NY Times Clark Hoyt Apologizes for Review of JC Penney Opening

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Remember a couple of weeks back when we wrote a post that included some talk about Cintra Wilson‘s NY Times piece about the opening of a JC Penney in Manhattan? Personally, we loved it, picking on both the ego of the city and the company’s general identity with equal, very funny-yet-mean digs. But apparently our opinion wasn’t shared by the masses, as since its publication, the Times has received loads of mail about the piece, forcing editor Clark Hoyt to profusely apologize and even Wilson bowing to appease the angry crowd forming at the gates. In one of the more painful sections of Hoyt’s apology, he even went to JC Penney’s PR person to ask them what they thought (surprise: they weren’t pleased). In this writer’s opinion, the whole thing is just brutal, this backing down for what we thought was a smartly-written, even-handed opinion piece (most of the reader quotes Hoyt includes in his piece seem to be from people who only read the first half of Wilson’s story). What’s next? Apologies for movie reviews? Or telling Nicolai Ouroussoff to stop getting people all worked up? We figured the banner Wilson was writing under, “Critical Shopper,” was a good indication that you’d be reading the opinions of a critic. Fortunately for us, there was this brilliant response by blogger Lewis Grossberger: “Clark Hoyt, Go Soak Your Head” Its central argument is that the editor is apologizing for making the paper interesting and readable. It’s a fantastic counter and brilliantly written, far better articulating our distaste after reading Hoyt’s piece. But that’s just this writer’s opinion. Apologies in advance if this has upset anyone at all, for any reason, ever.

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Poster Designer Behind Confusing Obama as The Joker Revealed

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If you’ve been on familiar terms with the internet at all over these past few weeks, you’ve undoubtedly seen that “Obama as The Joker” poster popping up here and there, complete with “socialism” written underneath. They’ve been appearing nearly everywhere, apparently, in both lefty and righty parts of the country (first spotted, if memory serves, in Los Angeles). We still struggle to understand what exactly it means and, judging from the type selection in particular, had assumed it was a lazy piece that roughly translated as “If The Joker is bad, then Obama as The Joker must also be bad. Also, socialism is bad and The Joker would like that.” In short: it’s pretty weak. But the real mystery was who was behind the movement and who designed them. Now it’s come out more widely, due to an arrest in Florida, that the mastermind is blogger and radio show host Alex Jones, who had launched a contest with a $1000 prize for whoever can put the most of these posters up in their part of the world (because, we guess, there’s nothing better than getting a whole lot of something up, no matter if it makes any sense or not). Along with the contest, there is a piece on Jones’ site explaining the poster, which, between the incoherent, out-of-touch-from-reality babble, boils down to “Anyone who doesn’t get it has clearly already been brainwashed” which begs the question of what the purpose is then in displaying lots of them, if its very design is only meant to speak to the already-aware and no one else. So what can we draw from this? Well, for one now we know all know who not to hire as a designer for any message we want clearly or intelligently communicated.

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Mona Lisa and J.C. Penney Both Receive a Few Harsh Blows

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This writer heads out of town for a few days and suddenly it’s total bedlam out there. First, there was the incident in Paris which found a woman throwing a ceramic cup at the Mona Lisa, we assume because she was missing this writer’s lazy, hastily-written stories and that was the direction her anger took her in. Fortunately, the Mona Lisa (standing in for yours truly) was not damaged, thanks to the protective glass separating the world from its delicate canvas. Second, the NY Times apparently noticed the world’s lack of hurtful snark while this writer was away and decided to pounce with Cintra Wilson‘s review of the new J.C. Penney store in Manhattan. The piece alternates between sarcastic-mean and pitying-mean and is a really funny joy to read, assuming you like snark. But now we can put the world at ease, with no more tea cup throwing or poisoning the gray lady with vileness, and say onto you, “Relax dear readers. We are back at full strength.”

