Quote of Note | Isabel Toledo

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“Craft takes time, and therefore it is luxury. You cannot do an amazingly well-made garment without taking time—not just the time it takes to make something but also the time it took the maker to come up with the idea. That is all luxury, and that has been lost because we’re trying to make things faster and faster, cheaper and cheaper. The consumer tends to lose track of what luxury is.”

-Fashion designer Isabel Toledo

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Quote of Note | Paul Theroux

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“To the rear of the valley was the zoo with its unhappy elephant, its shuffling giraffe, its furious chimp and thrashing orangutan and spitting llamas. The artificial lake was dotted with spouting fountains. The Neverland fire station housed a big red engine. Lining all the roads were winsome statues—flute players, rows of graceful grinning kiddies, clusters of them, some holding hands, some with banjos, some with fishing rods, the bronze sculptures of carefree children gamboling among the shrubbery. In front of Michael’s house was a statue of Mercury, rising 30 feet, winged helmet and caduceus and all, balanced on one tiptoe, at sunset a syrupy glow lingering on his big bronze buttocks, making them look like a buttered muffin.”

Paul Theroux on Michael Jackson‘s Neverland in the November 2009 issue of Architectural Digest

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Quote of Note | David Hockney

hockney brushes.jpg“It’s always there in my pocket, there’s no thrashing about, scrambling for the right color. One can set to work immediately, there’s this wonderful impromptu quality, this freshness, to the activity; and when it’s over, best of all, there’s no mess, no clean-up. You just turn off the machine. Or, even better, you hit Send, and your little cohort of friends around the world gets to experience a similar immediacy. There’s something, finally, very intimate about the whole process.”

David Hockney on his appreciation for his iPhone and the Brushes application, in Lawrence Weschler‘s piece on the artist in The New York Review of Books

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Quote of Note | Ed Ruscha

Ruscha Annie 1965.jpg“This typeface, which also appears in my 1961 painting “Boss,” recalls everything that I responded to as a child in relation to the comic books I read. Comic books were a hot issue for me when I was growing up, and for a brief moment I thought I wanted to be a cartoonist, but I never really pursued it. I wanted the world to be oversized, and overwhelming, and to kind of knock you off your feet.”

Ed Ruscha, in the October 2009 issue of Art+Auction

At right, Ruscha’s “Annie” (1962)

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Quote of Note | Jonathan Ive

j_ive.jpg“We have assembled a heavenly design team. By keeping the core team small and investing significantly in tools and process we can work with a level of collaboration that seems particularly rare. Our physical environment reflects and enables that collaborative approach. The large open studio and massive sound system support a number of communal design areas. We have little exclusively personal space. In fact, the memory of how we work will endure beyond the products of our work.”

Jonathan Ive, senior vice president of industrial design at Apple

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Quote of Note | Ben van Berkel

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“Architecture falls between art and airports. It’s pragmatic—it helps you get from point A to point B. But it also works as art. It makes you think twice. It inspires you. It brings you back to yourself.”

Ben van Berkel, co-founder and principal architect of UNStudio

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Quote of Note | Thom Browne

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“As a designer, I’m supposed to be provoking people’s reactions, and getting people to see things differently. I think more of us should be doing this. Because yeah, maybe guys are not gonna want to wear my stuff, but they’ll think that they can maybe wear something a little bit more than what they’ve been wearing. That’s the only way things move forward.”

-Fashion designer Thom Browne

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Quote of Note | Tobias Frere-Jones

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“We see type as the clothes that words wear. You have more than one outfit in your closet, because you don’t wear the same thing to the office that you wear to the beach.”

Tobias Frere-Jones, designer of more than 500 typefaces for retail publication, custom clients, and experimental research

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Quote of Note | R.J. Cutler

Grace cover.jpg“She is charming, delightful, passionate, and so committed to celebrating beauty and her revolutionary notion that clothes, models, and photographers could tell stories and not just be objects. Every billboard, fashion magazine spread, every advertisement we see today has been influenced by Grace Coddington.”

R.J. Cutler, director of The September Issue, on Vogue creative director (and cat lover!) Grace Coddington

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Quote of Note | Hella Jongerius

HJongerius.jpg“Together with all the evil excesses of the limited editions, they have brought the insight that beautiful materials and attentive production methods do add quality to products. They have also brought the insight that we should not just let local traditions disappear….With the limited editions, the fact that products were not produced in large numbers and that they were so outrageously expensive was rationalized because of the production. But as a designer, you can of course accept the challenge to industrially manufacture larger numbers with greater care, by coupling industrial production with hand finishing, for example, by bringing individuality and character into the industrial process. What the world wants are clear signs of care and scrupulousness.” -Designer Hella Jongerius

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