Lufdesign’s combo DustPan+Bin

pI’m not convinced it would work as a dustpan with that chunky lip, but I like the concept of Lufdesign’s combination A HREF=”http://lufdesign.blogspot.com/2008/10/dustpanbin.html” DustPan+Bin/A; simply flipping it 90 degrees changes it from one object to the other. /p

pimg alt=”0lufdesswe.jpg” src=”http://s3files.core77.com/blog/images/0lufdesswe.jpg” width=”468″ height=”855″ class=”mt-image-none” style=”” //p

pThe demo photos show crumpled-up wads of paper being the target objects of sweepery, but that’s not a domestic situation I encounter, probably because I’m not a tortured author./p

pNow what Iwould/I be cool is if there was a slot in the dustpan lip connected to a hidden internal Dustbuster…./pa href=”http://www.core77.com/blog/object_culture/lufdesigns_combo_dustpanbin_16529.asp”(more…)/a
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ID quiz: Whose work is this?

pID quiz: Who did the following projects, and what time period are they from?/p

div style=”align: right;”img src=”http://www.core77.com/blog/images/2010/05/0acproj01.jpg” width=”468″ height=”513″ alt=”0acproj01.jpg”//div

div style=”align: right;”img src=”http://www.core77.com/blog/images/2010/05/0acproj02.jpg” width=”468″ height=”464″ alt=”0acproj02.jpg”//div

div style=”align: right;”img src=”http://www.core77.com/blog/images/2010/05/0acproj03.jpg” width=”468″ height=”436″ alt=”0acproj03.jpg”//div

p(Hit the jump for the answer.)/pa href=”http://www.core77.com/blog/object_culture/id_quiz_whose_work_is_this_16528.asp”(more…)/a
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Possibly the best commercial ever

pWhen it comes to international styles, there is a French aesthetic; there is a Japanese look and feel; there is a Scandinavian style; there is an Italian, a German, a Russian way of doing and presenting things./p

pSo what’s the American aesthetic? We’re often criticized or overlooked completely for being lacking in this category. But there is an American aesthetic, and it’s this:/p

pobject width=”468″ height=”282″param name=”movie” value=”http://www.youtube.com/v/q-RLqLx1iYIcolor1=0xb1b1b1color2=0xd0d0d0hl=en_USfeature=player_embeddedfs=1″/paramparam name=”allowFullScreen” value=”true”/paramparam name=”allowScriptAccess” value=”always”/paramembed src=”http://www.youtube.com/v/q-RLqLx1iYIcolor1=0xb1b1b1color2=0xd0d0d0hl=en_USfeature=player_embeddedfs=1″ type=”application/x-shockwave-flash” allowfullscreen=”true” allowScriptAccess=”always” width=”468″ height=”282″/embed/object/p

pIf only all commercials were like that./p

pvia A HREF=”http://www.fimoculous.com/archive/post-6992.cfm” fimoculous/Abr /
/pa href=”http://www.core77.com/blog/object_culture/possibly_the_best_commercial_ever_16520.asp”(more…)/a
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Samsung’s G-Series takes home the Gold for materials

pYesterday I wrote about hard drives that look like nothing, but today I got a reminder that there are in fact some companies still trying to leave a design stamp on the category: Check out A HREF=”http://www.samsung.com/global/business/hdd/external/external.html” Samsung’s G-Series/A. /p

pimg alt=”0ssgseries.jpg” src=”http://s3files.core77.com/blog/images/0ssgseries.jpg” width=”468″ height=”995″ class=”mt-image-none” style=”” //p

pMade from environmentally-friendly halogen-free plastic, the patterns embossed into the surface create different patterns depending on where the room’s light source is; the intent was to “mimic the way sunlight filters through tree leaves as they sway in the wind.” And the pattern isn’t purely decorative–it’s scratch- and fingerprint-resistant, and also helps distribute heat./p

pThe design of the G-Series was good enough to A HREF=”http://www.ifdesign.de/beitragsdetails_e.html?offset=20sprache=1award_id=199beitrag_id=62687″ garner an iF Material Gold Award 2010/A.br /
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frogdesign’s vision of 2020: All about the infographics

pThe year 2020 seems to be shorthand for the future. In 2008 CNN and Ericsson collaborated on “A HREF=”http://www.core77.com/blog/technology/just_imaginewhat_will_life_be_like_in_2020_11402.asp” Just imagine…what will life be like in 2020?/A” while 2009 saw the creation of the “A HREF=”http://www.core77.com/blog/object_culture/2020_architect_project_peers_into_the_future_the_scientific_way_12380.asp” Vision 2020: Considering the World and the Future Architect/A” project. /p

