NN-House by Kozo Yamamoto

This little house in Tokyo by Japanese architect Kozo Yamamoto has a triangular courtyard and an L-shaped roof terrace tucked behind its walls (+ slideshow).

NN-House by Kozo Yamamoto

Named NN-House, the two-storey family residence is hemmed in amongst a jumble of properties that include a five-storey apartment block to the north and a two-storey residence to the south, so privacy was one of the most important aspects of the design.

NN-House by Kozo Yamamoto

The client asked Kozo Yamamoto for a series of secluded outdoor spaces. “Standing on the empty lot and carefully observing ‘open’ spots around it, we began to naturally envision the best locations for the courtyard and roof terrace,” explains the architect.

NN-House by Kozo Yamamoto

The courtyard is slotted into a triangular space at the back of the house, while the terrace is located a storey above and both are screened behind the exterior walls.

NN-House by Kozo Yamamoto

Most windows face out to the terrace and courtyard, while others are arranged in narrow strips along the tops of the walls. “We made sure that openings are placed at an appropriate height and location so that they can open up the house towards outside while keeping privacy,” says Yamamoto.

NN-House by Kozo Yamamoto

Two bedrooms and a traditional Japanese room are on the ground floor of the house, while a combined kitchen, living room and dining room occupy the entire first floor. One staircase connects the floors inside the building, while another ascends between the courtyard and the terrace.

NN-House by Kozo Yamamoto

A mezzanine loft sits directly above the kitchen beneath the highest section of the roof and opens out to a balcony overlooking the street.

NN-House by Kozo Yamamoto

The architect used a monochrome colour palette for the walls of the house, with black on the outer surfaces and white for the interiors. This rule is broken in a handful of spaces to emphasise protruding volumes and edges.

NN-House by Kozo Yamamoto

Other Japanese houses completed recently include a monolithic building with only one window and a rural residence based on a sundial. See more architecture in Japan.

NN-House by Kozo Yamamoto

Photography is by Koichi Torimura.

NN-House by Kozo Yamamoto

Here’s the project description from Kozo Yamamoto:


NN-House

This single-family house is located on a site in a commercial area near a main road in Tokyo.

NN-House by Kozo Yamamoto

Height restriction of the area is not strict therefore it is surrounded by buildings with various heights. The site is sandwiched between old two-storey house and five-storey apartment building. Our client requested us to design an ‘open’ house in this densely populated environment.

NN-House by Kozo Yamamoto

In order to avoid unnecessary exposure to public view, we interpret this site condition as a sort of ‘natural’ condition specific to the site. Standing on the empty lot and carefully observing ‘open’ spots around it, we began to naturally envision the best locations for the courtyard and roof terrace, which are two important elements requested by the client. Bedrooms are located on the first floor, living/dining/kitchen space on the second floor and loft space above kitchen.

NN-House by Kozo Yamamoto

Locations of all openings are carefully worked out in section, so that they can open up towards the ‘open’ spots. Heights and locations of walls around courtyard and roof terrace are designed according to various specific factors of the site. In view of exterior factor we considered location of windows of surrounding buildings, location of the roof, and height from the ground. And in view of interior factors we considered view from inside, natural light, roof, ceiling inclination.

NN-House by Kozo Yamamoto

We made sure that openings are placed at an appropriate height and location so that they can open up the house towards outside while keeping privacy. Space and form of the house are decided in accordance with the client’s requests and the surrounding ‘nature’, without any arbitrary reasons.

NN-House by Kozo Yamamoto

Walls are coloured in black and white; basically exterior walls are painted black and interior walls white. And in some areas white interior walls extend outwards and meet black exterior walls, and in some areas white interior volumes are made visible from outside.

NN-House by Kozo Yamamoto

Architect: PANDA /Kozo Yamamoto
Location: Tokyo, Japan
Structural Engineer: a・s・t atelier
Contractor: B・L home

NN-House by Kozo Yamamoto

Total Floor Area: 99.44 sqm
Building Area: 61.59sqm
Year: 2013

NN-House by Kozo Yamamoto

Above: ground floor plan – click for larger image

NN-House by Kozo Yamamoto

Above: first floor plan – click for larger image

NN-House by Kozo Yamamoto

Above: loft floor plan – click for larger image

NN-House by Kozo Yamamoto

Above: section AA’ – click for larger image

NN-House by Kozo Yamamoto

Above: section BB’ – click for larger image

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Coach Omotesando by OMA

OMA’s new Tokyo store for American accessories brand Coach is a glazed cube with a herringbone-patterned display system (+ slideshow).

