Gangjin Children’s Centre by JYA-RCHITECTS

A playground slide is tucked into the rooftop folds of this children’s centre in a coastal South Korean village by Seoul studio JYA-RCHITECTS (+ slideshow).

Gangjin Children Centre by JYA-RCHITECTS

The Gangjin Children’s Centre in Maryang was designed as a replacement for another centre that was destroyed during a hurricane in 2012. With the help of national television and radio station SBS and charity organisation Childfund Korea, the town was able to raise enough money to construct a new building in under a year.

Gangjin Children Centre by JYA-RCHITECTS

JYA-RCHITECTS used sketches made by local children – most of which showed house-shaped buildings – to form the basis for the design. In response, the architects designed the two-storey centre with a zigzagging sequence of gabled roof profiles, then added a rooftop terrace and slide.

Gangjin Children Centre by JYA-RCHITECTS

“We wanted to find unexpected interesting spaces and scenes being created in the process of design development,” explained architect Youmin Won.

Gangjin Children Centre by JYA-RCHITECTS

On the ground floor are a series of multi-purpose activity spaces, which can be partitioned with white curtains. One room features wooden bleacher seating that helps to create a makeshift performance area, as well as a row of glazed doors that open out to a playground.

Gangjin Children Centre by JYA-RCHITECTS

A staircase climbs up beside the bleachers towards a study room on the first floor, while another set of stairs on the opposite side of the building leads up to a second study area beside the roof terrace.

Gangjin Children Centre by JYA-RCHITECTS

As the building looks out towards the harbour, the architect added a few references to the sea in the design. An assortment of blue cladding panels cover the facade, plus fish-shaped objects hang from the exposed wooden ceiling rafters.

Gangjin Children Centre by JYA-RCHITECTS

A slide also features in another children’s centre to complete in the last year: the Centro Infantil del Mercado in Spain. Other buildings containing slides include a house in Indonesia, an office in Japan and an airport in the Netherlands. See more slides on Dezeen.

Gangjin Children Centre by JYA-RCHITECTS

Photography is by Hwang Hyochel, apart from where otherwise indicated.

Gangjin Children Centre by JYA-RCHITECTS

Here’s a project description from JYA-RCHITECTS:


Gangjin (Sannaedeul) Children Centre

Sannaedeul Children’s Centre was the most precious place for children from low-income families in Maryang, a small seaside village located at the far southeast end of the Korean peninsula. It was the only playground, learning arena and shelter for the children. The centre acted as another home and community in which they shared and grew hopeful dreams with one another.

Gangjin Children Centre by JYA-RCHITECTS

However, the dreams seemed to have ended when a devastating hurricane hit the village last summer of 2012. The centre was totally destroyed and left with nothing. Only to find the rubble of the building, the children still came to the site everyday after school and played on the ruins of what once was another home of theirs.

Gangjin Children Centre by JYA-RCHITECTS

Above: photograph is by the architects

Fortunately, the news was heard by Korea’s major broadcast “SBS” and “Childfund Korea” who agreed to sponsor and launched the project of rebuilding the centre. Many other public and private companies also joined the project, giving a momentum to build the children’s dream again.

Gangjin Children Centre by JYA-RCHITECTS

Above: photograph is by the architects

The clue for design was found among the pictures of a new centre drawn by the children themselves. The strategy had to be clear. It was to create various and plentiful spaces by repeating and transforming a simple “house-shaped” space suggested in the children’s drawings. Necessary programs were to be embedded into that volume. Then, they had to be connected with and divided by one another by the needs as well.

Gangjin Children Centre by JYA-RCHITECTS

As a result, the centre could have a dynamic-shaped roof by the aforementioned repeated and transformed house shapes. The roof shape has created a plentiful inner space and diverse expressions of exterior at the same time. The overlapped roof has also brought up the image of the sea waves to the children of Maryang, the fishing village. To further stimulate children’s imagination, we also installed fish-shaped instruments and blue lightings under the ceiling, giving the image of swimming fish.

Gangjin Children Centre by JYA-RCHITECTS

The center was aimed to have bright and warm interiors by getting enough natural lighting of the seaside through wide windows. The multi-purpose hall of a ground floor was extended to open outdoor space. And the study room on the second floor was connected to a terrace with a slide on which the children can play, looking over the most beautiful seaside view of the world. We hoped that there is no border between inside and outside space as well as playing and studying for children in the centre.

Gangjin Children Centre by JYA-RCHITECTS

Above: site plan

Architects: JYA-RCHITECTS
Location: Gangjin, Jeonranamdo, South Korea
Year: Oct.2012 – Jan. 2013
Area: 223 m2
Structure: HM
Interior: SM interior
Exterior: team of Ra Kwonsu
Window: WIT
Lighting: SAMIL / LIMAS

Gangjin Children Centre by JYA-RCHITECTS

Above: ground floor plan – click for larger image

Gangjin Children Centre by JYA-RCHITECTS

Above: first floor plan – click for larger image

Gangjin Children Centre by JYA-RCHITECTS

Above: roof plan – click for larger image

Gangjin Children Centre by JYA-RCHITECTS

Above: long section – click for larger image

Gangjin Children Centre by JYA-RCHITECTS

Above: cross section – click for larger image

Gangjin Children Centre by JYA-RCHITECTS

Above: front elevation – click for larger image

Gangjin Children Centre by JYA-RCHITECTS

Above: rear elevation – click for larger image

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The West Village Building by Doojin Hwang Architects

A towering wall of perforated brickwork lets light filter gently into the rooms of this house, cafe and gallery building in Seoul, South Korea (+ slideshow).

The West Village Building by Doojin Hwang Architects

Designed by local studio Doojin Hwang Architects, the three-storey-high building is constructed entirely from terracotta-coloured bricks. “We attempted to emphasise the natural quality of the materials and avoided using too many different materials,” say the architects.

The West Village Building by Doojin Hwang Architects

The perforated wall spans the southern facade to screen the two residential upper storeys. During the day it lets in light without permitting a view inside, but after dark the positions of windows are revealed behind.

The West Village Building by Doojin Hwang Architects

“This unique pattern of bricks produces various shadow patterns by change of the time and the season, and makes the space rich and alive,” explain the architects.

The West Village Building by Doojin Hwang Architects

The northern facade of the building has a more traditional construction of solid brick walls and rectangular windows, with a glazed shop unit at ground level. Currently this space is used as a cafe, while a small gallery occupies the basement floor below.

The West Village Building by Doojin Hwang Architects

A staircase on one side of the cafe leads up to the residential floors. Bedrooms and a bathroom are located on the first floor, while a living room and adjoining kitchen are on the uppermost storey. In the future, these floors could also be adapted to accommodate two individual apartments, each with views of the mountains to the north.

