Bamboo cladding surrounds house in the Philippines by Atelier Sacha Cotture

Bamboo poles were used to clad the facade and surrounding walls of this house in the Philippines by Swiss-Filipino studio Atelier Sacha Cotture (+ slideshow).

Bamboo clad house in the Philippines by Atelier Sacha Cotture

The family home in the city of Parañaque is located in a residential neighbourhood and was designed by the Philippines office of Atelier Sacha Cotture. It wraps a central courtyard to restrict views of the interior from adjacent properties.

Bamboo clad house in the Philippines by Atelier Sacha Cotture

“The courtyard solution has been chosen for its qualities of efficiency and privacy,” said the architects. “This typology was widely used during the Spanish colonial era here in the Philippines.”

Bamboo clad house in the Philippines by Atelier Sacha Cotture

The street-facing facade presents a uniform surface of vertical bamboo poles that incorporates doors to the garage and the house’s main entrance.

Bamboo clad house in the Philippines by Atelier Sacha Cotture

Explaining the choice of bamboo, the architects said: “It is a low cost and sustainable material that grows intensively locally. This material has been historically used in the country for the fabrication of handicrafts, native architecture and utilitarian objects.”

Bamboo clad house in the Philippines by Atelier Sacha Cotture

The material was treated to protect it from mould and pests, before being stained and varnished to enrich its natural tone and increase its resilience.

Bamboo clad house in the Philippines by Atelier Sacha Cotture

The bamboo-covered doorway leads from the street into a dark corridor clad in a type of local granite called Araal, which is also used to cover chunky supporting columns at the ground floor level of the house.

Bamboo clad house in the Philippines by Atelier Sacha Cotture

The corridor is illuminated by a shimmering chandelier suspended from the ceiling and opens onto an uncovered courtyard with a lawn at its centre.

Bamboo clad house in the Philippines by Atelier Sacha Cotture

A wood-decked pathway crosses a narrow pond to lead into a foyer. It continues through to the main living spaces, which feature sliding glass doors framed in locally grown mahogany.

Bamboo clad house in the Philippines by Atelier Sacha Cotture

These ground floor areas, including the dining room, living room and kitchen, overlook the courtyard and the pond that runs along its back edge.

Bamboo clad house in the Philippines by Atelier Sacha Cotture

An outdoor dining area is sheltered beneath a walkway that connects the study on the first floor with a garden on the garage roof.

Bamboo clad house in the Philippines by Atelier Sacha Cotture

The first floor can be reached by a staircase made from wooden treads that cantilever from the wall of the living room. A family room and two bedrooms are also contained on the first floor, with another staircase featuring a vertical bamboo screen ascending to the top storey.

Bamboo clad house in the Philippines by Atelier Sacha Cotture

The master bedroom on the top floor has a wall made from a mosaic of coconut bark tiles and sliding doors which lead onto a terrace that wraps around the corner and houses a separate salon.

Photography is by Luca Tettoni.

Here’s a project description from the architects:


House in Parañaque

Location

The house is located in the residential subdivision of Better Living in Paranaque City, Metro Manila. The area features a low density neighbourhood of houses and low rise buildings.

Ground floor plan of Bamboo clad house in the Philippines by Atelier Sacha Cotture
Ground floor plan – click for larger image

Program

The program is a 465sqm family house on a 360sqm lot. The entrance foyer, garage and service area face the access road while dining, living room and kitchen overlook the private courtyard. The first floor hosts a family room and a private quarter with two bedrooms along with a guest-office room with access to a roof garden. The master bedroom occupies the second floor with its own salon, changing room and bathroom.

Planning

The house has 250sqm of landscaped courtyard, accessible roof garden and terrace.The courtyard solution has been chosen for its qualities of efficiency and privacy. This typology has been widely used during Spanish colonial era here in the Philippines.

First floor plan of Bamboo clad house in the Philippines by Atelier Sacha Cotture
First floor plan – click for larger image

Materials

Bamboo is the chosen material for this project. It is a low cost and sustainable material that grows intensively locally. This material has been historically used in the country for the fabrication of handicrafts, native architecture and utilitarian objects.The bamboo poles are treated against moulds and pests then stained and varnished. They are protected by ledges that also prevent the direct sunlight from penetrating into the house, while on the top floor the layers of bamboos are doubled.

The courtyard is bordered by a pond running all its length with a vertical water feature facing the living and dining room. Small shells and crushed Adobe stone are incrusted into the render. At night, the wall lighted up from the pond.

Second floor plan of Bamboo clad house in the Philippines by Atelier Sacha Cotture
Second floor plan – click for larger image

The base of the main house and the entrance foyer is clad with Araal, local granite. All windows, cabinets and beds have been designed and fabricated with Mahogany wood, also available locally.

Stones for the bathrooms and living room come from the nearby island of Romblon. There is also a wall featured made of coconut bark in the master bedroom. Capiz is used for most of the lamps.

Section of Bamboo clad house in the Philippines by Atelier Sacha Cotture
Section – click for larger image

Energy

Electricity is partially provided by solar panels placed on the top roof.