Coach Omotesando by OMA

Inspired by the categorised wooden storage systems of Coach‘s original 1940s stores, Coach Omotesando features a modular shelving system that Rem Koolhaas’ OMA has developed for all of the brand’s new stores.

Coach Omotesando by OMA

Here, the shelves form a herringbone pattern that covers the glazed facade of the two-storey shop. Frosted glass panels were used to build the boxy shelves on the inside of the walls, while on the outside they form a system of horizontal louvres.

Coach Omotesando by OMA

Once the store is open each box will be filled with an item from Coach’s latest collections, which include outerwear, footwear, jewellery, handbags and other accessories.

Coach Omotesando by OMA

A staircase is positioned at the centre of the store, connecting womenswear on the ground floor with menswear on the first floor. This area also features a modular shelving system, although here it is broken up into a rectilinear grid.

Coach Omotesando by OMA

Lighting is installed within the staircase tower, intended to create a central beacon that illuminates the store 24 hours a day.

Coach Omotesando by OMA

OMA first revealed designs for the display system during the summer. Since then the studio has installed a smaller version at a Coach kiosk within Macy’s flagship Herald Square store in New York.

Coach Omotesando by OMA

This week Dutch firm OMA has also revealed a collection of furniture for US furniture brand Knoll. See more architecture and design by OMA.

Coach Omotesando by OMA

Other notable shop designs on Dezeen include Peter Marino’s Louis Vuitton Maison on London’s Bond Street and Schemata’s flagship for Japanese fashion brand Takeo Kikuchi. See more shops on Dezeen.

Coach Omotesando by OMA

Photography is by Iwan Baan.

Here’s some more information from OMA:


Coach Flagship, Omotesando

Founded in 1941, Coach began as a leather goods retailer, displaying their products in a single row of library-like, wooden shelving that categorized their handbags and wallets. The brand’s repertoire has since expanded to include a full range of lifestyle merchandise including outerwear, footwear, jewelry, watches and sunwear, which are now sold in a variety of retail environments from specialty boutique to department store.

Coach Omotesando by OMA

Inspired by the clarity of Coach’s original, systematic filing retail strategy, OMA designed a modular display unit that is flexible enough to accommodate the specific needs of each product and retail environment. The spatial possibilities of this highly functional system reinforce Coach’s mission to represent ‘logic and magic.’ For the first iteration at a kiosk within Macy’s department store at Herald Square, acrylic display units were assembled into a floor-to-ceiling high, “V” shaped wall. Products appear to float amidst maintained views to the accessories floor beyond.

Coach Omotesando by OMA

Coach’s ninth Japan flagship is a two-story, corner site on Omotesando, a prominent retail corridor in Tokyo. In comparison to the increasingly decorative elevations that characterize Omotesando, OMA’s design integrates display into the façade, seamlessly communicating the brand’s presence from the inside out.

Coach Omotesando by OMA

The display units are stacked in a herringbone pattern of vertical and horizontal orientation to facilitate a range of curation scenarios. Dimensioned to accommodate Coach’s standard merchandising elements (ex. mannequins, busts, bags), the unit measures 1800 mm x 520 mm. Frosted glass that provides shelving within the store is further articulated to the façade as louvers.

Coach Omotesando by OMA

Viewed from the exterior, the double-height storefront presents an uninterrupted survey of Coach’s full collection in a single view, with a dedicated frame for each product. Viewed from the interior, the display unit’s translucency creates an active backdrop for merchandise, filtering Omotesando’s streetscape into the shopping experience.

Coach Omotesando by OMA

Above: display concept

In addition to the façade, OMA designed a floating tower of illuminated units that encase the store’s central stair, seamlessly connecting the women’s first floor and men’s second level. Consolidating the display on the facade and circulation creates a condition in which the shopper is continuously surrounded by product, while simultaneously liberating floorspace. In the evenings, the circulation tower illuminates the façade as a dynamic, 24-hour window display from within.

