Our Pick for Winner of the Museum of Science and Industrys Month at the Museum

Last month we told you about the launch of Chicago’s Museum of Science and Industry‘s “Month at the Museum” contest, where they’re on the hunt for someone to spend an entire month living and working in their hallowed halls. Reader Davin Coburn dropped us a note with his entry and wow if he hasn’t gone all out. While we’re a bit burnt out by the Old Spice commercials and the billion sub-par parodies they launched, Coburn’s film made it all seem okay again and won us over completely with its great writing and clever visual gags. He’s now our official pick for the contest.

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Galilée by Studio Bellecour Architects

Galilee by Studio Bellecour Architects

French architects Studio Bellecour have completed a pair of office buildings near Toulouse, France, wrapped in aluminum fins and connected by a twisting concrete element.

Galilee by Studio Bellecour Architects

The horizontal fins curve around all sides of both offices to prevent overheating in the summer and reflect light back into rooms during the winter.

Galilee by Studio Bellecour Architects

Above photograph is by Christophe Picci

Between the two volumes sits a half-raised courtyard with landscaped gardens and an underground car-park beneath.

Galilee by Studio Bellecour Architects

A steel-frame pod rendered in concrete and used for storing bikes slightly overhangs the edge of the raised courtyard.

Galilee by Studio Bellecour Architects

All other photographs are by Nicolas Borel unless stated otherwise.

Galilee by Studio Bellecour Architects

Here’s some more from the architects:


The project

Galilée is one of the debut projects realized in the UDZ (Urban De- velopment Zone) Andromède, in Blagnac, near Toulouse in France.

Galilee by Studio Bellecour Architects

The particular urban details of this UDZ in Blagnac provided a unique climate for the development of a quality architectural project. The aesthetic of Galilée results from a combination of an interpretation of these urban rules, the immediate aeronautical context, and from the environmental requirements given in the specifications of the UDZ.

Galilee by Studio Bellecour Architects

The plan is centered on two distinct buildings which are connected by a long white concrete veil. The veil, the primary visual feature of the overall plan, blends vertical and horizontal motions as it slowly curves in a helical movement.

Galilee by Studio Bellecour Architects

This veil achieves the double feature of insuring the continuity between each building while allowing one to discover the rear landscape in all its depth.  Thus this long concrete helix, which recalls the aeronautical context of the site, both protects the building by marking the front of the street as well as welcomes us by its inviting view.

Galilee by Studio Bellecour Architects

Above photograph is by Quentin Jeandel

Two covered buildings wrapped in special insulating material and canopies, modulated according to the illumination, confer on the operation the environmental characteristics HEQ.

Galilee by Studio Bellecour Architects

Above photograph is by Quentin Jeandel

A unique formal style distinguishes and individual sizes of these buildings. Nevertheless, the coherence and balance of the whole is maintained by the homo- genous treatment of the façades.

Galilee by Studio Bellecour Architects

Above photograph is by Quentin Jeandel

The difference of shape and the resemblance of materials make fraternal twins out of these two buildings, which works to maintain options for future users of the space.

Galilee by Studio Bellecour Architects

Above photograph is by Studio Bellecour

That is, the distinctions between the buildings would allow multiple tenants to maintain an air of individuality while at the same time the continuous architectural themes provide an appropriate environment for one single occupant.

Galilee by Studio Bellecour Architects

Above photograph is by Studio Bellecour

A central square constitutes the central space, the place of privileged pedestrian access towards both halls. The square is slightly heightened to allow for a level of half-buried parking lots organized around a central garden with natural air circulation. A large white concrete form looking like a shingle offers space for bikes within the landscape.

Galilee by Studio Bellecour Architects

Location: UDZ Andromède, Blagnac – TOULOUSE, France
Client: Altarea COGEDIM
Owner: Crédit Suisse
Project management Project manager: STUDIO BELLECOUR, SAS d’architecture
Architect: Wilfrid Bellecour
Team: Vincent Ballion, Julien Franco, Brice Kester, Damien Lamy, Sinda Tobni
Execution project management: BEFS Inspection office SOCOTEC Inspection office SPS SOCOTEC OPC CARI

Galilee by Studio Bellecour Architects

Above photograph is by Christophe Picci

Building materials and specifications: concrete, aluminium sun shades, exterior insulation, green roofs, basalt stone forecourt, green trellis over car park
Building permit: november 2007
Surface area: 11 102 sq.m.
Estimated Cost: M€ 20
Construction work: April 2008
Delivery: 2010


See also:

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Kripalu Annex by
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Ninetree Village
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Design of the Decade competition: Which design has had ten years’ worth of the most influence?