pThis year frogdesign, prompted by IForbes/I, sounded off with “A HREF=”http://designmind.frogdesign.com/blog/envisioning-your-future-in-2020.html” Envisioning Your Future in 2010/A.” Hit the link to check out their ThingBook (augmented reality), Bodynet (“like Google for our bodies”) and Whuffie Meter (turning social networking capital into actual currency) concepts. /p

pimg alt=”0frog2020.jpg” src=”http://s3files.core77.com/blog/images/0frog2020.jpg” width=”468″ height=”1129″ class=”mt-image-none” style=”” //p

pIncidentally, frog’s images remind us of the awesome and undercelebrated infographics laid over Will Ferrell by A HREF=”http://www.mk12.com/” MK12 Studio/A for 2006’s “Stranger Than Fiction.” The footage is sadly unembeddable, but you can see it by A HREF=”http://youtube.com/watch?v=XObJUPwJ5u0feature=related” clicking here/A.br /
/pa href=”http://www.core77.com/blog/object_culture/frogdesigns_vision_of_2020_all_about_the_infographics_16516.asp”(more…)/a
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LG on designing for the rural Indian market

pimg alt=”0ruralindia.jpg” src=”http://s3files.core77.com/blog/images/0ruralindia.jpg” width=”468″ height=”398″ class=”mt-image-none” style=”” //p

pGlobally speaking more of us now live in cities than in the country, but this statistic is not evenly distributed; for example, 73% of India lives in a rural environment, and since roughly one out of six Earthlings is Indian, that adds up to a huge rural consumer base./p

pThat in turn calls for a large amount of product design to address specifically rural, as opposed to urban, customers, who have different needs and tastes. As seen in A HREF=”http://online.wsj.com/article/SB127313731105787137.html?mod=WSJ_latestheadlines” this WSJ interview/A, South Korea’s LG is one of the companies specifically targeting rural customers with design. An excerpt:/p

blockquoteBWSJ: How do you design differently for rural markets?/B

p[LG Electronics Managing Director] Moon B. Shin: Colors are a major differential [and] we work with color specialists to design rural products. Rural people like brighter, beautiful colors, urban people prefer more classic colors, like grey or white, with a metallic finish./p

pDurability is also very important. For example, we’ve introduced plastic bodies, instead of metal, for washing machines geared for supplies to coastal areas to guard against the high corrosive content of salt in the water supply. Also, we have tailored our designs to suit rural conditions. Often, rural areas have erratic electricity supplies and they tend to be dry and dusty, so product design has to meet those demands. For example, our refrigerators have built-in voltage stabilizers to protect the compressor from fluctuations in electricity supplies./blockquote/p

pRead the full interview A HREF=”http://online.wsj.com/article/SB127313731105787137.html?mod=WSJ_latestheadlines” here/A.br /
/pa href=”http://www.core77.com/blog/object_culture/lg_on_designing_for_the_rural_indian_market_16514.asp”(more…)/a
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Design of hard drives seeks to disappear

div style=”align: right;”img src=”http://s3files.core77.com/blog/images/2010/05/0disappearing01.jpg” width=”468″ height=”339″ alt=”0disappearing01.jpg”//div

pOne of the things they taught us at ID school was that a product about to go extinct will, in its dying design throes, begin to resemble its successor; its designers will fruitlessly mimic the look of the incoming technology in a bid to prevent the incumbent from being eclipsed. Thus landline phones, the thinking goes, will in their last iteration look like cell phones, and even muscle cars like the Mustang of the ’60s sadly started to look more like the Honda CVCC’s of the ’70s./p

pWhich brings us to an interesting question: What will external hard drives look like before they disappear? Since the replacement technology–offsite storage–is invisible, what will they mimic?/p

pIn some cases they will mimic…nothing, or should we say, nothingness. For example LaCie’s line of Sam-Hecht- and Neil-Poulton-designed hard drives are ultra-minimal black boxes with as much in the way of visual features as Wonder Woman’s invisible jet. /p

div style=”align: right;”img src=”http://s3files.core77.com/blog/images/2010/05/0disappearing02.jpg” width=”468″ height=”180″ alt=”0disappearing02.jpg”//div

pOn the other hand Seagate, which A HREF=”http://blogs.forbes.com/velocity/2010/05/05/newly-competitive-seagate-spins-new-ideas-in-hard-drives/” announced its revamped-design hard drives/A this morning, is mimicking something else sitting on some customers’ desks–Apple laptops. /p

