH-loo) is the largest and most established yoga retreat in North America. For over 30 years, Kripalu has been teaching skills for optimal living through experiential education for mind, body, and spirit, and this holistic approach was the starting point for the innovative plan that secured Peter Rose the Kripalu commission in 2004.
According to Rose, “Kripalu’s housing needs are modest and straightforward, but the architecture of the Annex, like yoga itself, is full of subtlety and layers of complexity that gently improve the structure’s performance. Light, air, using minimal means to create a calm, healing environment—it’s all about fulfilling these almost intangible requirements.”
The 80-room Housing Tower is attached to Kripalu’s existing facility through a glazed passage with a planted roof and sunny southern exposure, allowing guests to pass from the older structure to the new one with ease—in their stocking feet if they choose. Under a canopy on the western façade, the primary entrance leads to a modest lobby and a 2,400-square-foot yoga space glazed on two sides, surrounded by dense foliage, and filled with light.
In plan, the building is organized along a tapering axis that both funnels breezes and captures landscape views. Its concrete structure and cores are occasionally revealed beside the slatted cypress cladding. The cladding will weather to a natural gray, allowing the Housing Tower, otherwise visible from across the lake, to almost disappear with the wooded landscape. Cypress sun screens slide in front of each guest room window. Moving the screens by hand to temper heat gain, visitors can see the shadows change, and feel the temperature of the wood, and allow cypress-scented breezes to enter the room. Natural ventilation, hydronic radiant heating and cooling, and an extremely compact building design (the volume is 30% smaller than typical construction) all provide for energy savings of nearly half when compared to conventional construction.
Using simple, robust materials integrated into a streamlined design, the building does its work with efficiency and a quiet, lasting beauty, then slips out of the way to give a cherished landscape center stage.
A similar ethic imbues the entire Peter Rose + Partners’ Kripalu master plan. Proposed changes include renovations to existing campus buildings, landscape improvements, and new buildings to increase capacity, and together create a serene, ecologically sensitive environment and a model of environmental responsibility.
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