Introducing New Core77 Columnist Kevin McCullagh

pimg alt=”introducing_mccullough.jpg” src=”http://s3files.core77.com/blog/images/introducing_mccullough.jpg” width=”468″ height=”311″ class=”mt-image-none” style=”” //p

pWe’re proud to introduce Kevin McCullagh as the newest Core77 columnist! No stranger to our pages, Kevin has been contributing rich articles to Core77 for years nowmdash;most recently: a href=”http://www.core77.com/blog/featured_items/design_thinkingeverywhere_and_nowhere_reflections_on_the_big_re-think__16277.asp”Design Thinking: Everywhere and Nowhere/a. /p

pAfter a grounding in engineering, marketing, academia, product design and design management, Kevin set up the trailblazing strategy team at Seymourpowell. Then in 2004, he founded a href=”http://www.plan.bz”Plan/a, a London-based consultancy that helps companies think and act more strategically about the design of their products. Clients include Nokia, Samsung, Lenovo, Orange, Psion, Yamaha and 02. /p

pIn addition to his consulting work, Kevin makes time to write, speak and tweet on design strategy and its relationship with business and society. He teaches at CASS business school, London, and is a visiting fellow at his old design faculty at Northumbria University./p

pWelcome Kevin!/pa href=”http://www.core77.com/blog/featured_items/introducing_new_core77_columnist_kevin_mccullagh__17479.asp”(more…)/a
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Urban-Chaotic Despite chair

contemporary lounge hancrafted by artisans in San diego,Ca.Metal Structure covered in metal sheet painted with Dupont car paint.

Ammonitum’s beautiful wooden bathroom fixtures

div style=”align: right;”img src=”http://s3files.core77.com/blog/images/2010/09/0ammonitumw001.jpg” width=”468″ height=”468″ alt=”0ammonitumw001.jpg”//div

pAnyone who’s ever dealt with wood rot will tell you wood has no place in the bathroom, especially not as a vessel for water; but Swiss manufacturer A HREF=”http://www.ammonitum.com/products/” Ammonitum/A gets around the wood vs. water problem with special manufacturing techniques./p

pAmmonitum’s wooden sinks, bathtubs and toilet seats, after being glued up and shaped, are heavily polished, soaked in mordant solution, and covered in a minimum of ten layers of varnish. Finally they’re coated in high-gloss NanoCover, a waterproof Danish solution used for everything from marine applications to anti-graffiti coatings. The whole process takes about twelve weeks, and the results are pretty darn eye-popping. Hit the jump to see more./pa href=”http://www.core77.com/blog/object_culture/ammonitums_beautiful_wooden_bathroom_fixtures_17478.asp”(more…)/a
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Thomas Linssen on a bathtub as furniture

pimg alt=”0studiothol.jpg” src=”http://s3files.core77.com/blog/images/0studiothol.jpg” width=”468″ height=”664″ class=”mt-image-none” style=”” //p

pEindhoven grad and designer Thomas Linssen, operating under his A HREF=”http://www.studiothol.nl/” Studio ThoL/A brand, has combined two old things–a chair and a bathtub–and combined them to make one new thing: A tub made using chairmaking techniques, and skinned in a polyester composite./p

pRomans carved tubs out of stone, cowboys used large tin buckets, suburbanites had porcelain; but as Linssen points out, “due to science there are now many more materials available.” Read his full description of the project, which he terms an “evolution,” A HREF=”http://www.studiothol.nl/” here/A.br /
/pa href=”http://www.core77.com/blog/object_culture/thomas_linssen_on_a_bathtub_as_furniture_17477.asp”(more…)/a
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Hands On: Design Brought to Life by studioXAG

Hands On Design brought to life

London Design Festival 2010: this cardboard interior by London designers StudioXAG has giant hands suspended above it and houses products by University of Arts London graduates.

Hands On Design brought to life

Hands On: Design Brought to Life is an exhibition curated by StudioXAG that sits behind the glazed street front of the new Arts Gallery in Holborn.

Hands On Design brought to life

The interior is designed to look like a tea party in the drawing room of a scaled-up dolls house and will be open until 29 October 2010.

Hands On Design brought to life

See all our stories about the London Design Festival »

Hands On Design brought to life

Here’s some more from the designers:


Hands On: Design Brought to Life

studioXAG invite you to step into their parlour

An idyllic Edwardian parlour is transplanted into a twenty-first century gallery space and opened up to the street, exposing the enchanting interior to the passing crowds. This London Design Festival, studioXAG and University of the Arts London invite you to step in to the new Arts Gallery, remodelled as a fantastical shoebox house. The doors open on 16 September.

A childhood daydream comes to life as studioXAG create an eccentric doll’s house drawing room scaled up to adult size. The plate glass wall of the gallery reveals a design aficionado’s tea party, replete with the quirkiest new design objects. Accept the genteel invitation to this private party and the spectator unwittingly becomes a player in this fanciful domestic scene.

