Pradenn Social Housing by Block Architects

Balconies shaped like greenhouses project from the facades of these apartment blocks in Nantes by French studio Block Architects (+ slideshow).

Pradenn Social Housing by Block Architects

The trio of seven-storey concrete buildings form a new social housing complex, designed by Block Architects for the La Pelousière area of Nantes, western France.

Pradenn Social Housing by Block Architects

Constructed from aluminium and glass, the balconies protrude from the west and east elevations of the structures and feature gabled profiles modelled on the prototypical shape of a shed or barn.

Pradenn Social Housing by Block Architects

“The general built shape is taken from agricultural typology that existed in the history of the site, a barn at the scale of the landscape,” explained the architects. “The project searches to capture this materiality of the shed, through the use of an industrial cladding material.”

Pradenn Social Housing by Block Architects

Some of the balconies are surrounded by a row of pine slats, creating a small fence that offers some privacy for residents.

Pradenn Social Housing by Block Architects

“A domestic scale is taken from the suburban context close by and integrated by the addition of wood fences and greenhouses borrowed from the garden,” the architects added.

Pradenn Social Housing by Block Architects

The apartments were designed so that each has windows on two different sides of the building, allowing for increased light and ventilation.

Pradenn Social Housing by Block Architects

Folding glass doors lead out to the balconies, which can also be covered using roll-back fabric awnings.

Pradenn Social Housing by Block Architects

Block Architects previously worked on a building clad in multi coloured stripes, derived from the aesthetics of a vegetable farm.

Pradenn Social Housing by Block Architects

Other social housing projects we’ve featured include one with white walls and identical doors and windows, tower blocks referencing 1960s style in São Paulo and a housing development with a facade in different shades of green glass.

Pradenn Social Housing by Block Architects

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Pradenn Social Housing by Block Architects

Interior photography is by Stéphane Chalmeau. Exterior photography is by Nicolas Pineau.

Here’s a project description from the architects:


Pradenn Social Housing

Simple and compact

The brief stands for 89 socials housings, 51 in rental and 38 in accession. The site is in an important development area of the Great Nantes called la Pelousière. The project tries to combine density, mixed-use and comfort for the inhabitants.

Pradenn Social Housing by Block Architects
Site plan – click for larger image

A reinvented landscape

The project is inserted and interacting with its context. A gradation between public and private has been organised through built and landscaped sequences : access ramp, public space, parking on the public space or underneath the buildings, pedestrian path, halls, housings and loggias.

Pradenn Social Housing by Block Architects
Basement plan – click for larger image

The general built shape comes from an agricultural typology, that existed in the site history, a barn at the scale of the landscape. The project searches to catch this materiality of the shed, through the use of an industrial cladding material. This simple and efficient shape also drives the fiction of a large ‘country house’.

Pradenn Social Housing by Block Architects
Ground floor plan – click for larger image

Then, a domestic scale is taken from the close by suburban context and integrated by the addition of wood fences and greenhouses borrowed from the garden. This sample, as a copy / paste process, reminds to the collective the sums of individuals, and shows the residential and individual dimension in a collective building that tries to escape from its usual expression.

Pradenn Social Housing by Block Architects
First floor plan – click for larger image

The three buildings are ‘placed’ on a concrete base, raised from the floor. The space in between is either open, where the parking is, or flanked by vegetated slopes in a continuity of the central plaza, integrating the buildings.

The whole project is a reinterpreted sample of the neighbourhood environment, put at the scale of building.

Pradenn Social Housing by Block Architects
Second floor plan – click for larger image

Comfort and energetic performance

Prior to anything else the housings have been thought from the inside, and in relation to the surrounding nature.

Pradenn Social Housing by Block Architects
Third floor plan – click for larger image

Thus the housings have mainly double exposure, from one side to another or in an angle. Every spaces have been studied to have exterior views and daylight. The greenhouses and their balconies are present in most of the housings, providing a large outside space.

Pradenn Social Housing by Block Architects
Fourth floor plan – click for larger image

The building has a structural principal of concrete walls in between the housings, crossing from one side to another. Being altogether compact and insulated from the outside, the building reaches the performance of the BBC-Effinergie label.

Pradenn Social Housing by Block Architects
Fifth floor plan – click for larger image

Cost: €7,100,000 (not including taxes)
Floor area: 6740 m²
Design: 2010
Completion: 2013

Pradenn Social Housing by Block Architects
Roof plan – click for larger image

Client:  Harmonie Habitat
Architect: Block Architectes
Co-contractors: Guinée*Potin Architectes, Cetrac (engineering), ITAC ( acoustic engineering)

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Alwyne Place by Lipton Plant Architects

This north London house extension by Lipton Plant Architects features a walk-on glass roof that can be accessed by climbing through a window (+ slideshow).

