Waiting Room by Dominic Wilcox

Waiting Room by Dominic Wilcox

Designer Dominic Wilcox has taken an abandoned office in a London building being demolished this week and painted the entire contents white.

Waiting Room by Dominic Wilcox

Located in the only room in the building not emptied, the contents of Waiting Room are left exactly as they where when in use, only without colour.

Waiting Room by Dominic Wilcox

The St Phillips Building, originally constructed as an infirmary, is being demolished to allow construction to start on a new student union for the London School of Economics.

Waiting Room by Dominic Wilcox

More projects by Dominic Wilcox on Dezeen »
More stories about installations on Dezeen »

Here are some more details about the project:


Dominic Wilcox was invited to take part in a quickly organised exhibition to celebrate the life of London’s St Philips Building that is signed off for demolition today. The building started life as a workhouse infirmary for the poor in 1903 and went on to be used as a hospital for women before being bought by the London School of Economics. It is to be demolished to make way for a new student union at LSE.

Waiting Room by Dominic Wilcox

“I was shown around the building, all rooms were empty apart from one remaining locked office that was abandoned with all it’s contents intact. I thought that it was as if the room was waiting to die and I wanted to ease its transition from this world.

Waiting Room by Dominic Wilcox

My thought for the office was to leave it intact but to remove the colour from every aspect in the room (via white paint) thereby taking away a layer of reality and connection to our world as it moves closer to its imminent death.” Dominic Wilcox


See also:

.

The Pond
by Raw Edges
Cardboard office
by Paul Coudamy
Back Side Flip 360°
by O-S Architectes

Huntingdon Estate by AL_A

Huntingdon Estate by Amanda Levete

This twisted residential tower clad in zinc-coated steel is part of a mixed use development proposal in Shoreditch, London by Amanda Levete Architects.

Huntingdon Estate by Amanda Levete

Proposed on a former industrial site opposite the new station, Huntingdon Estate would provide retail spaces at ground floor as well as a gallery, creative workshops and a covered market.

Huntingdon Estate by Amanda Levete

The project, which has been in development since 2009, has been submitted for planning.

Huntingdon Estate by Amanda Levete

More projects by Amanda Levete Architects on Dezeen »

Here are some more details from Amanda Levete Architects:


Huntingdon Estate 2009

AL_A has developed plans for a mixed-used site in the heart of London’s East End. Located between Bethnal Green Road and Redchurch Street, the scheme for the Huntingdon Industrial Estate proposes the radical transformation of a former industrial site into an innovative and energised commercial, cultural and residential centre. London is a city that continues to evolve and re-invent itself, and Shoreditch is an intrinsic part of this.

The density and diversity, and the innovative and creative spirit which defines this area is reflected in the mixed residential and business communities that inhabit it, and the varying scales of building that surround it. AL_A’s design for Huntingdon addresses this complex urban context, and draws on the site’s vibrancy and pivotal position on the City fringe.

The plinth and tower structure will compliment surroundings by responding to the duality inherent in the site. The plinth is modelled with the same small scale, fragmented grain of historic Shoreditch and uses materials, which echo the tough, light industrial character of the area. The different sized retail spaces found here have been designed specifically to attract local, small and independent businesses, supported by capped rent, which will continue to contribute to this expanding community. Plans to further preserve and enrich the neighbourhood’s cultural and creative life centre around the development of a gallery space, creative workshop atelier and a covered, pedestrianised market.

The slim residential tower, positioned immediately opposite the new Shoreditch station appears to rise from the plinth, twisting elegantly as it reaches upwards. A material palette of glass and zinc-coated steel of different scales, textures and finishes, enables a low density mass over the majority of the site, and creates an urban grain that integrates with the surroundings. The sophisticated dynamic form responds to solar conditions throughout the day enabling optimum daylight for new and existing homes, and minimising unwanted solar gain. A rich mix of apartment sizes, and a green landscaped roof, will offer a variety of environmentally friendly, energy-efficient homes in this sought after location, and will set a precedent for landmark quality apartments that do not currently exist in Tower Hamlets.

The Huntingdon Estate scheme is being developed by Londonewcastle and was submitted for planning in March following in depth consultations with the London Borough of Tower Hamlets, GLA, CABE, EH and local residents and community groups.

