Saikat Biswas’ fresh digital Holga concept

pIt’s kind of funny that back in the day, if you were an industrial design student and your model of your design lacked a certain amount of detailing, you would have been accused of doing a half-assed job; but now even commonplace objects have moved so far towards minimalism that the following sparsely-detailed model (or is it a rendering?) of a A HREF=”http://www.saikatbiswas.com/web/Projects/Holga_D.htm” theoretical Holga digital camera/A looks high-end:/p

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pThe concept is by designer A HREF=”http://www.saikatbiswas.com/web/About.htm” Saikat Biswas/A, who’s not a student, by the way, but a pro ID’er based out of Scandinavia. And Biswas’ “Holga D” is not just an under-thought plain box–to the contrary, he’s put lots of nice touches into it, like the reversible top that swaps the shutter button around for lefties:/p

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pWe’re also digging the swoopy little mini-flash:/p

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pBiswas has also put up some of his original sketches. /p

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pBe sure to check out the rest of the Holga D concept, and the thought that went into it, A HREF=”http://www.saikatbiswas.com/web/Projects/Holga_D.htm” here/A.br /
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Artist-Customized Darth Vader Helmets Head to the Auction Block

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GIVE ME LIBERTY. Wade Lageose’s contribution to The Vader Project is among the 100 helmets to be auctioned next week.

Luke, I am your…artist-customized 1:1 scale replica Darth Vader helmet! Dov Kelemer and Sarah Jo Marks of DKE Toys convinced 100 underground artists and designers—including Gary Baseman, Frank Kozik, Ron English, Dalek, Simone “Tokidoki” Legno, and Michelle Valigura—to reimagine Darth Vader’s distinctive headgear (inspired by a World War I German Stahlhelm helmet, according to Star Wars costume design lore) for The Vader Project. Since its kickoff in 2007, the traveling helmet exhibition has earned fans from Los Angeles to Tokyo and earlier this year wowed crowds at the Andy Warhol Museum in Pittsburgh. Now it’s time to see how they’ll fare on the open market. Next Saturday, Freeman’s will auction the helmets, with most bids starting at $1,500. Collectors, bidders, and fans are invited to view the Vader Project at the Philadelphia auction house beginning Monday. Is the $15,000-$20,000 estimate for Mister Cartoon‘s airbrushed “House of Color” helmet (below) out of your price range? Use the force, Luke, and spring for the $40 keepsake catalogue.

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Helmets by (from left to right) Gary Baseman, Hiddy of Secret Base, and Mister Cartoon

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Flood Tide

Swoon’s art flotilla takes the big screen in a new fact-bending documentary
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Using a real event to tell a fictional story, “Flood Tide” chronicles the open water adventure of four musicians who build a raft and set sail on the Hudson. The 50-minute film—directed by artist Todd Chandler—uses footage of street artist Swoon’s seven-boat-strong performance project “The Swimming Cities of the Switchback Sea,” to realistically interpret their fantastic voyage. As the motley cast of characters—a troupe of gypsy-punk hippie types—gain friends and momentum, the film unfolds for a beautifully romantic take on art and escapism.

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Set to the live sounds of the folk sextet Dark Dark Dark, Flood Tide screens for free at NYC’s Rooftop Film Festival on 7 July 2010 at Socrates Sculpture Park before hitting up festivals and venues around the U.S.


Book Review: Box, Bottle, Bag, by Andrew Gibbs

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pIt’s a pity that photos aren’t edible, because Andrew Gibbs’s a href=”http://www.amazon.com/Box-Bottle-Bag-Package-TheDieline-com/dp/1600614191/ref=sr_1_1?ie=UTF8s=booksqid=1277337592sr=1-1/?tag=core77-20″emBox, Bottle, Bag/em/a contains a lot of tasty looking packaging, which unfortunately contain soap as often as food. Taking the best designs from his website the a href=”http://www.thedieline.com/”emThe Dieline/em/a, Gibbs has produced a lovingly photographed book of packaging accompanied with copy about the agency that designed it, often including quotes about the project. Although it’s broken ito six chapters, including Luxe, Bold, Crisp, Charming, Casual and Nostalgic, frankly, it’s all pretty luxurious (even “Ugly Mug Coffee”). Instead, those categories serve to denote which cultural signifiers the designers wanted for their products. With the printed word harking back to Guttenberg and the development of script reaching even further into history, modern day graphic and package designers have an broad and deep lineage of visual forms to chose from./p

