Foster + Partners present vision for Grand Central Terminal

News: architecture firm Foster + Partners has unveiled proposals to increase the capacity of New York’s Grand Central Terminal by widening approach routes and pedestrianising streets (+ slideshow).

Grand Central Station Masterplan by Foster + Partners

The architects were one of three teams invited by the Municipal Art Society of New York to re-think the public spaces in and around the 100-year-old station, which was designed to serve around 75,000 passengers a day but often sees as many as a million passing through.

Grand Central Station Masterplan by Foster + Partners

Foster + Partners’ proposals include the pedestrianisation of Vanderbilt Avenue to the west of the station, creating a public square at the entrance to the new East Side Access lines, surrounded by trees, cafes and public art.

Grand Central Station Masterplan by Foster + Partners

The plans also include wider pavements and trees on the southern approach from 42nd Street and along Lexington Avenue to the east, while larger underground spaces would lead into the terminal from Park Avenue to the north.

Grand Central Station Masterplan by Foster + Partners

Inside the station, wider concourses would help to ease congestion for travellers on the 4, 5, 6 and 7 metro lines.

Grand Central Station Masterplan by Foster + Partners

“The quality of a city’s public realm reflects the level of civic pride and has a direct impact on the quality of everyday life,” said Norman Foster. “With the advent of the Long Island Rail Road East Side Access, along with the plan to re-zone the district, there has never been a better opportunity to tackle the issues of public access and mobility around one of the greatest rail terminals in the world.”

Grand Central Station Masterplan by Foster + Partners

Foster + Partners presented their proposals yesterday at the third annual MAS Summit for New York City, alongside American firms SOM and WXY Architecture.

Grand Central Station Masterplan by Foster + Partners

In the last year the firm has also won a competition to design a high-speed rail station for Spain and presented proposals for an airport and transport hub on the estuary outside London.

See more stories about Foster + Partners »

Here’s some more information from Foster + Partners:


Foster + Partners re-imagines Grand Central Terminal for 2013 Centenary

Norman Foster presented proposals for a masterplan to bring clarity back to Grand Central Terminal at The Municipal Art Society of New York’s annual Summit in New York last night.

Grand Central Station Masterplan by Foster + Partners

Masterplan – click above for larger image

Grand Central Terminal is one of New York’s greatest landmarks and contains perhaps the city’s finest civic space. However, over time it has become a victim of its own success. A building designed to be used by 75,000 people per day now routinely handles ten times that number with up to a million on peak days.

The result is acute overcrowding; connections to the rail and subway lines beneath the concourse are inadequate; and the arrival and departure experience is poor. Added to that, the surrounding streets are choked with traffic and pedestrians are marginalised. The rapid growth of tall buildings in the vicinity has all but consumed the Terminal.

Within the station, the proposal creates wider concourses, with new and improved entrances. Externally, streets will be reconfigured as shared vehicle/pedestrian routes, and Vanderbilt Avenue fully pedestrianised. The proposal also creates new civic spaces that will provide Grand Central with an appropriate urban setting for the next 100 years.

Grand Central Station Masterplan by Foster + Partners

Wider masterplan

The 42nd street entrance to the south, where access is severely constrained, will be widened to fill the entire elevation by using existing openings, thus greatly easing accessibility. The access via tunnels on the northern approach from Park Avenue will be rebalanced in favour of pedestrians by creating grander, enlarged underground spaces through the Helmsley building. Lexington Avenue to the east will be tree-lined with wider sidewalks and will benefit from more prominent and enhanced tunnel access to Grand Central Terminal. The idea already mooted to pedestrianise Vanderbilt Avenue to the west would be extended. The street would be anchored to the south by a major new enlarged civic space between 43rd Street and the west entrance to the Terminal and to the north by a plaza accommodating new entrances to the East Side Access lines. Trees, sculpture and street cafes will bring life and new breathing space to Grand Central Terminal.

At platform and concourse levels where congestion is particularly acute for travellers on the 4, 5, 6 and 7 lines, we will radically enlarge the connecting public areas, to address the huge increase in passenger traffic in the last 100 years. This will transform the experience for arriving and departing commuters and passengers. A generous new concourse will be created beneath the west entrance plaza on Vanderbilt Avenue connecting directly into the main station concourse.