Coach Omotesando by OMA

Above: cross section

Status: Commission January 2012; Completion April 2013
Client: Coach, Inc.
Location: Tokyo, Japan
Site: Ground and second floor of new construction on Omotesando, Tokyo, Japan Program: 444.75 m2 / 4787.25 sf
Façade: 210 glass units Circulation Tower: 105 acrylic units
Partner-in-Charge: Shohei Shigematsu
Project Architect: Rami Abou Khalil
Team: Yolanda do Campo, Benedict Clouette with Jackie Woon Bae, Cass Nakashima, Phillip Poon, David Theisz
Local Architect and Engineer: Obayashi Corporation Façade Consultancy: Michael Ludvik
Interior Architecture: Nomura, Co., Ltd.

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Prototyping UH by General Design

Japanese studio General Design constructed this two-storey house in Tokyo as the prototype for a series of urban housing templates that can be replicated in any Japanese city (+ slideshow).

Prototyping UH by General Design

“The clients simply asked for a basic house for themselves and their two children, so we regarded this project as an opportunity to work on urban house prototypes,” says General Design.

Prototyping UH by General Design

The building comprises a simple two-storey volume with a gabled roof and a plaster-covered exterior. There are no windows on the front facade, but a sky-lit atrium and private courtyard are contained behind the walls.

Prototyping UH by General Design

Skylights are dotted along the roof on both sides, bringing natural light into the house from different angles. There’s also a square window in the top-floor living room, offering a view out across the neighbourhood.

Prototyping UH by General Design

A large living and dining room spans the length of the building and folds around to a kitchen at the back. The glazed courtyard sits on the left, while an extra room at the front provides an office that allows residents to work from home.

Prototyping UH by General Design

An industrial staircase spirals up to the first floor, where a second living room leads through to three separate bedrooms.

Prototyping UH by General Design

General Design is led by Japanese architect Shin Ohori. Other projects by the studio include the bare concrete and steel headquarters for clothing brand Neighborhood and the windowless concrete flagship for Lad Musician. See more architecture by General Design.

Prototyping UH by General Design

Photography is by Daici Ano.

Prototyping UH by General Design

Here’s a project description from General Design:


Prototyping UH

The site is located in a typical urban site in central Tokyo, where low-rise wooden houses and light gauge steel apartment buildings are densely built up in narrow quarters.

Prototyping UH by General Design

The clients simply asked for a basic house for themselves and their two children, so we regarded this project as an opportunity to work on urban house prototypes.

Prototyping UH by General Design

This simple pitched-roof house, finished plainly with mortar, has rustic appearance like a barn.

Prototyping UH by General Design

Above: ground floor plan – click for larger image

We adopted a standard wood frame system to achieve a simple layout and low-cost construction. This prototype can be adjusted and be built on any other urban sites.

Prototyping UH by General Design

Above: first floor plan – click for larger image

Large openings are located around the small courtyard on ground floor, and a picture window towards the adjacent park is provided in additional living room on the second floor. And large skylights on the roof allows for nice breeze to flow inside, and also give contrasting effect of light and shadow throughout the house.

Prototyping UH by General Design

Above: second floor plan – click for larger image

We opened up the interior space as much as possible so that the family feels as if spending relaxing time outside, under the blue sky. We intended to turn this tiny urban lot into a place where the family members can live openly and enjoy sufficient light and wind.

Prototyping UH by General Design

Above: long section – click for larger image

Architect: Shin Ohori / General Design Co., Ltd.
Location: Meguro, Tokyo
Site Area: 120.04 sqm
Built Area: 64.33 sqm
Total Floor Area: 141.07 sqm
Structural System: Timber
Completion Date: May 2012

Prototyping UH by General Design

Above: cross section – click for larger image

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EEL Nakameguro by Schemata Architecture Office

Japanese architect Jo Nagasaka has stripped an office in south-west Tokyo back to the concrete to create a fashion boutique that looks more like an abandoned warehouse for Japanese brand EEL (+ slideshow).

EEL Nakameguro by Schemata Architecture Office

Nagasaka, of Schemata Architecture Office, explains that he associates garments with uncomfortable warmth, so wanted to design a cool interior that counteracts this feeling. “I wanted to make the background as calm as possible,” he explains.

EEL Nakameguro by Schemata Architecture Office

Rather than adding new elements to the space, most of the renovation involved peeling away unnecessary layers and sanding down rough surfaces.

EEL Nakameguro by Schemata Architecture Office

“Our construction process was mostly subtraction,” he says. “We intend to leave this space somewhat incomplete and when clothes are set in place it will be complete.”

EEL Nakameguro by Schemata Architecture Office

The architects removed the carpet of the old office and sanded down the exposed floor to create a smooth surface. They also pulled down a suspended ceiling to reveal lighting fixtures, electric cables and ventilation pipes.