Client: Londonewcastle
Programme: Mixed use residential building
Area: 16,220m²
Status: Submitted for planning March 2011 by Londonewcastle (Shoreditch Ltd)
Architect: AL_A
Principal: Amanda Levete
Project Director: Ho-Yin Ng
Project Team: Matthew Wilkinson, Alice Dietsch, Frederick Pittman, David Flynn, May Leung, Naoki Kotaka, YooJin Kim, Dessislava Lyutakova
Consultants: Planning DP9
Townscape and Conservation: Richard Coleman
Structural Engineer: AKT
M&E Engineer: Grontmij
Quantity Surveyor: EC Harris
Landscape: Gross Max
Rights of Light: GIA
EIA: Waterman Environmental
CDM: PFB Construction
Traffic: Savell Bird & Axon
Programming: Elizabeth Tweedale


See also:

.

Subway Station by Amanda
Levete & Anish Kapoor
10 Hills Place by
Amanda Levete Architects
Central Embassy by
Amanda Levete Architects

South African Township Barbershops & Salons

South African hair culture and communities in a vivid book of photos

SA-barbers1.jpg SA-barbers2.jpg

Like so many underdeveloped places, South Africa’s townships (often written off by tourists as undesirable and dangerous) have long been rich sources of legendary music and culture. As explored in British photographer Simon Weller‘s beautiful new book “South African Township Barbershops & Salons,” proprietors take great pride in designing their businesses, which function as much more than a place to get a haircut—in spite of their humble surroundings.

SA-barbers3.jpg

Signage alone speaks to a tradition of sign painting. Weller—with help from revered South African designer and book contributor Garth Walker—shows the effort put into personalizing salons, from the homemade graphics to a signature style of cut.

SA-barber4.jpg

From “Judgment Day” to “Boys II Men” salons and those tucked behind the doors of shipping containers, Weller’s bright portraits sheds light on a rarely-seen side of the country, a testament to the hopeful spirit that remains in these communities even as they continue to suffer the effects of apartheid.

SA-barber5.jpg SA-barber6.jpg

Interviews with store owners, sign makers and customers help flesh out the story, positioning the spaces as not just salons and barber shops, but as community centers for socializing, gossip, networking and other connection-making.

SA-barber7.jpg

“South African Township Barbershops & Salons” sells from Mark Batty and Amazon.


Turner Contemporary by David Chipperfield

Turner Contemporary by David Chipperfield

Architect David Chipperfield has released images of the completed seafront Turner Contemporary gallery in Margate composed of six identical volumes with an acid-etched glass skin.

Turner Contemporary by David Chipperfield

The gallery, which Dezeen showed designs for back in October, is intended to withstand the corrosive effects of the seaside environment, including the occasional high wave.

Turner Contemporary by David Chipperfield

The ground floor accommodates a reception area, event space and cafe while the exhibition spaces are on the first floor, benefitting from natural north light.

Turner Contemporary by David Chipperfield

The gallery will have no permanent collection, but will feature temporary exhibitions combining historic and contemporary works, with a focus on the work of artist JMW Turner (1775-1851).

Turner Contemporary by David Chipperfield

Photography is by Richard Bryant.

More projects by David Chipperfield on Dezeen »
More stories about galleries on Dezeen »

Here are some more details from the gallery:


Turner Contemporary opens 16 April 2011
Margate’s new Turner Contemporary gallery, one of the largest and most important spaces for art outside London, opens to the public on Saturday 16 April 2011.

Turner Contemporary by David Chipperfield

The gallery will be opened by one of Margate’s most famous residents, Tracey Emin, with the musician Jools Holland and a group of local schoolchildren.

Designed by internationally acclaimed architect, David Chipperfield, winner of 2007 RIBA Stirling Prize and RIBA Royal Gold Medal for Architecture, the opening of the new gallery is one of the most anticipated cultural events of 2011.

Turner Contemporary by David Chipperfield

Victoria Pomery, Director, Turner Contemporary said:
“I am thrilled to be opening the gallery on 16 April. It will be a momentous day for both Turner Contemporary and Margate and the moment we open the doors and see visitors entering this fantastic new building will be very special.”

Taking inspiration from Britain’s best-known painter, JMW Turner who was a regular visitor to Margate throughout his life, the gallery is situated on the sea front on the site of a guesthouse frequented by the artist. To mark this connection there will always be works by Turner on display in the gallery.