The West Village Building by Doojin Hwang Architects

Named the West Village Building, the mixed-use structure is located close to Gyeongbok Palace and was completed in 2011.

The West Village Building by Doojin Hwang Architects

Other houses to complete recently in South Korea include The Curving House, a residence clad with silver brickwork, and Pangyo House, which features a curving facade with extruded windows. See more architecture in South Korea.

The West Village Building by Doojin Hwang Architects

Photography is by Youngchae Park.

Here’s some more information from Doojin Hwang Architects:


The West Village Building

The West Village building, located in the West Village near Gyeongbok Palace, is a low-rise, high-density, mixed-use building. This area is full of multi-layered beauty of Seoul. To preserve historic and cultural ambience of the area, we proposed a typical ‘rainbow cake’ building, a concept developed by DJHA. This 3-storey building incorporates both residential and commercial functions vertically.

The West Village Building by Doojin Hwang Architects

To design an ‘ordinary but not ordinary’ building, we tried to create a building rooted in its location and tried not to disturb the ambience of the historic West Village area, where the building is located. Large northern window commends a panoramic view towards Mt. Bukak and Mt. Inwang. On the southern facade, a unique brick pattern was used as a visual filter to screen the view of the building in front while allowing sunlight in. This unique pattern of bricks produces various shadow patterns by change of the time and the season, and makes the space rich and alive.

The West Village Building by Doojin Hwang Architects

Main material of The West Village is bricks. We attempted to emphasise the natural quality of the materials and avoided using too many different materials.

The West Village Building by Doojin Hwang Architects

Likewise, the interior was finished with paint rather than expensive, unique finish materials. Residential spaces on the 2nd and 3rd floors are partitioned by built-in furniture, which is integrated with lighting. Lightings were installed at the upper part of the furniture; the indirect light illuminates the ceilings.

The West Village Building by Doojin Hwang Architects

Architect: Doojin Hwang (Doojin Hwang Architects)
Design team: Jeongyoon Choi
Location: Seoul
Year of completion: 2011
Floor: 3F + 1BF
Area: 209.83m²

The West Village Building by Doojin Hwang Architects

Contractor: Janghak Construction
Structure engineer: Hwan Structural Engineers
Mechanical engineer: Daekyoung Engineering
Electric design: Daekyoung Engineering
Civil engineer: GeoTech Engineering & Consultants

The West Village Building by Doojin Hwang Architects

Above: site plan – click for larger image

The West Village Building by Doojin Hwang Architects

Above: basement floor plan – click for larger image

The West Village Building by Doojin Hwang Architects

Above: intermediate floor plan – click for larger image

The West Village Building by Doojin Hwang Architects

Above: ground floor plan – click for larger image

The West Village Building by Doojin Hwang Architects

Above: first floor plan – click for larger image

The West Village Building by Doojin Hwang Architects

Above: second floor plan – click for larger image

The West Village Building by Doojin Hwang Architects

Above: cross section – click for larger image

The West Village Building by Doojin Hwang Architects

Above: south elevation – click for larger image

The West Village Building by Doojin Hwang Architects

Above: west elevation – click for larger image

The West Village Building by Doojin Hwang Architects

Above: north elevation – click for larger image

Above: east elevation – click for larger image

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Neil Barrett Shop in Shop by Zaha Hadid Architects

Zaha Hadid Architects has completed five new boutiques for Milan-based fashion designer Neil Barrett, with each one containing portions of an abstract volume that was designed in one piece (+ slideshow).

Neil Barrett Shop in Shop by Zaha Hadid Architects

Above: Shinsegae Main, Seoul

The “Shop in Shop” concept was devised to encompass four stores in Seoul and one in Hong Kong. The architects designed a free-flowing shape, then divided it up into 16 pieces that could be distributed to each of the stores for use as a modular display system.

Neil Barrett Shop in Shop by Zaha Hadid Architects

 Above: Shinsegae Main, Seoul

Referred to by Zaha Hadid Architects as an “artificial landscape”, the curving shapes feature a variety of twists, folds and rotations that reference the moulded interior of Neil Barrett’s flagship Tokyo store, completed by the studio in 2008.

Neil Barrett Shop in Shop by Zaha Hadid Architects

Above: Galleria Main, Seoul

Each block is different and can be used in a variety of arrangements to display different garments, shoes and accessories.

Neil Barrett Shop in Shop by Zaha Hadid Architects

Above: Galleria Main, Seoul

The stark white colour of the objects contrasts with the polished black flooring underneath. This monochrome theme continues throughout each store, where walls are painted in alternating shades of white and black.

Neil Barrett Shop in Shop by Zaha Hadid Architects

Above: Galleria Main, Seoul

The studio is now working with Neil Barrett to roll out more Shop in Shop stores in Beijing, Shanghai and elsewhere in Seoul.

Neil Barrett Shop in Shop by Zaha Hadid Architects

Above: Hyundai Daegu, Seoul

Zaha Hadid Architects has been busy over recent weeks. In the last month the studio has released images of a lakeside cultural complex underway in China, revealed designs for a complex of towers in Bratislava and launched a system of twisting auditorium seats. See more architecture and design by Zaha Hadid on Dezeen.

Neil Barrett Shop in Shop by Zaha Hadid Architects

Above: Hyundai Daegu, Seoul

As well as collaborating with Hadid, British designer Neil Barrett has also worked with Italian studio AquiliAlberg, who designed the angular scenography for his 2010 Autumn Winter catwalk.

Neil Barrett Shop in Shop by Zaha Hadid Architects

Above: Hyundai Daegu, Seoul

Photography is by Virgile Simon Bertrand.

Neil Barrett Shop in Shop by Zaha Hadid Architects

Above: Hyundai Daegu, Seoul

Here’s some more information from Zaha Hadid Architects:


Neil Barrett Shop in Shop

A display landscape

The ‘Shop in Shop’ concept for Neil Barrett is based on a singular, cohesive project that is divided into sixteen separate pieces. Specific pieces have then been selected and installed into each of the four Neil Barrett Shop in Shop’s in Seoul, and also into the Hong Kong shop; creating a unique display landscape within each store. Each separate element acts as a piece in a puzzle of the original ensemble, ensuring each shop maintains a relationship to the defined whole and with the other Neil Barrett Shop In Shop locations.

Neil Barrett Shop in Shop by Zaha Hadid Architects

Above: Hyundai Daegu, Seoul

The pieces have been carved and moulded from the original solid as pairs that define each other to create an artificial landscape that unfolds multiple layers for display. The emerging forms engage the same design principles adopted for the Neil Barrett Flagship Store in Tokyo; the characteristic peeling, twisting and folding of surfaces has been extended to incorporate double curvatures and rotations.

