UncommonGoods Looks for Inventors and Designers

pimg alt=”uncommongoods_comp.jpg” src=”http://www.core77.com/blog/images/uncommongoods_comp.jpg” width=”468″ height=”595″ class=”mt-image-none” style=”” //p

pa href=”http://www.uncommongoods.com/yougoods/”UncommonGoods/a, in honor of National Inventors Month, is looking for the next “Uncommon Inventor or Designer.” Here’s the pitch:/p

pBlockquoteThe third of our YouGoods product design challenges, this contest is looking for a product with a spark of inventive genius, a flash of innovation and something that makes us say, “Aha! Why didn’t we think of that?” Oh, and did we mention there’s a $1,500 prize and a chance to showcase your design at World Maker Faire in NYC?/p

pGuidelines for submitting an entry: br /
Must have a clear idea of the end product. Entrant may provide photos, design specs or videos to share a full concept of their idea. /p

pTell a good story. Judges want to know: How did you choose materials? What design options did you consider before you developed your final submission? What did you learn in the process of designing your product? Who is this product for and why? What need or problem does it address? /p

pJudges will give more points to products that are unique, eco-friendly, and economical to produce. Judges may give more points to designs that have taken production and manufacturing into account./p

pThe winning design will be picked by a team of judges along with the help and input of our online community. UncommonGoods Facebook fans will have the opportunity to vote for their favorite designs, so make sure you join us on a href=”http://www.facebook.com/uniquegifts”Facebook!/a Download the entry form at a href=”http://www.uncommongoods.com/yougoods”www.uncommongoods.com/yougoods/a, and send us your product idea before August 23./blockquote/p

pGood luck inventors! (and designers:)/pa href=”http://www.core77.com/blog/events/uncommongoods_looks_for_inventors_and_designers_17156.asp”(more…)/a
pa href=”http://feedads.g.doubleclick.net/~a/AKOIiJQZBnaN2tGrU7EWsm7V4UM/0/da”img src=”http://feedads.g.doubleclick.net/~a/AKOIiJQZBnaN2tGrU7EWsm7V4UM/0/di” border=”0″ ismap=”true”/img/abr/
a href=”http://feedads.g.doubleclick.net/~a/AKOIiJQZBnaN2tGrU7EWsm7V4UM/1/da”img src=”http://feedads.g.doubleclick.net/~a/AKOIiJQZBnaN2tGrU7EWsm7V4UM/1/di” border=”0″ ismap=”true”/img/a/p

Carl Malmsten made me do it by David Ericsson

Carl Malmsten made me do it

Swedish designer David Ericsson has created a furniture range made from leather, wood and linen for his thesis project at the Carl Malmsten Workshop in Sweden.

Carl Malmsten made me do it

Carl Malmsten Made Me Do consists of four lamps, three chairs, a wall cabinet and a desk.

Carl Malmsten made me do it

The project is named after Carl Malmstrem, a Swedish furniture and interior designer who set up the Carl Malmsten Workshop in 1930, which later became a department at the Linköpings University.

Carl Malmsten made me do it

All photos are by David Ericsson.

Carl Malmsten made me do it

Here’s some more from the designer:


The Project: Carl Malmsten made me do it.

Carl Malmsten made me do it

The aim with this work is to try to create processes and products deriving from humanist values.

Carl Malmsten made me do it

I have developed a humanistic design manifesto that I relate to in my work and based on it, I make wise choices.

Carl Malmsten made me do it

In order to verify the work process, I have tried to answer to various philosophical choices, choice of materials, choice of cultural values and choices in life that I have as a human being.

Carl Malmsten made me do it

I have choosen material that the consumer can put in his compost after end of life.

Carl Malmsten made me do it

Carl Malmsten made me do it

Carl Malmsten made me do it

Carl Malmsten made me do it

Carl Malmsten made me do it


See also:

.