This visionary masterplan with its focus on pedestrians and travellers will allow Grand Central Terminal to regain the civic stature that it deserves as a major New York landmark and an appropriate twenty-first century transport hub.

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Moke by Michael Young

Hong Kong-based designer Michael Young has brought the Moke beach buggy back to life more than 60 years after it first appeared as a sister vehicle to the classic Mini.

Moke by Michael Young

Moke enthusiast Young had just finished rebuilding one of the cars from scratch when Moke International asked for his help to bring the cult car back on the market.

Moke by Michael Young

The original Moke was discontinued in 1993, but more recent advances in technology meant the designers couldn’t simply replicate the vehicle. “Times have changed and the car needed enhancements, improved road holding, breaking, suspension and so on,” said Young.

Moke by Michael Young

“I was equally aware that I had to respect the past and make sure the overall visual aspect was kept intact,” he added.

Moke by Michael Young

Moke International now plans to produce 1000 units each year, with the first cars set to roll out by the middle of 2013.

Moke by Michael Young

We’ve featured a few stories about cars on Dezeen, including a movie we filmed about the clay modeller who works for car manufacturer Jaguar turning sketches into 3D designs.

Moke by Michael Young

Michael Young has also designed a number of watches available in the Dezeen Watch Store, including the concave-faced Hacker and the solar-powered Sunstich.

Moke by Michael Young

See all our stories about cars »
See all our stories about Michael Young »

Here’s some more information from Moke:


It has been over 20 years since the last Moke rolled off the assembly line in Portugal. The world has changed dramatically over this time. The internet was born, Generation Y has grown up, countries have risen and fallen, wars have been won and lost. It is time again for the Moke to bring smiles to thousands of people who have yet to experience the fun of driving the Moke. Throughout the ’70s and ’80s it was considered the car for the stress-free lifestyle, with the attitude of no doors, no roof, no worries!

Moke International has come together with Chery Motors and their subsidiary Sicar Engineering to bring the Moke back to the 21st century with improved engineering and reliability. Chery Motors is the seventh largest China based auto manufacturer and produced over 600,000 units last year as well as being China’s top auto exporter. Chery Motors recently signed a joint venture with Jaguar Land Rover to manufacture their cars in China.

Moke International will initially introduce the Moke under a low volume car scheme, only producing one thousand (1000) units per year. There are several markets that Moke International will be targeting for the launch and one of the areas is Australia. Australia manufactured the Moke throughout the ’70s and early ’80s and has had a serious love affair with the car ever since. Almost everyone in Australia has memories of driving a Moke on their holidays or have grown up with a Moke in their family. It’s a car that is recognised around the world and has no others in its class.

Moke International is a company that is passionate about all things Moke and has the best interest of true Moke Enthusiasts as well as future Moke lovers at heart. It is for this reason Michael Young has been brought on board to head the design team at Moke International. Young was an obvious choice as there are few leading designers with the correct visual aesthetic to match the spirit of the car but more than this Young has been a Moke owner himself for several years and has a true understanding of the cars real needs and dynamics.

“As a Moke enthusiast when the email came asking if I was interested to talk about the project it was more like a call for duty. I had recently rebuilt a Moke from the ground up out of old parts so I was fully aware of what was needed to be done. You must remember that this car is from the ’70s, I knew for a fact there was no way we could just replicate it, times have changed and the car needed enhancements, improved road holding, breaking, suspension and so on. I was equally aware that I had to respect the past and make sure the over all visual aspect be kept in tact. Lets say this is the first version, it was essential for find a balance in equal terms for the old enthusiast and also the new generation.

It was with great fanfare and anticipation that the first test car was unveiled. “We all worked very hard to get to this point,” said Luo Jun, president of Sicar Engineering. “This project is very exciting for us as we are keeping the Moke spirit alive.” Sicar Engineering, subsidiary of Chery Motors, has been working nonstop on the project since April 2012. The Moke will keep its fun factor but will be engineered for the 21st century. It will have a fuel-injected engine that will be available in automatic or manual transmission.

