MeshFusion for MODO: The Best Design Software in a Decade?

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Every once in a blue moon, some piece of 3D software comes along and just makes one wonder “How’d I ever survive without it?” The Foundry’s new plug in for MODO, MeshFusion, is what I’d consider to be the most amazing piece of software written in a decade. I know it’s a bold statement to make, but for the designer in me, it’s brought something to the table that no one else has quite put together so eloquently.

When it comes to 3D software, MODO is an amazing rendering, sculpting and animation design suite, featuring materials systems for renderings that work very much like Photoshop. It also runs native on Mac, PC, and Linux and, if nothing else, fits nicely anywhere into the design pipeline that’s asked of it. I wouldn’t even know where to begin when it comes to the list of features in Modo but let’s start with just a few:

Tool Pipeline: Gives the ability to create your own tools based upon existing ones. No scripting needed, just pick and choose the features need and go. This offers an almost unlimited amount of combinations of functionality. This quick video showcases the capabilities.

Particles and Dynamics: Just scratching the surface on these opens up the possibility to help set up shots for renderings in a whole new way. Think of creating a table; add a flat surface above it and some curves above that. Now add the option for the table to be a Passive Rigid Body, the flat surface to be a Softbody and the curves to be an emitter… now let gravity take over. The flat surface falls and wraps around the table and the particles add rain all calculated in a matter of minutes. Now add textures and you’re well on your way to rendering out an outdoor picnic scene.

Fall-offs and Action Centers: Think of the 2D gradient tool in Photoshop… now think of the possibilities of this in 3D. Throw in the ability to add in the Move/Scale/Rotation based upon what’s selected and it’s a field day for 3D design.

Rendering Booleans and Volumetrics: Creating that “Just in Time” photorealistic shot always requires some extra finessing that usually requires a work around. If nothing else this aspect of Modo just makes the creation of a product shot that much easier. The Render Boolean works by using geometry to cut away from geometry (think about a block of swiss cheese), that can be used in both renderings and animations. Volumetric can be used to add smoke, fog, clouds, in ways that use to take a ton of postproduction work in Photoshop, After Effects…etc.

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Woodpeckers’ X-Mat Assembly System

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As we saw with the Hungarian dude making cutting boards, when you need to crank out the same item thousands of times, you’ll make a jig to speed your work. And if you’ve got a workbench like Ron Paulk’s, you’ll use the dog holes to clamp stop-blocks, straightedges and fixtures. But Woodpeckers Inc., the Ohio-based manufacturer of small-run woodworking tools, is betting that there’s a class of craftspeople who haven’t gotten to bench dogs yet. For them they’ve created the X-Mat Assembly System.

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The X-Mat is a simple 12”×12” square made of chemical-resistant resin and gridded up with X-shaped sockets. By interlocking multiple X-mats and dropping in a bunch of Woodpeckers’ accessories—L-Supports, box clamps, anchors and painting fingers—the idea is that you can quickly create temporary jig set-ups for assembly. My first thought was “Who would buy this?” but after watching the video, I must admit there are a lot of times I could’ve used something like this:

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Marcel Wanders Debuts ‘Milestone’ App

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It’s a milestone year for Marcel Wanders. The Dutch designer’s work is the subject of the first major design exhibition to be presented at Amsterdam’s Stedelijk Museum since its 2012 reopening. The survey, “Marcel Wanders: Pinned Up at the Stedelijk,” opens Saturday–a date that will surely live in infamy on Wanders’s iPhone, as he has just launched his first app.

Milestone,” free to download through iTunes, is something of an anti-calendar: it allows users to look back fondly by marking and sharing the number of seconds since a major personal event (a first date, when one stopped smoking, the day a museum first acquired a “Snotty Vase”) took place. It’s also possible to countdown to anticipated events, but in a more festive way that the watch that just reminds you how close you are to death. “Measuring special moments in terms of seconds, minutes, hours, or days gives a new perception of time,” says Wanders. “Marking significant occasions becomes a personal experience which you can share with others, and with groups of people through your social networks.”

