Hasta La Ideas

Italian studio Gosplan inserted a perforated metal gate into a fifteenth century marble doorway as part of their renovation of this fashion boutique in Genoa.

Gosplan was influenced by the doorways of ancient Italian palaces when designing the perforated gate that marks the entrance to the store, which is located in the city’s historic centre.

“The door is a free interpretation of doors of ancient Genoa palaces,” explains the designer. “The small holes are a metaphor for the large ancient nails, while the large hole in the centre replaces the door knocker.”

Called Il Salotto, which means “Living Room” in Italian, the boutique has vaulted ceilings and large windows with a bright blue linoleum floor that contrasts with the rough plastered walls.

Clothes, bags and shoes hang from white-painted reinforcing rods, which have been bent into angular formations that protrude from the walls and floors.

Coat hangers and mirror frames are also constructed from the bent rods, along with a cage-like chandelier that descends from the ceiling and a large circular rail from which curtains hang to enclose dressing rooms.

Brightly coloured cables are strung around the shop with bare lightbulbs dangling loosely from the ceiling.

The shop counter is made from coloured MDF and features a tiled recess used to display jewellery.

The same dove-grey coloured tiles are used to create a unifying band around the walls of the boutique.

The shop is owned by Sara Busiri Vici and Matteo Brizio who also use the space to host small art exhibitions.

Photography is by Anna Positano.

Other shops we’ve recently featured on Dezeen include a boutique with an upside-down living room on the ceiling and a fashion boutique with glass silhouettes of male and female figures that reach out to each other across a tiled floor.

See all our stories about shop design »

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by Gosplan appeared first on Dezeen.

News: Saint Laurent has opened the doors to its new flagship store in Paris, the first to be designed by Hedi Slimane since he became creative director of the fashion house last year.

Located on Avenue Montaigne near the Champs-Élysées, the art deco-inspired Saint Laurent store features a marble staircase encased by rods of nickel-plated brass.

Black and white marble has been used for the walls, floors and a row of shelves, above which hang nickel-plated bars for displaying clothes.

The monochrome interior is reflected in the black and white photographs accompanying the opening of the store.

Formerly known as Yves Saint Laurent, after its founder, the fashion house’s name was changed soon after Slimane took over as creative director last spring.

Saint Laurent’s Sloane Street concept store in London is set to open in the autumn.

Other fashion boutiques we’ve featured lately include a shop in Warsaw with an upside-down living room on its ceiling and a Milan boutique featuring glass silhouettes of male and female figures – see all shops on Dezeen.

An exhibition of high fashion inspired by punk recently opened at New York’s Metropolitan Museum of Art – see all fashion design.

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flagship store in Paris appeared first on Dezeen.

British design studio JamesPlumb has created a dimly lit showroom filled with antique furniture in the basement of east London menswear store Hostem (+ slideshow).

Following their earlier refit of Hostem’s shop floor, James Russell and Hannah Plumb were asked to redesign the shop’s subterranean level to provide a quieter space for displaying the brand’s most important collections.

“We wanted the space to be different from upstairs: a discreet addition for the store’s most cherished goods,” Russell told Dezeen. “We opened the space up, painted it dark and dimmed the lighting; this created a calmness by making the corners and edges of walls disappear.”

The designers added a few unique furniture pieces for displaying different garments and accessories. These include a wardrobe that appears to be collapsing and a Chesterfield sofa with a table growing out of its centre.

“Our work often starts with things we love that are broken and damaged,” explains Russell. “When we found the sofa it had no seat and was just this filthy rotten leather, but we didn’t want to just reupholster it into another Chesterfield, we wanted to celebrate it.”

Other furniture pieces include a Wurlitzer harp case converted into a display case for a single garment and an old crate formerly used for the transportation of pigs. There’s also a fitting room, screened behind a thick layer of draped fabric.

The Chalk Room is currently dedicated to Hostem’s bespoke service, which provides made to measure clothing and accessories, but shoppers can also order furniture by JamesPlumb. This includes chests of drawers made from stacks of suitcases and chandeliers made from clusters of antique lampshades.

JamesPlumb designed the original interior for Hostem in 2010. The project won the retail category at the inaugural Inside awards and Dezeen interviewed Russell and Plumb about their design as part of the event.

See more design by JamesPlumb, including the brand’s most recent collection.

Here are a few words from JamesPlumb:

The Chalk Room by JamesPlumb
Bespoke Menswear Store Redchurch Street, London

JAMESPLUMB created this discreet addition to their award winning interior design for menswear store Hostem in East London.

Briefed to create an environment to celebrate the craft and skill of the store’s most cherished designers, they created a quietly removed space, downstairs from the main showroom.

A brand new collection of one off assemblage form the perfect theatrical showcase – including an antique Wurlitzer harp case transformed into a wardrobe for a single garment, a weather worn Chesterfield married with a table, and a crate formerly used for carrying pedigree pigs, that now presents handmade footwear.

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by JamesPlumb appeared first on Dezeen.

Six architecture studios present window installations created for stores along London’s Regent Street in this movie filmed by Dezeen.

RIBA president Angela Brady introduces this year’s Regent Street Windows Project, which pairs local architecture practices with six retailers to create displays along one of the most iconic shopping streets in Britain.

Starting at the north end of the street, George King and Mark Nixon from Neon present a rotating wheel of manequins that allows different outfits to be presented in the window of fashion brand Topshop at different times of the day.

