Dezeentalks at [D3] Design Talents: Benjamin Hubert
Posted in: UncategorizedDezeenTV: young British designer Benjamin Hubert is next in our series of Dezeentalks at [D3] Design Talents, speaking about working with eccentric craftsmen, the functional beauty of everyday objects and the happy accident that kick-started his career.
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More information about the talks here. Keep an eye out for more Dezeentalks at [D3] Design Talents interviews over the coming weeks…
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Dezeentalks at [D3] Design Talents: Marco Dessi | Dezeentalks at D[3] Design Talents: Gabrielle Ammann | Dezeentalks at D[3] Design Talents: GamFratesi |
Architecture-inspired business cards by Vistaprint.com
Posted in: UncategorizedDezeen promotion: business stationary brand Vistaprint have introduced a range of customisable business cards inspired by architecture and design.
The collection of over 100 new designs is inspired by trends in design, fabrication details and architectural structures.
Here are some more details from Vistaprint:
Architecture-inspired business cards by Vistaprint.com
Vistaprint.com has introduced a new collection of over 100 business cards inspired by trends in modern architecture and design. The designers decided to create the fully-customizable documents as a counterpoint to our successful antique-inspired business cards.
The creative team found inspiration from a range of design blogs (including Dezeen), trend reports, and their surroundings in Barcelona, where the office is located. The Shanghai Expo was opening as they began work on the business identity sets, so it served as a particularly inspiring source.
The team riffed on fabrication techniques such as laser-cutting and etching in their designs. In addition, rigorous structural elements came into play.
Vistaprint typically creates industry-specific designs for small business owners, but these business cards were aimed at providing a broadly applicable stylistic offering that could appeal to an aesthetically exacting range of customers: architects, engineers, programmers, DJ’s, consultants, and high-end craftsmen, among others.
In the last six months, Vistaprint.com has established a full strategy and design team in their Barcelona-based office to address the needs of markets in Europe. Their efforts have resulted in over 500 business identity designs targeting European trends, including the ones seen above. To see more designs, check out vistaprint.com
About Vistaprint:
Vistaprint N.V. offers a multitude of products and services micro businesses need to effectively market to and increase a customer base on a limited budget. Products include printed options such as postcards, rubber stamps, and business cards; promotional apparel like hats and custom T-shirts; and marketing services such as websites and email marketing.
Vistaprint N.V. empowers more than 9 million micro businesses and consumers annually with affordable, professional options to make an impression. With a unique business model supported by proprietary technologies, high-volume production facilities, and direct marketing expertise, Vistaprint offers a wide variety of products and services that micro businesses can use to expand their business. A global company, Vistaprint employs approximately 2,200 people, operates 22 localized websites globally and ships to more than 120 countries around the world.
Vistaprint’s broad range of products and services are easy to access online, 24 hours a day at www.vistaprint.co.uk
AIAs Architecture Billings Index Moves Up
Posted in: UncategorizedAnother month and another Architecture Billings Index release from the American Institute of Architects. Following the surprising nose dive two months ago, then an ever-so-slight bump up last month, this latest reports offers both the good and bad. On the positive, the overall Index score jumped up nearly 2 points, from 46 to 47.9 (anything above 50 indicates growth). On the negative, the new projects inquiry index was hit with a steep decline, dropping from 57.7 to 53.1. The site Finance & Commerce thinks this drop might be because people are doing more comparison shopping before hiring an architect or a firm. Overall, still nothing to indicate that the business of building is out of the recession just yet, which everyone’s favorite architecture economist reiterates for the hundredth time:
“Business conditions at design firms remain quite volatile,” said AIA Chief Economist Kermit Baker, PhD, Hon. AIA. “While this recent uptick is encouraging, this state of the industry is likely to persist for a while as we continue to receive a mixed bag of feedback on the condition of the design market from improving to flat to being paralyzed by uncertainty.”
New Career Opportunities Daily: The best jobs in media.
The Public Hi-Fi Balloon
Posted in: UncategorizedCollaged fake album covers by Guided By Voices frontman Robert Pollard
by Noah Armstrong
Before Robert Pollard formed the seminal lo-fi band Guided by Voices, he was a high school student making imaginary album covers for imaginary bands. The collage style of these mock album covers would eventually manifest itself in much of the album art for Guided by Voices, and a multitude of his solo and side projects.
Pollard regularly visits flea markets and antique shops looking for magazines, posters and text books—anything old that can be taken apart and re-assembled in two-dimensions. His collages combine type and imagery in a way that seem to recall a bygone era that never actually existed. The resulting aesthetic lies somewhere between British Invasion poster art, B movies and the pictures one might find in a decades old photo album. Eschewing digital mediums, each piece is made entirely of glue and paper.
Pollard’s collages and songwriting share many similarities. Both seem shrouded in an esoteric surrealism, lean heavily on accessible pop aesthetics and are delivered with a sense of honesty and rudimentary production. “They both have to do with re-assembling familiar imagery to create interesting landscapes,” he says. “One with sight, the other with sound.”
“The Public Hi-Fi Balloon“—an exhibit of Pollard’s recent collages—will show at the 45 Space in New York at the end of this month. Set up to look like a fake record store, it will be comprised of imagined LP and seven-inch covers as well as a rack of fake magazine covers. Mr. Pollard will be present for the 27 August 2010 opening and the show runs until 28 August 2010.
