Kid University by Paredes Pedrosa

This kindergarten in Gandia, eastern Spain, has a cloud-shaped courtyard that encloses six mulberry trees  (+ slideshow).

Kid University by Paredes Pedrosa

The entrance to the single-storey Kid University by Paredes Pedrosa leads straight through to the central courtyard, which features an open-air theatre and sand pit, and is surrounded by classrooms split into two blocks.

The southern block contains a cafeteria, office, baby room, reading room, computer suite and art studio, while to the north-east of the courtyard is a music room, dance studio and indoor theatre.

Kid University by Paredes Pedrosa

Double-height glazing on the internal facing walls offers pupils a view out to the courtyard and brings in natural light, dappled by the maple trees. Most of the classrooms also have doors that lead directly outdoors.

Floors are lined with linoleum and the ceilings are covered with cork to absorb sound.

Kid University by Paredes Pedrosa

The exterior facades and roof are clad in white ceramic tiles. The roof is sloped away from the centre, preventing rain water running into the courtyard.

Kid University by Paredes Pedrosa

In the north-west of the courtyard children can look out toward the nearby Serpis river that runs through the city.

A former water basin has been refurbished for swimming and water games.

Kid University by Paredes Pedrosa

We’ve also featured another project from Paredes Pedrosa: a public library with a layout determined by an ancient archeological excavation.

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Photographs are by Roland Halbe.

Here’s more information from Paredes Pedrosa:


UPI. Kid University in Gandia
Paredes Pedrosa, arquitectos

The Kid University in Gandia (UPI) is an experimental initiative proposed by the Municipality of Gandía. The UPI is not a conventional kindergarten, but a group of specialised classrooms and workshops located in a natural setting where kids can develop their creativity and have fun beyond a school context.

Kid University by Paredes Pedrosa

The proposed volume does not alter the Ausias March Park’s layout. Indeed, it respects the position of six existing white mulberry trees, arranging the classrooms around them and shaping a central lobed courtyard. Library, computers, painting, photography, auditorium, theatre and music classrooms are arranged around the mulberry trees.

This courtyard is the core of the Kid University, linking open spaces, covered areas and indoor rooms. Towards the exterior, the building exhibits a sober and continuous facade, serving as a sort of palisade, that avoids building up fences.

Kid University by Paredes Pedrosa
Plan – click for larger image

White coloured ceramic tiles are the material both for facades and roof. There is continuity in the material that builds up the whole exterior of the building. From the outside, the building intends to be a light, white ceramic fence where the shade of the nearby trees is reflected.

Kid University by Paredes Pedrosa
Section – click for larger image

Vernacular architecture in this Mediterranean area uses ceramic that does not need any maintenance and adapts naturally to its mild climate. In summer it reflects the strong local light and protects inside from high temperatures.

Elevations – click for larger image

Ceramics are designed as three-dimensional pieces with a can shaped mould that resembles a continuous bamboo fence. The pieces are double faced and the flat side is used for the roof.

In the patio, the facades are built with wooden carpentries painted white, so there is a transparency between inside and outside and all mulberry trees can be seen from the classrooms. In the inside finishing’s is linoleum for pavements and cork for ceilings as sound absorbent material, combined with the concrete structure walls.

Kid University by Paredes Pedrosa
Diagram – click for larger image

Sustainability is achieved by the own concept of the building. Cost was tight and both structure and construction are finishing’s and conditioning. The interior is shaded from the intense summer sun by the mulberry trees that attenuate solar irradiation and cast scattered shadows to the interior of classrooms. And so artificial light is reduced to the essential.

In winter, mulberry trees have no leaves and sun light enters freely into the classrooms. Once spring has transformed the trees and they are full of leaves they become a natural shade for children.

Kid University by Paredes Pedrosa
Map – click for larger image

In the outside the ceramic continuous walls bear naturally the patina of time and have no maintenance. The only openings are the entrance fence and a large window overlooking the historical centre. The sloped ceramic roof attenuates solar irradiation and conducts water from rain to the patio and to the trees where a central playground has a circular sand pit and a circular bench for telling stories and outdoor music.

A nearby old water basin is refurbished for children swimming and water games.

Project: 2010. Construction: 2010-2011
Location: Parque Ausías March, Gandía. Valencia
Architects: Angela García de Paredes and Ignacio Pedrosa
Project team: Álvaro Oliver, Álvaro Rábano, Lucía Guadalajara, Ángel Camacho, Laura Pacheco
Technical control: Antonio García Blay
Structure: Alfonso G. Gaite. GOGAITE, S.L.
Mechanical engineer: JG S.A.
Location: Ausías March Park, Gandía
Client: Municipality of Gandía
Contractor: Alesa Proyectos y Contratas S.A.
Tiles: Ceràmica Cumella
Floor area: 1075 sqm.
Programme: multiple classrooms and workshops, cafeteria, administration

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Paredes Pedrosa
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Public Library in Ceuta by Paredes Pedrosa

An ancient archeological excavation determined the layout of this public library in the Spanish exclave of Ceuta by Madrid architects Paredes Pedrosa.

Public Library in Ceuta by Paredes Pedrosa

Paredes Pedrosa designed the education facility and visitor centre around the fourteenth century Marinid dynasty ruins discovered up a sloping site on the Spanish-owned peninsula, which juts out into the Mediterranean sea from Morocco’s north coast.