EEL Nakameguro by Schemata Architecture Office

Bookshelves and large boxes made from lauan plywood are scattered around the room as display areas for folded garments and accessories. Other hang from welded stainless-steel racks or from cables strung across the ceiling.

EEL Nakameguro by Schemata Architecture Office

A wall of concrete blocks separates the shop floor from storage areas at the back, while a glass partition creates a small meeting room to one side.

EEL Nakameguro by Schemata Architecture Office

Jo Nagasaka launched Schemata Architecture Office in 1998 and has since worked on a number of shop interiors, as well as residential projects, office interiors and furniture design. Past projects include Paco, a house contained in a three metre cube, and the Tokyo flagship for fashion brand Takeo Kikuchi. See more design by Schemata Architecture Office on Dezeen.

EEL Nakameguro by Schemata Architecture Office

Photography is by Takumi Ota.

EEL Nakameguro by Schemata Architecture Office

Here’s a project description from Jo Nagasaka:


EEL Nakameguro

Creating a sense of ‘incompleteness’ was the key to our design. In my mind clothes are associated with warmth of human body, sometimes that feeling gets too intense and uncomfortably hot. This is why I wanted to make the background as calm as possible.

EEL Nakameguro by Schemata Architecture Office

We intend to leave this space somewhat incomplete and when clothes are set in place it will be complete. So our construction process was mostly ‘subtraction’, that is, dismantling, peeling, and scraping unnecessary layers, except for a few ‘additional’ elements.

EEL Nakameguro by Schemata Architecture Office

The site was formerly used as office space. For the floor, we peeled off the existing carpet and sanded exposed mortar undercoat thoroughly to make it perfectly horizontal and ‘super-flat’.

EEL Nakameguro by Schemata Architecture Office

As a result we created unique random mosaic pattern. In some places aggregates are revealed, and in other places finer particles cover up the surface.

EEL Nakameguro by Schemata Architecture Office

We also removed all the finishing materials – paint, baseboard, insulation etc. – from walls and ceiling, and hidden surface of concrete that is unfinished and not ready for public viewing is now exposed. By reversing the construction process, a state of ‘incompleteness’ reappears.

EEL Nakameguro by Schemata Architecture Office

Display fixtures are also constructed halfway and left at a state of ‘incompleteness’. Stainless steel mirror and frame are welded for assembly and we left the weld joint unpolished, so it creates interesting patterns on the surface.

EEL Nakameguro by Schemata Architecture Office

Hanging racks are made of anti-corrosive coated steel pipes. Surface coating is removed at joints then they are welded together. And we erase burnt traces of welding but leave steel surface unpainted.

EEL Nakameguro by Schemata Architecture Office

Wooden boxes, used as display base, are made of lauan wood. It is a kind wood usually used for underlay, but we leave it unpainted. These unfinished elements reinforce our design concept of ‘incompleteness’.

EEL Nakameguro by Schemata Architecture Office

Other elements are added to this space: glass partition wall, fitting room, concrete block masonry wall separating shop and back room, and a thick steel tension cable that is used to hang clothes, lighting fixtures and electrical wiring for lighting. When the final design element clothes are displayed, the space is complete.

EEL Nakameguro by Schemata Architecture Office

Title: EEL Nakameguro
Architects: Jo Nagasaka/Schemata Architects
Address: Higashiyama Meguro, Tokyo
Usage: Apparel shop

EEL Nakameguro by Schemata Architecture Office

Construction: TANK
Floor area: 123m²
Structure: RC
Completion: 02/2013

EEL Nakameguro by Schemata Architecture Office

Above: floor plan – click for larger image

EEL Nakameguro by Schemata Architecture Office

Above: ceiling plan – click for larger image

EEL Nakameguro by Schemata Architecture Office

Above: section A-A’ – click for larger image

EEL Nakameguro by Schemata Architecture Office

Above: section B-B’ – click for larger image

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Floating Bar

Ressemblant à un vaisseau spatial, le Jicoo Floating Bar propose depuis plusieurs années aux visiteurs et habitants de Tokyo de découvrir la capitale japonaise à bord de ce bateau-bar dessiné par Leiji Matsumoto, mangaka mondialement reconnu et à l’origine d’Albator. Plus d’images dans la suite.

