Villa van Lipzig by Loxodrome

Villa van Lipzig by Loxodrome

Rough grey slate and red-stained wood panels infill a zig-zagging stone frame on the exterior of a house in Venlo, the Netherlands.

Villa van Lipzig by Loxodrome

Designed by Dutch architects Loxodrome, the house has four staggered storeys that align with the sloping landscape.

Villa van Lipzig by Loxodrome

Angled recesses in the facade createsheltered balconies outside the upper-ground-floor living room and the first-floor master bedroom.

Villa van Lipzig by Loxodrome

Two smaller bedrooms are also located on the first floor, while kitchen and dining rooms are at ground level and a garage slots into the basement.

Villa van Lipzig by Loxodrome

On the top floor of the house is a television room, which leads out to a roof terrace and hot tub.

Villa van Lipzig by Loxodrome

We’ve published lots of interesting Dutch houses on Dezeen in recent months, including a townhouse covered in tacked-on fabric and a family home with three faceted skylightssee all our stories about Dutch houses here.

Villa van Lipzig by Loxodrome

Here’s a few more words from Loxodrome:


Villa van Lipzig

The site of Villa van Lipzig is a small, narrow plot located in a new development area called ‘Nieuw Stalberg´.

Villa van Lipzig by Loxodrome

Since the size of the site is quite small in regard to the volume of the villa, an extraordinary design concept was needed.

Villa van Lipzig by Loxodrome

By the introduction of a split-level system and a shift in the horizontal plain of the floor plans, we were able to introduce a highly dynamic system that takes full advantage of the program and it’s reciprocal effect with the site.

Villa van Lipzig by Loxodrome

The lowest two floors consist of the garage and basement facilities.

Villa van Lipzig by Loxodrome

The ground floor includes the large custom kitchen, a wardrobe and a small guest toilet.

Villa van Lipzig by Loxodrome

The façade of the kitchen is equipped with full-height sliding doors, which connect the room to the garden terrace.

Villa van Lipzig by Loxodrome

Up the stairs the living room follows with an open fireplace and full oak timber flooring.

Villa van Lipzig by Loxodrome

Full-height sliding doors give a stunning view over the sun terrace into the little forest on the other side of the plot. Three bedrooms follow on the higher levels as well as a TV room and another kitchen facility.

Villa van Lipzig by Loxodrome

The roof terrace is equipped with a Jacuzzi and a large freestanding BBQ.

Villa van Lipzig by Loxodrome

The pine tree next to the villa adds another uniqueness to the roof terrace as it provides a ‘connecting to ground’ feeling to the landscape above.

Villa van Lipzig by Loxodrome

The mixture of closed, narrow spaces and wide, fully glazed façades makes every view on every floor unique.

Villa van Lipzig by Loxodrome

The space in between the surrounding buildings is used in the most efficient way.

Villa van Lipzig by Loxodrome

From inside the villa you experience the view, not spoiled by the neighboring buildings, it opens into the beautiful wide landscape of the heath landscape.

Villa van Lipzig by Loxodrome

The cladding of the façade is made out of two materials: The larger surfaces are filled with rough natural Chinese grey slate stone in combination with maranti timber.

Villa van Lipzig by Loxodrome

These elements are framed by Belgian Blue stone bindings.

Villa van Lipzig by Loxodrome

Programme: Villa, 630 m2
Design: 2007 – 2008
Completion: 2011


See also:

.

UR22 by Vincent
Snyder Architects
MYP House by
Estudio BaBO
Villa Rotterdam
by Ooze

V12K0102 by Pasel Kuenzel Architects

V12K0102 by Pasel Kuenzel Architects

Here’s the next house in the series of eleven by Rotterdam studio Pasel Kuenzel Architects on the site of a former slaughterhouse in Leiden, Netherlands.

V12K0102 by Pasel Kuenzel Architects

Named V12K0102, the house and its neighbours form part of an area masterplan by Dutch architects MVRDV.