Next up, Arthur Mamou-Mani‘s installation made from sportswear fabric and cable ties flows along the 30-metre-long display of the Karen Millen store facade.

Drawing on the emotional experience of driving a Ferrari, John Tollitt and his team at Gensler crafted a heart and a brain for the windows of the car brand’s London flagship, then brought them to life using digital animations to represent the heartbeat and firing neurons.

Across the street, naganJohnson transformed the atrium of Esprit into a beach scene complete with a wave of chestnut paling fencing.

Carl Turner Architects referenced American artist Gordon Matta Clark’s images of cut-out buildings to create fantasy New York streetscapes on the facade, in the windows and on blackboard illustrations at Jack Spade‘s Brewer Street store, just off Regent Street.

Finally, AY Architects used interlocking panels to form freestanding screens at Moss Bros, creating a three-dimensional herringbone effect.

The installations for the Regent Street Windows Project are on display until 6 May. Photographs are by Agnese Sanvito.

See more stories about window installations »
See more news about the RIBA »

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Project 2013 appeared first on Dezeen.

OMA’s new Tokyo store for American accessories brand Coach is a glazed cube with a herringbone-patterned display system (+ slideshow).

Inspired by the categorised wooden storage systems of Coach‘s original 1940s stores, Coach Omotesando features a modular shelving system that Rem Koolhaas’ OMA has developed for all of the brand’s new stores.

Here, the shelves form a herringbone pattern that covers the glazed facade of the two-storey shop. Frosted glass panels were used to build the boxy shelves on the inside of the walls, while on the outside they form a system of horizontal louvres.

Once the store is open each box will be filled with an item from Coach’s latest collections, which include outerwear, footwear, jewellery, handbags and other accessories.

A staircase is positioned at the centre of the store, connecting womenswear on the ground floor with menswear on the first floor. This area also features a modular shelving system, although here it is broken up into a rectilinear grid.

Lighting is installed within the staircase tower, intended to create a central beacon that illuminates the store 24 hours a day.

OMA first revealed designs for the display system during the summer. Since then the studio has installed a smaller version at a Coach kiosk within Macy’s flagship Herald Square store in New York.

This week Dutch firm OMA has also revealed a collection of furniture for US furniture brand Knoll. See more architecture and design by OMA.

Other notable shop designs on Dezeen include Peter Marino’s Louis Vuitton Maison on London’s Bond Street and Schemata’s flagship for Japanese fashion brand Takeo Kikuchi. See more shops on Dezeen.

Photography is by Iwan Baan.

Here’s some more information from OMA:

Coach Flagship, Omotesando

Founded in 1941, Coach began as a leather goods retailer, displaying their products in a single row of library-like, wooden shelving that categorized their handbags and wallets. The brand’s repertoire has since expanded to include a full range of lifestyle merchandise including outerwear, footwear, jewelry, watches and sunwear, which are now sold in a variety of retail environments from specialty boutique to department store.

Inspired by the clarity of Coach’s original, systematic filing retail strategy, OMA designed a modular display unit that is flexible enough to accommodate the specific needs of each product and retail environment. The spatial possibilities of this highly functional system reinforce Coach’s mission to represent ‘logic and magic.’ For the first iteration at a kiosk within Macy’s department store at Herald Square, acrylic display units were assembled into a floor-to-ceiling high, “V” shaped wall. Products appear to float amidst maintained views to the accessories floor beyond.

Coach’s ninth Japan flagship is a two-story, corner site on Omotesando, a prominent retail corridor in Tokyo. In comparison to the increasingly decorative elevations that characterize Omotesando, OMA’s design integrates display into the façade, seamlessly communicating the brand’s presence from the inside out.

The display units are stacked in a herringbone pattern of vertical and horizontal orientation to facilitate a range of curation scenarios. Dimensioned to accommodate Coach’s standard merchandising elements (ex. mannequins, busts, bags), the unit measures 1800 mm x 520 mm. Frosted glass that provides shelving within the store is further articulated to the façade as louvers.

Viewed from the exterior, the double-height storefront presents an uninterrupted survey of Coach’s full collection in a single view, with a dedicated frame for each product. Viewed from the interior, the display unit’s translucency creates an active backdrop for merchandise, filtering Omotesando’s streetscape into the shopping experience.

Above: display concept

In addition to the façade, OMA designed a floating tower of illuminated units that encase the store’s central stair, seamlessly connecting the women’s first floor and men’s second level. Consolidating the display on the facade and circulation creates a condition in which the shopper is continuously surrounded by product, while simultaneously liberating floorspace. In the evenings, the circulation tower illuminates the façade as a dynamic, 24-hour window display from within.

Above: cross section

Status: Commission January 2012; Completion April 2013
Client: Coach, Inc.
Location: Tokyo, Japan
Site: Ground and second floor of new construction on Omotesando, Tokyo, Japan Program: 444.75 m2 / 4787.25 sf
Façade: 210 glass units Circulation Tower: 105 acrylic units
Partner-in-Charge: Shohei Shigematsu
Project Architect: Rami Abou Khalil
Team: Yolanda do Campo, Benedict Clouette with Jackie Woon Bae, Cass Nakashima, Phillip Poon, David Theisz
Local Architect and Engineer: Obayashi Corporation Façade Consultancy: Michael Ludvik
Interior Architecture: Nomura, Co., Ltd.

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by OMA appeared first on Dezeen.