New Career Opportunities Daily: The best jobs in media.

The Elegant Simplicity Of Growing Plants

Like many, I tend to bury my green-thumb aspirations because I don’t have the time or the expertise to manage houseplants. I was looking for tools that could help people like me grow more than just those good-luck bamboo plants when I found the OPUS GARTEN. Michael Good, the man behind the successful Kickstarter BIGrootcup Campaign is out with this new line of indoor gardening products that promise to make indoor gardening fun and easy. Let’s look at in-depth.

Designer: Micheal Good of good3studio [ Buy it Here ]

I agree with Good that indoor gardening should be a fun process and if we add a dash of aesthetic creation, then I guess we have a winner! With the OPUS GARTEN launch line, Good has brought forth three products; all of which are included in the IndoorGardenKit: The OPUS GARTEN WallPlanter, PottingTray and Handworktoy.

OPUS GARTEN WallPlanter

The WallPlanter is as easy to hang as a picture. It’s held in place with the help of a marine grade cord and die-cast aluminum hardware, which makes for a very clean installation.

  • Plants are potted in an insert that has weeping holes in the bottom, that can help to drain soil, or wick up moisture.
  • The outer housing is completely water proof, WallPlanter won’t drip, sweat or mold.

PottingTray

To keep the entire setup clean, the Potting Tray comes into action. It protects tables and counters when taking on indoor gardening projects.

  • A lip surrounds the durable flexible tray to capture spills.
  • Easy to clean in a sink and it’s dishwasher safe.

Handworktoy

A set of handtools that are inspired by Japanese classics with size and material suitable for indoor use. Included in the the kit are:

  • A versatile hori-hori whichi is a big help with repotting plants, breaking up soil and planting cuttings.
  • Tweezer helps to grab rotten or prickly material; think french manicure!.
  • Soil scoop is the right size to reach into a bag of potting soil and very comfortable to hold. A flattened opening edge prevents the scoop from rolling.

OPUS GARTEN IndoorGardenKit by good3studio is a novel indoor gardening set. It’s the kind I’d use for its simplicity and aesthetic approach. The line is easy on the eye and functional. Get your kit here today.


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(The Elegant Simplicity Of Growing Plants was originally posted on Yanko Design)

Related posts:

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  2. Elegant Solution to Cable Management
  3. The Search for Simplicity


    



Mo’ Pencils, Mo’ Problems

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Whether you’re an ID student working wood or an architecture student making foamcore models, you need a pencil to mark dimensions on the material prior to cutting it. And you quickly learn that on high-tolerance projects, a regular and unsharpened pencil can have you off by as much as 1/16th, or worse if you’re a sloppy cutter; the things need to be kept sharp.

So next you figure mechanical pencils are the way to go for accuracy. But mechanical pencil leads always seem to break off when they’re jostling around in your ArtBin or toolbox, and those little plastic tubes that hold the replacement leads like to disappear when you’re pulling an all-nighter. Plus a mechanical pencil lead has the same problem as conventional pencils—they’re worthless for marking on black foamcore or darker woods like walnut.

One potential solution is the Accutrax Pencil Blade, a piece of graphite shaped like a utility knife blade.

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Production Methods: An Articulated Bandsaw!

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A bandsaw is the go-to shop fixture if you’re cutting an intricate shape out of wood. But there’s a size limit as to what you can get up onto the bed and maneuver with your hands, in a manner that’s safe for both you and the machine. Imagine if you had to cut a 16-foot beam or a log for a log cabin, for instance.

To get around this, Italian production-tool manufacturer MD Dario has come up with an ingenious solution: Mount an entire bandsaw on a two-section arm with ball-bearing joints at all three connection points.

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By taking this moutain-comes-to-Mohammed approach, a single operator can quickly and accurately move the saw around while the workpiece remains mobile. In the video below, fast-forward to 1:07 to get to the good part:

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Engineering Company Modernizes an Obsolete Production Machine: The Beastly Multi-Bladed Jigsaw

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We human beings enjoy making things rectilinear, which is why you’re reading this on a glass rectangle while sitting at a wooden rectangle in a rectangle-shaped room that you entered by passing through a rectangle. So as soon as we could figure out how to turn trees into neat wooden rectangles, we did, by eventually coming up with the circular saw blade and the sawmill.