V12K0102 by Pasel Kuenzel Architects

The 30 metre-long building alternates between one and two storeys-high and is clad in a chequered pattern of timber and white render.

V12K0102 by Pasel Kuenzel Architects

The house also features long narrow windows and a camouflaged front door.

V12K0102 by Pasel Kuenzel Architects

A private courtyard splits the house into two halves, one occupied by the children and the other used by the parents.

V12K0102 by Pasel Kuenzel Architects

This courtyard can be surveyed from a first floor deck, which also overlooks a second smaller courtyard on the opposite side of the building.

V12K0102 by Pasel Kuenzel Architects

We’ve previously featured four houses from this series on Dezeen – see the projects here and see all our stories about Dutch houses here, including one with perforated fabric tacked onto its facades.

V12K0102 by Pasel Kuenzel Architects

Photography is by Marcel van der Burg.

V12K0102 by Pasel Kuenzel Architects

Here are a few additional words from Pasel Kuenzel Architects:


V12K0102 – 30 running meters of house!

On the site of a former slaughterhouse in the historical heart of the Dutch university city of Leiden, emerges one of the biggest urban developments of private dwellings in the Netherlands.

V12K0102 by Pasel Kuenzel Architects

In their series of eleven, Rotterdam based architects pasel.künzel architects present yet another spectecular house giving a new interpretation of the classical Dutch housing typology.

V12K0102 by Pasel Kuenzel Architects

With their V12K0102 residence pasel.kuenzel architects created a remarkable project on an almost triangular building plot, the remnant of an inner city housing block.

V12K0102 by Pasel Kuenzel Architects

On a 30 metre long one-storey high base, two building volumes were placed on opposite side, one being the ‘children’s house’ and the other serving as the ‘house of the parents’.

V12K0102 by Pasel Kuenzel Architects

The two parts facing each other allow for visible eye contact, but are furthermore physically separeted.

V12K0102 by Pasel Kuenzel Architects

Collective spaces for living, dining and playing are situated on the ground floor, meandering around two intimate courtyards and establishing an immediate relation between ‘life inside and outside’ – an oasis in the city.

V12K0102 by Pasel Kuenzel Architects

Towards the city, the introvert house reveals his inner life by only two gigantic glass panes that also permit the characteristic Dutch light to reach deep into the museum like spaces.

V12K0102 by Pasel Kuenzel Architects


See also:

.

V36K08/09 by Pasel
Kuenzel Architects
V21K07 by Pasel
Kuenzel Architects
V21K01 by Pasel
Kuenzel Architects

Rabobank Headquarters by Sander Architecten

Rabobank Headquarters by Sander Architecten

Amsterdam studio Sander Architecten designed cardboard meeting rooms inside a bank in the Netherlands.

Rabobank Headquarters by Sander Architecten

Giant cylinders of cardboard and paper enclose meeting rooms inside the headquarters for financial services advisor Rabobank.

Rabobank Headquarters by Sander Architecten

The multi-ply cardboard is layered to create textured patterns on the surface of one cylinder.

Rabobank Headquarters by Sander Architecten

Translucent Japanese paper covers a second cylinder, as well as the springy lanterns that surround circular skylights.

Rabobank Headquarters by Sander Architecten

Timber screens and furniture fill the surrounding open-plan areas.

Rabobank Headquarters by Sander Architecten

This is the second project this month to feature paper or card, following a cardboard labyrinth at the Serpentine Gallery – see all our stories about cardboard here and all our stories about paper here.

Rabobank Headquarters by Sander Architecten

See also a bank with faces in the walls and another resembling the Amazonian forest – click here to see all our stories about banks.

Rabobank Headquarters by Sander Architecten

Photography is by Alexander van Berge.

Here’s more information provided by Sander Architecten:


Sander Architecten stretches the boundaries of the modern office.

Amsterdam firm Sander Architecten completed the Square of Rabobank Nederland headquarters. Rabobank selected Sander Architecten out of a group of twenty to create and supervise the execution of the entire interior design (56.000 m²), including the twenty-five-storey building.