The former settlement sits at an angle to the current urban grid, and the external walls are angled to merge both geometries.

Public Library in Ceuta by Paredes Pedrosa

Seven triangular pillars strategically situated among the ruins support the high ceiling over the exposed remains.

Faceted concrete surfaces encompass the lower floors, joining up the edges of recessed windows.

Public Library in Ceuta by Paredes Pedrosa
Photograph by Manuel Garcia de Paredes

Upper storeys are wrapped in a horizontal cladding system of aluminium mesh louvres, which blocks the heat and controls the level of light entering the glazed walls behind.

Entered from the lower street level, the exhibition area is contained in a wing packed with research labs, audiovisual learning tools and facilities for children.

Public Library in Ceuta by Paredes Pedrosa

Visitors can look down on the archeology from the terraced upper floors, which house the book collection, study, lecture and event spaces in a mix of single- and double-height rooms.

A shaded reading terrace on the roof provides views out over the sea and across to Europe on a clear day.

Public Library in Ceuta by Paredes Pedrosa

Paredes Pedrosa have also designed a four-armed police station in Seville, with cells hidden underground.

A couple of new libraries have been announced recently, including OMA’s X-shaped proposal for Caen in northern France and a twisted timber building for Helsinki by ALA Architects.

Public Library in Ceuta by Paredes Pedrosa

Photography is by Fernando Alda, unless where otherwise stated. See more of images of this project on his website.

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The architects sent us the following text:


Public Library in Ceuta

Programme: public library, exhibition area, press area, children area, teen library, audiovisual area, research labs, manuscripts and archives. An archaeological centre exhibits a Marinid excavation of the XIV century.

Public Library in Ceuta by Paredes Pedrosa
Location plan – click for larger images

The new Library in Ceuta is conditioned by the steep topography of the plot and by the Arab Marinid archaeological excavation of the XIV century that determine all interior spaces of the Library. Also the lack of space and the compactness of Ceuta, an autonomous Spanish city located on the north coast of Africa on the border of the Mediterranean Sea and the Atlantic Ocean, condition the proposal.

The orthogonal geometry of this ancient settlement is turned from that of the actual urban grid. This fact establishes a triangular geometry for the structure over the archaeological site and the urban value of the Arab city is included in the geometry of new building.

Public Library in Ceuta by Paredes Pedrosa
Isometric diagram – click for larger image

The Library is conceived as a compact volume that preserves the archaeological area as the core of the public spaces, creating a sense of openness and transparency between reading spaces and visitors to the Marinid centre. The library is organised in terraces placed on the slope that embrace the remains of the past. The lecture rooms are stacked in several levels overlooking the void where groups of hanging triangular lamps with peaks in both geometries are set over the archaeological centre. Two different entrances in two levels, one to the Library and other to the visitors centre, are placed linking the inside to the nearby streets.

Seven triangular concrete pillars support the building with a program organised vertically. The third floor with the general book display is placed over the concrete structure that covers the archaeological site. Over it a light steel structure in six levels stacks the program being the highest one the book depot, archives and offices.

Public Library in Ceuta by Paredes Pedrosa
Exhibition level plan – click for larger image

The compact folded volume is entirely wrapped up in an aluminium-perforated skin that reduces glare and solar gain and maximises the use of natural daylight reducing long-term energy costs. The mesh mitigates the sometimes-harsh qualities of daylight thus minimising the use of artificial light to avoid contrast and helping to illuminate the depth of the space.

The final façade includes different glass-metal layers, energy efficient: an interior glass one and an outer metal one, as a veil, that interplay with the changing light conditions protecting the inside from the sun and heat. Slight variations in the make up of the panels, for different orientations, provide the library with a differentiated yet uniform skin, emphasising the faceted shape of the building. Between them a gallery permits easy maintenance of glass openings and simple installations.

Public Library in Ceuta by Paredes Pedrosa
Long section – click for larger image

A concrete plied basement runs along the steep streets and several concrete structural voids are cut up in the double façade of the Library as viewpoints towards the city. On the terrace in the roof level an open reading room is placed, shaded by the aluminium-perforated skin that wraps up the building that filters sun and open views towards both seas, Europe and Africa.

Location: Calle Manuel Olivencia/Calle Duarte, Ceuta

Architects: Ángela García de Paredes. Ignacio Pedrosa
Project team:
Lucía Guadalajara, Álvaro Rábano, Clemens Eichner, Álvaro Oliver, Guiomar Martín, Eva Urquijo, Ángel Camacho, Ignacio Cordero, Blanca Leal, Roberto Lebrero, Luis Calvo
Technical control: Juan Antonio Zoido

Public Library in Ceuta by Paredes Pedrosa
North elevation – click her for larger image

Consultants:
Structure: Alfonso Gómez Gaite. GOGAITE, S.L.
Installations: JG Ingenieros
Façade: Jofebar
Client: Ministry for Culture
Archaeologist: Fernando Villada
Contractor: Acciona Infraestructuras
Photographs: Fernando Alda, Manuel García de Paredes

Area: 6.159 sqm.

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by Paredes Pedrosa
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Police station in Seville by Paredes Pedrosa

Architectural photographer Roland Halbe has sent us his photos of a police station in Seville, designed by Madrid architects Paredes Pedrosa. (more…)