Completion date: June 2011
Land area: 360sqm
Project area: 465sqm
Client: Private
Address: 95 Luxembourg St., Better Living subd. Paranaque City, Philippines
Styling and furnishing: Milo Naval

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Criss-crossing wooden beams fill a void inside Studio Aula’s Cocoon House

A grid of chunky timber beams criss-crosses a void between the ground and first floors to allow light to circulate in this Studio Aula-designed house in Shiojiri, Japan (+ slideshow).

Cocoon House by Studio Aula

The client asked local firm Studio Aula to design a house in a typical urban neighbourhood that integrates traditional Japanese elements and makes the most of the existing garden.

Cocoon House by Studio Aula

A narrow plot informed the elongated footprint of the building, which also incorporates a ground-floor bedroom that projects out in front to accommodate the client’s elderly mother.

Cocoon House by Studio Aula

This bedroom helps to shield a secluded garden containing an old pine tree, as well as a series of stepping stones that create a pathway to the front door.

Cocoon House by Studio Aula

The entrance sits on a raised concrete plinth, which also supports a small wooden deck sheltered beneath a balcony and the house’s eaves.

Cocoon House by Studio Aula

A sliding door with vertical slits allows light and breezes to enter the interior and leads to a long corridor lined on one side with built-in storage.

Cocoon House by Studio Aula

The corridor continues from the entrance past the living area to a covered porch and parking space at the back of the property.

Cocoon House by Studio Aula

As the rear of the property faces a road, the architects built a storage space with a wall of slatted timber that references traditional Japanese screens and restricts views from the street.

Cocoon House by Studio Aula

“We created a multipurpose entrance to the north and the south garden that functions as a corridor and a storage space but also becomes a public space to connect inside with outside and to greet visitors,” the architects explained.

Cocoon House by Studio Aula

On the other side of the corridor is the open-plan living, kitchen and dining area, which can be screened off from the hallway by sliding across a door fitted with translucent panels.

Cocoon House by Studio Aula

The solid wooden beams form a geometric grid above this space, supporting bedrooms on the first floor.

Cocoon House by Studio Aula

Light enters this floor through windows and glazed balcony doors. It permeates the central void and the slatted balustrades and floors surrounding it.

Cocoon House by Studio Aula

Floors and ceilings throughout the house are made from wood that complements the structural beams and columns and provides a warm contrast to the grey tiles of the entrance corridor and the white walls.

Cocoon House by Studio Aula

Photography is by Ippei Shinzawa.

Ground floor plan of Cocoon House by Studio Aula
Ground floor plan – click for larger image
First floor plan of Cocoon House by Studio Aula
First floor plan – click for larger image
Elevation one of Cocoon House by Studio Aula
Front and side elevations – click for larger image
Elevation two of Cocoon House by Studio Aula
Rear and side elevations – click for larger image

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Bird motifs dotted through monochrome Kiev apartment by Olena Yudina

Interior designer Olena Yudina used a monochrome colour palette for the redesign of this apartment in Kiev, adding glazed brick walls to every room and a recurring bird motif to bring the owners good luck (+ slideshow).

Apartment with the Birds by Olena Yudina has a monochrome material palette

Olena Yudina remodelled the interior of an apartment in a multi-storey residential complex to create the home for her friend’s young family.

Apartment with the Birds by Olena Yudina has a monochrome material palette

White masonry with contrasting dark grouting provides a consistent element throughout the interior, which has a minimal colour palette of white, black, grey tones and warm wood.

Apartment with the Birds by Olena Yudina has a monochrome material palette

Yudina told Dezeen that the birds, which appear in a sculpture, on cushions and as suspended decorations, were included because she believes that “birds bring luck and a feeling of freedom”.

Apartment with the Birds by Olena Yudina has a monochrome material palette

The apartment is divided into private and guest areas, with the bathroom, dressing room, a laundry room and a spare bedroom located off a small corridor.

Apartment with the Birds by Olena Yudina has a monochrome material palette

The rest of the interior is arranged as an interconnected series of rooms that maximises the available space by avoiding the need for further hallways.

Apartment with the Birds by Olena Yudina has a monochrome material palette

Additional glazing between the living room and two balconies was installed in place of solid walls to increase the amount of daylight reaching the interior.

Apartment with the Birds by Olena Yudina has a monochrome material palette

Tall radiators in a graphite grey contrast with the white walls they’re mounted on, helping to enhance the height of the living area.

Apartment with the Birds by Olena Yudina has a monochrome material palette

Wood was used for flooring, furniture and fitted cabinetry to add colour and texture to the simple scheme, while pot plants in the living room provide a natural element with a green accent.

Apartment with the Birds by Olena Yudina has a monochrome material palette

Much of the furniture is freestanding to avoid reducing the available floor and wall space of the rooms. “Though this furniture looks more massive, at the same time it is roomier and gives more usable space to store things,” said Yudina.

Apartment with the Birds by Olena Yudina has a monochrome material palette

The bathroom is entirely clad in grey stone tiles with black details such as the window frame, sink unit structure and a suspended towel rail complementing the taps and bath fittings.

Photography is by Andrey Avdeenko.

The designer sent us this project description:


Apartment with the Birds

From the entrance, apartment divided into two parts: private and guest. In a small corridor are symmetrically situated auxiliary rooms: guest bathroom (closer to the living room), extra dressing room (closer to the bedroom) and compact laundry.