Inside this topsy-turvy setting Hektor Mamet’s disobedient Leaning Chair reclines casually against the wall, refuting its practical purpose, while David Clarke’s impish Gore Blimey spoons appear to be literally stirring up mischief. Witty Drip Teas & Lip Tease teacups by Reiko Kaneko lure you in with the promise of refreshment before revealing their 24 carat gold shadows of lipstick and tea drips, hinting at previous users.

Unsettling the nostalgic delight of the scene, a giant pair of hands hang pendulously above the room, a very fitting motif for an exhibition in which handcraft is the star of the show. studioXAG use craft materials to meticulously replicate the interior architecture, from the traditional fireplace and floorboards, to sash windows complete with shutters. The fittings play with scale and materials to surreal effect.

Speaking about their ambitions for the work, studioXAG reveal “Personal nostalgia for a youth spent making things led us to re-imagine a small scene in a shoebox. Scaling this up to human size allows us to utilise an eccentric selection of furniture and products to enhance the playful mood, with elegant trompe l’oeil tableware nodding to the tea drinking sensibility.”

Hands On is created entirely with imaginative products designed by University of the Arts London graduates. Limited edition prints and featured design products will be available to purchase exclusively from the Arts Gallery. Hands On designers include: Reiko Kaneko, Cemel Otek, David Clarke, Julie Spurgeon, Robert Dawson, Laura Plant, Debbie Lawson, Hektor Mamet, Christian Newton, Joe Ferrari, Sung Kug Kim, Elisa Strosyk, Anna Sudbina and Bodo Sperlein.

Multidisciplinary design team studioXAG was established by Central Saint Martins graduates Xavier Sheriff and Gemma Ruse in 2009. Offering expertise in consultancy, art direction, illustration and prop production, their client list includes Odille, Bertie and Diesel, Oasis, Whistles and Agent Provocateur.

Hands On forms part of University of the Arts London’s programme of events and exhibitions for London Design Festival 2010. This will be the first exhibition at the Arts Gallery in Holborn, since moving from University of the Arts London’s headquarters site in the West End where the original gallery played host to hundreds of artists including Peter Doig, Gavin Turk, Sarah Lucas, Chris Ofili, Peter Blake, John Keane, Poppy de Villeneuve, Annie Kevans, Tom Hunter and Martin Creed, alongside legions of emerging artists fresh from University of the Arts London’s art colleges.

16 September – 29 October 2010
Arts Gallery, University of the Arts London,
272 High Holborn, WC1V 7EY
Monday – Friday 11am – 6pm


See also:

.

Dezeen’s top ten:
cardboard projects
Flatform 322 by
Horrocks and Aus
All our stories from
London Design Festival 2010

Paris Final Montage

Après les deux vidéos en time-lapse de la ville de Paris, voici le montage final réalisé par The Seventh Movement. Un studio composé de Thomas Sidney McCallum et Vincent Guglielmina, avec comme but de montrer la capitale lors d’une journée type : du lever au coucher du soleil.



parismontage

parismontage2

parismontage3

parismontage4

Previously on Fubiz

Kate Moss in KM3D-1

Director Baillie Walsh has created another innovative short film with Kate Moss: this time the model is featured in 3D in a shoot for Another Magazine

Walsh previously worked with Moss to create a hologram for an Alexander McQueen A/W 2006 catwalk show. This was in turn drawn on by Walsh for the recent Cadbury’s Flake ad.

His latest film, produced by Premiere Heure, uses Phantom cameras which shoot at 1000 frames per second. 3D glasses recommended.

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More here at the Another Magazine site.

Nokia is seeking a Design Lead in Tampere, Finland

pa href=”http://www.coroflot.com/public/jobs_browse.asp” border=”0″img alt=”coroflot-joboftheday.jpg” src=”http://s3files.core77.com/blog/images/coroflot-joboftheday.jpg” width=”468″ height=”68″ class=”mt-image-none” style=”” //a/p

pstronga href=”http://www.coroflot.com/public/job_details.asp?job_id=28406referral=C77blogpost”Design Lead, Nokia Ovi Suite/abr
Nokia/strongbr /Tampere, Finland/p

pHighly experienced in tackling daily UX challenges, you are comfortable acting as a user experience lead towards design, development and product management. You’ve also gained experience in interaction design and the ability to translate business and consumer needs into new product concepts. In addition, you are familiar with Agile development methods and feel at ease collaborating with UI designers./p

pa href=”http://www.coroflot.com/public/job_details.asp?job_id=28406referral=C77blogpost”raquo; view/a/p

pemThe best design jobs and portfolios hang out at a href=”http://coroflot.com”Coroflot/a./em/p
a href=”http://www.core77.com/blog/featured_items/nokia_is_seeking_a_design_lead_in_tampere_finland__17476.asp”(more…)/a
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Think.Side No.4

Strange weather, isn’t it?

!!!