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ZGF Architects Hold Parade Through Portland to Celebrate New Office

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In our time as working professionals, we’ve had to endure that pain of moving offices a few times. It’s a little less painful than moving to a new apartment, because you have less stuff and you’re (hopefully) getting paid to do it, but it’s still a big load of blah. Though that’s likely because we hadn’t worked for the firm Zimmer Gunsul Frasca Architects who did their office swap right. The Portland-based company had been planning for the big day to arrive when they’d pack up and move to their swanky new digs for the last few years. So when it finally was here, they hired a marching band, told all their 250+ employees to meet at their soon-to-be-old building at 8am, and then launched a half-mile parade through Portland’s downtown, finally arriving triumphantly at their new home. Color us impressed. And the description of their new building is none too shabby either.

Las Vegas Sign Defacing Results in Angry Uproar

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On to a lighter topic now and one we’ve been itching to talk about all morning. Thanks to a link from the wonderful Cynical-C, we were pointed to the violent, angry, high-stakes world of Las Vegas. Or rather, what happens to that world when the area’s most iconic sign gets vandalized. Although not located within the boundaries of the city itself, the 60 year old, Betty Willis-designed sign has come to be the first thing people think of when “Vegas” comes to mind (doesn’t hurt that it has the name of the city right there, we’re thinking). So when someone took a red sharpie and scribbled on some unintelligible babble onto the bottom of the sign, the locals went nuts. Las Vegas’ mayor called for the offing of heads (albeit in a very tongue and cheek way), people wrote in letters to the LA Times‘s Las Vegas blog (we love the fact that they do, but why does this newspaper have a Las Vegas blog?) complaining about no good kids and “street art” in general, and the comments following the stories in the local papers were often filled with seething, fist-shaking rage. While we certainly don’t condone what was done and would gladly smack whoever did it on the backs of their stupid heads, the outcry for something that was quickly remedied was a bit much and calling juvenile vandalism “street art” is just embarrassing for everyone. But we cannot comment on this whole batch of nonsense anywhere near as well as the Las Vegas Sun, who beautifully describes and discusses all of this much-ado in full.

David Woodhouses Daniel Burnham Memorial Designs Lands Him the Commission

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It’s all Daniel Burnham all the time here in Chicago right now, with the hundredth anniversary of his plan for the city. Along with Ben van Berkel and Zaha Hadid‘s temporary pavilions and Mayor Daley‘s big city model, it’s been announced that architect David Woodhouse has been selected to design a memorial to Burnham on the south side of the city, near all our famous and scenic museums by the lake (you’ll recall our telling you of the memorial’s shortlist back in April). Here’s a description:

Woodhouse’s design would reshape the grassy, tiered open space of Chicago’s Museum Campus, just north of the Field Museum, with three major elements: a gently sloping lawn; a long, 2-foot-high block of stone that would represent historic stages of Chicago’s growth; and a pair of tall granite walls that would form a ceremonial “corner” honoring Burnham’s influential Plan of Chicago.

Although there’s still some details to be hammered out and bickered over with city officials, you can expect to see the memorial some time in 2011. But if that’s too long for you to wait for yet another Burnham fix, you’ll be pleased to know that the Lookingglass Theater will be putting on a limited run, one man show (a la Give ’em Hell, Harry!) with actor Raymond Fox playing Burnham.

ReVision Names Finalists for Fully Sustainable Block in Dallas

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If you were trying to build the first completely-sustainable city block, the cities you’d probably have put on your list of places to potentially place it would probably include San Francisco, New York, Portland, etc. — places that have long been into these sorts of progressive, up-with-Earth vibes. So it comes as some surprise that Dallas has decided to beat them all to the punch by enlisting top names like Peter Head, Pliny Fisk (who also has a cool name), and man-about-town Cameron Sinclair, among others, to form the architecture/design competition, ReVision: Dallas, an “off the grid,” sustainable inner-city block, complete with housing, retail, and offices. What’s more, since they launched the program late last year, they’ve just announced the top three finalists: the Charlotte-based firm Little, the Portuguese team of Atelier Data and MOOV, and another teaming of David Baker and Partners and Fletcher Studio (along with a handful of others). In full, it’s all green, all the time, with nifty buildings and bits of plants coming out of dang near everywhere. It’s an interesting concept and we enjoyed the winning plans, so here’s to hoping the program keeps going and it all gets built in the end.

