Baseball cap carriers. There is now officially a bag for everything

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pRegular watchers of IEntourage/I may remember the episode beginning with the birthday of Turtle, the Imelda Marcos of sneakers, which gave viewers a glimpse of his insane shoe closet and wall-length hat racks. Question is, how does a guy like that travel? The kicks I don’t know about, but a company called New Era makes these amusing A HREF=”http://www.neweracap.com/nshop/product.php?view=detailproductid=NE-CAPCARR2startColor=blackhatGroup=viewallgroupName=CapCarrierssearchBy=groupresetDropDown=hatFit” Cap Carriers/A, which come in two-, six-, and 24-capacity sizes. A combination of nylon and neoprene formed into crush-proof shapes keeps your lids from getting flattened like Turtle’s ego.br /
/pa href=”http://www.core77.com/blog/object_culture/baseball_cap_carriers_there_is_now_officially_a_bag_for_everything_17241.asp”(more…)/a
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Chane chair

presented designbased on a principle of chane, as a structure, so you can have different configurations, as a chair, chairlounge, …

Lady Gaga Continues Her Quest for an All Gaga Exhibit in the Louvre

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If large groups of people were furious when Jeff Koons got his work into Versailles, we can’t imagine how upset they’d be if musician Lady Gaga wound up at the Louvre. We might find out if she’s able to carry out her intentions. The internet is a bit abuzz this week as the singer told the British magazine Q that her ultimate goal was to have an exhibit about herself in the world’s most popular museum. Beyond the absurd costumes she regularly performs and appears in, she claims that she deserves a spot in the Louvre for her being “like walking art.” Though this quote has bubbled up this week, it isn’t the first time Gaga has shared these ambitions. Back in April of last year, she told another British magazine, Heat, “I want to have an exhibition at the Louvre with all my fashions and technology…But not as a Madonna-through-the-years-type fashion exhibit. I would want it to be like art pieces with explanations and inspirational references in modern block.” So like it or not, you at least have to give her a nod for sticking to her goals.

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Slightly Windy by José Ferrufino

Slightly Windy by José Ferrufino

This music box designed by ÉCAL University of Art and Design Lausanne graduate José Ferrufino uses the movement of the musical mechanism to cause sticks of barley to gently sway.

Slightly Windy by José Ferrufino

The box has a brass mechanism, peach tree wood resonance case and real barley painted gold and attached to brass rods.

Slightly Windy by José Ferrufino

A custom made cylinder plays the song Son of a Preacher Man by Dusty Springfield.

Slightly Windy by José Ferrufino

The project was a collaboration between ÉCAL University, the Campana Brothers and music box manufacturer Reuge.

Here’s more from Ferrufino:


Slightly Windy / Reuge (music box makers)

This was a project done at ÉCAL for Reuge in collaboration with the Campana brothers. Reuge is a music box manufacturer company since 1865. They possess an incomparable knowledge and craftsmanship in music box making.

Before visiting the Reuge manufactury, I had never seen nor heard an authentic 144 blade music box. I was moved by the beauty and the finesse of the mechanism creating the movement and the melody. It takes us to a world of lightness and gentleness.

There had to be a way to transpose and intensify this emotion into the new music box.

This is how the music box works:

The motor gives movement to the cylinder. The pins on the cylinder hit the blades of the keyboard. The pins are placed accordingly to the music chosen in order to play the right notes. It is this action that creates the melody.

The music box Slightly Windy uses this movement to animate the barley. It translates the lightness of nature being lulled by wind and music.

Since the power generated by the motor is just enough to create the rotation of the cylinder; one of the challenges of this project was to enable the barley to move without creating a resistance that could slow or stop the motor.

The mechanism parts are made of brass. It has a gold look-a-like effect and good machining properties. The resonance case is made out of peach tree wood known for its musical properties. It is used for musical instruments because of its resonance. Real barley painted in gold is used at the tip of the brass tubes.

The track (Son of a preacher man by Dusty Springfield) played by the box was custom made.