Alwyne Place by Lipton Plant Architects

Local studio Lipton Plant Architects added a two-storey extension to the rear of the Victorian townhouse, transforming the kitchen into an open-plan living space and adding a small office and utility room.

Alwyne Place by Lipton Plant Architects

The architects used blue slate bricks to build the new structure, contrasting against the original brown brickwork of the existing house.

Alwyne Place by Lipton Plant Architects

“The extension has provided a wonderfully modern addition to a beautiful Victorian property and through the dark brick and subtle refined detail, has helped maintain much of the original character of this historic Islington building,” said Lipton Plant Architects.

Alwyne Place by Lipton Plant Architects

“We decided to present our client with the blue brick as it was an appropriate material to use in relation to the host building and provided a contrasting natural colour match to the weathered yellow stock,” they added.

Alwyne Place by Lipton Plant Architects

The upper and lower levels are separated into two distinct halves by a band of horizontal brickwork, usually referred to as a soldier course.

Alwyne Place by Lipton Plant Architects

A small glazed office is positioned above the utility room and can be accessed from the house’s main staircase.

Alwyne Place by Lipton Plant Architects

The roof terrace sits above the living room and can be accessed via a window leading out from one of two existing living rooms.

Alwyne Place by Lipton Plant Architects

“Providing an abundance of light, the glass roof creates the connection between the upper and ground floor formal living room, and then a less formal dining and lounge space below,” said the architects.

Alwyne Place by Lipton Plant Architects

Other London house extensions we’ve featured include an addition to a Chelsea townhouse, a narrow studio with a sloping roof, and a space where a wall of books folds around a staircase.

Alwyne Place by Lipton Plant Architects

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Alwyne Place by Lipton Plant Architects

Here’s a project description from the architects:


Alwyne Place, Islington

Alwyne Place lies within the Canonbury Conservation Area in the heart of Islington, London. The property is a large semi detached, locally listed Victorian villa. The house is of an impressive scale located on a quiet tree-lined street.

Alwyne Place by Lipton Plant Architects

Our clients fell in love with the building’s proportions and location. The building did however require extensive modernisation including the addition of a full width lower ground and part width upper ground floor extension.
The brief was simple, to bring light into the building and restore some of its former historic elegance.

Alwyne Place by Lipton Plant Architects
Lower ground floor – click for larger image

Sitting a little wider than the average similar-sized property in Islington provided the opportunity to introduce large format, thin framed sliding doors across part of the new rear extension elevation. Located above the doors is a large walk-on glass roof with access from the upper ground floor. Providing an abundance of light, the glass roof creates the connection between the upper ground floor formal living room and the less formal dining and lounge space below.

Alwyne Place by Lipton Plant Architects
Upper ground floor – click for larger image

The rear extension works for a number of reasons, the most visually obvious being the choice of material, the Staffordshire Slate Blue Smooth brick. We looked at a number of choices including render, which all too often stains and marks and timber, which would require regular maintenance and is prone to fade with time.

Alwyne Place by Lipton Plant Architects
Section A – click for larger image

We decided to present our client with the blue brick as it was an appropriate material to use in relation to the host building and providing a contrasting natural colour match to the weathered yellow stock. The slate blue brick was chosen for its colour, crisp straight edges and smooth elevation, creating a strikingly beautiful addition to the property.

Alwyne Place by Lipton Plant Architects
Section B – click for larger image

The elevation has been broken into distinct halves, the lower and the upper ground separated by a deep soldier course band. The upper floor office comprises a wrap of frameless glass to the wall and roof flanked by two monolithic brick walls framing the view to the landscaped garden beyond.

Alwyne Place by Lipton Plant Architects
Elevation – click for larger image

To the side, overlooking the roof terrace, sits a long thin window providing natural ventilation to the office. The continuous soldier course above the doors is formed from brick slips fixed to a GRP board fixed back to the structural steel. The underside of the lintel has been clad in the same brick concealing the lintel and reinforcing the overall affect. The brickwork has been sealed with linseed oil to provide further protection and lustre.

Alwyne Place by Lipton Plant Architects
Side elevation – click for larger image

The extension has provided a wonderfully modern addition to a beautiful Victorian property and through the dark brick and subtle refined detail has helped retain much of the original character of this historic Islington building.

