Kanye West’s Complex Cover

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Pushing the boundaries once again, this time Kanye West is inspiring the use of advanced imaging technology on the new cover of Complex magazine. The photograph is the result of a facial scan that gathers data from a camera that rotates around the object. A computer then stitched the images together to create an eerily detailed 2D photograph. Chris Milk, videographer and photographer behind the project, talks about the futuristic creation of the Complex photo shoot in an interview with Fast Company.

Paul Ripke

Le photographe Paul Ripke a produit une série intitulée Zauberwald en collaboration avec le graphiste Florian Schmucker et la styliste/visagiste Ina Cierniak. Signé en agence et basé à Düsseldorf. Un exemple de son travail avec une galerie dans la suite.



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Dining Agenda by Sara Ferrari and Marcella Fiori

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London-based, Italian designers Sara Ferrari and Marcella Fiori have designed a book of place mats for note-taking during meals.

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Enter To Win A Sterling Silver Ring By Caesar’s Designs From Stylehive And chickdowntown!

There are a couple of ways to get jewelry for free. Many of these ways involve significant (or not so significant) others, but then you get into issues of questionable taste and *gasp* cubic zirconia and I don’t know, feelings…. basically, it’s messy out there. You’re much better off simply winning it from Stylehive! This week we’re giving away a stunning sterling silver and pearl ring by Caesar’s Designs. This chickdowntown exclusive retails for $275 and is just too pretty to pass up! (If you’ve never been to chickdowntown, go to their page now- you’ll never find better deals on women’s clothing from your favorite designers!) With its detailed blossom design and 6 mm cultured pearl center, you’ll want to wear this custom-made ring all spring long (and pretty much every other season too). Want to win it for yourself? Read on to find out how you (or that special someone) can enter!

Neat Receipts: Just in time

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Thanks to Bill Hanff for this guest blog post!

After going through the pains of doing my 2008 taxes, I needed to find a way of organizing myself better. So on the advice of Andy Ihnatko in a podcast, I got the Neat Receipts for Mac. At $170, it seemed a bit pricey for a low res-scaner, but I thought I would give it a try, and after spending just an hour with it, it is completely worth the money. Here’s why:

Organization. It does a great job with receipts–it reads the receipt’s total, date, and even separates out the sales tax. It also determines whether the receipt is for a meal, transportation, or general retail, making organizing the receipts fast and easy. It even does a pretty good job with taxi receipts, which are usually the worst printouts. Going through the first three months of receipts for this year took about an hour–including clean-up and review of the receipts to make sure everything was read correctly.

Design. The device is very “mac-like,” with simple, clean lines and looks pretty attractive on the desk. It’s a small and lightweight feed-style scanner, and is easily portable; I can toss it in my shoulderbag without a problem.

Features. I have not yet tried all of the features, but on top of doing receipts, the device also scans business cards and documents–exporting to excel and vcf files for the business cards.

Security. I have multiple backups of my hard drive, and feel much more secure having the digital copy of my receipts than hard-copies.

On the downside, the software for the scanner is great, but still feels very first-generation. I’ve had it crash on me twice so far, and there are a couple of things that could work a little better. Overall a good investment though, and just in time for April 15th!

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A trip of the imagination


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Rockets of creativity


photography, sewing, writing

Presidio Museum Registers New Complaint: No Parking

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So we finally got through all the fighting and back and forth planning over Donald Fisher‘s Presidio Contemporary Art Museum and landed in a spot that seemed to at least quiet down the the general uproar for nearly a whole month. But a ha! While you were all collectively basking in the warmth of not having to read another story about this troublesome museum, there were forces at work trying to find something new to raise issue with. And so we have arrived and here is the latest complaint: there is no room for parking and public transportation doesn’t get nearly close enough. Of course, this makes sense, as you probably want people to come visit the thing if you’ve gone to this much trouble over the past few years to just get it built. But it also seems like this could be another clever plot to get Fisher away from the Presidio all together, as casually hinted at in the closure of this op-ed in the San Francisco Chronicle:

New developments are being nudged to areas where transit is readily available: South of Market Street and south of the Bay Bridge, near the Transbay Terminal, at or near Mission Bay with its new UCSF campus, sites adjacent to Caltrans, Muni Metro and freeways.

Indeed, it is in transit-served locations such as those that a Fisher museum could provide a rich cultural addition to San Francisco, more accessible to all. That, indeed, would be a generous and exciting proposal.

New Career Opportunities Daily: The best jobs in media

Formula One (& Fleetwood Mac) Is Back On BBC

Die-hard Formula One fans will have been up early yesterday to watch the first event of the new season, the Australian Grand Prix which was broadcast on BBC – after several years of exclusive ITV coverage in the UK. Instead of the usual flurry of chequered flags, stock footage of races gone by, and dodgy photography of pit girls and racing drivers, the BBC’s new title sequence (created by Liquid TV) is a mainly CG affair that looks to have been inspired by high octane video games and movie car chases. And, perhaps most reassuringly of all, the new title sequence and on screen branding is accompanied by the tune the BBC has used for previous Formula One coverage: Fleetwood Mac’s ridiculously catchy tune, The Chain – the bassline of which, no doubt, F1 fans all over Britain are now humming incessantly.

“Specially filmed footage shot on redcam was combined with original CGI created in Maya and rendered using HDRI (high dynamic range imaging) techniques,” Liquid TV tells us. “Over 40 shots were composited with sometimes up to 20 separate layers. The sequence was exhaustively pre-vized before any high resolution work was commenced to ensure maximum drama and narrative flow. Filmic constraints were used, inspired by car chase action movies to evolve a credible race sequence.”

Credits:
Design: Asra Alikhan, Tim Varlow, Victor Martinez and Michael Sutton Long
Head of animation: Gabriel Edwards

Sun Jar

pimg src=http://www.productdose.com/images/products/draft_5313.gif
alt= //ppWhen I was a teenager and living in New Orleans, one night my friends and I snuck out of our homes and met up for a night trip into the bayou. It was otherworldly being out there with only the stars and moon to light our way. Then we noticed the fireflies. We caught a few and kept them in paper cups. One of my friends squashed a firefly between his fingers and rubbed the luminescent remains onto his forehead, giving him a sort of third eye. This solar-powered LED jar reminds me of that night. It absorbs energy during the day to power three LEDs at night.br //p