Apartment with the Birds by Olena Yudina has a monochrome material palette

Rest of the space was set aside for the residential room: living room, cabinet, bedroom with dressing and another bathroom. Rooms in an apartment arranged in a circle, one room passes into another; thereby we have avoided lots of small corridors, and living room can be extended by the space of cabinet. We dismantled walls of two balconies and glazed them to make more space and to bring more light to the rooms.

Apartment with the Birds by Olena Yudina has a monochrome material palette

The monochrome range of the apartment – this is on what you firstly pay attention, and perhaps, wins over by its evenness and emphasis this apartment. The main colors we used in interior are black, perfect white, gradation of grey and rare speckles of green – wooden texture looks great in such an environment (variation on the theme of eco).

Apartment with the Birds by Olena Yudina has a monochrome material palette

Fragmentary, there is brickwork in every room, which can be controversial as an idea, but in whole it connects all the rooms in one space. Also we made graphite radiators on the white background – looks very effective, by such contrasting verticals we wanted visually to extend the space, for the same reason we have overstated doorways. The furniture is minimized and looks extremely simple.

Apartment with the Birds by Olena Yudina has a monochrome material palette

The apartment looks very clean, restrained and minimalistic, there are not lots of details, but it still not rid of them – everything is pertinently. Together with foreign furniture manufactures there are represented Ukrainian brands: Zuccheti/KOS, Meridiani, Arbonia, La Lampe Gras, Odesd2 (Kiev), LoveMosaic (Kiev), SwetaYaremko(Kiev), Gizmo(Lviv).

Location: Ukraine, Kiev
Total area: 124 sq.m.

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Pascal Flammer’s House in Balsthal features wooden braces and a circular window

This house in northern Switzerland, by local architect Pascal Flammer, frames views of a vast rural landscape through round and rectangular windows, as well as through entire walls of glazing (+ slideshow).

House in Balsthal by Pascal Flammer

Located between a wheat field and a thicket of woodland, House in Balsthal is an archetypal wooden cabin with a steeply pitched roof and overhanging eaves, but also integrates modern touches such as full-height glazing and flush detailing.

House in Balsthal by Pascal Flammer

Pascal Flammer specified timber for the building’s structure, cladding and joinery. Externally, the wooden surfaces are stained black, while inside the material is left uncoloured to show its natural grain.

House in Balsthal by Pascal Flammer

Criss-crossing timber braces support the structure and are visible from both inside and outside.

House in Balsthal by Pascal Flammer

The base of the house is sunken into the earth by 75 centimetres, allowing the surrounding ground level to line up with the bottom of windows that surround the building’s lower storey.

House in Balsthal by Pascal Flammer

“In this space there is a physical connection with the nature outside the continuous windows,” explained Flammer.

House in Balsthal by Pascal Flammer

A large fuss-free space accommodating a kitchen, living room and dining area occupies this entire floor. Cupboards built into the walls create an uninterrupted surface around the edges and can function as worktops, desks or seating.

House in Balsthal by Pascal Flammer

While this storey features noticeably low ceilings, the bedroom floor above comes with angular ceilings defined by the slope of the roof. “The height defines the space,” said Flammer.

House in Balsthal by Pascal Flammer

The upper floor is divided up evenly to create three bedrooms and a bathroom. Each room has one glazed wall, but the round window also straddles two rooms to create semi-circular apertures.

House in Balsthal by Pascal Flammer

“Whereas the ground floor is about connecting with the visceral nature of the context, the floor above is about observing nature – a more distant and cerebral activity,” added Flammer.

House in Balsthal by Pascal Flammer

A spiral staircase winds up through the centre of the building to connect the two floors with a small basement level underneath.

House in Balsthal by Pascal Flammer

Photography is by Ioana Marinescu.

House in Balsthal by Pascal Flammer
Site plan – click for larger image
Ground floor plan of House in Balsthal by Pascal Flammer
Ground floor plan – click for larger image
House in Balsthal by Pascal Flammer
Ground floor plan – click for larger image
House in Balsthal by Pascal Flammer
First floor plan – click for larger image
House in Balsthal by Pascal Flammer
Long section – click for larger image
House in Balsthal by Pascal Flammer
Cross section – click for larger image
House in Balsthal by Pascal Flammer
Side elevation – click for larger image

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Timber-clad House M-M by Tuomas Siitonen wraps around a sheltered garden

This wooden home in Helsinki by Finnish architect Tuomas Siitonen has a roof that dips in the middle to allow views across it and a kinked plan that wraps around a secluded garden (+ slideshow).

Timber-clad House M-M by Tuomas Siitonen wraps around a sheltered garden

Constructed on a sloping plot in the garden of a house occupied by the client’s parents, the building was designed by Siitonen to provide two separate apartments – one for a couple and their two children, and another for the children’s great-grandmother.

Timber-clad House M-M by Tuomas Siitonen wraps around a sheltered garden

The ground floor contains an accessible apartment for the great-grandmother, while a larger apartment for the family occupies the two upper storeys.

Timber-clad House M-M by Tuomas Siitonen wraps around a sheltered garden

“The brief was to design an inspiring and environmentally sensible house incorporating a separate flat for a grandmother, or for example to be used by one of the children in the future,” Siitonen told Dezeen.