For the next several months, the mule car will be put through many tests to measure performance and reliability. The engine, suspension, steering and brake systems are all well proven components with other Chery automobiles. We expect to see the first Mokes rolling out by mid 2013. Plans are already underway for the new Eco Moke. ‘We are already making plans for the Electric version which is an obvious step forward for the Moke, and who knows as the market grows anything is possible – I certainly have the ideas and dreams at hand for the next generation and putting a bit more fun into the art of motoring,” says Young.

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High Speed Train Station in Logroño by Abalos+Sentkiewicz Arquitectos

A faceted wrapping of aluminium looms over the platforms at this high-speed railway station in northern Spain by Abalos+Sentkiewicz Arquitectos (+ slideshow).

High Speed Train Station in Logroño by Abalos+Sentkiewicz Arquitectos

Each of the platforms are buried below the ground and sit within the structure of an existing station and tunnel.

High Speed Train Station in Logroño by Abalos+Sentkiewicz Arquitectos

Architect Juan Enríquez told Dezeen how the “irregular tetrahedral configuration” of the new faceted ceiling wraps and supports the original structure, but tiny perforations let passengers see the columns and joists contained behind the aluminium surfaces.

High Speed Train Station in Logroño by Abalos+Sentkiewicz Arquitectos

The station was completed as part of a wider project to deliver a transportation hub, public park and housing development on a single site in the riverside city of Logroño.

High Speed Train Station in Logroño by Abalos+Sentkiewicz Arquitectos

Five residential towers will surround the station, while the new public park slopes up over the roof.

High Speed Train Station in Logroño by Abalos+Sentkiewicz Arquitectos

Circular openings in this roof open up to glazed rooftop pavilions, which reflect natural light onto the platforms using a system of mirrors.

High Speed Train Station in Logroño by Abalos+Sentkiewicz Arquitectos

See more stories about stations, including the vaulted concourse at King’s Cross in London and a metro station with a spotty roof.

High Speed Train Station in Logroño by Abalos+Sentkiewicz Arquitectos

Photography is by José Hevia.

High Speed Train Station in Logroño by Abalos+Sentkiewicz Arquitectos

Here’s a project description from the architects:


High Speed Train Station in Logroño

The railway station has been designed in accordance with the urban role assigned in the proposal for the international competition and the urban planning and landscape further developed. The station serves as a starting point of a new urban project, which re-establishes the connectivity between the North and South of the city and leads to a large public park where the roof is an integrated part giving its geometry and topography to the volume.

High Speed Train Station in Logroño by Abalos+Sentkiewicz Arquitectos

All stations in surface that we know mean an abrupt interruption of urban continuity. Precisely, the urban element that is destined to unite and bring together the city with the territory, leaves a void in the city involving urban and social segregation. The opportunity to rethink the typology of the station that means the burial of the tracks should be a shift in the form of conceiving them. Intermodal Stations are an opportunity to transform the city, creating public spaces, developing green belts, promoting pedestrian and bicycle mobility: an opportunity to create a new topography to intensify the experience of the city as a collective process.

What makes the project LIF 2002 unique is having faced from its beginnings with an intensity divided between infrastructure and urbanism, landscape and architecture, ecology and economy; with a whole model of management that seeks quality and innovation in all moments of process and attends both quantitative and qualitative aspects. In this sense it may be said that it is a pioneering experience both on landform buildings as well as ecological urbanism.

High Speed Train Station in Logroño by Abalos+Sentkiewicz Arquitectos

International Restricted Competition by invitation: First Prize (2006)
Client: LIF 2002,SA (Ayuntamiento de Logroño, Comunidad autónoma de La Rioja, ADIF)
LIF 2002, SA management: Mª Cruz Gutiérrez

Location: Logroño, La Rioja, España
Program: “Plan Especial de Reforma Interior desarrollado, aprobado” (2006-2009): Train Station, Bus Station, Parking, Housing, Park and Urbanization.
Area PERI: 213Ha. Train Station Area: 8.000m2. Sup. Platform area: 19.000m2. Parking Area: 18.000m2. Bus Station Area: 10.800m2. Urbanization: 145.000m2. Housing Area (Towers): 41.250m2. Housing Area (Other Housing): 83.750m2.
First Phase Budget (Underground burying + Train Station): 108.000.000€
Bus Station Budget: 20.000.000€
Status: High Speed Train Station finished, Park and Urbanization in progress