Neil Barrett Shop in Shop by Zaha Hadid Architects

Above: Hyundai Main, Seoul

Adaption to multiple conditions

The display landscape is a flexible modular system that allows multiple arrangements and adaptations according to specific locations and multiple conditions, developing an original space at every location. The pieces can be used individually or pieces can be used in conjunction with others from the collection accordingly to suit the scale and spaces of each shop, with each piece able to display shoes, bags or accessories.

Neil Barrett Shop in Shop by Zaha Hadid Architects

Above: Hyundai Main, Seoul

Materiality

The Shop in Shop concept continues the geometries of the Tokyo Flagship Store, developing a dialogue between the Cartesian language of the existing envelope walls with the sculptural, smooth finish of each piece. This contrast of materials in combination with the formal language of the design plays with these visual and tactile characteristics and is further accentuated by the black polished floor.

Neil Barrett Shop in Shop by Zaha Hadid Architects

Above: Hyundai Main, Seoul

Neil Barrett Shop in Shop designs are located in Seoul and Hong Kong:
» Galleria Main, 3F, Galleria Luxury Hall East, 515, Apgujung-dong, Gangnam-gu, Seoul
» Hyundai Main, 4F, Hyundai DPS, 429, Apgujung-dong, Gangnam-gu, Seoul
» Shinsegae Main, 5F, Shinsegae DPS, 52-5, Choongmuro 1-ga, Jung-gu, Seoul
» Hyundai Daegu, 2F, Hyundai DPS, 2-ga, Gyeosan-dong, Jung-gu, Daegu. Seoul
» The Landmark, B1/F, 15 Queen’s Road Central, Hong Kong

Zaha Hadid Architects and Neil Barrett are continuing their collaboration on further Shop in Shop concepts to open in Beijing, Shanghai and Seoul.

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Design library opens in Seoul

Hyundai Card Design Library opens in Seoul

News: a library dedicated to design has opened in South Korea’s capital city, offering access to over 11,000 books chosen by an international team of curators and critics.

The Hyundai Card Design Library is backed by the country’s largest credit card issuer, which claims “there are few design museums and libraries in Korea, whereas Korean colleges every year churn out more than 30,000 novice designers.”

Hyundai Card Design Library opens in Seoul

A team including British critic and Golden Lion-winner Justin McGuirk, MoMA curator Paola Antonelli and New York architecture and design journalist Alexandra Lange was brought in to select the books, which cover topics including architecture, industrial design, graphics, photography and branding.

Of the 11,678 books selected for the library’s shelves, more than 7000 aren’t available anywhere else in South Korea and over 2600 are either out of print or very rare.

Hyundai Card Design Library opens in Seoul

The firm also hopes the initiative will appeal to a cultured group of potential customers: “It makes people feel that if you have a Hyundai Card, you get access to an enriched lifestyle,” says a spokeswoman.

While most libraries are open to the general public or to academic communities, this library can only be accessed by the company’s credit cardholders and their guests, and then a maximum of eight times each month.

Hyundai Card Design Library opens in Seoul

Alongside the book collection, the library contains a cafe and an exhibition space, while on the second floor is an area for reading and discussing ideas around a large steel table. The top floor contains a small attic-like space inspired by a reading room in an old Korean palace where princes could concentrate quietly on their studies.

The curatorial team also wrote commentaries on nearly 1000 of the selected books, which can be read through an iPad app available to library users.

Located in Gahoe-dong, an area once home to Seoul’s scholars and noble classes, the library was designed by architect Choi Wook of Seoul studio One o One.

Hyundai Card Design Library opens in Seoul

Earlier this year we reported that a fully digital public library without a single book is set to open this autumn in San Antonio, Texas, while in New York, architectural firm Foster + Partners is planning to completely overhaul the city’s public library – see all libraries on Dezeen.

See all architecture in Seoul »

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Pangyo House by Office 53427

This family house in South Korea by Office 53427 has a curving white facade with extruded windows and square perforations.

Pangyo House by Office 53427

Located 30 minutes from Seoul, the two-storey Pangyo House sits within the newly developed housing area in Pangyo-dong.

Pangyo House by Office 53427

Office 53427 designed the house with a folded plan that cranks around a small garden. Architect Kiwoong Ko explained: “I imagined a living space in which the room structure would satisfy the needs of the family, while providing a natural connection between the living area and the outdoors.”

Pangyo House by Office 53427

The walls of the building are brick but are covered both inside and out with a layer of Hi-Macs acrylic stone panels, which create the extruded surfaces and curved edges.

Pangyo House by Office 53427

The base of the building is clad with timber, as is the flooring inside the house.

Pangyo House by Office 53427

The entrance is on the southern side and leads into a small hallway with curved edges. On one side is a living room with an undulating ceiling and on the other is a combined kitchen and dining room.

Pangyo House by Office 53427

Wooden staircase treads wind around a curved wall to lead up to bedroom and bathroom spaces on the top floor.

Pangyo House by Office 53427

Other recently completed houses in South Korea include a residence with a curved grey-brick facade and a house surrounded by timber baton screens. See more architecture in South Korea.

Pangyo House by Office 53427

Here’s a short description from Office 53427:


Pankyo house is a single family house for an ordinary young couple and their two sons. Despite that high-dense apartment is dominant living condition in Korea, the site is located in an recently developed area for single family housing. The area is 30 minutes from Seoul and site is one of 1500 empty plots in the area.

Pangyo House by Office 53427

Considering rapid transition from traditional house to high-density apartment, various architectural try of this area will be test to nurture single family living culture. Of course, there should be strong engagement of dweller (user). Clients, mid-thirty aged parent of two little children, they were able to throw away social prejudices to achieve their desirable lifestyle and space.

Pangyo House by Office 53427

Although there have been many conflicts with advices from their parent and neighbors, also with considering safety of children, all was the process to get the happiness of family.

Pangyo House by Office 53427

Architect: Ko Kiwoong and Lee Joo-eun

Location: 129-7, Pangyo-dong, Seongnam-si, Gyeonggi-do, Korea

Site area: 265.03 sqm

Floor area: 131.88 sqm

Total floor area: 242.21 sqm

Building scope: 2F

Structure: Reinforced concrete

Pangyo House by Office 53427

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The Curving House by JOHO Architecture

This house beside a mountain in South Korea has a curved grey-brick facade that its architects compare to the body of a fish (+ slideshow).

The Curving House by JOHO Architecture

Designed by Seoul studio JOHO Architecture, The Curving House is a two-storey residence near Mount Gwanggyosan with a view out across the rural landscape.

The Curving House by JOHO Architecture

Concrete pilotis lift the house off the ground, making room for a sheltered parking area underneath, while the curved facade frames the patio out in front.