div style=”align: right;”img src=”http://s3files.core77.com/blog/images/2010/05/0disappearing03.jpg” width=”468″ height=”329″ alt=”0disappearing03.jpg”//div

pBoth companies’ designs seems to be trying to disappear, either vying for invisibility or seeking to blend into objects already on the desk surface like a chameleon. Almost like they’re saying “Maybe if they can’t see us, they won’t throw us away!”br /
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Bicycles as a way of life and icon of modern design

pimg alt=”bicycles.jpg” src=”http://s3files.core77.com/blog/images/bicycles.jpg” width=”468″ height=”288″ class=”mt-image-none” style=”” //p

pWho needs cars? True freedom starts with two wheels and a push on a pedal, according to “Velo: Bicycle Culture and Design,” a new book that celebrates bicycles as a way of life and icon of modern design./p

pThe young man in the photo is pigeon-chested. Yet his thighs are inflated, so muscular he must spread his legs wide to stand. But there are no anabolic steroids involved here. It’s all a road bike’s fault. The culprit is sleek and green and hangs on the wall in the background. It’s obvious: Here, man and machine have formed one another./p

pThe symbiotic relationship between cyclists and their equipment is documented in the soon-to-be-released picture book “a href=”http://www.gestalten.com/books/detail?id=ceafb21a2721f16b012723cde6990004″Velo: Bicycle Culture and Design/a,” put out by publisher Robert Klanten and graphic designer Sven Ehmann./p

p a href=”http://www.spiegel.de/international/spiegel/0,1518,692208,00.html”Read article/a/pa href=”http://www.core77.com/blog/object_culture/bicycles_as_a_way_of_life_and_icon_of_modern_design_16507.asp”(more…)/a
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CrankBrothers’ bad-ass bike parts

div style=”align: right;”img src=”http://s3files.core77.com/blog/images/2010/05/0crankbrothers01.jpg” width=”468″ height=”471″ alt=”0crankbrothers01.jpg”//div

pMaybe guys are, after all, really just suckers for shiny things: I don’t know the first thing about cycling but I started to covet these gorgeous CrankBrothers bike pedals as soon as I saw them. Made from manly-sounding materials like stamped steel, forged chromoly and machined aluminum, their line-up comes in five variants: Eggbeater (racing), Candy (mountain), Acid (gravity racing), Mallet (downhill) and 5050 (freeriding)./p

div style=”align: right;”img src=”http://s3files.core77.com/blog/images/2010/05/0crankbrothers02.jpg” width=”468″ height=”926″ alt=”0crankbrothers02.jpg”//div

pIn addition to pedals, the California-based A HREF=”http://www.crankbrothers.com/” CrankBrothers/A manufacture a full line of bike accessories including wheelsets, bars, stems, seatposts, and even pumps and a line of custom cyclist’s multi-tools. Though the categories are different, they all share the same slick aesthetic, which has its provenance in many different places: CB’s inspiration page cites sources as diverse as Bang Olufsen, Marc Newson and Mandarina Duck. Check out their full lineup of stuff A HREF=”http://www.crankbrothers.com/pedals_eggbeater.php” here/A./pa href=”http://www.core77.com/blog/object_culture/crankbrothers_bad-ass_bike_parts_16506.asp”(more…)/a
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Jeffrey Stephenson’s computers with class

div style=”align: right;”img src=”http://www.core77.com/blog/images/2010/05/0jeffsteph01.jpg” width=”468″ height=”351″ alt=”0jeffsteph01.jpg”//div

pEngineer and computer designer Jeffrey Stephenson cranks out custom-made PC’s in stark defiance of everything going on in current computer design: he produces them in styles ranging from Mission to Art Deco to Machine Age and more. /p

div style=”align: right;”img src=”http://www.core77.com/blog/images/2010/05/0jeffsteph02.jpg” width=”468″ height=”600″ alt=”0jeffsteph02.jpg”//div

pHis website, A HREF=”http://slipperyskip.com/index.html” Slippery Skip/A, says nothing about why he makes them–or if they’re even for sale–but it’s impressive to see the breadth, and fidelity, of his work. Check out the main gallery A HREF=”http://slipperyskip.com/page23.html” here/A. (And Jeff, if you’re reading this, we’d like to see a Mid-Century Modern!)/p

div style=”align: right;”img src=”http://www.core77.com/blog/images/2010/05/0jeffsteph03.jpg” width=”468″ height=”702″ alt=”0jeffsteph03.jpg”//diva href=”http://www.core77.com/blog/object_culture/jeffrey_stephensons_computers_with_class_16504.asp”(more…)/a
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