Timber-clad House M-M by Tuomas Siitonen wraps around a sheltered garden

The new house’s plan kinks to accommodate the contours of the site and to wrap around the garden it shares with the existing hundred-year-old property, increasing privacy while maintaining a connection with its neighbour.

Timber-clad House M-M by Tuomas Siitonen wraps around a sheltered garden

On the other side, the building presents a closed facade to a nearby road and railway, while its height allows views from the upper floors and balcony.

Timber-clad House M-M by Tuomas Siitonen wraps around a sheltered garden

“The plot was a north-facing slope, so I wanted to build something that rises up to provide light and views,” said Siitonen.

Timber-clad House M-M by Tuomas Siitonen wraps around a sheltered garden

“The slope faces a busy road and a railway, which is why the house is more closed on that side and opens up towards the garden, making a small sheltering turn that follows the slope to make the terrace feel more intimate and to take the garden into the house.”

Timber-clad House M-M by Tuomas Siitonen wraps around a sheltered garden

Siberian larch cladding covers the building’s exterior. It will turn grey over time and Siitonen said it was chosen to reflect the house’s natural setting.

Timber-clad House M-M by Tuomas Siitonen wraps around a sheltered garden

As well as the accessible self-contained apartment, the ground floor contains utility areas and a sauna.

Timber-clad House M-M by Tuomas Siitonen wraps around a sheltered garden

Upstairs is an open plan living and dining area incorporating a custom-made kitchen built from flamed birch.

House-M-M-by-Tuomas-Siitonen_dezeen_9

Large windows look out onto a large wood-lined terrace perched among the treetops that can be heated by a fireplace that backs onto another one inside the living room.

Timber-clad House M-M by Tuomas Siitonen wraps around a sheltered garden

Another staircase leads past windows that look out over the treetops to a mezzanine that is intended to give the space the feel of a treehouse, and on to the master bedroom housed in the loft.

Timber-clad House M-M by Tuomas Siitonen wraps around a sheltered garden

Sustainability measures were a key part of the clients’ brief and informed the use of wood throughout the project and the use of a ground-sourced heat pump and underfloor heating that removes a need for radiators.

Timber-clad House M-M by Tuomas Siitonen wraps around a sheltered garden

Exterior photography is by Tuomas Uusheimo. Interior photography is by Maija Luutonen.

Here’s a text about the project by Martta Louekari:


 House M-M, Helsinki, Finland

Someone should pick the children up from day-care; the grandparents would appreciate a visit; who’d have time to cook and help with the homework? What if the whole family lived together, on the same plot, even under the same roof?

Timber-clad House M-M by Tuomas Siitonen wraps around a sheltered garden
Site plan – click for larger image

Actors Vilma Melasniemi and Juho Milonoff wanted a home where the entire family, including grand- parents and great-grandmother could spend their time together. They were looking for space for the family and friends to be together, but also for the chance for everyone to have some privacy and their own room. That way the grandparents could help with childcare and great-grandmother would have company and a feeling of security.

Timber-clad House M-M by Tuomas Siitonen wraps around a sheltered garden
Ground floor plan – click for larger image

A place was found on the plot of mother Vilma’s parents’ home in Helsinki’s Oulunkylä. The location of the 100-year-old house – in a garden of apple and lilac trees with a steep north-facing slope – imposed its own demands on the design. What was wanted was a house that would be contemporary and yet homely and full of character, that would respect its surroundings and the site’s natural features but would still constitute a clearly self-contained whole.

Timber-clad House M-M by Tuomas Siitonen wraps around a sheltered garden
First floor plan – click for larger image

The new home was designed with two apartments. The lower storey is a level-access studio-apartment for Vilma Melasniemi’s 91-year-old grandmother. The ground floor also includes sauna and utility spaces.

Timber-clad House M-M by Tuomas Siitonen wraps around a sheltered garden
Second floor plan – click for larger image

The 120 square-metre apartment upstairs is the home of Vilma Melasniemi and Juho Milonoff and their 8 and 11-year-old children. The upstairs is comprised of a large reception room and a kitchen, made to measure in flamed birch, that serve as the whole family’s living space. In the summer this extends effortlessly outdoors via a large terrace.

Timber-clad House M-M by Tuomas Siitonen wraps around a sheltered garden
Long section – click for larger image

The three-storey building sits comfortably on the slope, the large windows bringing in the green outside and creating a feel of a tree house. The tree house-like atmosphere is enhanced by the loft space situated over the kitchen and the stairs leading to the master bedroom with its view over the tree tops. The exterior of Siberian larch changes with the seasons and will gradually turn grey.

Timber-clad House M-M by Tuomas Siitonen wraps around a sheltered garden
West elevation – click for larger image

Mother Vilma Melasniemi’s parents continue to live in their wooden villa on the same plot. Because the roof of the new building dips in the middle, it does not affect the familiar view from the villa to the rising slope across the plot. The footprint of the new-build follows the shape of the slope and creates a bend making the garden more intimate and shielding it from the public roadway.

Timber-clad House M-M by Tuomas Siitonen wraps around a sheltered garden
South elevation – click for larger image

One important consideration was the building’s ecological sustainability. Most of the building is made of wood. The building has floor heating coupled to ground-source heat so stand-alone radiators are not necessary. The energy needed for cooling in the summer also comes from ground-source heat. Because of its large south facing roof space, in the future it will also be possible to make good use of solar energy.

