Out of Office: Road Trip Through Norways National Tourists Routes Project
Posted in: UncategorizedThis writer is headed off to Norway this afternoon on a press trip to check out the country’s ongoing National Tourists Routes Project, an effort by the government to create “experiences” along their scenic driving routes by way of architecture and design (Peter Zumthor, Louise Bourgeois, and Snohetta have all been involved thus far). Assuming we don’t fall into a fjord or wear ourselves out jetting across the country, we’ll be checking in from the road next week, and likely posting once we get back about the trip (which we need to mention is being funded by the country’s Consulate General office in New York and the Innovation Norway organization). Have any tips on what not to miss while we’re there, drop us a line in the comments.
And just one final reminder before this writer heads out: our Rem Koolhaas: A Kind of Architect Giveaway ends tomorrow night. Get your entries in! We’ll announce a winner on Monday.
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Take 100
Posted in: Uncategorized“Take 100: The Future of Film: 100 New Directors,” the newest installment in Phaidon’s “10 x 10” series (now in its tenth year), looks at 100 emerging directors. With a focus especially on the younger crowd, this international compendium impresses with both its length and exhaustive methods.
Like the other books in the series, a jury of 10 curators and other forces in global contemporary cinema—including Olivier Père, a former director of the Cannes Directors Fortnight; Kim Dong-Ho, director of the Pusan International Film Festival, South Korea; Sergio Wolf, director of the Buenos Aires Festival Internacional de Cine Independiente; Piers Handling and Cameron Bailey, co-directors of theToronto International Film Festival; Trevor Groth, director of the Sundance Film Festival in Park City, Utah; and Christopher Terhechte, director of the International Forum of New Cinema at the Berlin International Film Festival—chose the lucky 100.
Among the more mainstream picks is Judd Apatow and his “Funny People.” Pere says of the newest film, “Funny People is the film that perhaps best represents Apatow’s autiry, and his dialogue and actors blossom as well…the humor doesn’t arise from funny situations but from the characters’ views on life.”
Bong Joon-ho‘s “The Host” surprised and amazed this side of the Pacific for its embrace and breakthrough of the conventional horror film. Both a crowd favorite and a critical darling, it triumphed with Joon-Ho’s unusual directorial voice.
The Israeli flotilla attack serves as a fresh reminder of the ongoing war in the region, and Ari Folman‘s “Waltz With Bashir” looks at the conflict through stylized animated memoir. By approaching the subject with a reservoir of creativity, “Waltz With Bashir” becomes as much a commentary on “the contemporary world’s invasion of homogenous images” as the Lebanon War of the director’s youth.
Fashion transplant Tom Ford used his extensive design experience to furnish “A Single Man” with both the furniture and the emotional texture: “far from a superficial flourish, the surge of colors that are periodically unleashed on the muted palette bring us deeper into George’s mind and heart,” writes Müller.
Like Ford, Miranda July‘s Renaissance-man approach to art began with plays and writing before expanding into her debut feature “Me And You And Everyone We Know.” The quiet love story displays her mature filmic voice that is “playful, willful and wise,” as Bailey and Handling put it.
Also a female director with an art background, Shirin Neshat‘s “Women Without Men” uses another groundbreaking historical event—the Iranian Revolution—to reexamine women in the Muslim society and challenge Western preconceptions. Neshat’s photographic background and Iranian childhood deeply informs the resulting portrait of four women.
By contrast, Rian Johnson‘s “Brick” used a scrappy set that often mirrored the plot’s seeming confusion to stitch together a Raymond Chandler murder mystery for the 21st century.
The bleak life of a woman seeking an illegal abortion in Romania, “4 Months, 3 Weeks and 2 Days” made complex by Cristian Mungiu, who suggests “a people and a society torn between entrapment and escape.”
With a layout incorporating film stills, dialogue and production photos to provide a window into each film, Take 100 makes a good companion for cinephiles of all stripes. Pre-order it from Amazon or Phaidon prior to the 30 June 2010 release.
Images courtesy of Phaidon Press, from the book “TAKE 100:
The Future of Film.”
Columbus gets creative with clutter recycling program
Posted in: UncategorizedAnyone who has ever lived in a college town knows that the end of the school year is a trash scavenger’s dream. When students move out of their dorms and apartments, they put on the curb and in large dumpsters anything they don’t wish to take with them to the next chapter of their lives. Anything that isn’t looted, is piled into trash trucks and taken to the city dump.