The Curving House by JOHO Architecture

“The fundamental challenge was not only solving the parking problem but also creating a space for both parking and gardening to coexist,” explains studio principal Jeonghoon Lee. “The shape of the mass – resembling a concave lens – was created by both the parking needs and the topographical condition of the lot.”

The Curving House by JOHO Architecture

The architects used two different kinds of silvery bricks to give texture to the exterior walls. They also added polished stainless steel, which functions as a mirror to reflect the surrounding trees.

The Curving House by JOHO Architecture

“The ash-coloured bricks embrace the concrete surface as fish scale,” says Lee. “If the bricks reveal themselves by the change of light and shadow, the stainless steel de-materialises itself by making itself disappear in nature.”

The Curving House by JOHO Architecture

A staircase tucked underneath the building provides the only entrance and leads up into a double-height living room with a kitchen and bedroom on either side.

The Curving House by JOHO Architecture

Borrowing concepts from traditional Korean homes, these rooms are separated by sliding screens that can be folded back to create one continuous space. A long narrow balcony also stretches across the front.

The Curving House by JOHO Architecture

Two staircases each lead to different rooms upstairs, with a multi-purpose room on one side and a prayer room on the other.

The Curving House by JOHO Architecture

Other Korean residences completed recently include a house and studio with a scaly facade and a home surrounded by timber baton screens. See more architecture in South Korea.

The Curving House by JOHO Architecture

Photography is by Sun Namgoong.

The Curving House by JOHO Architecture

Here’s the full project description from Jeonghoon Lee:


The Curving House – Sinbong-dong, Yongin

There is no home for parking

I remember that it was a winter day after snowing when I first visited the site. It was a rare residential lot with an open view to the south at the dead end of a small path beneath Mt. Gwanggyo. What was unique about this lot was that it was very hard to turn the car to come out of the path after more than 2 cars parked, because it was a small path only 4m in width. Ironically, the fundamental challenge was not only solving the parking problem but also creating a space for both parking and gardening to coexist. It was closely related to the lifestyle of home owner to decide whether to create a garden directly accessible from the living room or to emphasize a visual garden. To resolve this issue, the overall shape was formed to encase the lot with more curves and lifted about 2 m from the ground using pilotis for more efficient parking. The shape of the mass resembling a concave lens was created by both the parking needs and the topographical condition of the lot.

The Curving House by JOHO Architecture

The line penetrates the sky

The mountains penetrate the sky and the sky contains the mountains as nature. Here, the mountains form lines and the lines remember the mountains in the land. The terrains of Mt. Gwanggyo flow low above the lot and the lot displays the entire view as if it responds to the graceful flow. At this site, the land is the proof of space and everything about the substance. The shape created here contains the sky as an earthenware jar and displays the potentiality of land as a spatial substance. It draws a shape, but creates a space that shows the sky outside the shape to hide itself in nature. Should the line be hidden in nature or should the nature be displayed in the hidden line? This was the essential challenge of this land and the sincere response to the background. This is directly related to how the topographies should be interpreted in Korean traditional spaces. Korean traditional spaces have pursued the shape that is not completely hidden in nature yet beautifully harmonized with surrounding nature. It is based on the post-dualistic beauty of harmony that proves its existence while hiding in nature rather than dominating nature with its shape and lines.

The Curving House by JOHO Architecture

The flow of light contained in silver scale

The ash-colored bricks (traditional bricks) embrace the concrete surface as fish scale while slightly altering the angles. The traditional bricks used for this project have silver water-repellent coating on the surface and show sentimentality different from the rough surfaces of their tops and bottoms. The bricks with two different surfaces were piled to form a certain pattern from angles 1° through 25°. In other words, the variation of angle is another way how the outer skin in the shape of a concave lens facing south defines its existence. The shadow of the brick wall caste as the sun moves converts the flow of lines into the subtle change of the outer skin. The variation of the brick surface is intended to read the entire mass differently according to the perspective of incomer and the perspective of viewing the images from the mountains.

The Curving House by JOHO Architecture

Contrast and harmony of texture

The rough texture of the traditional bricks interprets the lot in a different way in combination with the property of highly reflective stainless steel. The skies and nature reflected on the stainless steel surface distort what the true substance is to break the boundaries between shapes and texture. Unlike the rough texture of ceramic bricks, the stainless steel used on the front and on the side reflects the surrounding landscapes to make itself disappear. If the bricks reveal themselves by the change of light and shadow, the stainless steel de-materialises itself by making itself disappear in nature. Such contrasting textures have different properties and confront each other in a single mass, but they ultimately establish balance through the extinction and reflection of light.

The Curving House by JOHO Architecture

Space as a flow of nature

The pilotis for parking naturally serves as an opening for air ventilation. The summer breeze coming down from the mountain ridge circulates the air around the building thus reducing the heat load. Also, each room has windows for cross-ventilation and is planned to allow natural circulation of air. The motorized window on top of the living room can release heated air in summer for air circulation triggered by the difference in temperature known as stack effect. The staircase to the north is planned to serve as a buffer of air against the freezing northwestern winds in winter to minimize heat loss. The front windows facing the south allow sufficient sunlight in winter to maximize energy efficiency with natural sunlight. In particular, the ceiling is also diversified to invite as much natural light as possible into the building to control illumination naturally.

The Curving House by JOHO Architecture

New technical interpretation of traditional space

The flow of space was borrowed from the method of handling the flow of air in traditional Korean homes. In detail, the pilotis on the bottom expands the surface of volume exposed to outer air to reduce the load of heat energy and allows natural ventilation in summer. This is similar to the principle of open living rooms in Korean traditional spaces. It means that the entire building allows ventilation to keep the building cool. In winter, on the other hand, the concrete floor is made as thick as possible as a thermal mass, similar to Ondol floors of Korean traditional architecture for maximum insulation, to block the cold air from the underground. Also, the interior space of the second floor has an open living room, bedroom, and kitchen which can be divided and combined flexibly with sliding doors for different needs. This is a modern reinterpretation of the variable space of Korean traditional homes that can be used either as a big room or as smaller individual rooms.

The Curving House by JOHO Architecture

Architect: Jeonghoon Lee
Design Team: JOHO Architecture(Il-Sang Yoon, Gae-hee Cho)
Use: Housing
Location: 678-2, Sinbong-dong, Suji-gu, Yongin-si, Gyeonggi-do, Korea
Completion: 2012.10
Construction: Dong-jin Chea(DL donglim construction)
Client: Im-jeong Choi

The Curving House by JOHO Architecture

Material: Exposed Concrete + Ash-colored Brick + STS panel(mirror type)
Site area: 529.00 sqm
Building area: 140.57 sqm
Building to land ratio : 26.57% (<40%)
Floor area ratio: 35.22% (<100%)
Building scope: 3F

The Curving House by JOHO Architecture

Above: ground floor plan – click for larger image

The Curving House by JOHO Architecture

Above: first floor plan – click for larger image

The Curving House by JOHO Architecture

Above: second floor plan – click for larger image

The Curving House by JOHO Architecture

Above: roof plan – click for larger image

The Curving House by JOHO Architecture

Above: long section – click for larger image

The Curving House by JOHO Architecture

Above: short section – click for larger image

The Curving House by JOHO Architecture

Above: front elevation – click for larger image

The Curving House by JOHO Architecture

Above: side elevation – click for larger image

The Curving House by JOHO Architecture

Above: rear elevation – click for larger image

The Curving House by JOHO Architecture

Above: side elevation – click for larger image

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Aggrenad hotel by AND

Korean architects AND imagined this hotel on Geoje Island as a hand of outstretched fingers, with rooms and balconies pointing out in different directions (+ slideshow).