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The White Retreat by Colombo and Serboli Architecture

This seaside studio apartment in Barcelona by Spanish studio Colombo and Serboli Architecture has an all-white interior that includes a tiled kitchen and bathroom that can be hidden away (+ slideshow).

The White Retreat by CaSA

Colombo and Serboli Architecture designed the apartment for an art historian and curator who asked for a plain space where he could display his art, music and books.

The White Retreat by CaSA

“The client envisioned a peaceful, open and essential space, furnished with a few carefully selected objects,” said the studio. “In sum, [it is] a peaceful place for introspection, flooded with light.”

The White Retreat by CaSA

The space contains a combined living room and bedroom, with a small kitchenette and bathroom on one side that can be hidden away behind a sliding door and folding panel.

The White Retreat by CaSA

Lighting fixtures are tucked out of sight in the kitchen shelves and around the bathroom, while a light suspended above the window frame illuminates the outdoor space.

The White Retreat by CaSA

The tiled walls are set against dark grey grouting, while other details include white furniture and a resin floor.

The White Retreat by CaSA

A glazed wall comprising a door and several windows leads out onto a shaded outdoor terrace.

The White Retreat by CaSA

Other apartments we’ve featured include a Sao Paulo renovation with cupboards and drawers resembling slices of Swiss cheese, a Ukrainian apartment with a combined bookshelf and stairs and a Barcelona apartment converted from an old laundry space.

The White Retreat by CaSA

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The White Retreat by CaSA

Here’s a project description from the architects:


The White Retreat, Stiges, Spain

The renovation of this 36 square metre apartment came with a defined brief. The client, a French Art historian and curator, professor at the Sorbonne University, came to us with very clear ideas for his small property.

The White Retreat by CaSA

The apartment, located in the city centre of the coast town of Sitges (a few steps from the beach) is completely introverted, facing only an interior courtyard. The lack of views is compensated by silence and light.

The White Retreat by CaSA

The client envisioned a peaceful, open and essential space, furnished with a few carefully selected objects; contemporary artworks, some books, and his records. In sum, a peaceful place for introspection, flooded with light.

The White Retreat by CaSA

An extremely reduced budget asked for simple, inexpensive solutions. The space is conceived through three different blocks: the bathroom/kitchen block, the living/bedroom one and the third, external, the terrace. The last two are extremely permeable, only divided by a large window and a long, oversized louvers one on the bedroom side, both existing elements that were preserved.

The White Retreat by CaSA

The big opening connects a small terrace (11 square meters), unified with the interiors through the use of the continuous white resin flooring and a blank parasol that provides privacy while diffusing the daylight. Indoor and outdoor are therefore connected as a continuous living space.

The White Retreat by CaSA

The Quaderna table (Superstudio 1970), a piece our client desired to incorporate since the project started, inspired the tiles that clad bathroom/kitchen block. The white matte 3x3cm tiles reproduce the table’s grid and are the only texture allowed in the whole project. This block is connected with the living/bedroom area through an opening that reveals the tiles used inside the bathroom.

The White Retreat by CaSA

The same texture was also used inside the kitchen unit, creating a continuous spatial sequence through the consistency of texture, which appears once opened its horizontal book- door. The tiles also disguise the sliding door that leads to the toilet. All containers, such as in the kitchen unit and the closet in the bedroom area, are carefully hidden through the use of white doors.

The White Retreat by CaSA

We took our client’s desire of an all-white space quite literally, to the extreme of choosing this colour for the kitchen sink and all the streamlined taps of kitchen, wash hand basin and shower are matt white (Via Manzoni series by Gessi). All the lighting has been solved through the use of florescent tubes, hidden into the kitchen shelves or displayed like in the bathroom. A line of florescent light suspended on the window frame dividing living and terrace illuminates the indoor and the outdoor space, unifying them. On the outer face of the terrace balustrade, a bright, evergreen, large climber plant covers the wall, defining the threshold of the white space of the project.

The White Retreat by CaSA

The apartment is brought to life through the pieces the client chose. French artist Fabrice Hiber, of which our client is curator, is to perform a graphic piece on one of the walls of the living. A Daniel Riera photo is upon the bed head. Two prints by Cuban artist Félix González-Torres (with the writings “Somewhere Better Then This Place” e “Nowhere Better Then This Place”) are on the bathroom wall. A Hedi Slimane photo, sandwiched in plexiglass became the music table. Next to it, a Muji sofa, futon-like, rigorously white. A military camp table that collapse to form a briefcase and two interweaved raffia wooden chairs from the ’60 furnish the terrace.