See also:

.

Corn Craft by Gallery FUMI
and Studio Toogood
Autarky by Studio
Formafantasma
Baked by
Formafantasma

The works of Jay Brett, Hollywood ID’er

pimg alt=”0jaybrett1.jpg” src=”http://s3files.core77.com/blog/images/0jaybrett1.jpg” width=”468″ height=”715″ class=”mt-image-none” style=”” //p

pRISD-educated A HREF=”http://www.coroflot.com/public/individual_profile.asp?individual_id=123654″ Jay Brett’s/A got a pretty kick-ass job: Industrial designer for Hollywood, building prototypes for superheroes. /p

pBrett recently worked on the prototype build of a jet (in two versions, crashed and un-crashed) for the forthcoming IGreen Lantern/I movie, and it’s presumably the plane that the titular hero crashes during his Hal Jordan test-pilot days. While no shots of the IGreen Lantern/I plane are publicly releasable yet, for obvious reasons, one project you can see is Brett’s prototype of the Tron Light Cycle. While some of you may have spotted it at Comic-Con, Brett’s got shop shots of the thing posted A HREF=”http://www.coroflot.com/public/individual_set.asp?individual_id=123654set_id=517269″ here/A. And you can also check out A HREF=”http://www.coroflot.com/public/individual_work.asp?individual_id=123654″ Brett’s full book on Coroflot/A.br /
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UX Week 2010: First Impressions

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pemGuest post by Russell Maschmeyer./em/p

pAdaptive Path’s a href=”http://www.uxweek.com/”UX Week 2010/a kicked off Tuesday at the Mission Bay Conference Center in San Francisco, and it couldn’t have been a better day for it; the first beautifully hot, summery weather I’ve seen since I landed at SFO earlier this summer. This year’s UX Week promises an interesting line-up of game designers to meta-thinkers, each steeped in the study of people and behavior. You may consider UX folks nerds, but give us credit for being some of the most socially adept nerds you’ll ever meet./pa href=”http://www.core77.com/blog/events/ux_week_2010_first_impressions_17239.asp”(more…)/a
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Apple preparing to take huge production method leap forward with “the most advanced manufacturing machine on the planet”

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pApple’s “A HREF=”http://www.engadget.com/2010/08/25/apple-to-hold-special-event-september-1st-well-be-there-li/” special event/A” scheduled for next week (and probably heralding the arrival of a new iPod Touch) is intended to excite consumers, but it is yesterday’s Apple news that’s sure to capture the imagination of industrial designers./p

pAs A HREF=”http://www.cultofmac.com/worlds-most-advanced-machinery-was-reason-for-apples-liquidmetal-deal-expert-says/55322#more-55322″ reported by Cult of Mac/A, Apple has or will soon have “the most advanced manufacturing machine on the planet,” a prototype injection molding machine designed to accommodate Liquidmetal, the new material recently licensed by Apple. (The photo above is a “similar” machine made by the same company, Switzerland’s Buhler Group.)/pa href=”http://www.core77.com/blog/materials/apple_preparing_to_take_huge_production_method_leap_forward_with_the_most_advanced_manufacturing_machine_on_the_planet_17238.asp”(more…)/a
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Trial Date Set for Associated Press vs Shepard Fairey Case

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Now that one part of the Shepard Fairey vs. the Associated Press ordeal is over, with photographer Mannie Garcia withdrawing his suit against the AP, it’s time to get back to the main event. A trial has finally been set, beginning March 21st in New York and expected to take three weeks. While still facing possible criminal charges for falsifying information and erasing evidence, this trial will concentrate solely on the AP’s allegations that Fairey used a photograph, taken by Garcia, that the AP holds the copyright to and was not credited or paid by the artist for its reuse in his now-iconic Barack Obama poster. Neither Fairey or his lawyers have said much about how they intend to fight the suit, though one of his attorneys gave a quick peek, according to the AP’s report on their appearance in court this week as the trial dates were arranged:

One of Fairey’s lawyers, Geoffrey Stewart, told the judge that Fairey will show at trial how he made the Obama image, calling it a work of art based on one photograph.