High Speed Train Station in Logroño by Abalos+Sentkiewicz Arquitectos

Project Direction: Abalos + Sentkiewicz arquitectos (Iñaki Ábalos, Alfonso Miguel, Renata Sentkiewicz)
Project Team: Yeray Brito, Aaron Forest, Pablo de la Hoz, Ismael Martín, Laura Torres, Fernando Rodríguez, Haizea Aguirre, Elena Rodríguez, Verónica Meléndez.
Landscape Design: Ábalos + Sentkiewicz (Iñaki Ábalos, Renata Sentkiewicz)
Urban Collaborators: ARUP (competition), Ezquiaga Arquitectura Sociedad y Territorio SL (PERI)

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Movie: Jaguar clay modelling at Clerkenwell Design Week

In this movie we filmed at Clerkenwell Design Week earlier this year, clay modeller for car brand Jaguar Charles Douglas tells Dezeen editor-in-chief Marcus Fairs how he turns a designer’s sketch into a 3D form that can be scanned for manufacture.

Movie: Jaguar clay modelling at Clerkenwell Design Week

Speaking in the Farmiloe Building, Douglas explains how he uses an armature milled to 50 millimetres lower than the intended finished surface of the clay as a guide to sculpt to the correct level.

Movie: Jaguar clay modelling at Clerkenwell Design Week

Above image is by Jim Stevenson

He demonstrates how he uses a slick tool to work the clay in different directions to achieve the perfect shape and thickness.

Movie: Jaguar clay modelling at Clerkenwell Design Week

Above image is by Jim Stevenson

Although there is a certain amount of craft and creativity in his role, Douglas says that he is restricted by “engineering points all around the bonnet and crash points on the bumper,” as well as other control points because “you’ve got to get an engine in there and you’ve got to get in and out”.

Movie: Jaguar clay modelling at Clerkenwell Design Week

Above image is by Mark Cocksedge

See all our stories from Clerkenwell Design Week 2012 »
See all our stories about cars »

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Thonet Concept Bike by Andy Martin Studio

London designer Andy Martin has built a wooden road bicycle for Thonet using the steam-bending processes the German furniture company first employed in 1859 for its classic cafe chair.

Thonet Concept Bike by Andy Martin Studio

Though much of the beech frame of the Thonet Concept Bike was bent by hand, the final jointing and contours were CNC-cut. A series of connectors and sprung rods reinforces joints and stress areas in the frame.

Thonet Concept Bike by Andy Martin Studio

“The challenge was to take on the fairly low-tech process of steam bending and then apply it to a 21st century bicycle with highly complex engineering,” says Martin.

Thonet Concept Bike by Andy Martin Studio

The fixed-wheel bike has a solid beech seat, carbon-fibre wheels and no brakes, and is available for £43,000.

Thonet Concept Bike by Andy Martin Studio

The classic Thonet chair (pictured below) was first produced in the 19th century by German furniture maker Michael Thonet and can still be seen in cafes more than 150 years later.

Thonet Concept Bike by Andy Martin Studio

We previously featured a colourful update of Thonet’s classic chair by Robert Stadler.

Recently on Dezeen we’ve featured a folding bicycle with full-size wheels and a bicycle that grows with your child.

See all our stories about bicycles »

Here’s some more information from the designer:


At the end of 2010, London-based designer Andy Martin was asked by Thonet to design and develop a concept road bicycle using their steam bending process developed in the 1930s. Andy Martin Studio developed three designs, the last of which was selected because of its beauty and modest connection with the heritage of the company.

“The challenge was to take on fairly low-tech process of steam bending and then apply it to a 21st century bicycle with highly complex engineering,” says Martin. With the many restrictions of hand bending the beech frame, the final jointing and contours would be cut and adjusted on a CNC machine.

Andy Martin has also developed a series of connectors and sprung rods to reinforce joints and the major stress areas in the frame.