Se ripenso al disco ‘Myth Takes’ e al tour a seguire, inizio a muovermi istintivamente. Sono una forza della natura i californiani !!! (chk chk chk). I rumors li volevano per questo nuovo lavoro in studio a Berlino con un certo Brian Eno, che plasmava il sound della band seguendo le sue ’sensazioni berlinesi’. Il risultato è il passaggio a un suono più ‘dancefloor’ rispetto al ‘glam rock’ del predecessore, una ventata di folle allegria che schiarisce anche gli scenari più cupi (leggasi ‘umore giornaliero’).
Il comun denominatore è il ‘punk-funk’, da sempre vero e proprio marchio di fabbrica che emerge nell’opener ‘AM/FM’, nella coatta ‘the hammer’ ma soprattutto in quello splendore di ’steady as the sidewalk cracks’, una vera bomba!
Il gruppo purtroppo ha pagato la scomparsa di Jerry Fuchs (batteria) deceduto tragicamente tempo fa e tra vari cambi vede ora in formazione Nic Offer, Mario Andreoni, Daniel Gorman, Allan Wilson.
Invariato resta invece lo spirito modaiolo nella loro musica, quel ‘modaiolo’ in questo caso non è affatto un insulto, avercene di !!!

VIDEO

Swim

Caribou

Daniel Victor Snaith, o semplicemente Caribou, già dal titolo (swim) fa capire che intenzioni ha per il suo ritorno sulle scene.
Questo è un disco che fa fluttuare i pensieri, ci trasporta come la corrente verso orizzonti inesplorati forse di un mondo immaginario. Il giusto connubio fra digitale e analogico, la psichedelia lascia spazio a beat dance come in ‘Kaili’ che mette tutti d’accordo. E’ incantevole, davvero. ‘Odessa’, non a caso, è il singolo e si candida come uno dei 10 pezzi più belli dell’anno con quella sua apertura dance che la rende accessibile ai più ma non trascurerei nemmeno l’ossessiva e rumorosa ’sun’ e il rumorismo marino di ‘bowls’.
Niente da fare questo, a mio avviso, è il disco che sancisce una volta per tutte la classe nel fare IDM di Caribou, è tipo la mossa definitiva che lo rende ’speciale’ e ‘importante’ in un certo settore della musica contemporanea. Quindi a noi la palla adesso, ci si sdraia come su una spiaggia, si chiudono gli occhi e l’eco del mare questa volta è sostituito dalle melodie di questo album, goduria assicurata!

VIDEO

This is happening

LCD Soundsystem

James Murphy è parte della mia sezione ‘eroi contemporanei’, da collegare poi alla fantastica label DFA che in fatto di dance e affini in questi ultimi anni ha regalato cose grosse.
Insomma che dire di colui che anni fa urlava nel microfono su base electro pop di gran qualità ‘Daft Punk is Playing at My House’? Un mantra per una generazione che trovava nei club la pace dei sensi o semplicemente un modo per scordarsi che la fuori non è poi bello come dicono.
Il ritorno sulle scene è anticipato dal singolo ‘drunk girls’ che è puro istinto e immediatezza, pezzo tamarro corredato da un videoclip enorme. Però io vorrei spostare la vostra attenzione su ‘Dance Yrself Clean’ dal tribalismo alla Talkin Heads con forti virate electro ma soprattutto su ‘All I Want’ che è David Bowie periodo berlinese al 100%, una ballata che strazia cuore e anima tanto è malinconica nel suo incedere.
A mio parere J.Murphy & co. non sporcano il loro nome con questo lavoro e non deludono nemmeno le attese, non fatevi ingannare dalla mancanza del classico pezzo alla ‘Tribulations’, qui ci sono ingredienti giusti per soddisfare anche i palati dei nerd più pretenziosi.

VIDEO

Pre-digital displays used tiny neon tubes for numbers

div style=”align: right;”img src=”http://s3files.core77.com/blog/images/2010/09/0nixiet001.jpg” width=”468″ height=”529″ alt=”0nixiet001.jpg”//div

pIn the days before digital number readouts (we’re talking 1950s and ’60s) electronic devices that needed to display changing numbers used nixie tubes, which were little cathode tubes filled with a stack of individual, tiny neon lights shaped like the numbers 0 through 9. A HREF=”http://www.evilmadscientist.com/article.php/nixietube” Evil Mad Scientist Laboratories/A got their hands on one of these and ripped it open to show you the cool guts./p

div style=”align: right;”img src=”http://s3files.core77.com/blog/images/2010/09/0nixiet002.jpg” width=”468″ height=”608″ alt=”0nixiet002.jpg”//div

pThe limitations of the technology are obvious–numbers further back in the stack appeared fainter than those up front, and the skinny “1” is double-tubed to produce the illumination required for legibility–but the aesthetic value of the fonts is awfully elegant. Check out the full tear-down A HREF=”http://www.evilmadscientist.com/article.php/nixietube” here/A.br /
/pa href=”http://www.core77.com/blog/object_culture/pre-digital_displays_used_tiny_neon_tubes_for_numbers_17475.asp”(more…)/a
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