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Casa by 2260mm Architects

Following a series of stories about Spanish residences with tiled floors here’s a renovated early twentieth-century house in Barcelona featuring a mixture of old and new tiles.

Casa by 2260mm Architects

Spanish studio 2260mm Architects designed the interior for a family, partially dismantling an old house in the neighbourhood of Gracia. The architects inserted an extra storey and added a tiled courtyard filled with potted plants to bring more light into the ground floor.

Casa by 2260mm Architects

Most of the decorative tiles were retained and surrounded by new, grey tiles, forming the floors of two bedrooms, a kitchen and dining room and the hallways.

Casa by 2260mm Architects

“The tiles are from the early twentieth century and were often used in houses and apartments in Barcelona,” architect Manel Casellas told Dezeen.

“Most of the tiles in the corridor and the bedrooms are located in the original place. In the living room and the kitchen we designed ‘carpets’ with some existing coloured tiles,” he added, explaining the arrangement.

Casa by 2260mm Architects

Part of the roof had to be removed to add the new first floor, providing a bedroom and indoor balcony with wooden floorboards.

Wooden ceiling beams are left exposed on both floors, but are painted white on the first floor.

Casa by 2260mm Architects

Other tiled Spanish apartments we’ve featured include one in Barcelona where floor tiles highlight seating areas, one in Toledo with green patterned ceramics and another in Barcelona with tiles that gradually change from green to red.

See more architecture in Barcelona »
See more architecture and interiors featuring tiles »

Casa by 2260mm Architects

Photography is by Lluís Bernat.

Here’s a short description from the architects:


Casa, Barcelona

A renovation of a ground floor house of the early XX century in Barcelona, partly renovated a few years ago, with ceilings that hide a great height.

Casa by 2260mm Architects
Long section – click for larger image

Although it was dark, its facades face to the street and the inner garden. The project partially disassemble the house and maintains structure and distribution: a new interior courtyard illuminates the ground floor and gives the kitchen some facade.

Casa by 2260mm Architects
Cross section – click for larger image

We added a floor into the existing volume and dismantled part of the roof, pulling some facade back and making a terrace for bedrooms.

Casa by 2260mm Architects
Long section two – click for larger image

We have used a dry construction system, with a new floor of wooden beams, OSB boards, wood fibre insulation and wooden floor. The new facade is isolated from the outside with wood fibreboard. We maintained pre-existing characteristics: interior woodwork and old tiles.

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House in Fujizakura by Case Design Studio

This small house in rural Japan by Tokyo firm Case Design Studio is lifted off the ground on a single central pillar (+ slideshow).

House in Fujizakura by Case Design Studio

Case Design Studio designed the single-storey home for a couple and located it on a sloping site in Yamanashi Prefecture, close to Mount Fuji.

House in Fujizakura by Case Design Studio

A winding pathway leads from the road towards an elevated entrance, which comprises an external staircase that ascends to a balcony.

House in Fujizakura by Case Design Studio

The house centres around a double-height dining room, which is lit from above by a series of clerestory windows.

House in Fujizakura by Case Design Studio

Other rooms are arranged around the outside of the dining room and include a bedroom, kitchen, bathrooms and a traditional Japanese room filled with tatami mats.

House in Fujizakura by Case Design Studio

According to the studio, the rooms were designed to lead into one another in a “migratory flow pattern”, meaning there are “no dead ends”.

House in Fujizakura by Case Design Studio

The Japanese room is raised on a wooden platform and features a large window, offering a view out towards the trees.

House in Fujizakura by Case Design Studio

Flooring elsewhere is concrete and features under-floor heating.

House in Fujizakura by Case Design Studio

Interior walls are painted white, contrasting with the dark timber that lines the inside of the dining room.

House in Fujizakura by Case Design Studio

Other Japanese houses completed recently include one with cantilevered storey, one shaped like a fairytale tower and one with angular cutawaysSee more houses in Japan »

House in Fujizakura by Case Design Studio

Location: Yamanashi Prefecture, Minamitsuru Narusawa village
Character: Fuji
Primary use: Housing (residence)
Residents: Couple

House in Fujizakura by Case Design Studio

Land size: 395 sqm
Construction area: 75 sqm
Total floor area: 67 sqm (20T)
First floor scale: ground

House in Fujizakura by Case Design Studio
Site plan – click for larger image
House in Fujizakura by Case Design Studio
Floor plan – click for larger image

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Khopoli House by SPASM Design Architects

Local basalt stone mixed into the concrete used to construct this holiday home in India helps to connect it with its mountainous site (+ slideshow).