The bike itself is a fixed wheel, which is the tradition of cycling one has a greater connection to the bike and the surface one rides on. The bike comes with no brakes and has several interchangeable gear ratios. The seat is solid beech wood supported on a sprung rod supports. The wheels, not designed by Martin, are carbon fibre HED H3s.

The bike will be available in limited edition and cost £43,000.

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Folder by Mikuláš Novotný

Unlike other folding bicycles, this one by Czech designer Mikuláš Novotný has full-size wheels and can be rolled home rather than carried.

Folder by Mikuláš Novotný

The 26-inch wheels of Folder are nearly twice the size of those usually seen on folding bicycles, and can still roll along when the bicycle is folded up.

“Thanks to this solution, you don’t have to carry the folded bike,” the designer explained to Dezeen. “Just grab the saddle and pull it beside you with one hand.”

The larger tyres also make the bicycle easier to steer and safer on bumpy roads.

Novotný came up with the design while studying at the Academy of Arts, Architecture and Design in Prague.

Folder by Mikulas Novotny

See all our stories about bicycles »
See all our stories related to cycling »
See all our stories about transport »

Folder by Mikuláš Novotný

Here’s some more information from the designer:


Folder is a folding city bicycle with 26-inch tyres. It’s greatest advantage is that it keeps its mobility even after folding. Within a minute it can be transformed into a compact barrow Which you can take with you to the underground, bus, tram, elevator or wherever you want.

Due to its large wheels, it is also possible to take the bicycle up and down stairs just by pulling. This function is enabled by its unique construction and a number of innovative solutions. The folding system is based on turning the back structure around the seat post and turning the fork around its shoulder. Finally both wheel hubs are joined and fixed by a central plug. There are three quick-releases to be opened and closed.
The diameters of the folded bike are 106 x 28 x 75 centimetres.

During the design process I concentrated on the simplicity and reliability of the final product. The frame of the prototype is made from chromium-molybdenum thin-wall tubes, which are cheap, everlasting and easily reparable. As for brakes, there is a one – eventually two – disc brake system. In addition, it’s possible to lock up Folder by pulling a lock through the both wheels and frame.

This new kind of city folding bike was designed as part of a project at the Academy of Arts, Architecture and Design in Prague, and is the result of my reflections on movement in the city by self-power.

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Smarter Skies by Airbus

The aeroplanes of the future will be catapulted into the sky, fly in formation like birds along “express skyways” and glide into airports with their engines turned off, according to aviation company Airbus.

Smarter Skies by Airbus

The Smarter Skies project, unveiled this week, sets out a vision for more sustainable air travel by the year 2050. Airbus claims that by flying in a V-formation like birds, aircraft could reduce drag to cut emissions by up to 25 per cent and reduce journey times by an average 13 minutes. Formation flying would also allow air traffic control rooms to treat each flock of planes as a single entity, effectively simplifying their workload.

Smarter Skies by Airbus

The project also predicts that by 2050, aircraft will be able to intelligently select the most efficient flight path according to conditions and the paths of other planes. Beyond 2050, it says, a system for assisted take-off could sling the plane into the air using motors built into the track, which would minimise noise and allow for shorter runways.

Smarter Skies by Airbus

Airbus predicts that if the air traffic management systems on board aircraft were successfully optimised, the aviation sector would save 9 million tonnes of fuel a year and 28 million tonnes of CO2 emissions.

The project illustrations show a conceptual aeroplane by Airbus that we reported on last year, with longer, slimmer wings and onboard entertainment including a virtual golf course.

Read more about the predictions on the Airbus website.

See all our stories about airports »
See all our stories about transport »

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“I don’t really believe in instruction manuals,” says Marc Newson

In this third movie Dezeen filmed with industrial designer Marc Newson at his London studio, he talks about his designs for transport and how a car should have as few controls as possible, saying “I don’t really believe in instruction manuals. I tend to throw them away.”

"I don't really believe in instruction manuals," says Marc Newson

Consequently, for the 021C concept car he designed for Ford in 1999 (above), Newson wanted to reduce the control panel as much as possible: “I got it down to about eight things. I figured that’s all you really need to use a car.”