Aggrenad by AND

Containing just five suites and a cafe, the small concrete hotel sits beside the seafront in the small fishing village and was designed to give each guest a different view of the surrounding archipelago.

Aggrenad by AND

“We planned the building to be recognised as a single mass as one approaches, yet we wanted the five units to be independent and private,” AND‘s senior researcher Lee, Kyoung Tae told Dezeen. “The intention has resulted in a building form that reminds you of fingers pointing at the archipelago, or a sea creature like an octopus.”

Aggrenad by AND

The entire structure appears as a solid mass of concrete, including the balconies. Windows sit in deep recesses, revealing the thickness of the walls.

Aggrenad by AND

“The monolithic quality of concrete reflects the architectural concept well,” said Lee. “Also, the pattern left on the surface after taking off the formwork gives the building an organic quality.”

Aggrenad by AND

Guest rooms inside the three-storey building are arranged over five split levels and each suite comes with a balcony and a small kitchen.

Aggrenad by AND

The hotel is one of several planned additions to the village intended to encourage tourism.

Aggrenad by AND

South Korean studio AND is based in Seoul. Past projects include the cedar-clad Villa Topoject and the Skinspace art studio with a wall of wooden scales.

Aggrenad by AND

See more architecture in South Korea »

Aggrenad by AND

Photography is by Kim, Yong Gwan.

Aggrenad by AND

Above: concept diagram

Here’s a project description from AND:


Aggrenad

Sea + Archipelago

The site sits in front of the sea where the famous sea battle between Korea and Japan took place in the 16th century, which caused the return of General Lee Sun Shin back to the Korean navy. There still are attempts to search the remains of the historic Turtle Ship in the sea.

Aggrenad by AND

Above: site plan

While listening to the famous story from the client, the winding coastline and the varying water level of the archipelago create the continuously changing landscape. The small islands are like buildings and the sea is like streets and squares.

Aggrenad by AND

Above: ground floor plan

Mass + Individual

Unlike other well-known beaches in the island, the site is located in a small fishing village slightly off from the major tourist area. The residents of the village mostly work in the fishing industry and have long been living in the area for generations. Recently, there have been changes in the village. The town plans to construct the Battle of Chilchunryang Memorial Park and a beach to attract more tourists.

Aggrenad by AND

Above: first floor plan

Within these changes the owner plans to build a small Guesthouse. Soon, the site will be a place where the public (mass) visits and the memories are accumulated. Isn’ it better to offer individual frames of the landscape for them rather than to offer a monotonous scene like a souvenir photograph? How shall we construct an architectural device that produces different images of the same place?

Aggrenad by AND

Above: second floor plan

Aggregation + Monad

The building is formed like how fingers are branched out from a hand forming different parts. It is the aggregation of unique rooms, yet at the same time, it is an organic monad. Each unit is cantilevered out towards the sea as if fingers are pointing at the nearby islands. This allows each unit to frame the surrounding landscape in a unique way. This three story building is consisted of five rooms and a small cafe, and the rooms stacked in five split levels. The floor and the ceiling of each unit are stretched out toward the different directions, and at the end of each unit is a small balcony, which opens up toward the sea and the sky.

Aggrenad by AND

Above: front elevation

Project Name: Aggrenad
Design: AND
Construction: Kim, Dong Shik
Location: Geojesi, Gyeongsangnamdo, Korea
Site: 433.00m2
Construction Area: 121.26m2
Gross Area: 198.55m2
Floors: 3
Structure: RC
Materials: Exposed Concrete

Aggrenad by AND

Above: north elevation

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by AND
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Songwon Art Space by Mass Studies

This ridged steel art gallery by South Korean studio Mass Studies has half of its floors buried underground while others balance on a pair of triangular piloti (+ slideshow).

Songwon Art Space by Mass Studies

The Songwon Art Space is located in Buk-Chon, a suburban district filled with traditional Korean Han-Ok houses, and the building is squeezed onto a steeply inclining site between two roads.

Songwon Art Space by Mass Studies

Mass Studies faced restrictions on the size of the new building and had no choice but to place some spaces below ground to maintain sight lines towards a neighbouring historic residence. “We neither wanted this project to become a compromise to the restrictions nor a mere negotiation between the contextual obligations,” explained the architects.

Songwon Art Space by Mass Studies

In response, they planned restaurant and event spaces on the two upper floors, while two exhibition floors occupy the basement and a car parking level is slotted in between.

Songwon Art Space by Mass Studies

“We had to come up with a structural scheme that simultaneously lets us fit everything within the relatively small site and also lifts the building up,” said the architects. “This composition allows the building to be seen as performing a ‘silent acrobatic act,’ slightly floating above ground while still staying close to it.”

Songwon Art Space by Mass Studies

When approaching the building, visitors are faced with two large windows. A length of curved glazing offers a view into the restaurant while a triangular aperture faces down towards the entrance of the exhibition spaces. The architects describe this as a “sudden unexpected moment of vertigo” where “the entire height of the building suddenly presents itself”.

Songwon Art Space by Mass Studies

A sloping roof angles up to follow the incline of the hill and features a large skylight to brings natural light into the upper floors. Louvres across the ceiling moderate this light, while voids in the floor plates help it to filter through the building.

Songwon Art Space by Mass Studies

Louvres also crop up on the exhibition levels, where they allow curators to adjust artificial lighting.

Songwon Art Space by Mass Studies

A surface of steel wraps the facade and is made of hundreds of vertical strips.

Songwon Art Space by Mass Studies

Seoul-based Mass Studies is headed up by architect Minsuk Cho. Past projects include the Xi Gallery in Pusan and the recently completed headquarters for internet company Daum.

Songwon Art Space by Mass Studies

See more architecture in South Korea »

Songwon Art Space by Mass Studies

Photography is by Kyungsub Shin.