Rabobank Headquarters by Sander Architecten

As the office interior is being redefined by the introduction of new methods of working, interior architecture is facing new challenges. In today’s work environment, the emphasis is on cooperation in teams and group dynamics; people go to the office for the social aspect more than anything else.  To realize this ambition, we view the building as a modern city. After all, the city is where individual freedom and spontaneous interaction are all-important.

Rabobank Headquarters by Sander Architecten

The effectiveness of this concept is visible on the Square, located at the plinth of the new office building. Employees and visitors work, eat, read, and meet one another in a diverse landscape.

Rabobank Headquarters by Sander Architecten

The ‘buildings,’ separate spaces with different functions, join up with the uncluttered grid of skylights and slim columns. The new style of working is based on freedom, trust and taking responsibility. In the client’s view, its employees are all entrepreneurs, responsible for their own performance in an environment free of fixed rules, fixed times and fixed locations.  The work spaces are tailored to specific activities: multi-person meetings, face-to-face meetings or a place to write a report with maximum concentration. Each activity has its own space.

Rabobank Headquarters by Sander Architecten

Click above for larger image

In nature routes are formed naturally; people intuitively find their way. Architect Ellen Sander was seeking that naturalness, that ‘flow’. The busiest routes automatically formed around the cores with the lifts and staircases, beyond which more peaceful zones naturally emerged. Moreover, the psychological concept of ‘flow’, the moment when need, desire and ability come together, connects the employee’s sense of happiness with an optimum result for the employer. The guiding principle for the interior design therefore became ‘form follows flow’. To enable flows vertical partitions were avoided so that the horizon would always be visible. ‘The office is my world and the world is my office.’

Rabobank Headquarters by Sander Architecten

The design was generated by cooperation with a number of other designers. The Square on the plinth could not turn into a monotone, homogenous space. Diversity is required in order to stimulate people, and despite the enormous scale of the building, people are not left wandering around lost in sterile areas.

Rabobank Headquarters by Sander Architecten

Click above for larger image

The meeting pavilions designed by Sander Architecten are made from washi paper and paperboard. In combination with the Chinese lantern from washi paper suspended from the skylight, a distinctively tactile experience is created. The paperboard pavilion, which features attractive patterns created by the different uses of the material, is particularly inviting to touch.

Rabobank Headquarters by Sander Architecten

Sharing art with the city

The wall annex glass display case is the centrepiece of the Square, and features On the departure and the arrival, a work by Chinese artist Ni Haifeng. The vertical museum contains porcelain objects including scissors, a bottle of Glassex and an iron, each painted in delftware style. The work is featured in the interior, too, with stills and a film about ‘the making of’ on view in the area behind the case.

Rabobank Headquarters by Sander Architecten

Click above for larger image

Client: Rabobank Nederland
Interior Architect and supervisor: Sander Architecten (Amsterdam)
Gross floor area: 56.000 m2
Completion: December 2011


See also:

.

Nothing office by Joost
van Bleiswijk
Cardboard office by
Paul Coudamy
Magma Art Bookshop by
Blustin Heath Design

Villa 4.0 by Dick van Gameren

Villa 4.0 by Dirk Van Gameren

Dutch architect Dick van Gameren has converted a family house outside Hilversum by punching three faceted skylights through the roof and driving a corridor through the middle.

Villa 4.0 by Dirk Van Gameren

The project has been named Villa 4.0 since this is the fourth major rebuilding of the single-storey house, which was built in the sixties and which has a plan based on hexagons.

Villa 4.0 by Dirk Van Gameren

Floor-to-celling glazing surrounds a new sunken living room at the back of the house.

Villa 4.0 by Dirk Van Gameren

A hexagonal block in one corner encloses three bedrooms with bamboo floors.