Khopoli House by Spasm Design Architects

Mumbai firm SPASM Design Architects took its cue from the dark tones of the basalt which surrounds the site on a rocky hillside in the Maharashtra region.

Khopoli House by Spasm Design Architects

“We chose to build the house as an accretion on this rocky basalt outcrop with the same inherent material transformed,” the architects said, explaining how they mixed water, sand, cement and granular basalt to cast the thick raw walls.

Khopoli House by Spasm Design Architects

The use of robust concrete for the Khopoli House was dictated by the drastic climatic changes that the region experiences, which include high temperatures in the summer and heavy rainfall during the monsoon season, while natural stone was used for key details like flooring.

Khopoli House by Spasm Design Architects

“Stone has been used in many forms, based on use, wear, grip, texture,” said the architects. “The dark, saturated black matt-ness conjures a cool sense of refuge and calm.”

Khopoli House by Spasm Design Architects

The house perches on the edge of a cliff with views of the distant hills, which are framed by the walls on either side of a vertiginous projecting swimming pool.

Khopoli House by Spasm Design Architects

A cantilevered concrete overhang marks the entrance to the house and creates a sheltered outdoor space with a suspended sofa.

Khopoli House by Spasm Design Architects

The living and dining area is located in a void between the building’s two wings, with blinds enabling this space to be closed off when required.

Khopoli House by Spasm Design Architects

The entrance hall and dark passages give the interior an intimate feel, while a stone-lined staircase leads to a guest bedroom and bathroom buried in the rocky hillside.

Khopoli House by Spasm Design Architects

Other architectural projects that celebrate stone include an apartment block in Iran made from offcuts from a local stonecutting business and a house in England with a sliding stone wall.

Khopoli House by Spasm Design Architects

Mumbai practice WE Design Studio has designed a coastal holiday home built on top of a basalt stone retaining wall with views of the Arabian Sea, while another Mumbai practice, Rajiv Saini + Associates, has created a single-storey house with a scooping cantilevered concrete roof.

Khopoli House by Spasm Design Architects

See more stories about stone »
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Khopoli House by Spasm Design Architects

Here’s some more information from the architects:


The house cast in liquid stone

A second home on a rocky outcrop at the start of the western ghats (highlands), Khopoli, in Maharashtra, India. An area of high precipitation in the monsoons, and equal heat during the summers, the site changes remarkably from March to July, with the onset of the south westerly monsoons.

Khopoli House by Spasm Design Architects

Basalt the local black rock of the region is what this site was about. We chose to build the house as an accretion on this rocky basalt outcrop with the same inherent material transformed. An outgrowth which was made of a mix of water, sand, cement and the granular basalt. Concrete finely honed to serve as refuge, to face the climatic changes that the site offered.

Khopoli House by Spasm Design Architects

The house was conceived as a cast for human occupation, a refuge which trapped the views, the sun, the rain, the air, and became one with the cliff edge it stood on. Akin to the growth of a coral, the substance of the walls and roof dictate the experience of inhabiting the site.

Khopoli House by Spasm Design Architects

Stone has been used in many forms, based on use, wear, grip, texture. The dark, saturated black matt-ness conjures a cool sense of refuge and calm.

Khopoli House by Spasm Design Architects

Photographs cannot express the sense of weight when one approaches, or the sense of release at the edge of the pool at the far end of the open terrace, the feeling of burrowing deeper enroute, past the stacked stones, to the lower bedroom.

Khopoli House by Spasm Design Architects

The house, a cast, an object for living, whatever you may call it, has transformed into a belvedere to minutely observe and sense the spectacle of nature, of shade as a retreat against the sharp tropical sun, the resurgence of life, a sudden BURST of green, when the hard pounding monsoon arrives, the waft of breezes filling the air with the fragrance of moist earth, the movement of stars across the very dark night skies.

Khopoli House by Spasm Design Architects

To heighten the drama of the the site through what we build, without building a dramatic building!