"I don't really believe in instruction manuals," says Marc Newson

Flicking through the Transport chapter of his new book with Taschen, Marc Newson – Works, he explains how transport and aviation design represents about half of his studio’s output, taking in boats, jets, bicycles and even a jet pack.

"I don't really believe in instruction manuals," says Marc Newson

Marc Newson – Works comes out in September and you can watch Newson talk about the early days of his career when he made everything himself and how he’s tried his hand at designing almost everything in our other movies in this series.

See all our stories about Marc Newson »

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Air Access by Priestmangoode

Paralympic athletes headed for London 2012 have inspired transport design studio Priestmangoode to create a conceptual airline seat with a detachable wheelchair.

Air Access by Priestmangoode

The Air Access system would mean passengers with reduced mobility could be helped into the wheelchair in the departure lounge – where there’s more room to manoeuvre than on the aircraft itself – and remain seated until they reached their destination.

Air Access by Priestmangoode

Once on board, the wheelchair would simply clip back into a fixed seat frame to form a normal aisle seat, which could also be used by passengers without disabilities on flights where the wheelchairs weren’t needed.

Watch Paul Priestman talk about design for aircraft interiors in our movie interview here or below.

Here’s some more information from Priestmangoode:


As Paralympic athletes arrive in London this week, few of us ask ourselves how they travelled here. Britain’s leading transport designers, Priestmangoode, have been thinking about the issue, and are unveiling a design that will transform air travel for passengers with reduced mobility (PRMs).

Air Access is a concept that facilitates air travel for PRMs by enabling an easier transition from gate to aircraft. The ingenious design aims to reduce the indignity and discrimination that PRMs face when travelling by air.

Paul Priestman, founding director of Priestmangoode, explains: “We have been designing aircraft interiors for over fifteen years and always work to improve the entire passenger journey, from home to destination. At present there are some accessibility regulations on aircraft, however they cater for only the most basic requirements. As a result, passengers with special needs often face considerable difficulties when travelling by air. “

“These difficulties generally go unnoticed – very few members of the public are aware of the anxiety and discomfort PRMs can experience when travelling. But it is a matter of equality that people with reduced mobility should have the same rights to a quality passenger experience that able-bodied people have.”

Priestman continues “As designers we strive to improve things, not just for the immediate future, but for the long-term. A demographic shift is sweeping across Europe: the population is ageing, life expectancy is increasing, obesity levels are rising and PRMs account for a larger proportion of the population than ever before. Air Access is a much-needed concept for the future of airline travel that will provide a pleasant experience for passengers with disabilities orreduced mobility.”

Jennifer Howitt Browning, assistant coach of the women’s Paralympic Wheelchair Basketball team and former Paralympian comments: “Air Access is a fantastic idea and an ideal initiative for prompting the dialogue on how to make air travel accessible for passengers with disabilities. I have heard of too many cases in which airline passengers have been made to feel like second-rate citizens, which is both distressing and demotivating. I know this only too well. I travel by air frequently and at times it has been an ordeal. I applaud any initiative that tries to tackle this problem, and hope that Air Access will stimulate constructive discussions between airlines, airports, seat vendors and disability bodies.”

Why do we need Air Access?

» Currently, around 20% of the UK’s adult population has some form of disability or mobile difficulty. For this demographic air travel can be fraught with problems.

» Ground and airline staff are often inadequately trained and unaware of their legal obligations.

» The absence of a systematic process for boarding and disembarking PRMs can lead to confusion and complications for airline staff.

» For PRMs, being physically assisted into and out of airplane seats can be stressful and demeaning, and inflight toileting can be difficult.

» It’s imperative that we start thinking today about implementing change to cater for future generations of air travellers.

How it works

The Air Access concept consists of two elements: a detachable wheelchair by which passengers can be transported onto and off of the plane, and a fixed-frame aisle seat on the aircraft into which the wheelchair is mated to create a regular airline seat. Ground services staff assist the passenger into the Air Access wheelchair seat in the departure gate or on the jetway, where there is ample space to manoeuvre. When seated, the passenger is wheeled onto the plane.