Timber-clad House M-M by Tuomas Siitonen wraps around a sheltered garden
East elevation – click for larger image

“The large windows bring light and warmth right into the house. The exterior doesn’t need maintenance and the open fireplace heats up with wood from our own plot. We travel to work and into town by train. We believe these are sustainable solutions. One good home in a lifetime is enough!” says Vilma Melasniemi.

Timber-clad House M-M by Tuomas Siitonen wraps around a sheltered garden
North elevation – click for larger image

Finland’s baby-boomer generations are ageing; a demographic peak of 65 to 74-year-olds is expected in 2020, and there is already a shortage of care-home places and staff. The working day is long and school-age children are often forced to spend afternoons either at after-school clubs or home alone. Well-designed models for multi-generational living and functional architecture can help meet these challenges in the future.

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Maine residence by Bruce Norelius Studio reveals its age with a fading cedar facade

Cedar shingles typical to New England houses have gradually faded from warm beige to a soft greyish brown on the walls of this residence in Maine by Los Angeles office Bruce Norelius Studio (+ slideshow).

Maine residence by Bruce Norelius Studio reveals ageing with a fading cedar facade
Recent photograph of the house, courtesy of Kelly Bellis

Bruce Norelius Studio completed House on Punkinville Road in 2008 for a couple looking for a change of lifestyle as well as a new residence. Five years on, the pair say the best quality of the house is its adaptability to the changing seasons.

Maine residence by Bruce Norelius Studio reveals ageing with a fading cedar facade
Recent photograph of the house, courtesy of Kelly Bellis

“During a snowstorm, we don’t watch the storm, we’re inside the storm,” said the client. “The amount of glass and the way the glass is placed takes every advantage of the site. And the sun is a constant presence.”

Maine residence by Bruce Norelius Studio reveals ageing with a fading cedar facade

He continued: “As the light changes from hour to hour, from room to room, from season to season, it changes the rooms. The living area is not the same room at sunset as it was at sunrise, nor is it the same in winter as it is in the spring.”

Maine residence by Bruce Norelius Studio reveals ageing with a fading cedar facade

Located several kilometres inland from Smelt Cove, the house sits on an elevated site surrounded by juniper trees and blackberry bushes. A concrete base grounds the structure into the landscape, while the main walls are all clad with the humble cedar shingles.

Maine residence by Bruce Norelius Studio reveals ageing with a fading cedar facade

“It’s gratifying to know the clients are enjoying life here, even during the harsh Maine winters,” said the architects. “The facades are simple, confident and holding true, telling their time naturally, which is a narrative we continue to embrace in our work.”

Maine residence by Bruce Norelius Studio reveals ageing with a fading cedar facade

The building is primarily made up of two rectilinear volumes stacked over one another to create an L-shaped plan. This creates a sheltered driveway at ground level and a generous roof terrace on the first floor.

Maine residence by Bruce Norelius Studio reveals ageing with a fading cedar facade

Proportions were based around a prefabricated window module, which is used throughout. Combined with a specification for a simple timber structure, this design concept allowed the architects to deliver the project on a low budget.

Maine residence by Bruce Norelius Studio reveals ageing with a fading cedar facade

The interior layout was also kept as simple as possible, with a pair of bedrooms and bathrooms on the ground floor and an open-plan living, dining and kitchen space above.

Maine residence by Bruce Norelius Studio reveals ageing with a fading cedar facade

Photography is by Sandy Agrafiotis, apart from where otherwise indicated.

Here’s a project description from Bruce Norelius Studio:


House on Punkinville Road

The genesis of this project came from the clients, a couple who had lived many years in a treasured 19th century cape, and who sought a significant change in lifestyle. Their deep appreciation of that cape and its particular relationship with its site made them realise that their new site – a spectacular inland promontory on ledge, juniper and blueberries with extensive views – required a very different architectural solution.

Maine residence by Bruce Norelius Studio reveals ageing with a fading cedar facade

The concept that evolved was a perpendicular stacking of two simple volumes. This allowed a relatively small footprint on a pristine site, and also created useful negative space – a carport below, and an expansive deck above. Furthermore, it guaranteed that the house took advantage of the entire site, ensuring each space its own particular, appropriate relationship to sun, passive solar gain, and views.

Maine residence by Bruce Norelius Studio reveals ageing with a fading cedar facade

The plan is simple and rigorous, based on the module of a single prefabricated window unit that is used throughout. The entirely-wood structural system was edited and refined to allow speed and clarity in the construction process.

Maine residence by Bruce Norelius Studio reveals ageing with a fading cedar facade

The sober expression of the house responds intentionally to the climatic demands of the site, and is clad humbly in white cedar shingles, the most traditional of New England building materials, and exactly what was used on that cape built a century and a half ago.

Ground floor plan of Maine residence by Bruce Norelius Studio reveals ageing with a fading cedar facade
Ground floor plan – click for larger image

The priority on the interior was to create calm spaces deeply influenced by the seasons and weather. A remarkably low construction cost was achieved because of the clients’ ability to prioritise goals, the design team’s search for simplicity in both aesthetics and construction techniques, and the builder’s ability to propose alternative, less expensive solutions for aspects of the building.