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pEvery font sends a message about the product’s “style,” and by proxy the style and persona of the buyer. The chapter that’s called nostalgia, for example, includes visual references to the turn of the (20th) century, allusions to the Vargas girls festooned to the sides of WWII bombers and toys appropriate for the children of the men who fought in that war. To the modern buyer, wearing their pseudo-ironic Buddy Holly glasses, the whole of the 20th century can be appropriated as nostalgia. Designers now have computer tools robust enough to create virtually any visual impression, and they get to sell that to an audience raised in a media saturated environment that prepared them for all of those cues. In short, it’s a pretty good time to be a packaging designer, and the variety and contrast of the products shown in emBox, Bottle, Bag/em make a strong case that today’s packaging designers can do more with a computer, a color printer, and the eponymous die cutting machine than their forebearers could ever do by hand. Left unanswered is whether being able to produce endless objects that look “luxe” and individualized is a good thing, when the products contained within often lack the loving care that their shiny outsides advertise./p

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Book Review: Inventors and Innovations, edited by Duncan McCorquodale

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pA gentleman named Charles Fredrick Wiesenthal was the first to realize that putting the eye in the middle of the needle could aid in rapid mechanistic stitching in 1775. Later, Elias Howe perfected the lockstitch sewing machine, but it was Isaac Merritt Singer who would ultimately become synonymous with the sewing machine, even though he never had that critical flash of insight. Instead, he was able to minimize costs and bring a product that represented a confluence of technological ideas to market at precisely the right time. While the invention of the sewing machine was a special case where many of the original inventors were able to pool their patents and share in the proceeds, the story of most inventions is much more one-sided. Black Dog Publishing’s a href=”http://www.amazon.com/Inventors-Inventions-Black-Dog-Publishing/dp/1906155674/?tag=core77-20″emInventors and Inventions/em/a, edited by Duncan McCorquodale, amply illustrates this occasionally tragic trend. Organized into broad categories ranging from Communication to Warfare, emInventors/em groups product photos, patent figures and inventor photos (well, after Louis Jacques Mande Daguerre’s invention of photography in 1839) with historical overviews for everything from Air Conditioning to the Yo-Yo./p

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pAfter an introduction by Richard Fisher that uses the evolution of the Lithium Ion battery as a proxy for the progress of invention in general, the book moves into lists of inventions by category. Strangely, Core77 could not determine by what criteria the lists were ordered. Since in general, the editors tried to ascribe a date to each inventions, chronological would have been a reasonable choice, but the pencil precedes the quill. Another likely method would have been in order of importance, but the Guttenberg Press (widely mentioned as a world-changing, world-shrinking invention) follows the ballpoint pen, which rules out descending order, and the light bulb precedes the pressure cooker, which pretty much rules out ascending order. Instead, it seems that the products were given categorical groupings, so that Viagra, contraception and In Vitro Fertilization are all clustered within a few pages. For the reader, however, this makes for an occasionally choppy journey jumping from the Air Conditioner (1906) to Soap (2800 BC by their estimation). Although the context of the book as a whole is occasionally confusing, the individual product descriptions provide accurate and occasionally surprising overviews for ideas that we take for granted (life before animal husbandry is nearly impossible to conceive), and products that boggle the mind as we conceive their true scope (the microwave oven uses radio waves to excite the activity of individual molecules in food … and we experience that excitement as heat!)./p

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RCA SHOW part two

Here’s the promised second part of our round up of great work spotted at the Royal College of Art’s SHOW Two yesterday…