Songwon Art Space by Mass Studies

Here’s some more information from Mass Studies:


Songwon Art Space

Buk-Chon, where Songwon Art Space is located, is one of the few areas that were less affected by the heavy wave of development that has been sweeping through Korea since the fifties. The townscape is based on an irregular network of streets that weave through the area, where Han-Ok is the dominating architectural typology.

Songwon Art Space by Mass Studies

During the past 10 years Buk-Chon has seen lots of buzz primarily caused by the newfound interest of the public on the traditional townscapes. Han-Oks (traditional Korean houses) have become a subject of admiration again, and many commercial/cultural businesses have been brought into the area to take advantage of this setup. In this social context, it is consensual that any new development in the area intrinsically faces the challenge to simultaneously conserve existing values, and contribute in a new way to what already is.

Songwon Art Space by Mass Studies

Not surprisingly, with our project we faced numerous restrictions and conditions that were inherent to the site. The design development process took an unusual amount of time – as we neither wanted this project to become a compromise to the restrictions nor a mere negotiation between the contextual obligations. The design is a result of optimizing the parameters, sensitively reacting to the surrounding and simultaneously developing a rigorous logic.

Songwon Art Space by Mass Studies

A Pre-determined Shape

The site is an irregularly shaped piece of land, roughly 297 sqm in size, sitting in an entrance location to the Buk-Chon area when approached from the city center. The two adjacent roads meet in a sharp angle, with the main street sloping up towards the site. These situations give this small plot an unusually strong recognizability.

Songwon Art Space by Mass Studies

The massing of the building is largely limited by two conditions – the shape of the plot determined the plan of the building, and the adjacently located House of Yoon-Bo-Sun, a cultural heritage site, determined the elevation of the building to be cut in an angle in relations to sightline conservation. The volume trapped in these restrictive borders could only contain roughly two thirds of the maximum buildable floor area above ground (90% out of max. allowed 150% FAR). Therefore, much of the exhibition program had to be located below ground-level.

Songwon Art Space by Mass Studies

The resulting building is three floors below ground level and two floors above. The bottom two floors are used as an exhibition space, the semi-underground B1 level as parking, and the top two floors house a commercial restaurant and other social functions.

Songwon Art Space by Mass Studies

Structure – Silent Acrobat

Another condition with the site was the parking requirement – 7 spots needed to be provided within the plot area. The only way to suffice this condition was to designate a semi-underground level that is made accessible from ground level through the use of a piloti scheme. We had to come up with a structural scheme that simultaneously lets us fit everything within the relatively small site and also lift the building up. By making the piloti structure out of two triangular walls, forming half a pyramid, we were able to also house the entrance and staircase leading into the main space below ground within the structural element.

Songwon Art Space by Mass Studies

With the exception of the sloping roof, the aboveground mass is generally represented in a set of strictly horizontal or vertical concrete planes, forming a hard shell-like unibody structure. The Mass is then balanced on the aforementioned ‘half pyramid’ on one side, and a leaning column on the other. This composition allows the building to be seen as performing a ‘silent acrobatic act,’ slightly floating above ground – while still staying close to it.

Songwon Art Space by Mass Studies

Vertigo Moment, Two Windows at the Corner

In section, the building can be seen as two programs separated by the parking area – the social function of the restaurant above, and exhibition spaces below. As the sharp corner of the site is approached by pedestrians, one encounters two acrylic windows each revealing one of these two spaces – a curved, seamless window to the top, revealing the 7-11m high space to the above, and a triangular window within the base of the pyramid reveals the 8m space below, resulting in a sudden unexpected moment of vertigo as the entire height of the building (some 19 meters) suddenly presents itself.

Songwon Art Space by Mass Studies

Two kinds of Light Conditions

The two main volumes differ in the way they deal with lighting conditions. The underground volume needs to provide varying lighting conditions depending on the requirements of the exhibitions it houses – thus flexibility is essential, and the system relies heavily on artificial lighting. The exception is made in the entrance to the exhibition space, where the previously mentioned triangular skylight dramatizes the entry sequence by providing natural light into the vertical space. One may think of a skylight as an object that is looked at from below, but in this case the triangular window greets the visitors as an opening in the ground and then later changes its identity into a skylight as we descend into the gallery. We think of this as an adequate, surprising way to begin the gallery experience.

Songwon Art Space by Mass Studies

The walls of the social/ restaurant space above ground are mostly solid – with the somewhat limited exceptions of a few slits and small windows that were devised to provide ventilation and some amount of view towards the outside. The main source of lighting here is the skylight that takes up a large portion of the sloped roof – a response to the cultural heritage regulation from an adjacent building. The ceiling is composed of 3 layers of steel components – skylight frame, structure and louvers – each of these layers are oriented differently for a diffused lighting effect. The skylight itself is made of triple glazed panes with an embedded layer of expanded steel mesh which aids the process of primary sunlight filtering.

Songwon Art Space by Mass Studies

The steel louver system is applied to the ceilings of both the restaurant and exhibition spaces, albeit for different purposes. If the roof louvers were installed to control the daylight, the basement ceiling louvers were to add flexibility to the artificial lighting system. This gesture of using the same louver system in different ways was also to have the two spaces create a visual coherency.

Songwon Art Space by Mass Studies

The exhibition space has a polished concrete floor and white walls, whereas the more social restaurant space keeps the naturally exposed white concrete as its finished surface. The two spaces share a somewhat understated material and color scheme, but vary subtly according to the functions of the spaces.

Songwon Art Space by Mass Studies

Silent, but Unfamiliar Pleated Wall

It was suggested by the client that we use a material manufactured by a specific steel manufacturer – who is also an important supporter of Songwon Culture Foundation. This particular steel company has the technology to roll paint various colors and patterns onto rolled galvanized steel sheets. These products are commonly used as a reasonably priced exterior finishes, normally in a panel format.

Songwon Art Space by Mass Studies

With the help of the metal company we were able to apply a customized finish that resembles concrete or perhaps weathered zinc, in somewhat of a distressed tone. This finish was applied through the roll printing process and then these coloured Galvanized sheets were folded and cut into V shaped channels of 5 different widths – ranging from 3 to 7cm in 1cm increments. These channels wrap the exterior of the building forming a row of full height vertical strips, in a randomized array of the five different widths. Absent of horizontal breaks, this exterior finish gives an illusion of being casted in a single piece, rather than being an assembly of several smaller pieces. The intention was to have the building perceived as an ambiguous monolithic mass.

Songwon Art Space by Mass Studies

The resulting pleated texture, combined with the varying boundary conditions of the building plan – having straight and rounded portions – reacts with the natural lighting conditions in an unpredictable way and obscures the materiality and construction of the exterior. Here the building becomes ‘silent but unfamiliar.’