First floor plan of Maine residence by Bruce Norelius Studio reveals ageing with a fading cedar facade
First floor plan – click for larger image

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OMA plans San Francisco skyscraper

News: architecture firm OMA is working on designs for a 167-metre skyscraper on Folsom Street in San Francisco.

OMA has teamed up with property developer Related California and non-profit organisation Tenderloin Neighborhood Development Corporation to plan the tower as part of a residential development offering a mix of homes for sale and rent, of which 27 percent will be affordable.

Led by OMA partner Shohei Shigematsu, the design also features a pair of podium buildings and a row of townhouses.

The development will be constructed on a city-owned plot between First Street and Fremont Street – one of 11 sites being sold off to pay for the $4.2 billion Transbay Transit Centre housing development nearby.

The OMA team is understood to have offered San Francisco’s Office of Community Investment and Infrastructure $72 million for the plot, coming in ahead of bids from developers Millennium Partners and Golub & Co.

The project is OMA’s second recent appointment in California, following a commission for a major mixed-use public building for downtown Santa Monica.

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Franco-Prussian war site hosts block of flats by Guérin & Pedroza Architects

A seven-storey block of flats by Guérin & Pedroza Architects is the latest addition to a project transforming the site of a nineteenth century fort outside Paris into a new residential district (+ slideshow).

Franco-Prussian war site hosts block of flats by Guérin & Pedroza Architects

The Issy-les-Moulineaux fort was one of 16 built around the French capital between 1841 and 1845 that played a part in protecting the city from Prussian invasion. It became wasteland after it was decommissioned and was bought from the Ministry of Defence by the local government in 2010.

Franco-Prussian war site hosts block of flats by Guérin & Pedroza Architects

Public facilities were built, including fitness trails, a swimming pool and a bowling pitch for future occupants, and further plots sold on to a series of developers.

Franco-Prussian war site hosts block of flats by Guérin & Pedroza Architects

Parisian firm Guérin & Pedroza‘s contribution, situated in the northern part of the fort with views over eastern Paris, is one of four blocks built by developer Bouygues Immoblier as part of the project.

Franco-Prussian war site hosts block of flats by Guérin & Pedroza Architects

The shape of the block respects the original outline specified by over-arching masterplanners Architecture Studio.

Franco-Prussian war site hosts block of flats by Guérin & Pedroza Architects

It contains 74 flats, ranging from studios to five bedroom homes, arranged along central corridors. Rather than create uniform volumes, the architects made each flat unique by hollowing out or filling in the facades to create balconies, loggias and terraces.

Franco-Prussian war site hosts block of flats by Guérin & Pedroza Architects

Each intervention is clad in a gold material to make it stand out further.

Franco-Prussian war site hosts block of flats by Guérin & Pedroza Architects

Hot water and heating is provided using geothermal energy provided by a 700-metre-deep well and heat pumps, and waste collection is also handled underground with a pneumatic removal system.

Franco-Prussian war site hosts block of flats by Guérin & Pedroza Architects

Photography is by Paul Kozlowski.

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Project description 

A contemporary history

During the period of the Prussian invasions, the politician Adolphe Thiers erected defensive walls around Paris named after him. Between 1841 and 1845, 16 forts were built around the city. One after the other, they lost their military status. Among these military wastelands, the Issy-les-Moulineaux fort, known today as the “Digital fort”, an eco-district project carried out notably by Bouygues Immobilier. This grouping gathers 18 blocks of residential flats, a day nursery and two school complexes.

Franco-Prussian war site hosts block of flats by Guérin & Pedroza Architects

Concerning leisure, the curtains have been recycled into two-kilometre-long fitness trails; a swimming pool and a bowling pitch have also been created. If the programme has somehow been thought as a garden of Eden, the developers have meant to give digital touch with a systematic optical fibre cabling of the buildings and home automation.

Franco-Prussian war site hosts block of flats by Guérin & Pedroza Architects

An ellipse to fill in

Within this multi-authors programme, the building lies within a wider urban project with various authors. The general plan of the fort and of thus the shape of the blocks was designed by the French team of Architecture Studio which won the 2000 competition. Guerin & Pedroza chose to respect that shape while giving it a strong identity. The seven-storey building has 74 flats —from studio to five-bedroom— arranged along central corridors. The bigger ones are duplexes.

Franco-Prussian war site hosts block of flats by Guérin & Pedroza Architects

The situation of the villa in the northern part of the fort, along a north/south axis, offers a special view on the east of Paris and opens widely to the south on orchard. Each flat is made specific by hollowing out or filling in the façades. Thus, the orientations either follow the original geometry of the building or that of new the openings.

Franco-Prussian war site hosts block of flats by Guérin & Pedroza Architects

A precious and useful touch

A series of polymorphous inclusions make the regularity of the general plan more dynamic. A bright golden cladding adds value to those spaces carved into the white volume. It stages the balconies, loggias and terraces where the inhabitants will enjoy the outer living areas. At sunrise and sunset, lights and reflections will be enhanced for the pleasure of the users.