But before the circular saw blade became the preferred method for turning logs into boards, we tried some pretty kooky things, like this:

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That ten-bladed monstrosity is a steam-powered vertical frame saw, and some American yahoo invented it in 1801. Depending on how the blades were spaced, it could provide boards of different thicknesses.

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By 1809 the invention had spread to England, and by 1821, the Netherlands. In Dutch the machine was called a “raamzaag,” literally, “window saw,” as the manual one-bladed version it was based on looked like a window frame bisected by a saw. Several years ago the Dutch Steam Engine Museum actually restored one and got it working. The video they shot of it isn’t terribly thrilling, but does give you an idea of what an ordeal it was to operate the thing:

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Video of How an Impact Driver Works

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Of the power tools I own, this diminutive Makita impact driver is one of my favorites. I recently had to install a Murphy Bed and this thing drove lag screws into the subfloor like I was hammering brad nails. As someone who cut his teeth with bulky, cordless, keyed-chuck power drills with no hammering action, that something this small could pack so much punch has always amazed me.

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I always pictured a powerful little leprechaun inside making the magic happen; but as it turns out, the impact mechanism’s a bit more prosaic. Nick Moore, whose YouTube channel is dedicated to sharing “Science on a budget, [to] take a closer look at the world we live in,” cut the housing away on an impact driver extension to show you how it works. Pretty cool:

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Tools for Carrying Sheet Goods: The Gorilla Gripper and the Handle On Demand

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Moving sheet goods is a huge pain in the neck, particularly for shorter guys like me with a wingspan that leaves something to be desired. But even for you bigger folk, there’s nothing ergonomic about toting a 4×8 sheet around your shop or the jobsite.

The Gorilla Gripper is a cleverly-designed handle that allows you to lift and carry sheet goods using your back and legs, while preserving your fingers and toes. There are tons of YouTube videos showing the thing, but I like the following low-res one the best because it shows the actual applications in the field:

I don’t think I’d have the balls to try hoisting it up a ladder, like the guy did in the video, but I’d try everything else they showed.

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Forum Frenzy: Technique vs. Design

technique.jpgThe first result of a Google Image Search for “Technique”

“Is technique an example of overcoming ‘bad’ design, or is technique itself a form of design?”

So begins Sanjy009’s inquiry into “Technique vs. Design,” proceeding to illustrate the topic with a couple of examples, which have driven much of the discussion thus far. He starts with an anecdote about driver’s ed in Scandinavia: “Sweden teaches drivers to open their car doors with the opposite arm, so their bodies are facing backwards and the driver is better able to check their blindspot before opening the door” (it turns out it might be Amsterdam; no confirmation as of press time), followed by a discussion of the ergonomics on musical instruments.

The latter serves as the primary talking point; to Michael DiTullo’s point that “we are due for something new, but even most of the purely digital tools mimic analog inputs,” I would note that:

1.) I think the Ondes Martenot is a good example of how an avant-garde instrument still requires an intuitive UI: It’s essentially a theremin (i.e. a sine-wave generator) that has a graphic interface, as seen in this video overview (it starts a little slow, but gets pretty cool at 3:55; by the end, the interviewer notes that “It’s definitely the most ‘alive’-sounding electronic instrument… It has a very human quality to it.”) Radiohead fans might recognize the coveted synthesizer, which multi-instrumentalist Jonny Greenwood has played on every one of their albums since Kid A; it also features heavily in his solo side projects.

2.) The Tenori-On also comes to mind—the short write-up on MoMA’s Inside/Out blog (they’ve acquired it in their permanent collection) offers a nice summary of how the 16×16 grid actually works.

technique-instruments.jpgClockwise from top left: Ondes Martenot via Wikimedia Commons; Jonny Greenwood via Wikimedia Commons; Tenori-Onvia Wikimedia commons; Theremin player

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