Villa 4.0 by Dirk Van Gameren

Other Dutch houses recently published on Dezeen include one with a fabric facade and another with an inwardly pitching roof – see all our stories about Dutch houses.

Villa 4.0 by Dirk Van Gameren

Photography is by Marcel van der Burg – Primabeeld.

The following is provided by the architects:


When the client set off with his family on a round-the-world sailing trip in 2007, he had no idea that this would lead him to the villa in which he lives today. Daily life on board ship was quite different from that on land: you had to generate your own electricity, make potable water with a watermaker, separate waste products down to the smallest scale and of course exploit the wind for travel purposes. All at once, things he and his family had scarcely considered on land became crucial matters. Back in the Netherlands, this fact of automatically considering aspects of sustainability became the springboard for their new house: Villa 4.0.

Villa 4.0 by Dirk Van Gameren

In the leafy Gooi region around Hilversum they found an attractive plot of land containing a simple bungalow dating from 1967 on a hexagonal ground plan. This became the stepping-off point for a major building project involving many specialists and with sustainability taken up in the plans wherever possible. So instead of demolishing the bungalow – which had already been radically altered in 1972 and 2001 – it was to be recast. The reuse principle is also in evidence in the garden design; trees and bushes have been replanted to fulfil a new duty in the garden and felled trees are stored away as firewood for the high efficiency wood burning stove in the kitchen. Heat pump, solar boiler and LED lighting are among the energy-efficient solutions deployed for handling all the big energy consumers, from heating, cooling and hot water to electricity. Some are feats of technology, others are proven yet largely forgotten solutions such as a clothes horse for drying clothes or a bicycle as the principal means of transport.

Villa 4.0 by Dirk Van Gameren

Design

Although the many modifications and additions had made the house bigger, it had also become increasingly inward-looking. The expanding wings were steadily enclosing the heart of the house with the hall and living quarters, and direct contact between the house and the magnificent surroundings was largely lost. The original detailing and material form were consistently adhered to during all previous interventions but the result was now thoroughly outmoded and of a poor technical quality.

Villa 4.0 by Dirk Van Gameren

The house has now been given its fourth look. Dick van Gameren Architecten was commissioned for the design, the principle guiding this most recent intervention being to create a house that is much more sustainable and able to reinstate the lost relationship between it and the landscape.

Villa 4.0 by Dirk Van Gameren

Dick van Gameren Architecten kept as close as possible to preserving the existing house, which gave the first step towards a sustainable end result. Taking the existing structure as the basis, the outer walls and roofs were modernized by adding insulation and replacing all windows and larger areas of glazing. The walls in the central section of the house were removed to create a new living hall looking out onto the surroundings on four sides. In addition, the physical bond between house and landscape has been consolidated by an all-glass pavilion attached to the living hall that reaches out to the brook flowing past the house.

Villa 4.0 by Dirk Van Gameren

Interior

The client desired a timeless interior. To this end the IDing interior design firm took ‘interior follows exterior’ as its stepping-off point and gave most of the rooms concrete floor slabs. This is because of that material’s durable and maintenance-friendly quality but also because it weds well with the finish of the external walls. Expansion joints made in the concrete floor continue the direction taken by the walls both inside and out onto the concrete paths in the garden. This strategy picks out the sight lines in interesting ways. The corners between walls, the kitchen, the sunken sitting area and the desk in the study all follow the architecture of the bungalow.

Villa 4.0 by Dirk Van Gameren

The harmony between internal and external space was a key design determinant, particularly in terms of colour, sight lines and lighting. Besides the aforementioned expansion joints many natural colours have been applied to ensure the house’s sense of timelessness. Exceptions to this are the natural wool felt upholstery of the settee in the kitchen and the sunken sitting area in the living room, which are a mass of colour. Curtains, all of which can be drawn up into rails in the ceiling, are in neutral tints.