Turner Contemporary by David Chipperfield

John Kampfner, Chair, Turner Contemporary said: “The opening of Turner Contemporary marks the start of an extraordinary opportunity for Margate and Thanet to become one of the UK’s most compelling culture and tourism destinations. I would like to pay tribute to Kent County Council and our other partners for delivering this outstanding building on time and on budget.”

Turner Contemporary’s exhibitions programme shows a unique combination of contemporary art alongside historical work, demonstrating a particular focus on the art, thought and the legacy of JMW Turner.

Turner Contemporary by David Chipperfield

The opening show Revealed: Turner Contemporary Opens explores the themes of imagination, discovery, wonder and the creative spirit. Centred on JMW Turner’s extraordinary but little-known painting The Eruption of the Souffrier Mountains, in the Island of St Vincent, at Midnight, on the 30th of April, 1812, from a Sketch Taken at the Time by Hugh P. Keane, Esqre 1815, on loan from Victoria Gallery and Museum, University of Liverpool, the exhibition will feature new commissions by Daniel Buren, Russell Crotty, Ellen Harvey and Conrad Shawcross, together with selected works by Teresita Fernández and Douglas Gordon.

Turner Contemporary by David Chipperfield

The opening exhibition will be followed by:

  • Nothing in the World but Youth (17 Sep 2011 – 8 Jan 2012)
    An exhibition exploring how youth experience has been reflected in art, culture and the media from the late nineteenth century to the present day.
  • Hamish Fulton: Walk (17 Jan – 6 May 2012)
    Hamish Fulton’s first one-person show in the UK since 2002, will include new work made as the result of the group walks in Kent that we commissioned in the lead up to the opening of Turner Contemporary.
  • Turner and the Elements (28 Jan – 13 May 2012)
    The gallery’s first major exhibition of works by JMW Turner a collaboration with Bucerius Kunst Forum, Hamburg and National Museum, Cracow, exploring the important role that the depiction of the elements played in Turner’s landscapes, watercolours and late paintings.

Mike Hill, Cabinet Member for Community Services, said: ”I have been involved since the very beginning and I am immensely proud of the hard work of so many people who have worked tirelessly to reach the opening day.

It is a magnificent building which will provide many different opportunities for local people and visitors from far and wide, to come and enjoy what is on offer and help build the local economy of Margate and East Kent.”

Sally Abbott, Regional Director, South East, Arts Council England, said: “We’re proud to support Turner Contemporary, and we’re looking forward to the year ahead with its programme of high quality international contemporary art. Turner Contemporary will be integral to local life and vital to regeneration, with long lasting benefits for the community. Great art enriches lives, and this gallery will help more people experience and be inspired by the arts.”

Pam Alexander, Chief Executive of the South East England Development Agency and Chair of the Margate Renewal Partnership, said: ”The opening of Turner Contemporary is a huge step into the future for Margate. As an international venue, it will bring an exciting buzz to the town and create new opportunities for the people of Margate and the local economy. With the recent letting of the former M&S building in the town centre and the plans for Dreamland, it is a landmark in our work to regenerate and revitalise Margate. The project has been a great example of collaboration and we hope it will demonstrate how the arts and culture can stimulate regeneration, and we are proud our £4m investment has supported the creation of this world class Gallery.”


See also:

.

Museum Folkwang by
David Chipperfield
Nottingham Contemporary
by Caruso St John Architects
Galeria Adriana Varejão by
Rodrigo Cerviño Lopez

Fleet Street Hill by Peter Barber Architects

Fleet Street Hill by Peter Barber Architects

Peter Barber Architects have produced these drawings as part of a planning application for 25 terraced family houses in London’s East End.

Fleet Street Hill by Peter Barber Architects

The layout of the proposed houses on Fleet Street Hill across 3-4 storeys allows each to have its own ground floor courtyard, as well as accessible roof terraces.

Fleet Street Hill by Peter Barber Architects

It is intended for each house to have its own street level front door, facing onto a new tree-lined public square.

Fleet Street Hill by Peter Barber Architects

Here are some more details from the architects:


Fleet Street Hill, Peter Barber Architects

BD Housing Architect of the year Peter Barber Architects have submitted a planning application for a delightful new tree lined public square of large terraced houses between Brick Lane and Shoreditch in the East End of London.

Fleet Street Hill by Peter Barber Architects

The scheme employs the practice’s trademark terrace/courtyard hybrid housing typology so that every home has its own street edge front door and good sized outside space in a ground floor courtyard and inset roof terraces.