Furniture by Simon Hasan
for Vauxhall Collective
Leather furniture
by Tortie Hoare
More
furniture stories

Objects and Projects

Alessi’s exhibit looks to the future of design by taking hints from the past

When Munich’s Die Neue Sammlung museum asked Alessi to plot the future of design, the Italian design lab, along with curator Alessandro Mendini, realized that their future lies in the simplicity of the past. The resulting exhibit, “Objects and Projects – Alessi: History and Future of an Italian Design Factory” explores the concept with a collection of their iconic greatest hits, a look at their present-day successes, and a forward-thinking series of 12 prototypes and reissues (nine of which are already slated to go into production).

ales3.jpg ales4.jpg

Below we highlight a few of our favorite of the products—both those that channel their meticulous design roots and re-conceived classics from the ’30s and ’60s.

ales2.jpg

A Tempo

Taking a graphical look at wire, Pauline Deltour’s “A Tempo” range includes two fruit bowls, a dish rack and a trash bin that express “a breath of fresh hope and newness.” The contemporary collection heralds Alessi’s beginning with its packing—a simple sheet of paper wrapped around each object.

ales6.jpg

Memories From The Future

A re-release of classic Alessi models, the “Memories From The Future” range represents a time (roughly 1920s-40s) that founder Carlo Alessi called “pre-design.” As he further explains, these products differ from contemporary design projects because they were “heavily influenced by almost obsessive attention to function, proper manufacturing methods and production costs.” Designed by Alessi and the Ufficio Tecnico Alessi, the products span tea pots to liquor flasks.

ales1.jpg

Miriorama

Meaning “endless visions,” the Gruppo T-designed Miriorama collection uses kinetic objects for a beautiful combinion of art and design. The works, a “state of thought” rather than just physical objects, were originally produced in editions of only ten pieces in 1960. Alessi is re-releasing the series, but in a limited edition of 99 pieces.

The show” runs through 19 September 2010.


Ask Unclutterer: Trash or treasure old stuffed animals?

Reader Kay submitted the following to Ask Unclutterer:

I’m trying to figure out what to do about all my old plush toys stored in *mumble mumble* cardboard boxes in the *mumble mumble* basement. I know the Unclutterer idea of taking pictures of sentimental objects before taking the next step; what I don’t know is what the next step should *be*. I doubt that Goodwill wants them; I don’t want to pass them on to young relatives — I’m not convinced they’re still healthy. Is there another option I’m overlooking?

You can have them steam cleaned, which will kill viruses, mold, dust mites, and other creepy crawlies. If you know someone who works in a hotel, the enormous steamers they have there will definitely do the trick. Otherwise, check with your local dry cleaners, who may have one in their facilities. They’re giant machines, a lot like dryers, that blast the contents with heated steam while tumbling things around to make sure all surfaces are affected.

Once this is done, you could pass them along to your young relatives without worry.

However, if these are elderly stuffed animals, they may not survive the cleaning process. For the more delicate ones, the trash may be your best option.

Actually, unless your young relatives are clamoring to take the stuffed animals off your hands, I suggest throwing all of them in the trash. Even though you once loved them, there is no guarantee your nieces and nephews will enjoy playing with a worn-out toy. So instead of dealing with your clutter, you’ll just be passing the responsibility of getting rid of it along to someone else.

Peter Walsh, in his book It’s All Too Much, makes a point about donating worn-out clothing to charity that applies equally to your stuffed-animal situation:

Goodwill receives a billion pounds of clothing every year. Ultimately, they use less than half of the clothes they get. Clothing is cheap, and the cost of sorting, cleaning, storing, and transporting the clothes is higher than their value. If you wouldn’t give an article to a family member, it’s probably not good enough for charity. Sure, it’s great to get the tax deduction and it makes you feel like you didn’t waste money buying the clothes, but if you’re truly charitable, be sensitive to the needs of the organization. Charities aren’t dumping grounds for your trash.

If throwing them in the trash brings you to tears, contact a local professional puppet group. Maybe they could reuse the pelts? However, I think this is one of those situations where these items belong in the trash.

Thank you, Kay, for submitting your question for our Ask Unclutterer column.

Do you have a question relating to organizing, cleaning, home and office projects, productivity, or any problems you think the Unclutterer team could help you solve? To submit your questions to Ask Unclutterer, go to our contact page and type your question in the content field. Please list the subject of your e-mail as “Ask Unclutterer.” If you feel comfortable sharing images of the spaces that trouble you, let us know about them. The more information we have about your specific issue, the better.

Like this site? Buy Erin Rooney Doland’s Unclutter Your Life in One Week from Amazon.com today.