Lead Architects: SPASM Design Architects
Design Team: Sangeeta Merchant, Mansoor Kudalkar, Gauri Satam, Lekha Gupta, Sanjeev Panjabi
Location: Khopoli, Maharashtra, India.
Contractors: IMPEX Engineers, Mumbai
Engineers: Rajeev Shah & Associates (structural)
Site Area: 19,950 sq.mts.
Total Built Area: 638 sq.mts.
Design Period: November 2009 – Oct 2010
Construction Period: May 2011 – May 2013
Photographs: Sebastian Zachariah, Denver, Tanmay, Gauri

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Ermitage Cabin by SEPTEMBRE

This tiny wooden cabin in Sweden contains a sauna and a bedroom with large picture windows that frame views of the surrounding forest (+ slideshow).

dezeen_Ermitage cabin by Septembre Architecture_5

The cabin was designed by Paris studio SEPTEMBRE for a couple who spend their summers on the remote island of Trossö, off the west coast of Sweden.

dezeen_Ermitage cabin by Septembre Architecture_2

It is situated in a clearing just 50 metres from the the North Sea and the architects told Dezeen that their brief was for “a room with a view of the sea,” that gives “the feeling of being immersed in the landscape”.

dezeen_Ermitage cabin by Septembre Architecture_6

The clients also asked that the building “make minimal impact on the surounding nature [so] no trees should be cut down.”

dezeen_Ermitage cabin by Septembre Architecture_4

The cabin is raised off the ground so it sits lightly on the plot and all of the materials used were transported to the site by boat as there are no roads on the island.

dezeen_Ermitage cabin by Septembre Architecture_11

A pitched roof references the vernacular of local fishing huts and also increases the internal volume.

dezeen_Ermitage cabin by Septembre Architecture_7

External walls are made from Swedish spruce that has been painted black. The floorboards are also spruce, while the internal walls and ceiling are clad in plywood.

dezeen_Ermitage cabin by Septembre Architecture_14

A large sliding door leads from a small deck into the bedroom. With the door open, the deck effectively doubles the usable floor space.

dezeen_Ermitage cabin by Septembre Architecture_8

In the bedroom, a mattress is placed at the back of a wooden platform that also acts as a surface for seating.

dezeen_Ermitage cabin by Septembre Architecture_13

Long drawers on castors roll out from underneath the platform to provide storage.

dezeen_Ermitage cabin by Septembre Architecture_17

The sauna is entered through a door at the side of the cabin and contains benches and a window looking out onto the forest.

dezeen_Ermitage cabin by Septembre Architecture_18

Renzo Piano recently completed a tiny cabin designed as a self-sufficient hideaway for a single inhabitant at the Vitra Campus in Weil am Rhein, Germany, while other wooden cabins on Dezeen include an artists’ cabin built on the side of a hill in Nova Scotia and a wood-clad two-storey cabin in Austria.

dezeen_Ermitage cabin by Septembre Architecture_16

We’ve published some unusual saunas on Dezeen, including one with wings like a bird and another that’s hung from a bridge – see more stories about saunas.

dezeen_Ermitage cabin by Septembre Architecture_16
Plan in section
dezeen_Ermitage cabin by Septembre Architecture_18
Long section
dezeen_Ermitage cabin by Septembre Architecture_17
Cross section
dezeen_Ermitage cabin by Septembre Architecture_19
Elevation
dezeen_Ermitage cabin by Septembre Architecture_site plan
Site plan

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Cabanas no Rio by Aires Mateus

Lisbon studio Aires Mateus used only reclaimed timber to construct this pair of waterfront cabins in Grândola, Portugal (+ slideshow).

Cabanas no Rio by Aires Mateus

Named Cabanas no Rio, which translates as cabins on the river, the two rustic structures offer a rural retreat for a pair of inhabitants.

Cabanas no Rio by Aires Mateus

One hut contains a living area, with a simple counter that can be used for preparing food, while the other accommodates a bedroom with a small toilet and sheltered outdoor shower.

Cabanas no Rio by Aires Mateus

Architects Aires Mateus used recycled wooden panels to build the walls, floors, roof and fittings of the two structures, leaving the material exposed both inside and out.

Cabanas no Rio by Aires Mateus

The edge of the roof sits flush with the walls, plus the wood is expected to change colour as it exposed to the weather.

Cabanas no Rio by Aires Mateus

“The wharf is medieval and assembled with wood,” said the architects, explaining their material choice. “Its identity is kept long beyond the material’s resistance, an identity that allows [it] to change, to replace, keeping all the values.”

Cabanas no Rio by Aires Mateus

With a combined area of just 26 square metres, the cabins were both built off-site and transported to the site on the back of a lorry.

Cabanas no Rio by Aires Mateus

Each was then hoisted into place, framing a small wooden deck that leads out onto a jetty.

Cabanas no Rio by Aires Mateus

The Aires Mateus brothers founded their studio in 1988. Past projects by the pair include the stone-clad Furnas Monitoring and Investigation Centre and the nursing home in Alcácer do Sal that was shortlisted for this year’s Mies van der Rohe Award. See more architecture by Aires Mateus »

Cabanas no Rio by Aires Mateus

Other micro homes completed recently include a holiday house in the shape of a cloud and a mobile home on the back of a tricycle. See more micro homes »

Cabanas no Rio by Aires Mateus

Photography is by Nelson Garrido.