Arcaded frontages echo the industrial vernacular of Bishopsgate Goods Yard while defining an informal terrace area at the edge of the square for the use of each family.

Fleet Street Hill by Peter Barber Architects

For the most part buildings alternate between three and four stories. The square is entered through two intimately scaled mews streets with steps cascading into the square from the adjacent railway bridge.

Fleet Street Hill by Peter Barber Architects

Click above for larger image

A pencil thin tower is located on a prominent corner on the axis of Pedley Street alongside the entrance to the square.

“I think it’s brilliant that it will give local people a lovely new public square and community centre, and fantastic that 25 large families with children will be able to remain in this very desirable central location immediately next to the park, in generous size houses rather than flats.”
Peter Barber, Director

Fleet Street Hill by Peter Barber Architects

Click above for larger image


See also:

.

Tokyo Balconies by
KINO Architects
House I by
Yoshichika Takagi
V21K07 by
Pasel Kuenzel Architects

Cool Hunting Capsule Video: Desmond Payne

Beefeater’s master distiller shares his gin secrets in our latest video

by Michael Tyburski

In this video, Beefeater Master Distiller Desmond Payne lets us in on some of his more unusual approaches to finding inspiration, and helps fill in the backstory of how the gin’s 2010 launch, 24, came to be. Stay tuned for our video on Payne’s former employer and sister brand, Plymouth.


Mulberry Manchester store by Universal Design Studio

Mulberry Manchester store by Universal Design Studio

London interior architects Universal Design Studio have completed the interior of a new store in Manchester, UK, for fashion brand Mulberry.

Mulberry Manchester store by Universal Design Studio

A wall tiled in bespoke unglazed ceramic tiles supports wall-mounted glass cases and wooden hooks.

Mulberry Manchester store by Universal Design Studio

Collections are displayed on oak shelving and inside brass-framed cabinets.

Mulberry Manchester store by Universal Design Studio

See also: Mulberry New Bond Street store by Universal Design Studio

Mulberry Manchester store by Universal Design Studio

More about Universal Design Studio on Dezeen »

Mulberry Manchester store by Universal Design Studio

Photographs are by Paul Greenleaf.

The information below is from the designers:

Mulberry Manchester store by Universal Design Studio


UNIVERSAL DESIGN STUDIO COMPLETES NEW MULBERRY STORE IN MANCHESTER.

Universal Design Studio has completed work on the new Mulberry flagship store for the north of England in Manchester. The Manchester store is the latest in an ongoing collaboration between Mulberry and Universal Design Studio, who recently unveiled the new Mulberry London flagship store on New Bond Street to critical acclaim. Mulberry will be rolling-out this new concept created by Universal which is based on elements of craft as well as ecological concerns and Mulberry’s origins in the English landscape.

Hannah Carter Owers, associate director at Universal Design Studio comments: “Our brief from Mulberry has provided an amazing freedom of creativity. We have collaborated to create an interior concept that both reflects Mulberry’s brand values, but also one which challenges the norms of luxury retail design.”

The new store design plays on the idea of two separate ‘zones,’ the ‘Garden’ and the ‘Drawing Room.’ The concept aims to create an environment with a distinct change in pace for visitors, as well as a flexible space for Mulberry to display different collections, both classic and fashion-led. “The Manchester store was actually where the Garden and Drawing Room concept originated, so we are really exciting to see it come to life,” says Carter Owers.

The Garden allows for incredibly flexible display. A bespoke tiled wall acts as a display fixture thanks to wall-mounted glass ‘tanks,’ ready-to-wear rail and removable timber prongs. The wall, made up of unglazed porcelain tiles of varying thickness/angles, also provides a striking textured backdrop to the store. The floor within the Garden is sandblasted limestone with a fumigated, end grain oak centre.
The concept for the Drawing Room juxtaposes the natural feeling of the Garden with a statement, polished brass cash desk and stainless steel clad column. A family of dark oak perimeter units has been designed to house specific collections of product and the shelving has unfinished Mulberry leather inserts. A Rachel Whiteread daybed and Barber Osgerby Zero-In table sit on bespoke carpet just outside the luxurious, large-scale fitting rooms.

Georgia Fendley, Brand Director for Mulberry says: “We began work on the Manchester store some time ago, in fact it was the first store we planned with Universal and it was where the more domestic approach to a luxury retail space originated. The objective was to create a really practical and flexible space with a distinct change of pace for shoppers and an aesthetic more in tune with the Mulberry brand personality, reflecting our authenticity, attention to detail, energy and playfulness and of course our passion for great British craft.”