Simplifying packed lunches
Posted in: UncategorizedReader Jon wrote to us asking if we had any tips for preparing lunches at home that he can take to eat at work. He has been spending $100 a week on eating out at restaurants, and is hoping to become someone who brings his lunches to work. Since students are already back in the classroom in many states, and other students are getting ready to go, I thought now would be a great time to discuss the humble brown bag lunch.
Storage Materials:
You don’t need anything fancy, but I recommend items that are at least reusable (especially if you want to save money). You can use Lunch Skins for dry items, Rubbermaid’s plastic Easy-Find Lid containers (they’re BPA free) for foods that could spill or leak, New Wave’s Stainless Steel food containers, or Kinetic’s Glass Lock containers. You might want a thermos to hold a drink, and you’ll want a tote or box to contain it all. I’m a huge fan of bento jars and boxes, and if I carried my lunch to work, I would strongly consider getting the Zojirushi Bento Lunch Jar (the inserts are also BPA free):
Food and Preparation:
Taking your lunch to work or school doesn’t mean you have to eat peanut butter and jelly every day. The best tip I have about making lunches is to prepare them while you’re making dinner the previous night. For example, if you’re grilling hamburgers for dinner, pull aside half a cup of hamburger to cook and season for taco meat. A couple tortillas, cheese, and the meat make a great entree the next day at lunch that keeps your attention and isn’t exactly what you had for dinner.
Making both dinner and lunch increases your time in the kitchen a little, but the money you save is definitely worth it. Plus, you only have to clean the kitchen once, and you’re more likely to pack healthier lunches than you would buy if you ate out at a restaurant. If you’re making lunches for kids, enlist them to help you pack up their meals.
I wish I knew of a great cookbook to recommend for lunch ideas, but I’m completely clueless in this area. Hopefully there will be some recommendations in the comments for ways to find even more exciting meal ideas. Also, if you’re someone who brings his lunch to work every day or makes lunches for your children, add helpful tips you’ve picked up along the way to the comments. Good luck to Jon and to all parents embarking on a school-year full of lunch making.
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Wine Bar by Aurélien Barbry for Normann Copenhagen
Posted in: UncategorizedDesigner Aurélien Barbry of Denmark has created a collection of cork stoppers for design brand Normann Copenhagen.
Called Wine & Bar, the set features stoppers in three shapes plus a cork with pouring spout.
Here’s some more information from Normann Copenhagen:
Normann Copenhagen presents a series of Wine & Bar accessories in a natural design
Warmth, proximity and humour are the essential features behind Wine & Bar, designed by Aurélien Barbry. Wine & Bar is a complete set of useful wine-related products in an attractive and friendly cork design. The expression is organic, the function clear.
First launch comprises three different wine stoppers and a combined stopper and pourer.
The source of inspiration was traditional wine production, in which cork was used to seal the bottle. Today, other materials are also used. Aurélien Barbry has created an original series of Wine & Bar, which ironically enough are made from cork. Each product has an individual expression. One of the stoppers, for example, takes its shape from a wine glass. At the same time, the different parts create a complete whole.
Aurélien Barbry explains: ” My designs are based on objects in daily use. I redefine their use, and find new shapes and expressions to give new life to the object. Often, when you just drink one glass of wine a day, you lack a decorative, yet functional, stopper for the wine bottle.
I think that it is interesting to use cork, which is an honest material, traditionally used as to seal bottles, for a series of Wine & Bar. For me, cork radiates a warmth and gives the series its natural look. Wine & Bar celebrates both the daily meal table and dinner parties”.
Wine & Bar ensures that the wine bottle is suitably sealed and can be reused repeatedly.
See also:
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Cru by Sebastian Bergne | Nomu by Lee West for Eno | Plug by Tomas Kral |
A music video controlled by the weather
Posted in: UncategorizedThe latest interactive project from Sony Music’s Phil Clandillon and Steve Milbourne is an interactive music video that reacts live to the weather
Clandillon and Milbourne are the innovative duo responsible for AC/DC’s ASCII art Excel music video as well as Editors’ hack of Google Street View (which we covered here) and the Kasabian/Umbro live Guitar Hero video.
Their latest project is for young singer/songwriter Lissie’s single Cuckoo. It’s an interactive music video which runs on her site and is ‘controlled’ by live weather data. The singer and her band were shot against five different types of weather.
The viewer zooms in on a city or area of his/her choice and the backdrop changes according to the current local weather. If you move to a new location, the song continues but a ‘TV weatherman type’ provides a new forecast before the video changes to reflect the new location.
“You can click any location in the world and the app will grab the nearest live weather report,” Clandillon explains. “There are thousands of places in the database and the weather for them is updated every hour. If a person clicks on a location we don’t have weather for, we attempt to add it to the database if a weather report is available.”
Why the weatherman? “The audio track is separate to the videos and we use the weatherman transition to give us time to sync up the two video streams and switch between them while keeping Lissie in sync.”
Placement team Luke Wicker and Wilf Eddings worked on the project while interning for Sony Music, with Clandillon and Milbourne directing.
Credits
Creative Directors / Directors: Phil Clandillon and Steve Milbourne
Creatives: Luke Wicker and Wilf Eddings
Producer: Simon Poon Tip
Director of Photography: Dominic Bartels
Art Director: Ed Butcher
Editor: Ryan Boucher
Developers: Half Cyborg