The Printed Blog Plans for a Second Coming

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Remember The Printed Blog? It was all the talk all over the place at the start of last year. A newspaper that was composed of blog posts and online photography, assembled into a weekly free paper. Only launched in a few select cities, we saw a couple of issues and were impressed. Although very well designed and fun to read, it never quit seemed to catch on, and by July of 2009, it had folded. But now it looks like they’re preparing to try again. The good folks at our sister blog, Fishbowl LA, best jobs in media.

In case of Fire

Sean J Sprague

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There’s a really nice quality to his shots, have a look after the jump.

Sean’s a Toronto native and OCAD grad. Plenty more to see on his site, I particularly like this next one…

Must Have Now: Dolce Vita for Target

imageCalling all rockers! Looking for a little leather in your life? Well, you’re in luck. Target has just collaborated with shoe design label Dolce Vita to bring fashionistas everywhere leather shoes for affordable prices. It’s hit or miss sometimes with these Target collaborations, but if you’re in the market for a pair of killer leather shoes and don’t want to spend a fortune, then listen up! For $34.99 you can grab a pair of sexy lace-up boots and still have money left over! If you’re not feeling the boots, then you’ll love the studded oxfords. How often do you see such a great blend of femininity with a touch of boyish charm! Fashion isn’t always about spending heaps of money to look your best… sometimes great deals come along and you just have to grab at them. Get down to Target and check these shoes out before they’re gone!

Heroes at Křehký Gallery

Heroes at Krehky Gallery opens in Prague

New exhibition space Křehký Gallery has opened inside a former ham factory in Prague.

Heroes at Krehky Gallery opens in Prague

The inaugural show, entitled Heroes, focusses on personal quests and includes work by Ron Arad, Tomás Alonso, Doshi Levien and Jamie Hayon.

Heroes at Krehky Gallery opens in Prague

Curated by Jana Zielinski and Jiří Macek, the exhibition was designed by Czech designer Maxim Velčovský.

Heroes at Krehky Gallery opens in Prague

Watch our movie about Křehký founders Jana Zielinski and Jiří Macek »

Heroes at Krehky Gallery opens in Prague

The exhibition continues until 24 September.

The following information is from Křehký Gallery:


Heroes

The first exhibition that opens the gallery is Heroes. It is about things that have the power to turn us into heroes exactly as we wish.

Gardeners search for natural harmony with the world; collectors guard the memory; old stories push things forward; preachers present ideals and final definitions; poets roam the universe so that we learn to dream as well; hunters follow their instincts; explorers quest and find new dimensions to our existence; bandits question its essence in the same way as the essence of definitions is found. Gardeners, collectors, preachers, poets, hunters, explorers, and bandits – heroes who we bear inside in order to become real.

Heroes at Krehky Gallery opens in Prague

The original Křehký installation and emblem was designed by Maxim Velčovský.

“Karl Marx may have had it exactly backwards. He argued that classes are defined by their means of production, but it could be true that in the information age at least, classes are defined by their means of consumption. We become the curators of our own property.”
-David Brooks

Heroes exhibition
July 14 – September 24, 2010
Wed – Fri 14.00 – 18.00

Heroes at Krehky Gallery opens in Prague

Concept and selection of objects: Jana Zielinski, Jiří Macek
Exhibition architecture: Maxim Velčovský
Graphic design: Martina Černá / Imagery

Designers represented at the Heroes exhibition: Ron Arad, Tomás Alonso, Doshi and Levien, Alfredo Häberli, Jamie Hayon, Finn Juhl, Kompott – Kristyan Kowalski, Tomáš Král, Enzo Mari, Olgoj Chorchoj, Jiří Pelcl, Raw Edges, Patrick Rampelotto, Mann Sigh, Bořek Šípek, Klára Šumová, Maxim Velčovský, Marcel Wanders.

Heroes at Krehky Gallery opens in Prague

About the gallery:

A new gallery opens in Prague Holešovice tomorrow. The Křehký Gallery presents a very personal view of contemporary design, the home, and the world of objects by means of exhibitions and its own collection of objects. The curatorial selection by Jana Zielinski and Jiří Macek includes primarily limited editions, designer originals, experimental projects, prototypes, and lot-produced objects in an exclusive representation that brings originality, character, and uniqueness into our environment. Thus, the Křehký limited edition gives Czech and foreign designers an opportunity and a free hand to implement their projects, which express the perception of the world of objects by the designers themselves thanks to an unrestricted creative process and implementation. This process, on the other hand, signifies a huge experience for the individual manufacturers, who in most cases must cope with the demands of high quality and technology that are not applied in standard production.