Paul Scattergood displayed this series of untitled lenticular images which were, in part, the fruit of his research project, Materiality and Space in Illusionist Pictures. The lenticular display helps to fool the viewer into believing that the flat print conveys spatial depth…

Geetika Alok created these typographic posters that warranted closer inspection:

Rebecca Davies produced a newsprint publication called The Elephant which contains observations made of the residents of Elephant and Castle prior to the demolition of the areas landmark shopping centre and the neighbouring Heygate Estate. Great drawings and transcripts of overheard conversations:

Mark El-Khatib and Ray O’Meara created these posters combined digital type with handwritten text:

Oscar Bauer (of Oscar & Ewan design studio) displayed several images by layering photogrphic images and overlaying illustrations on acetate:

Je Baak displayed three looping animations comprised of video footage of fairground rides cleverly comped together to create weird looking mechanical creatures…

The Structure Of (2010) from Je Baak on Vimeo.

Louise O’Connor explored the idea of creating a scale model that showed the vastness of the solar system in a more accurate way than the diagrams in text books. She created a walkable scale model and installed it along Kingsland Road in London. Various shopkeepers who happened to occupy the appropriate spot along the route acted as guardians of the planets – hosting models represented by everyday objects at their correct sizes on this 3.1km scale. Mark Henderson photographed the shopkeepers with the planets as part of the project:

We wandered into the product design section of the RCA show and spotted a few things of interest:


Robert Maslin‘s Edible Games really appealed. Here are some photos of the battleship version (outer packaging, above, inner (foil) package and the chocolate bar itself, below). The idea is that on removing the outer paper wrapping, you can rub the foil to see the game grid and rub individual squares on the foil packaging to find out if you’ve hit a boat or not:

Jamie Tunnard’s dual function Desklamp/Projector can be used as a normal lamp or as a projector. The lamphead contains a replacable LED bulb for use as a normal desk lamp. It also houses a miniature LED projector enabling moving image to be displayed. It can be connected to a TV receiver box or DVD player via ports housed in the base of the lamp. The projector is capable of screening an image up to one metre wide:

Hye-Yeon Park‘s Mr. Clock project also caught our attention:

The large flip clock only tells the time when you stand in front of it / pay attention to it. When left to its own devices it displays nonsensical abstract configurations. Watch what happens when people stop looking at it:

Mr.Clock_Hye-yeon.park_Design Product_2010 RCA from hye-yeon.park on Vimeo.

 

The work shown here really is the tip of a hugely impressive iceberg – there’s lots of really strong work (including some really great animation) and it’s well worth a visit to the RCA to check out the work on display in the flesh. The show is running until July 4 at the RCA, Kensington Gore, London SW7 2EU.

Details on SHOW Two on the RCA website rca.ac.uk/

Thanks to Cali Blackwell for helping with the images

 

Traveling show reveals that design patents in the 1800s were a real pain in the patoot

pNo one would argue that the process of getting an idea or design patented is easy, but few would argue with the fact that it’s far easier to draw something than it is to make it./p

pWe just came across this interesting historical tidbit: Before there were patent drawings, there were patent Iobjects/I. /p

p”Up until 1880, if you had a brilliant idea, something that you thought would change the world, and you wanted to get patent protection for it, you had to submit a working scale model to the government,” said Stephen Nowlin, vice president of Art Center College of Design in Pasadena. Nowlin is A HREF=”http://www.pasadenastarnews.com/ci_15420348″ hosting an exhibit at Art Center’s Williamson Gallery/A called “A HREF=”http://smithkramer.com/web2/index.php?option=com_contentview=articleid=120%3Athe-curious-world-of-patent-modelscatid=22Itemid=119″ The Curious World of Patent Models/A,” a traveling show organized by the A HREF=”http://www.patentmodel.org/” Rothschild Patent Model Museum/A, which will reveal more than 50 artifacts submitted for patents way back in the day. /p