Songwon Art Space by Mass Studies

Above: site plan – click above for larger image

Songwon Art Space by Mass Studies

Above: top floor plan – click above for larger image

Songwon Art Space by Mass Studies

Above: upper ground floor plan – click above for larger image

Songwon Art Space by Mass Studies

Above: lower ground floor plan – click above for larger image

Songwon Art Space by Mass Studies

Above: upper basement floor plan – click above for larger image

Songwon Art Space by Mass Studies

Above: lower basement floor plan – click above for larger image

Songwon Art Space by Mass Studies

Above: section one

Songwon Art Space by Mass Studies

Above: section two

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by Mass Studies
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Una’s Kitchen by Nordic Bros. Design Community

Translucent polycarbonate sheets screen off the kitchen and office of this baking school in Seoul (+ slideshow).

Una's Kitchen by Nordic Bros Design Community

Una’s Kitchen is a baking studio in Chungdamdong, Seoul, that offers classes taught by the owner and chef, Una.

Una's Kitchen by Nordic Bros Design Community

South Korean interior designers Nordic Bros. Design Community used double layers of polycarbonate fixed to thin black frames to screen off the kitchen and office while allowing light to penetrate the room.

Una's Kitchen by Nordic Bros Design Community

The angular table stretching across the teaching area is over four metres long and only one centimetre thick, and has a shiny gold tabletop.

Una's Kitchen by Nordic Bros Design Community

Above the table are hanging pendant lamps made from black top hats.

Una's Kitchen by Nordic Bros Design Community

Earlier this year we featured a high-tech cooking workshop in Spain for a Michelin-starred chef and a culinary centre in San Sebastián with metallic gold facades.

Una's Kitchen by Nordic Bros Design Community

Polycarbonate walls have also appeared in a number of projects we’ve featured lately, including a house in Japan with an upper storey made of polycarbonate sheds and an elevated extension to an indoor running track at a gym in the Czech Republic.

Una's Kitchen by Nordic Bros Design Community

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Una's Kitchen by Nordic Bros Design Community

Photographs are by Nordic Bros. Design Community

Here’s some more information from the architects:


Baking studio Una’s Kitchen is located in Chungdamdong, Seoul, as a contemporary space based on black and white. The owner/chef planned the space to share tasty food with beloved people and the space is full of the client’s emotion entirely.

Una's Kitchen by Nordic Bros Design Community

The 70 sq m space is not only divided into kitchen, office and studio but also connected by the transparent Double-Wall Polycarbonate. The boomerang-formed studio table(to a thickness of a centimetre, 4.2 metres long in length) located in centre of studio is based on black and white with the classic colour, gold.

Una's Kitchen by Nordic Bros Design Community

Una’s Kitchen, based on black, white and gold, shows canvas and object including the intention of owner/chef, majoring in sculpture from art school in Hongik University and the space designer.

Una's Kitchen by Nordic Bros Design Community

Location: 62-3 3F Nao Bldg.,Cheongdam-dong, Gangnam-gu, Seoul, South Korea
Client: Una’s Kitchen
Architect: Nordic Bros. Design Community | Shin Yong-Hwan

Una's Kitchen by Nordic Bros Design Community

Use: Baking Studio
Design Period: 2012. 9. 28 – 10. 13
Construction period: 2012. 11.17 – 26
Size: 70 sq m

Una's Kitchen by Nordic Bros Design Community

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Nordic Bros. Design Community
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Daum Space by Mass Studies

South Korean firm Mass Studies has developed a system of five pre-cast concrete modules for building South Korea’s answer to California’s Silicon Valley, starting with this flexible headquarters building for internet company Daum (+ slideshow).

Daum Space by Mass Studies

Above: photograph is by Yong-Kwan Kim

Named Daum Space, the five-storey office building is the first completed building on a previously undeveloped site on the island of Jeju, where the company have chosen to relocate. The architects describe this as a “rebellious attempt to move away from the urban setting” of South Korea’s cities and form a creative community “comparable to Silicon Valley”.

Daum Space by Mass Studies

Above: photograph is by Yong-Kwan Kim

Mass Studies has prepared a masterplan for the whole 800-metre-long development site, showing ten buildings lined up alongside a stretch of designated rural zones.

Daum Space by Mass Studies

Above: photograph is by Yong-Kwan Kim

The 350-person Daum Space is positioned in the central section and demonstrates the construction system envisioned for each building in the complex.

Daum Space by Mass Studies

“We thought of a way to create a system of structure that could potentially serve as the grammar for the entire territory,” explain architects Minsuk Cho and Kisu Park. “With these basic formal structures we were able to form various forms of vaulted or cantilevered spaces within large open planes, while also providing a way for the entire campus to grow organically to meet the unpredictable needs of the future.”

Daum Space by Mass Studies

The 8.4-metre-wide concrete modules appear in five variations and can be used to create column-free spaces with spans of over 12 metres, as well as cantilevered canopies up to 6 metres deep.

Daum Space by Mass Studies

The building is open on all four sides at ground floor level, revealing a series of social areas that include a cafe, an events space, a lounge and a games room.

Daum Space by Mass Studies

Open-plan offices cover the double-height first floor, which is overlooked from above by a mezzanine library.

Daum Space by Mass Studies

An auditorium is also located on the first floor, while smaller offices and meeting rooms can be found on the third and fourth storeys.

Daum Space by Mass Studies

Joints between the concrete modules also create small enclosed spaces at each level, where the architects have located bathrooms, staircases and elevators.

Daum Space by Mass Studies

Other projects we’ve featured by Mass Studies include a shop with green walls and a glazed exhibition centre. See more projects by Mass Studies.

Daum Space by Mass Studies

Above: photograph is by Yong-Kwan Kim

Photography is by Kyungsub Shin, apart from where otherwise stated.

Daum Space by Mass Studies

Here’s some more text from Mass Studies:


Context

Daum is an international IT firm based in Korea, primarily known for its web portal services. Unlike its competitors that are typically located in metropolitan areas, Daum has been planning to relocate its operation to an undeveloped site within Jeju Province (an autonomous island situated off of the southern coast of Korea) for the past 8 years.

Daum Space by Mass Studies

Largely known as a major tourism hub, Jeju Province has been encouraging the implementation of other industries in the recent years, one of which is the development of the island’s technology-based industrial complex.

Daum Space by Mass Studies

Above: photograph is by Yong-Kwan Kim

Considering the fact that the urban population of Korea has grown from 20% to over 80% in the last 50 years – which makes Korea one of the most urbanized countries in the world – Daum’s radical step of exiling themselves to the rural Jeju Province can be framed as a utopian gesture, comparable to Silicon Valley of the late 70’s in America, as a rebellious attempt to move away from the urban setting to reinvent an independent, creative work community.

Daum Space by Mass Studies

Another dilemma that urban workplaces face in the 21st century is that while the nature of the working organization is becoming more horizontal, the spaces are becoming vertical. Therefore, the generous conditions provided by Jeju Province counters this problem as an opportunity to imagine a new type of spatial organization to match Daum’s creative, horizontal working organization.