Thoughts on China: Beijings Bauhaus-riffic 798 Art District

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Another quick note on China before this writer finally succumbs to jet lag. Also in Beijing, if you’re ever visiting but have limited time, it comes recommended that you skip all the usual tourist stops like the Great Wall or the Forbidden City and instead hit up the 798 Art District. It’s one of those places you wonder why, in all your time spent looking at art and museum and design stuff, you’ve never heard about. It’s basically the contemporary art capitol of China, with hundreds of galleries spread throughout former factories designed in a Bauhaus style by exiled East Germans in the 1950s. Hot spots include the 798 Space itself, a gigantic airplane hanger-looking gallery, the Ullens Center for Contemporary Art (wherein we probably spent too much money on a signed print of Wang Qingsong‘s Follow Me) and the Paris-Beijing Photo Gallery, which had a great blend of work from both cities spread across two galleries in the district. Even if you aren’t interested in buying or in the contemporary art scene in general, it’s one of those areas that you just want to be in because it’s so dang cool. And architecture buffs will go nuts for all the Bauhaus, with each gallery holding some new piece of interesting building both inside and out. In short, we weren’t in Beijing for long, but a good number of us, on our few breaks, made sure we planned multiple trips back to the 798 area. Lots of our photos of the area are here.

First Landings in New York and Living to Tell the Tale

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Whew. This writer is exhausted. After telling you of his forthcoming absence last week, he’s been in cars, trains, and aeroplanes, going from east to west to east and finally west again, landing in a strangely non-wifi-friendly portion of San Francisco for the rest of the week. While he was gone, we see, as predicted, you were well informed by Ms. Murg, who will likely continue to blaze forward as this writer stumbles (and babbles) along from (with) great tiredness. But first we must share with you a few pieces we’ve been finding interesting. First up, while waiting for various planes to debark, we found New York‘s lengthy piece on famous people moving to NY really addictive, appropriately entitled “Waking Up to New York.” It does a great job capturing the feeling of moving to a big scary new place (with a focus on the more artistic types), no matter if you lived in the bustling 60s or 70s or whenever people thing New York used to really be “New York.” We recommend at least making it to page 9, where you’ll get to spend those first few days with artist Chuck Close as well as radio host Ira Glass, who, if you’re from Chicago, will feel better about his abandoning Chicago a couple of years back after learning that he’d already lived in NY years prior.

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Spending the Night at the Bauhaus

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If you’re one of those fortunate people who a) still has a job and b) aren’t concerned about lay-offs so you can still do frivolous things like take vacations, we have a recommendation for you. The Guardian‘s Hans Kundnani reports in from Dessau, Germany, where you can stay, at a very reasonable fee, in the rooms once used by students at the Bauhaus architecture school. You can wander wander around halls Walter Gropius designed, visit the classrooms people like Kandinsky and Klee taught in, and take communal showers just like the students in the 1920s would have (the boarding is pretty historically accurate, see?). To us, it sounds like the world’s most perfect get away, and probably to you too — just make sure you clear it with your spouse or significant other first, particularly that communal showering part. Here’s a bit about venturing outside your room:

After breakfast in the canteen where the Bauhaus students used to eat for free (you sit on Breuer stools, of course), I set out to explore the rest of Dessau, which is easily navigable by foot or on bicycles that can be rented from the railway station. The most significant of the other buildings designed by Gropius and the school’s architecture department that are open to the public is the Torten Estate, a housing project consisting of more than 300 terraced one- and two-storey dwellings, which were built cheaply with standardised prefabricated components that could be assembled on site like Lego. Several units are open to the public, including an experimental house made entirely of steel.

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