See also:

.

Louis Vuitton Maison by
Peter Marino
Reiss flagship store by Universal Design StudioH&M Seoul by
Universal Design Studio

Camper store in London by Tomás Alonso

Camper store in London by Tomas Alonso

London designer Tomás Alonso used ceramic tiles to create optical illusions in this store he designed for Spanish shoe brand Camper in London.

Camper store in London by Tomas Alonso

The interior is lined with a grid of white 10 by 10cm tiles, but this pattern is broken in places by coloured geometric tiles to create the illusion of recesses or volumes looming out from the walls.

Camper store in London by Tomas Alonso

The space is furnished with benches and counters made of oak and bent steel tubes in Alonso’s studio, plus ceramic lamps he designed specially for the project.

Camper store in London by Tomas Alonso

Called Camper Together, the shop is the brand’s fifth in London and is located in Covent Garden.

Camper store in London by Tomas Alonso

See all our stories about Camper »

Camper store in London by Tomas Alonso

The information that follows is from Camper:


CAMPER
TOMÁS ALONSO
LONDON

Camper opens a new shop in the city of London, on the corner of Shelton Street and Neal Street.

Camper store in London by Tomas Alonso

The store’s image was conceived by Tomás Alonso, a young Spanish designer of Galician origin now based in London, who practises “slow design” and has a knack for working with simple gestures.

Camper store in London by Tomas Alonso

With this new venue, the British capital now boasts a total of five Camper Together shops.

Camper store in London by Tomas Alonso

Since the great masters of the Modernist movement, no designer has been noted for his ability to bend a steel tube. This apparently simple feat is actually quite difficult to perform with a natural flair, as Tomás Alonso does.

Camper store in London by Tomas Alonso

Tubes, wood and colour were all he needed to craft the furnishings for this new Camper store. Another simple flourish in the tile pattern creates an illusory three-dimensional effect on the walls.

Camper store in London by Tomas Alonso

“All of the furniture was designed and built specifically for the shop as part of a personal project I’ve been working on for some time now, which is based on the formal and structural language that two materials as dissimilar as lacquer tubing and natural wood – in this case, white oak – can create together.

Camper store in London by Tomas Alonso

This language also extends to the stairs and the cash desk unit. The pieces were handcrafted at my studio in London. Perhaps the most striking element is the large table with its accompanying chairs and benches, which take up most of the space. The ceramic lamps are also original designs.

Camper store in London by Tomas Alonso

The wall cladding is a simple twist on the standard 10 x 10 cm square tile. If it is combined with three additional shapes, you can create all kinds of geometric patterns and designs in isometric perspective.” TOMÁS ALONSO

Camper store in London by Tomas Alonso

Tomás Alonso (Vigo, 1974) is the prototypical young nomadic designer who, like so many others, roams the earth searching for ideas to make his work more original. He is not in any hurry; he practises his own version of “slow design”, which consists in doing things leisurely and carefully so that no detail is overlooked.

Camper store in London by Tomas Alonso

He wandered through the USA, Italy and Australia before moving to London to study at the Royal College of Art. Alonso graduated in 2006 and teamed up with five classmates of different nationalities to found OKAYstudio.

Camper store in London by Tomas Alonso

He currently combines his research work with commercial design commissions. His personal creations have been exhibited at galleries such as NextLevel (where he presented the show Variations on a Tube in 2009), Whitechapel and Aram, whose doors are always open to up-and-coming talent.

Camper store in London by Tomas Alonso

Tomás is a rising star, and this is his first interior design project. The concept—which, like every Together shop, is a limited edition—made its first appearance in Genoa, and the London store will soon be followed by another in Glasgow.

Camper store in London by Tomas Alonso


See also:

.

Camper store in
Malmö by TAF
Camper store in London
by Tokujin Yoshioka
Camper store in Tokyo by Jaime Hayón

Ty Hedfan by Featherstone Young

Ty Hedfan by Featherstone Young Architects

This house cantilevered over a river in Wales is by London studio Featherstone Young.

Ty Hedfan by Featherstone Young Architects

Called Ty Hedfan – meaning “hovering house” in Welsh – the residence is divided into two contrasting wings.

Ty Hedfan by Featherstone Young Architects

The first is cantilevered over the river and contains the double-height living room, kitchen and dining room, plus bedroom and bathrooms in the roof space, all arranged around an elevated courtyard.

