Yellow Subversion – The Artwork of Yellow Submarine

50by70 has just announced the release of its third volume entitled Yellow Subversion: The Artwork of Yellow Submarine, a boxed set of five 50 x 70cm screen prints of artwork from the famous Beatles film…

“We’ve collaborated with The Beatles’ Apple Corps and produced a portfolio of screen prints of some of the beautiful artwork from the movie,” explains 50by70’s Tim Fishlock of the project. “There is an accompanying 40 page book featuring an essay by Josh Weinstein (former showrunner and producer of The Simpsons) in which he makes the case for Yellow Submarine being the greatest movie of all time and an inspiration for his career in animation.”

Here’s a look at the box set and its contents:

“Aside from the 16-colour screenprint of John, Paul, George and Ringo peering through those iconic submarine portholes [above, right], we have focused our attention on some of the more obscure characters from the film,” Fishlock continues. “Characters that we think best represent the visionary approach of the animators and that illustrate why the artwork of Yellow Submarine is still as fresh and influential today as it was 44 years ago.”

Yellow Subversion: The Artwork of Yellow Submarine is available in a strictly limited edition of 350 copies priced at £395. The five enclosed screenprints are all printed on 175gsm acid-free Colorplan pristine white stock at 50 x 70cm.

50by70.com.

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In our November issue we look at ad agency Wieden + Kennedy in a major feature as it celebrates its 30th anniversary; examine the practice of and a new monograph on M/M (Paris); investigate GOV.UK, the first major project from the Government Digital Service; explore why Kraftwerk appeals so much to designers; and ponder the future of Instagram. Rick Poynor reviews the Phaidon Archive of Graphic Design; Jeremy Leslie takes in a new exhibition at the Whitechapel Gallery dedicated to experimental magazine, Aspen; Mark Sinclair explores Birmingham’s Ikon Gallery show of work by the late graphic designer, Tony Arefin; while Daniel Benneworth-Gray writes about going freelance; and Michael Evamy looks at new telecommunications brand EE’s identity. Plus, subscribers also receive Monograph in which Tim Sumner of tohave-and-tohold.co.uk dips into Preston Polytechnic’s ephemera archive to pick out a selection of printed paper retail bags from the 70s and 80s.

The issue also doubles up as the Photography Annual 2012 – our showcase of the best images in commercial photography produced over the last year. The work selected is as strong as ever, with photographs by the likes of Tim Flach (whose image of a hairless chimp adorns the front cover of the issue, above); Nadav Kander (whose shot of actor Mark Rylance is our Photography Annual cover); Martin Usborne; Peter Lippmann; Giles Revell and more.

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