Franco-Prussian war site hosts block of flats by Guérin & Pedroza Architects

About environment

Four hectares out of twelve are dedicated to green spaces and most notably an orchard that counts 350 trees spread around the villas. Concerning sustainable development, two 700-metre-deep geothermal wells have been set and cover 78% of the production of hot water and heating needed for the whole fort. A pneumatic waste collection system gathers all the rubbish into two spots at the entrance of the fort, thus avoiding trucks within the site. Besides, all the flats located on the ground floor enjoy a private garden.

Franco-Prussian war site hosts block of flats by Guérin & Pedroza Architects

Technical details

Programme: 74 low-energy flats (studio to 5-bedroom)
Location: Issy-les-Moulineaux (Hauts-de-Seine, France)
Client: Bouygues Immobilier
Architects: Guérin & Pedroza Architects
Collaborators: F.Mouly and S. Videment
Builder: Bouygues Bâtiment
Total surface area: 4016m2
Material used: Concrete structure, aluminium clapboard cladding, thermo-lacquered aluminium railing, thin coating over external wall insulation, and white PVC exterior window and door frames.
Cost: 7,23 millions euros off tax

Franco-Prussian war site hosts block of flats by Guérin & Pedroza Architects
Fort masterplan – click for larger image
Franco-Prussian war site hosts block of flats by Guérin & Pedroza Architects
Site plan – click for larger image
Franco-Prussian war site hosts block of flats by Guérin & Pedroza Architects
Ground floor plan – click for larger image
Franco-Prussian war site hosts block of flats by Guérin & Pedroza Architects
First floor plan – click for larger image
Franco-Prussian war site hosts block of flats by Guérin & Pedroza Architects
Second floor plan – click for larger image
Franco-Prussian war site hosts block of flats by Guérin & Pedroza Architects
Third floor plan – click for larger image
Franco-Prussian war site hosts block of flats by Guérin & Pedroza Architects
Fourth floor plan – click for larger image
Franco-Prussian war site hosts block of flats by Guérin & Pedroza Architects
Fifth floor plan – click for larger image
Franco-Prussian war site hosts block of flats by Guérin & Pedroza Architects
Sixth floor plan – click for larger image
Franco-Prussian war site hosts block of flats by Guérin & Pedroza Architects
Section – click for larger image
Franco-Prussian war site hosts block of flats by Guérin & Pedroza Architects
Section – click for larger image
Franco-Prussian war site hosts block of flats by Guérin & Pedroza Architects
Exploded diagram of facade – click for larger image

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Angular balconies stretch towards sunlight at North Star Apartments by Nice Architects

This social housing block in Slovakia by Bratislava studio Nice Architects features a series of protruding balconies that angle towards sunlight whilst blocking out the noise of car traffic below (+ slideshow).

Angular balconies stretch towards sunlight at North Star Apartments by Nice Architects

Nice Architects shaped the balconies in accordance with the sun’s trajectory across the facade of the four-storey North Star Apartments building, which is located in Senec, a small town outside of Bratislava.

Angular balconies stretch towards sunlight at North Star Apartments by Nice Architects

The architects were tasked with creating social housing situated on a busy street that would be visually appealing but came at a low cost – €500 Euros per square metre.

Angular balconies stretch towards sunlight at North Star Apartments by Nice Architects

“The goal was to enrich this locality and create an iconic, easy to remember and original building, as an opposite to the patchy and chaotic surrounding development,” said architect Tomas Zacek.

Angular balconies stretch towards sunlight at North Star Apartments by Nice Architects

The building’s location, opposite the town’s observatory and perfect north-south orientation inspired the architects to name the building after the famous star.

Angular balconies stretch towards sunlight at North Star Apartments by Nice Architects

“North Star is not only the brightest star on the northern hemisphere, it was traditionally used for high seas navigation,” explaned Zacek.

Angular balconies stretch towards sunlight at North Star Apartments by Nice Architects

The building contains nine one-bedroom apartments across its three upper storeys, while five small shops occupy the ground floor.

Angular balconies stretch towards sunlight at North Star Apartments by Nice Architects

Each apartment features one of the angular balconies, which protrude from the all-white facade at different lengths.

Angular balconies stretch towards sunlight at North Star Apartments by Nice Architects

The top corner of every balcony is exposed to the south, reflecting the sun’s rays into the apartments. As the sun traverses the front, the shadows alter the appearance of the building depending on what time it is. They also offer seclusion from neighbours.

Angular balconies stretch towards sunlight at North Star Apartments by Nice Architects

The lower sections of each balcony are deliberately enlarged on one side to shelter the space from oncoming traffic.

Angular balconies stretch towards sunlight at North Star Apartments by Nice Architects
Balcony concept diagram

The windows that do not feature the enclosures are fitted with Juliette balconies and a small outer area covered in gravel.

Angular balconies stretch towards sunlight at North Star Apartments by Nice Architects
Scheme concept diagram

All of the windows in the development face directly west, giving residents the opportunity to enjoy sunsets over the local school garden across the street.

Angular balconies stretch towards sunlight at North Star Apartments by Nice Architects
Scheme concept diagram

On the ground floor, the facade is made up of monochrome stripes graduating from black to white to deter graffiti artists.