pimg alt=”0curiouspatent.jpg” src=”http://s3files.core77.com/blog/images/0curiouspatent.jpg” width=”468″ height=”949″ class=”mt-image-none” style=”” //p

pThose are designs for improved versions of a paper-cutting machine, an electromagnetic motor, a fruit basket, a roller skate, a lifeboat, and what’s either part of C-3PO or an artificial leg. /p

pAll of them were designed in the 1800s. I cannot imagine what it was like to source parts back then, before the internet and McMaster-Carr. So if ever you get a brilliant design idea and decide to enter the paperwork hell that is patent protection, thank your lucky stars that you got to CAD your design up at your desk rather than bang it out in the barn./p

p”The Curious World of Patent Models” runs at the Williamson through August 15th, and will be traveling throughout America thereafter. A HREF=”http://smithkramer.com/web2/index.php?option=com_contentview=articleid=231%3Athe-curious-world-of-patent-modelscatid=22Itemid=119″ Click here/A for a detailed schedule. br /
/pa href=”http://www.core77.com/blog/object_culture/traveling_show_reveals_that_design_patents_in_the_1800s_were_a_real_pain_in_the_patoot_16867.asp”(more…)/a
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Quote of Note | Inga Sempé

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A pair of Sempé’s mattress-topped “Rouché sofas for Ligne Roset

“I’m proud to be difficult, if that is what I am. Because I don’t want to do bad work. The aim of a designer is not the same as the aim of a company. We have different aims, but we have to combine them. Sometimes designers have to ‘win’ more than the producer so the product is good enough. And so I think it’s normal to be difficult as a designer. In fact, usually I don’t think I’m difficult enough.”

-Industrial designer Inga Sempé

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Designer Mark Sanders uploads his original Strida bike student thesis

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pYou’ve seen it in the window of Design Within Reach, or cutting through traffic down Broadway; but now you can take a very different look at the iconic, folding Strida bike./p

pMark Sanders, who designed the Strida while he was an Industrial Design Engineering student at London’s RCA 25 years ago, has now uploaded his A HREF=”http://issuu.com/mark77a/docs/masters__thesis_june_1985_-_strida” original graduate thesis/A presenting the original bike. (He’s even uploaded his A HREF=”http://issuu.com/mark77a/docs/business_plan_december_1985_-_strida” business plan/A!) /p

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pIn the presentation, Sanders lets on where some of his inspiration came from:/p

blockquoteWhen folded, the bike can be pushed along on its wheels, which come together to form a long thin package. This folded form was chosen after seeing folding baby-buggies in use, as these fold into long, thin package with wheels at one end, and are used in exactly the same way as the bike (put in car boots, taken into shops, etc.) The baby buggy is one of the most successful folding products./blockquote

pvia A HREF=”http://www.treehugger.com/files/2010/07/the-fascinating-history-of-the-strida-bike.php” treehugger/A/pa href=”http://www.core77.com/blog/object_culture/designer_mark_sanders_uploads_his_original_strida_bike_student_thesis_16866.asp”(more…)/a
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Small, tidily-designed Korean-Italian hybrid house

pThis week A HREF=”http://www.nytimes.com/interactive/2010/07/01/greathomesanddestinations/20100701-seoul.html#1″ the ITimes’/I “On Location” section/A features a pretty killer Seoul domicile. It looks like a traditional Korean house (Ihanok/I) on the outside, but the inside’s a different story, having been designed by the Italian architect who lives there./p

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pCheck out the open-to-the-elements courtyard, the one throwback to old-school Korean houses. The sunken seating area in the living room tidily absolves the space-tight room from needing a couch, and we like the idea that you can sit facing any of the four directions, meaning you can read wherever the daylight or artificial light is strongest at that moment./p

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pAnd we especially dig how the kitchen, described as “the engine of the house,” was designed to have a view into nearly every other room./p

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pCheck out the full slideshow A HREF=”http://www.nytimes.com/interactive/2010/07/01/greathomesanddestinations/20100701-seoul.html#1″ here/A. br /
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