Daum Space by Mass Studies

Above: photograph is by Yong-Kwan Kim

Masterplan

Over the course of the next decade, Daum plans to gradually relocate its operations. For the development of the IT complex, Jeju Province has designated a vast, undeveloped land of 1,095,900 square meters on the island’s northern mountainside, in close proximity to Jeju University. Daum’s site, 300m wide and 800m long at its maximum, is the largest central plot within the development area, measuring 132,000 square meters and parallel to the main road in its longitudinal direction.

Daum Space by Mass Studies

Above: photograph is by Yong-Kwan Kim

Given this scale, one can imagine Daum’s complex built progressively over time, a masterplan growing organically across the site’s green terrain. As a counteraction to the typical office park development – a homogeneous field of low-rise, non-contextual office blocks floating in a sea of parking lots – Daum’s masterplan is designed as a linear growth, dividing the site into opposing rural vs. urban zones and informal vs. formal zones. The urban zone will be defined by a dense, low rise, 70m wide and 800m long superstructure. This proposal allows functions to be optimized, supporting an efficient urban work zone – an “information superhighway,” symbolically as well as literally – and a vast area of park-like space dotted with facilities that will house community activities such as farming, sports, etc. Each of the buildings in the urban zone, no more than 5 floors high, are situated a floor level above the previous to accommodate the site’s gradual 60m rise, taking advantage of this gentle, uniform slope to connect the facilities at different levels. This progressive alignment promotes movement across the site vertically, horizontally and diagonally, effectively increasing the efficiency and unity of the masterplan.

Daum Space by Mass Studies

Above: photograph is by Yong-Kwan Kim

Daum Space: Formal Structure

During the design process, we thought of a way to create a system of structure that could potentially serve as the grammar for the entire territory. To formalize this notion, we designed five elementary structural modules of 8.4m by 8.4m with variations of extrusional or rotational attributes, to either extend or to end the structure as necessary. As a combination of these modules, the structure expands horizontally and vertically.

Daum Space by Mass Studies

Above: photograph is by Yong-Kwan Kim

With these basic “formal structures,” we were able to form various forms of vaulted, or cantilevered spaces within large open planes, while also providing a way for the entire campus to grow organically to meet the unpredictable needs of the future.

Daum Space by Mass Studies

As a result, large spaces of 12.6m spans or 6.3m cantilevers are supported by vertical piers with small 3.8m spaces within them, creating a field of spaces of various degrees of size and enclosure.

Daum Space by Mass Studies

Above: photograph is by Yong-Kwan Kim

As the first building within the masterplan, Daum Space is located near the center of the site, to provide the office space for the first 350 employees as well as other subsidiary functions.

Daum Space by Mass Studies

As a combination of these modules, we were able to design the Main Center as a five-storey building that is open on all four sides, allowing the scenic views – a nearby forest to the west, Halla Mountain to the south, and the ocean to the north – to penetrate into the interior, creating a favorable working environment.

Daum Space by Mass Studies

The ground floor serves the various shared / public functions. The cafeteria, an open lounge, a café, a small pavilion for Daum’s public relations purposes, a game room, a gym, and meeting rooms are located here, as well as an auditorium that is isolated from the work space.

Daum Space by Mass Studies

The inclined site meets the entrance road on the southern end of the 2nd floor, where one enters the auditorium. The main entrance to the building is located further into the site, with an outdoor space separating the two entrances. The 2nd floor is provided with a double floor ceiling height and the largest open plan work space, composed of the reception area, office spaces, and a block of conference rooms with a library above it as the 3rd floor.

Daum Space by Mass Studies

As one progress upward to the 4th and 5th floors, the floor areas become smaller, allowing for more isolated, intimate office spaces, project rooms and conference rooms, together with outdoor terraces (of either wooden decks or grass).

Daum Space by Mass Studies

Module shapes – click above for larger image

Inside the piers, which act as the vertical structural elements on all floors, are round or rounded rectangular spaces for various core services, HVAC, stairs, elevators, as well as programs such as smaller meeting rooms, restrooms, and lactation rooms.

Daum Space by Mass Studies

Concept diagram – click above for larger image

As a result, Daum Space has systematic rigor, but by creating an array of spaces of various scales and qualities, it feels like a village without being picturesque, as a vertical/horizontal field of spatial experiences which anticipates further growth in the near future.

Daum Space by Mass Studies

Basement plan – click above for larger image

Name and site of the project: Daum Campus Masterplan & Daum Space
Architects: Mass Studies – Minsuk Cho, Kisu Park
Design team: Mass Studies – Hyunjung Kim, Jisoo Kim, Sungpil Won, Nikolas Urano, Sebastien Soan, Junghye Bae, Jangwon Choi, Kwonwoong Lim, Youngjoon Chung, Bhujon Kang, Zongxoo U, Taehoon Hwang, Sangkyu Jeon, Younkyoung Shin, Vin kim, Daeun Jeong, Yuseok Heo, Kyungmok Park, Wonbang Kim, Jieun Lee, Sanghoon Lee, Songmin Lee

Daum Space by Mass Studies

Ground floor plan – click above for larger image

Structural engineering: TEO Structure
MEP Engineer: HANA Consulting & Engineers
Lighting Engineer: Newlite
Landscape design: Soltos Landscaping

Daum Space by Mass Studies

First floor plan – click above for larger image

Client: DAUM Communications
Construction: Hyundai Development Company
Construction Manager: Hanmi Global Co.

Daum Space by Mass Studies

Second floor plan – click above for larger image

Location: Jeju Province, Korea
Site Area: 1,095,000 m2 (masterplan) / 48,383 m2 (daum space)
Site Coverage Area: 3,720.38 m2
Total Floor Area: 9,184.16 m2 (including basement floor)

Daum Space by Mass Studies

Third floor plan – click above for larger image

Building-to-Land Ratio: 7.69%
Floor Area Ratio: 15.90%
Building Scope: B1F + 5F

Daum Space by Mass Studies

Fourth floor plan – click above for larger image

Structure: RC
Finish: Exposed Color Concrete, Wood Deck, Vertical & Roof garden
Cost: 13,510,000EUR (20,000,000,000 KRW)

Daum Space by Mass Studies

Roof plan – click above for larger image

Design phase (beginning and ending month, year): 2008.4 – 2010.6
Construction phase (beginning and ending month, year): 2010.7– 2011.11

Daum Space by Mass Studies

Section A – click above for larger image

Daum Space by Mass Studies

Section B – click above for larger image

Daum Space by Mass Studies

Section C – click above for larger image

Daum Space by Mass Studies

Section D – click above for larger image

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Mass Studies
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