Ty Hedfan by Featherstone Young Architects

The second wing is submerged in the ground and covered by a green roof, containing a guest room and study room.

Ty Hedfan by Featherstone Young Architects

The house is made from locally sourced materials including slate, stone and wood.

Ty Hedfan by Featherstone Young Architects

Also by Featherstone Young: Wieden + Kennedy offices.

Ty Hedfan by Featherstone Young Architects

More residential architecture on Dezeen »

More buildings featuring cantlievers on Dezeen »

Ty Hedfan by Featherstone Young Architects

The following information is from the architects:


Featherstone Young complete Ty-Hedfan, a new house in Brecon Beacons, Wales

Ty-Hedfan is a new house perched above a river in a small village at the top of a valley, five miles from Brecon and the beautiful Brecon Beacons National Park. The site is quite unique, sloping down to the confluence of two rivers, Ysgir Fach and Ysgir Fawr, that run across the length of the property.

Ty Hedfan by Featherstone Young Architects

Ty- Hedfan, meaning ʻhovering houseʼ takes full advantage of this river side location. Because of a statutory 6m no-build zone along the river bank, it cantilevers the main living areas up to the river bank and elevates them amongst the trees.

Ty Hedfan by Featherstone Young Architects

The house is a further exploration of the practiceʼs interest in highly site specific and contextual architecture, taking its cue from the traditional Welsh long house form, using local materials such as slate and stone and by fully utilizing the topography of the site to create a striking and unique form.

Ty Hedfan by Featherstone Young Architects

The house totals 2400sqft (223sqm) of internal living space which is split into two quite differently constructed wings:

The main house wing has the cantilevered living room and a double height kitchen and dining spaces that open onto an elevated courtyard overlooking the garden, river and countryside. The upper floor of this wing, partially within the roofspace, contains 2 bedrooms and bathrooms.

Ty Hedfan by Featherstone Young Architects

The second wing is perpendicular to the first and partially buried into the sloping ground. It has a gently sloping green sedum roof that appears to be an extension of the garden behind.

Ty Hedfan by Featherstone Young Architects

This wing comprises two guest bedrooms and a study room with bed mezzanine, all with full height windows and doors opening up onto a riverside deck. Punctuating the green roof are irregular shaped rooflights bringing ample daylight into this semi sunken area.

Ty Hedfan by Featherstone Young Architects

Click for larger image

The main wing construction is a hybrid timber and steel frame structure clad with traditional slate and locally sourced stone. Large timber framed windows on the south and southwest elevations maximize the thermal benefits from solar gain. Insulated thermal mass is added through the two large stone walls wrapping the main house and forming the entrance hall and interface with the lower guest wing. The guest wingʼs concrete retaining walls and green sedum roof add further thermal mass whilst solar panels and an air source heat pump ensure the house is energy efficient.

Ty Hedfan by Featherstone Young Architects

Click for larger image

Local contractors Osborne Builders of Builth Wells built Ty-Hedfan and is a family run business employing skilled carpenters and stone masons. Four men single handedly were able to build the house from beginning to end crossing all trades from the heavy concrete and timber structure through to the fine finishing of joinery and mosaic tiling.


See also:

.

Balancing Barn by MVRDV

and Mole Architects

Piracicaba House by

Isay Weinfeld

Ty Pren by

Feilden Fowles

The Tote Bag Book

An extended collection of brilliantly designed tote bags compiled by artist Jitesh Patel

totebag-cover.jpg

UK based designer Jitesh Patel started a blog based on his interest in tote bag artwork that has become a forum for the showcased artists. From there he turned the site into paperback form—his book “The Tote Bag” highlights striking and inventive designs including his own illustrations on the cover and the free canvas tote that accompanies the book.

tote-1.jpg

In recent years the tote bag has become more widely used by the environmentally conscious as a simple way to cut down on the use of disposable bags. The question always asked is, “paper or plastic” but since the birth of the canvas tote bag, people can say neither and opt for their own bag. Besides cutting down your carbon footprint it’s a fun way to express your style.

tote-2.jpg

Patel opened his Shoreditch, London studio in 2007 to be a base for his artistic talents. He is a brilliant illustrator and lends his talents in advertising, brand design and art direction. Patel’s interest in tote bags drew the attention of designers from all over who contributed their work to his book.

The Tote Bag book is available from various retailers for £19.