Once onboard, the wheelchair’s 360-degree pivoting wheels enable it to be slid sideways into the fixed-frame aisle seat without the passenger needing to get up. When the two elements are positioned, they are locked together for the duration of the flight. On arrival, ground staff simply unlock the wheelchair seat, slide it out into the aisle and wheel the passenger to the jetway or arrival gate. Once there, the passenger returns to his or her own wheelchair or zimmer frame, or transfers into the airport’s wheelchair.

Benefits of Access Air

» The Air Access seat could be installed in every aisle seat of the aircraft. In a wide-body this would be four seats per row, meaning dozens of PRMs could travel on any given flight. This is particularly useful when large groups of passengers with reduced mobility travel together eg. Paralympic athletes

» Increased safety for passengers. Passengers do not need to be handled by airline staff in the tight confines of the aircraft

» Easier to use toilet facilities in flight. Passengers only need assistance to unlock their seat and wheel to the nearest toilet.

» The chair has a removable seat pad. Many passengers with serious disabilities, for instance spinal injuries, need to sit on their own purpose-designed cushions. Passengers can customise the Air Access seat to suit their individual needs.

» Anyone can sit in the seat. As the access seat integrates seamlessly into the aircraft, the airline does not lose seating space if there are no PRMs travelling.

» The Air Access concept is suitable for all aircraft types, though offers particular benefits to long haul, wide body aircraft—both for passenger experience and cost benefit to airlines.

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BMW i Pedelec Concept

Car brand BMW has designed a folding electric bicycle.

BMW i Pedelec Concept

The BMW i Pedelec Concept is designed specifically to match the i3 Concept car launched in September last year, and two of them will fit side by side in its boot. It collapses enough to be wheeled onto public transport and is still slow enough (25 kilometres per hour) not to require a license or insurance.

BMW i Pedelec Concept

It can be charged in four hours inside the boot of the car or from a domestic plug socket and the battery has a range of 25 to 40 kilometres.

BMW i Pedelec Concept

BMW launched the bike to coincide with the opening of their BMW i Store on London’s Park Lane earlier this summer.

Read more about the i3 Concept car »
See more bicycles on Dezeen »

Here’s some more information from BMW:


BMW i Pedelec Concept: the perfect complement to urban mobility.

BMW i has come up with an innovative two-wheeler, which acts as the perfect complement to the BMW i3 Concept and adds a new and convenient layer to personal mobility, particularly in urban areas. The new BMW i Pedelec (Pedal Electric Cycle) Concept is a compact bicycle fitted with an electric motor that tops up the rider’s muscle power with an extra dose of torque. And that means the rider can get to other parts of town even more quickly and effortlessly – and without breaking into a sweat. The BMW i Pedelec Concept can be folded up almost in the blink of an eye and, handily, there is room for two of them in the boot of the BMW i3 Concept. Plus, their batteries can be recharged while they’re in there.

Like the BMW i3, the BMW i Pedelec Concept is a thoroughly high-tech form of personal transport. Advanced componentry – such as disc brakes at the front and rear, a three-speed gear hub integrated into the motor, a lightweight frame made (like the BMW i3 Concept) from aluminium and carbon fibre, a torquey electric motor complete with electronic management system and high-performance battery, and a clever folding mechanism – make this motor-assisted bicycle an extremely practical transportation solution. As well as its impressive riding and packing characteristics, the BMW i Pedelec Concept can also be converted in a matter of seconds to offer a handy pushing mode, which allows it to be rolled and steered and therefore taken on public transport at no extra cost, saving the rider the effort of having to carry it around.

Because the electric hub motor only assists the rider’s pedalling up to 25 km/h (16 mph), the BMW i Pedelec Concept does not need to be insured or registered, no licence is required to use it, and the rider does not have to wear a helmet. Depending on the nature of the route, rider’s weight and degree of motor assistance utilised, a full battery charge will give a range of 25 – 40 kilometres (16 – 25 miles). Under braking and when riding downhill, the hub motor acts as a generator and supplies the battery with energy. It takes just four hours – or 1.5 hours on a quick charge – for the empty battery to be fully recharged, either from a domestic plug socket or inside the boot of the BMW i3 Concept.

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