Angular balconies stretch towards sunlight at North Star Apartments by Nice Architects
Site plan – click for larger image
Angular balconies stretch towards sunlight at North Star Apartments by Nice Architects
Ground floor plan – click for larger image
Angular balconies stretch towards sunlight at North Star Apartments by Nice Architects
Typical floor plan – click for larger image
Angular balconies stretch towards sunlight at North Star Apartments by Nice Architects
Section – click for larger image
Angular balconies stretch towards sunlight at North Star Apartments by Nice Architects
Section – click for larger image
Angular balconies stretch towards sunlight at North Star Apartments by Nice Architects
Front elevation – click for larger image
Angular balconies stretch towards sunlight at North Star Apartments by Nice Architects
Back elevation – click for larger image

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Johnston Marklee’s Vault House frames beach views through multiple arches

A sequence of vaulted ceilings and arched openings sets up layered vistas through the interior of this beach house in Southern California by Los Angeles firm Johnston Marklee (+ slideshow).

Vault House by Johnston Marklee

Johnston Marklee planned Vault House as a twist on the boxy “shotgun houses” that were typical in southern USA until the 1920s. Although the building has a simple rectilinear form, its volume is punctured on all sides by arched windows and recesses.

Johnston Marklee's Vault House frames beach views through multiple arches

The same motif is repeated throughout the interior, creating a series of vaulted doorways, rooms and corridors that conclude with a large framed view of the beach and ocean.

Johnston Marklee's Vault House frames beach views through multiple arches

“With the assembly of stacked and unidirectional vaulted rooms contained within a simple rectilinear volume, the parallel orientation of the rooms acts as a filter that extends the oceanfront view,” said the studio.

Johnston Marklee's Vault House frames beach views through multiple arches

Local planning regulation stipulated that the house needed to be raised two metres above the sand and be collapsible in the event of a tsunami. This allowed the architects to create a split-level two-storey home with a car parking garage slotted underneath at the back.

Johnston Marklee's Vault House frames beach views through multiple arches

An arched entrance leads into the house via a central courtyard that helps light to penetrate the interior, but also creates a natural division between the living spaces at the front and bedrooms at the back.

Johnston Marklee's Vault House frames beach views through multiple arches

Vaulted forms overlap one another throughout these spaces, helping to outline different spaces and frame a number of artworks belonging to the owners.

Johnston Marklee's Vault House frames beach views through multiple arches

“With varied contours and volumes, each vaulted room defines an area or a function in the house. The combined effect is a varied landscape of interior spaces, unified with a singular formal language,” added the architects.

Johnston Marklee's Vault House frames beach views through multiple arches

Outer walls are coated with a cement membrane to protect them from the elements, while floors are finished in limestone. A single staircase connects each level and also leads up to a terrace on the roof.

All photography is copyright Eric Staudenmaier and used with permission.

Here’s the text description from Johnston Marklee:


Vault House
Oxnard, California

Situated in a densely developed beach site in Southern California, the Vault House challenges the typology commonly found on narrow oceanfront lots. Instead of directing its focus on the single prime ocean view, an array of transparent interior spaces layered inside the main volume, offer a multiplicity of oblique views through the house while capturing natural light from a variety of angles.

Site plan of Johnston Marklee's Vault House frames beach views through multiple arches
Site plan – click for larger image

With the assembly of stacked and unidirectional vaulted rooms contained within a simple rectilinear volume, the parallel orientation of the rooms acts as a filter that extends the oceanfront view from the beachfront facade to the west through to the street at the Eastern boundary of the site.

Floor plans of Johnston Marklee's Vault House frames beach views through multiple arches
Floor plans – click for larger image

The house was designed under the restrictions imposed by the California Coastal Commission, which require the main living area to be lifted two meters off the sand, allowing for possible tsunami waves to pass beneath the house.

Sections of Johnston Marklee's Vault House frames beach views through multiple arches
Sections – click for larger image

The garage to the East along the street, in contrast, sits directly on the sand and is designed with walls that collapse under the pressure of tsunami waves. This results in an asymmetrical section, where three floor levels – first floor, split level, second floor – are grouped around a courtyard that serves both as the main entrance to the house and as a central outdoor room.

The courtyard forms the core of the house: it negotiates between the more private rooms on the eastern side of the house and the open and connected areas to the west. In the courtyard, natural light enters in rotating cycles throughout the day and residents can be observed moving throughout the house from this central space.

3D diagram showing the house design of Johnston Marklee's Vault House frames beach views through multiple arches
3D diagram – click for larger images

A single-run stair located along the northern side of the house connects all three levels and leads to a roof deck that offers panoramic views of the beach and the ocean.

With varied contours and volumes, each vaulted room defines an area or a function in the house. The combined effect is a varied landscape of interior spaces, unified with a singular formal language. Similar to the paradigm of a shotgun house, the singular direction of the vaults maximises the visual connection of all spaces within the deep building footprint and incorporates the exquisite exterior landscape of beach, ocean and horizon into the depth of the building.

Sections of Johnston Marklee's Vault House frames beach views through multiple arches
Cross section diagrams – click for larger image

The extreme beach climate with pervasive winds and salty air demanded a simplified, weather resistant material palette. Limestone is used for all floors and as wainscots, both inside and outside, while an elastomeric, cementitious membrane called “Grailcoat” wraps the exterior facade. The membrane eliminates the need for metal flashing and control joints, rendering the facade scaleless and forming an abstract backdrop for the play of light and shadow.

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