A lot of these trashed items are in good working order and could be used by someone else. However, after partying it up in celebration of the end of finals, the last thing anyone wants to do is find good homes for their unwanted things.
The Ohio State University has a program that not only helps students responsibly get rid of their clutter at the end of the semester, but it is also available for residents of the Columbus area to use. The program is called “Dump and Run” and The Columbus Dispatch says that the donated items are evaluated, priced, and then sold at the beginning of the semester in a huge yard sale.
For the past six years, dump volunteers have collected hand-me-downs and sold them at thrifty prices to students and bargain-hungry adults in the greater Columbus area. “It’s a great way to reduce waste in landfills, and it has a lot of appeal for students and Columbus residents,” said Podrasky, a junior majoring in environmental policy and management.
Sue Kelly, 54, and husband, Scott Dagenfield, 56, donated her late father’s wooden office desk to make room for a new recliner in her mother’s home.
Nearly 30 years old, the desk is in mint condition.
To encourage students to donate, dump organizers placed bins in each of the college’s residence halls May14. That collection runs until Friday.
Last year, students collected nearly 7 tons of items, said Rachel Gapa, program co-chairwoman.
Thanks to reader Mary for letting us know about this program. Hopefully spreading the word about it will help other college towns learn about this terrific clutter-recycling program.
Mortal Kombat Rebirth
Posted in: UncategorizedJust under eight minutes of shot “Mortal Kombat” has been posted on YouTube. Now it reports that the film is, as many theorized, a test for a potential R-rated film reboot of the video game franchise. The short is directed by Kevin Tancharoen
Bag Of The Week: L.A.M.B. Freestyle Grant Sack
Posted in: UncategorizedI probably shouldn’t be in favor of anything that promotes any more disorganization in my handbag, but what can I say? I can’t help myself! The L.A.M.B. Freestyle Grant Sack is the perfect get up and go bag for a girl on the run. It may not promote tidiness among your purse’s contents, because it’s all about tossing in whatever you need on your way out so you can be on your way to do more important things that are more fun than keeping your bag organized! It’s oversized slouchiness allows you to wear it comfortably under your arm no matter how many things you try to stuff in there, while its “freestyle” shape lets you actually fit all of it inside! It’s a little pricey for ripstop nylon (give me more leather than just the handle, and then we’ll talk), but its convenience and pure simplicity is totally calling my name!What: the L.A.M.B. Freestyle Grant Sack Price: $225 Where to Buy: Shopbop Who: xgalexy was the first to add the L.A.M.B. Freestyle Grant Sack to the Hive. |
The LEEDing of the Inland Steel Building Proves Frank Gehry Isnt Totally Anti-Green
Posted in: UncategorizedAfter catching a lot of flak after speaking poorly of LEED certification and the greening of buildings in general, Frank Gehry is back in Chicago (at least in spirit), making something of a move toward redemption (or, rather, he already made the move three years ago, it’s just starting to take effect now). The Architect’s Newspaper reports that the city’s Inland Steel Building, which was purchased back in 2007 by a group that Gehry was involved with, has begun the process of restoring and upgrading the late-1950s building to LEED standards. At the forefront of the project is the mega (and local) firm, Skidmore, Owings & Merrill, who actually designed the original. After spending the last few years preparing and drawing up plans, SOM is finally ready to start making the structure’s transition toward being more earth-friendly. So maybe it’s not the perfect mea culpa for Gehry, who probably isn’t interested in offering one to begin with, it’ll have to do for now. Here’s a bit about some of the upcoming changes:
…In an extreme version of the Seagram Building’s enforced ceiling condition at the perimeter, SOM developed a modular office system of movable floors, ceilings, and walls that can be adjusted to fit the needs of shifting populations.
The idea, which the firm calls “office hotel,” is that companies who take up residence here will not be looking to conduct their own interior fit-out, but will be happy to adopt the branding built into the architecture. The strategy also has a sustainability component, as every time someone new moves, there will be no waste created by interior demolition. The modular systems in place will simply be reconfigured for a new set of needs.
For further reading, more info is available on the building’s site.
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