Here’s a project description from the architects:


Cabanas no Rio

The wharf is medieval and assembled with wood. Its identity is kept long beyond the material’s resistance. An identity that allows to change, to replace, keeping all the values.

Cabanas no Rio by Aires Mateus

The project develops two spaces: one to unwind with the support of a kitchen integrated in the same material of the walls; other as a sleeping area with a small bathroom and a shower. The construction is entirely finished in reused wood, subjected to the weather that will keep on changing it. The forms, highly archetypal, are designed by the incorporation of the functions in these minute areas, and by the varied inclination of the ceilings that tension the spaces according to their function.

Cabanas no Rio by Aires Mateus

Name of the project: Cabanas no Rio
Location: Comporta, Grândola, Portugal
Construction Surface: 26m²

Cabanas no Rio by Aires Mateus

Authors: Manuel e Francisco Aires Mateus
Coordination: Maria Rebelo Pinto
Collaborators: Luz Jiménez, David Carceller
Client: João Rodrigues

Cabanas no Rio by Aires Mateus
Floor plan

Structure: Cenário Perfeito
Electricity: Cenário Perfeito
Construtor: Cenário Perfeito

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Eaton Terrace by Project Orange

Architecture and interior design studio Project Orange have renovated and extended a home in central London to provide more practical spaces for a family that hosts a monthly dining club (+ slideshow).

Eaton Terrace by Project Orange

East London-based practice Project Orange moved the principle kitchen to the first floor so it is next to the dining room where the family entertain their guests.

dezeen_Eaton Terrace by Project Orange_10

The new dining room features tables that can be arranged to accommodate different numbers of guests and built-in shelves at one end continue above the door on the perpendicular wall.

Eaton Terrace by Project Orange

Utilitarian, off-the-shelf products are used to furnish the kitchen, resulting in a practical space that is customised to the needs and tastes of the homeowners.

dezeen_Eaton Terrace by Project Orange_2

The architects also designed an infill extension at the rear of the property that houses a smaller kitchen with a large skylight.

Eaton Terrace by Project Orange

Floorboards removed when new underfloor heating was laid have been reused on the walls and work surfaces in the downstairs kitchen.

dezeen_Eaton Terrace by Project Orange_4

Partitions were introduced on the ground floor to create a small office and a snug, while the basement has been repurposed as living quarters for the family’s son and bedrooms, a master bathroom and another study are located on the second floor.

Eaton Terrace by Project Orange

Project Orange have also extended a redundant brick warehouse in Sheffield, England, by placing a contrasting black steel volume on top of building.

dezeen_Eaton Terrace by Project Orange_3

Recent residential extensions on Dezeen include an addition to a single-storey house in Melbourne, Australia, with a translucent roof that looks like a lightbox, and an extension in Dublin, Ireland, covered in terracotta tiles that resemble brickwork – see more residential extensions.

Photography is by Jack Hobhouse.

Here’s a project description from the architects:


Eaton Square house renovation

The client for Eaton Terrace runs a monthly dining club from their home in central London, and our brief was therefore not only to design a small extension providing more living space for the family, but to also reconfigure the existing house to better accommodate guests.

The key move was to shift the kitchen to the first floor alongside the dining room and reintroduce partitions at ground floor level to create an office and snug.

To the rear of the house we designed an infill extension with a huge rooflight to form a new day room. Bedrooms, the master bathroom and a second study are found on the second floor, with the basement re-designated as the son’s quarters.

Eaton Terrace by Project Orange

An original extension off the main stair contains a guest WC and second bathroom at half landings.

Both the kitchen and built-in furnishings have been carefully designed using standard products but with detail nuances introduced to help provide a bespoke and more quirky aesthetic.

A new underfloor heating installation requires the removal of the existing floorboards, which in turn are inventively re-used in the ground floor kitchen and a bespoke door lining to the dining room.

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Alley by Apollo Architects & Associates

Japanese studio Apollo Architects and Associates arranged the spaces of this tall, angular house in Tokyo to frame views of the nearby Skytree observation tower (+ slideshow).

Alley House by Apollo Architects & Associates

Located on an irregularly shaped site at the end of a narrow street, the three-storey Alley house centres around a four-storey stair tower, leading residents to a roof terrace with a view across the city skyline.