Heroes at Krehky Gallery opens in Prague

The gallery was established on the basis of the successful Křehký exhibition project from 2007, which presented the most powerful moments from the field of contemporary Czech glass and porcelain design in a very emotional selection. The exhibition and the first designer pieces from the Křehký collection were originally presented as part of a Designblok ’07 event in the form of an imaginary spherical landscape (designed by Maxim Velčovský). The Křehký Collection won the Editors Award at the ICFF trade fair in New York; the Křehký by Designblok Prague was nominated for the Grand Prix at 100% Design Tokyo. Later, the Křehký collection represented the Czech Republic at many different locations all over the world.

Heroes at Krehky Gallery opens in Prague

The gallery occupies 250 m2 in the M-factory building of the former Prague ham factory at Osadní 35. The sensitive revitalization of the annex was designed by Olgoj Chorchoj.

Designers of Křehký limited editions: Nastassia Alejnikava, Alfredo Häberli, Olgoj Chorchoj, Jiří Pelcl, Bořek Šípek, Klára Šumová, Maxim Velčovský

Brands represented: Artek / Finland (furniture, lights); Driade / Italy (interior accessories); Moooi / Holland (interior accessories); One Collection / Denmark (furniture)


See also:

.

Křehký
movie
Maxim Velčovský
for Lobmeyr
Maxim Velčovský
for Mint

On liking

Why do we like the things we like? How do our social, cultural and aesthetic values combine to prompt us to declare ‘I like that?’

There are all kinds of factors that contribute to our liking of anything – whether it be a piece of music, art, a photograph, a film or a piece of graphic design. The culture we grew up in. The things our parents liked. Our level of education. Our class. Whether or not we are snobs. Our strength of character even – do you have the confidence to declare your liking of something that everyone else has derided? Even our honesty – how many of us pretend to ‘like’ something just because it is currently cool, or because it will make us seem more intelligent so to do?

Comment streams are interesting in this respect. One strong voice can carry the argument off in a particular direction which will be supported by subsequent comments until the next strong voice chimes in and the flow switches their way.

From Construct’s new identity for Claridge’s – most CR readers ‘liked’ it, but why? Because it is appropriate and well-crafted or because its relative conservatism make it easy to like?

The process of creating a piece of communication in the commercial world is rooted more than ever before in research and strategy – it’s how fees are justified and nervous clients reassured. The bigger and more expensive the project, the heavier the reliance on quantifiable factors. ‘Liking’ the result of this process should be secondary – the real question is whether it does the job for which it was commissioned, surely.

Well, that’s the theory, at least. But we still need to ‘like’ something in order to engage with it truly. The way that the majority of readers of the Creative Review website – who are, by and large, professionals in the communications industry – respond to work is still very much on a superficial level that is driven by aesthetics and personal taste. Whether or not the piece in question may have achieved what its commissioners wanted is usually secondary to whether the commenter in question ‘likes’ the overall effect – the typeface or colours used, say.

I had a conversation recently with an eminent designer who expressed his frustration to me over a recent project to create a visual identity for a large organisation. He’d arrived at a solution by rigorously adhering to the accepted routes – research, strategy and so on – but had a hit a road block. An executive on the committee who had commissioned the project was proving unmoveable in his opposition to the designer’s solution. The designer could talk all he liked about the logical process that had brought him to propose this particular solution but the executive simply didn’t ‘like’ it. Something in it was firing off negative connotations and he just couldn’t help having a bad reaction to it. The work may have been ‘right’ for the organisation, but it wasn’t right for him and he wouldn’t accept it.

Johnson Banks’ identity for the Science Museum had a much more mixed reaction – but why?

No matter how much design or advertising would like to portray itself as reliant on logical processes rooted in strategic thinking – as all serious and grown up – it still has this emotional side. For clients, this can be the maddening, scary bit. It’s where months of work can be torpedoed when the chief exec has an allergic reaction to your triumphant presentation of the organisation’s bold new identity. You’ve answered all their questions, you’ve fulfilled everything asked of you, but a simple ‘yuck’ and it’s all over.

Which leaves me wondering, dear readers, what do you do about this? How do you maximise your chances of a piece of work being liked? Or do you just take a deep breath and hope? And how do you cope when you’ve done everything asked of you and the client just doesn’t ‘like’ it?