pTalk about pressure: The IDSA is collaborating with Fast Company and The Henry Ford organization to hold the A HREF=”http://www.idsa.org/dod” Design of the Decade competition/A, which will crown one product put on sale between January 1, 2001 and December 31st, 2009 with the titular prize. To choose the best object designed and produced in that ten-year span, the organizations have put together a super-jury including Ayse Birsel, Chris Bangle, ID Pres Sohrab Vossoughi, Herman Miller CEO Brian Walker and others./p

blockquote”As an awards program, the Design of the Decade competition is special,” said IDSA CEO Clive Roux, “because it recognizes the social impact that design has on our society as well as the significant and growing influence that design has on business. In deepening our focus and widening our aperture to span a decade, we provide the jurors with a sufficiently long period of time to better evaluate and more fully appreciate the longer term impact of design.”/blockquote

pFor those who’d like to speculate on who the winner might be, check out Good/Alissa Walker’s “A HREF=”http://www.good.is/post/the-decade-in-design/” The Decade in Design/A” roundup from December of 2009.br /
/pa href=”http://www.core77.com/blog/competition/design_of_the_decade_competition_which_design_has_had_ten_years_worth_of_the_most_influence_17112.asp”(more…)/a
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paper pottery

waterproof pottery/vases made out of recycled paper and sand. Wooden parts are made from left overs and of cuts from the furniture industry.complete i..

Hide cables in rain gutters

Reader Geogriaberry tipped us off to a terrific cable clutter solution by Jonathan Crossman. Crossman reclaimed wood to build a desk, and then outfitted the desk to specifically hide cables. He drilled “access points” (notches) to feed cables through and then attached a rain gutter to hold the cables and feed them down toward the legs.

From Crossman’s website:

In the final photograph, you can see how he lined up the leg of the desk with the outlet so all of the cables are out of sight:

Rain gutters can be purchased at any home improvement store and most stores will even cut the gutters to your specified length. If you wish to match the color of the gutter to your desk, be sure to purchase paintable gutters and the appropriate spray paint. Finally, to drill notches into your desk, you can use either a jigsaw or a sharp speed bore bit or a hole saw.

Check out Crossman’s website for more pictures and a more detailed account of the work he did to complete his desk.

(Images by Jonathan Crossman.)

Like this site? Buy Erin Rooney Doland’s Unclutter Your Life in One Week from Amazon.com today.


Inceptions Architecture Underwhelming Says Christopher Hawthorne

0809inceparch.jpg

Back in mid-June, we asked if the now-blockbuster Inception would be this year’s 500 Days of Summer in terms of being the movie that’s vaguely about architecture of the season (strangely, both star Joseph Gordon Levitt, which we just realized now — maybe a connection there?). This writer hasn’t seen the film yet, though feels as if he has given all the incessant yapping about it, but as far as we’ve been able to gather, it does sound like it definitely is vaguely about architecture. But if so, how good are the buildings in it? That’s the question raised by LA Times critic Christopher Hawthorne, who comes to the conclusion that it’s all pretty lousy. Or better put via his own words: “Why is a movie that puts mind-bending architecture so squarely at the center of its story so architecturally underwhelming?” He adds other questions, like why the locations are so Hollywood hackneyed throughout the film. If you read one Inception review today, make sure it’s this one. Hawthorne manages to channel his inner Anthony Lane and come up with a stellar, very funny piece. Here’s one of our favorites:

If an architecture student at UCLA or Sci-Arc stepped before a thesis review panel at the end of the school year, announced that his primary goal was to invent “new places” and then unveiled that Bunker Hill fantasia, he’d be roundly called out for wallowing in a peculiar, druggy kind of midcentury nostalgia and sent back to the drawing board. Sorry, to the computer.

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Suitcase Stickers

Questi stickers sono grandiosi ma non so se me la rischierei con Ryanair!!!
[Via]

Suitcase Stickers

Clae Ellington

Da Bows & Arrows potete ordinare queste Clae modello Ellington.
[Via]

Clae Ellington

Alize and Diablo Bicycles

BMW’s design group teams up with windsurfing experts NeilPryde on a set of new high-performance bikes

AlizeDetailRed.jpg

AlizeDetail-black.jpg

The joint effort of BMW’s DesignworksUSA and windsurfing industry leaders NeilPryde, these two new bikes marry computer-designed aerodynamics and carbon composite materials for a set of high-performance road bikes.

4Alize-Dura-Ace---red_sm.jpg

Designing the tube of the Alize using a Computational Fluid Dynamic modeling system, each element of the bike—frame, forks, wheels and components—has a profile tweaked to optimize airflow. The lower third of the down tube features an extended Kamm tail (an abruptly truncated rear) with a more efficient transition into the seat tube that tricks air into flowing better.

3Diablo-Dura-Ace---black.jpg

The Diablo’s innovation comes from strategically integrating carbon fiber into the front triangle, fork blades, chain and seat stats, forming a continuous exoskeleton through key transition points and making for a frame with superior strength.

Distributed online and through select dealers, the bikes start at $2,250 for the frame, topping out at $5,500 for a complete bike with Shimano Dura Ace equipment.


Suck! Clothing

Preview della nuova collezione Fall 2010 by Suck! Clothing.
Grazie ad Henry per la segnalazione!

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