Alley House by Apollo Architects & Associates

Apollo Architects and Associates planned the residence for a family of four, adding bedrooms and bathrooms on the top and bottom floors, and sandwiching a large kitchen and dining room on the middle storey.

Alley House by Apollo Architects & Associates

A split level creates a natural divide between the kitchen and family dining table, which is designed around a sunken space so that diners have to climb inside.

Alley House by Apollo Architects & Associates

Large windows line this corner of the building to frame views of the 634-metre observation tower beyond. “People can relax while enjoying the gorgeous view of Tokyo Skytree,” explained architect Satoshi Kurosaki.

Alley House by Apollo Architects & Associates

A metal staircase rises up through the tower to connect the floors. More windows bring sunlight into this stairwell, plus open treads allow it to spread through the building.

Alley House by Apollo Architects & Associates

On the ground floor, sliding doors open a guest bedroom out to the entrance hall, creating a multi-purpose reception room.

Alley House by Apollo Architects & Associates

“By sitting on the edge of the intermediate space, a sense of unity with the entrance hall can be felt, and this reminds us of good old Japanese houses,” said the architect.

Alley House by Apollo Architects & Associates

A wooden frames gives the house its structure and is revealed by exposed ceiling beams on each floor.

Alley House by Apollo Architects & Associates

The exterior is clad with galvanised steel and coloured brown to blend in with the surrounding buildings.

Alley House by Apollo Architects & Associates

“The ceilings with exposed joists and the see-through stairs are lit up at night, and the exterior appears as a tower of light,” added Kurosaki.

Alley House by Apollo Architects & Associates

Apollo Architects & Associates has offices in Japan and China. Recent projects by the studio include a house with a long white staircase at the entrance and a narrow residence with a glazed ground-floor gallery.

Alley House by Apollo Architects & Associates

See more architecture by Apollo Architects & Associates »
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Alley House by Apollo Architects & Associates

Photography is by Masao Nishikawa.

Here’s a project description from Apollo Architects & Associates:


Alley House

A client for a house, of which I designed and supervised eight years ago, got married and bought a small lot near Tokyo Skytree, which is located in a place with a downtown atmosphere. Due to difficulty of construction within the small narrow site at the end of a narrow path, a wooden construction was chosen. Soft, dark brown galvanised steel exterior walls create a Japanese impression, and the house naturally blends into the old neighbourhood.

Alley House by Apollo Architects & Associates

By using glass walls on the street side, indoor views include the surrounding environment. The ceilings with exposed joists and the see-through stairs are lit up at night, and the exterior appears as a tower of light. In addition to the large opening on the facade, the high window on the penthouse provides sufficient light to the interior, and these do not make one feel that the house is in a high density residential area.

Alley House by Apollo Architects & Associates

Behind the large entrance earth floor, a small multipurpose space that can be used as a reception room was made. By sitting on the edge of the intermediate space, a sense of unity with the entrance hall can be felt, and this reminds us of good old Japanese houses. For the family room on the second floor, instead of chairs or a sofa, a hori-gotatsu (a sunken area for sitting around a built-in table) style table was designed where people can relax while enjoying the gorgeous view of Tokyo Skytree. A large U-shaped open kitchen allows the couple to cook authentic dishes together, and to welcome many guests. A step was made between the kitchen and the family room in order to add an accent and a rhythm to the small space, and indirect lighting creates an unusual impression. For the busy couple, the ‘small cosmos’ that enables them to be their natural selves is the exact ideal for their desired small house.

Alley House by Apollo Architects & Associates

Location: Sumida ward, Tokyo
Structure: Timber
Scale: 3F
Typology: private housing
Completion: 2013.02
Lot area: 52.78 sqm

Alley House by Apollo Architects & Associates

Builiding area 32.89 sqm
1F floor area 32.89 sqm
2F floor area 32.89 sqm
3F floor area 32.89 sqm
PH floor area 3.46 sqm
Total floor area 102.13 sqm

Alley House by Apollo Architects & Associates

Structure engineers: Masaki Structure – Kenta Masaki
Facility engineers: Shimada Architects – Zenei Shimada
Construction: Kara Construction

Alley House by Apollo Architects & Associates
Site plan
Alley House by Apollo Architects & Associates
Ground floor plan
Alley House by Apollo Architects & Associates
First floor plan
Alley House by Apollo Architects & Associates
Second floor plan
Alley House by Apollo Architects & Associates
Roof plan
Alley House by Apollo Architects & Associates
Long section
Alley House by Apollo Architects & Associates
Cross section

 

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