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Symmetry Long Exposures in Japan

Le photographe japonais Shinichi Higashi prend de superbes clichés à longue exposition de la ville de Tokyo, et de son architecture urbaine. En résulte une superbe série « Graffiti of Speed / Mirror Symmetry » qui utilise avec talent la duplication et la symétrie. A découvrir en images dans la suite de l’article.

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Breeze Tokyo

Le studio ARTechnic Architects a imaginé ce complexe urbain et résidentiel appelé « Breeze ». Située dans le quartier de Setagaya à Tokyo, ce bâtiment entouré d’imposants murs en béton offre pourtant en son intérieur des espaces ouverts et apaisants à découvrir en détails dans la suite de l’article.

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Flag by Apollo Architects & Associates

This narrow house on a high street in Tokyo by Apollo Architects & Associates features a glazed ground-floor gallery (+ slideshow).

Flag by Apollo Architects & Associates

The three-storey house has a long and slim shape that is common for city residences in Japan, which are often referred to as eel’s beds or nests.

Flag by Apollo Architects & Associates

Apollo Architects & Associates designed the building with a simple rectangular facade and added the glazed gallery in a prominent position on the left-hand side. The entrance to the house sits to the right and is recessed to create a sheltered porch.

Flag by Apollo Architects & Associates

A grid of eight windows stretches across the facade on the upper levels to bring natural light into the two main residential storeys.

Flag by Apollo Architects & Associates

On the first floor, a blue-painted partition separates a small study from a traditional Japanese room, while a bathroom is tucked away at the back.

Flag by Apollo Architects & Associates

One floor up, a single room spans the building to create a living room with a kitchen at its far end.

Flag by Apollo Architects & Associates

The staircase connecting the three floors is made from steel and features open treads that allow light to pass through. It extends up to the roof, which accommodates a small terrace.

Flag by Apollo Architects & Associates

Apollo Architects & Associates is led by Satoshi Kurosaki and also recently completed a house with three courtyards behind a concrete exterior. See more architecture by Apollo Architects & Associates.

Flag by Apollo Architects & Associates

Other Japanese houses on Dezeen recently include an extension with two tree inside it and a residence with twisted proportions generated using the Fibonacci mathematical sequence. See more houses in Japan.

Flag by Apollo Architects & Associates

Photography is by Masao Nishikawa.

Flag by Apollo Architects & Associates

Here’s some more information from Apollo Architects & Associates:


Flag (Nakano Ward, Tokyo)

The site for this residence is narrow on the side facing the shopping district and long in the other direction, just like an “eel’s bed”. The facade is composed of large openings arranged in a regular grid.

Flag by Apollo Architects & Associates

The couple – a husband who works for an advertisement company and wife who works for a furniture store – is an active DINKS (double-income, no kids) couple.

Flag by Apollo Architects & Associates

The first floor is the glazed gallery which opens toward the street. Even though the house is compact, it can generate income when also used as a shop and by including a space for people to gather, it attains a public character. It is an urban residence which can offer a lifestyle of the future.

Flag by Apollo Architects & Associates

Location: Nakano ward, Tokyo
Completion: 2013.01

Flag by Apollo Architects & Associates

Site area: 45.19 sqm
Building area: 34.59 sqm
1F floor area: 31.09 sqm
2F floor area: 34.59 sqm
3F floor area: 34.59 sqm
PH floor area: 3.95 sqm
Total floor area: 105.03 sqm

Flag by Apollo Architects & Associates

Structure: Steel
Scale: 3F
Typology: Private housing + Retail

Flag by Apollo Architects & Associates

Structures: Masaki Structures, Kneta Masaki
Facility engineers: Shimada Architects, Zenei Shimada
Construction: Ido Construction

Flag by Apollo Architects & Associates

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Candy 3D Printer in Tokyo

Le FabCafé, situé dans le quartier de Shibuya à Tokyo, propose pour le White Day (journée située un mois après la Saint Valentin) d’imprimer « une réplique 3D en guimauve » d’une personne à partir de photographies. Une initiative technologie insolite et drôle, à découvrir dans la suite de l’article.

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Interview: PechaKucha’s Mark Dytham: As Heineken’s Your Future Bottle competition draws to a close we talk remixing and Kit Kat collecting

Interview: PechaKucha's Mark Dytham

Advertorial content: As Heineken’s second annual Your Future Bottle Design Challenge comes to a close we want to encourage all aspiring designers to get their final designs submitted via Facebook before the 1 March deadline for the chance to have their work on display during Milan Design Week. To offer…

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