“This isn’t like some copyright case that involves hundreds of this and hundreds of that,” he said. “It’s really quite simple.”

New Career Opportunities Daily: The best jobs in media.

James Leal Centre by Sarah Wigglesworth Architects

James Leal Centre by Sarah Wigglesworth Architects

This visitor centre in Redbridge, England, by UK firm Sarah Wigglesworth Architects features a zig-zag roof with oversailing wooden trusses.

James Leal Centre by Sarah Wigglesworth Architects

Situated in the heart of Ray Park, The James Leal Centre becomes a gateway to the Roding Valley and contains leisure and education facilities.

James Leal Centre by Sarah Wigglesworth Architects

The north-facing sides of the roof have a shallow pitch and are covered in solar thermal collectors, while the south-facing sides are steeper and admit indirect natural light.

James Leal Centre by Sarah Wigglesworth Architects

A translucent canopy covers a forecourt to the west, which can also be used as an outdoor gallery.

James Leal Centre by Sarah Wigglesworth Architects

Photos are by Mark Hadden.

James Leal Centre by Sarah Wigglesworth Architects

Here’s a bit more from the architect:


Ray Park Visitor Centre, Redbridge, London
2006 – 2009, £1.2 million

Located on elevated ground on the site of the former 18thC Ray House, this new sustainable building acts as a gateway to the Roding Valley Corridor, providing recreation and leisure facilities.

James Leal Centre by Sarah Wigglesworth Architects

The flexible open plan space contains a café, exhibition, internet and toilet facilities, a teaching/training space and the Greenspace Team’s office.

James Leal Centre by Sarah Wigglesworth Architects

An external translucent canopy defines a large forecourt to the west that acts as a gathering zone and outdoor exhibition area with cycle and disabled parking facilities.

James Leal Centre by Sarah Wigglesworth Architects

The cafe extends south over a new terrace adjacent to raised planting beds which grow edible plants for use in the café.

James Leal Centre by Sarah Wigglesworth Architects

The brief for a sustainable building is reflected in the roof form. Multiple pitches support solar thermal collectors on shallow south faces while steeper north faces allow good roof light.

James Leal Centre by Sarah Wigglesworth Architects

The design includes passive earth tube cooling and a biomass boiler.

James Leal Centre by Sarah Wigglesworth Architects

James Leal Centre by Sarah Wigglesworth Arch

Click above for larger image

James Leal Centre by Sarah Wigglesworth Arch

Click above for larger image

James Leal Centre by Sarah Wigglesworth Arch

Click above for larger image

James Leal Centre by Sarah Wigglesworth Architects

Click above for larger image

James Leal Centre by Sarah Wigglesworth Architects

Click above for larger image

James Leal Centre by Sarah Wigglesworth Architects

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James Leal Centre by Sarah Wigglesworth Architects

Click above for larger image


See also:

.

Cremorne Riverside Centre by
Sarah Wigglesworth Architects
Bermondsey Bike Store by
Sarah Wigglesworth Architects
More
architecture stories

Why Great Ideas Can Fail

pDesigners are proud of their ability to innovate, to think outside the box, to develop creative, powerful ideas for their clients. Sometimes these ideas win design prizes. However, the rate at which these ideas achieve commercial success is low. Many of the ideas die within the companies, never becoming a product. Among those that become products, a good number never reach commercial success./p

pWhy would brilliant ideas fail in the marketplace? The reasons are complex. Part of the problem is that design consultancies are outsiders, hired by one division of the company, but not necessarily accepted by the other divisions. A product, however, requires the support of the entire company: design and development, engineering and marketing, sales and service, supply chain and distribution chain. Products enter into a complex eco-system, both within and outside of the company. Successful products have to navigate a complex path. The idea and initial design is only one piece of the story./pa href=”http://www.core77.com/blog/columns/why_great_ideas_can_fail_17235.asp”(more…)/a
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