Villa 4.0 by Dirk Van Gameren

Sustainability informs as much as possible of the interior. Thus, the kitchen boasts an ecological, high efficiency wood stove which after two heating sessions of 1.5 hours provides 24 hours of agreeable warmth. Not just that, the stove achieves low emission at high temperatures. The bedrooms have bamboo floors as a sustainable alternative to wood. Bamboo was chosen because it is a rapidly lignifying grass of extremely fast growth and therefore far more sustainable than any wood type. All lighting inside the house is LED based. Once again this choice is informed by sustainability; an LED lamp lasts roughly 50 times as long as an incandescent lamp and consumes about 90% less electricity.

Villa 4.0 by Dirk Van Gameren

Landscape

Like all the other specialists, landscape architect Michael van Gessel drew inspiration from the existing situation: magnificent beeches on the high-lying avenue, their branches reaching far across the steep slope, the garden’s choice position directly along the brook and several magnificent trees and shrubs round the house inspired him to draw up a new garden design whose reuse of existing plants and trees accorded well with the wishes of the client.

Villa 4.0 by Dirk Van Gameren

The special areas of the garden have been emphasized to the full by removing all extraneous elements – conifers, the many maples, low shrubs and the bare slope – to make room for a large lawn and a generous planting or replanting of perennials and flowering shrubs along the property boundary. Throughout the year, the garden presents an ever-changing though always ‘natural’ picture with a wealth of flowers and leaf shapes appropriate to both the underlying principle and the changing orientation to the sun.

A salient detail is that a large oak has been planted in the patio of the house. This makes it seem as if the house has detached itself from the edge of the woods to move into the open space in full view of the sun. Like the floor of the house the hard landscaping – entrance, parking and terraces – consists of large slabs of helicoptered concrete so that house and garden, inside and outside, flow one into the other as if it were the most natural thing.

Villa 4.0 by Dirk Van Gameren

Villa 4.0 took two years to design and build and has now been appropriated by the client.

Villa 4.0 by Dirk Van Gameren

More on aspects of sustainability in Villa 4.0 – The Netherlands

Sustainability is a concept that has been crucial in informing all components of the design, construction and daily use of the house. Rather than create an icon of sustainability, the idea was to consider practically and level-headedly at every step how the house could be least taxing on the environment in both the short and the long term. Key points of departure were maximum reuse of built elements and materials already on site and the use of sturdy and proven techniques to achieve the lowest possible energy consumption. The clients see a sustainable house not as the end of the story but as an inspirational spur to a way of life that places concern for mankind and nature and care of our planet at centre stage.

Villa 4.0 by Dirk Van Gameren

Reuse

The design steps off from the existing house, so that along with comprehensively improving the quality of both space and building performance it makes the most of the materials already on site. Components of the existing house that had to be removed have been reused elsewhere in the design where possible.

Roofs and facades have been insulated or reinsulated (R Value 3.5). The floor too has been insulated (R Value 3) and finished with a smooth continuous concrete deck floor on compression-resistant insulation. The old wood frames have been replaced with new aluminium-framed facade units of insulated glass (U Value 1.1)

Villa 4.0 by Dirk Van Gameren

Energy and indoor climate

A floor heating system has been laid into the new concrete deck floor that can heat or cool the rooms using low temperature heating (water < 35°C). A second system has been installed in the bedroom ceilings to facilitate additional cooling in summer. The entire system is fed by a thermal storage unit. All rooms can be regulated individually. Self-generated energy is not being treated as an option for the time being. The surrounding trees mean that there is much shade for a large part of the year and little wind. The part of the roof that does catch the sun all year long is provided with a solar boiler for hot water facilities (head pipe system).

Villa 4.0 by Dirk Van Gameren

Ventilation of the house is premised on the natural circulation of air throughout the building. Ventilation units in the outer walls make it possible to regulate the exact quantity of air entering the building. In summer, ventilation can be stepped up using a mechanical discharge system in the roof lights of the central hall. Of the two spaces with a lot of glazing, the kitchen has a glass sliding roof and the living room a roof hatch that allows for additional ventilation in warm weather. The ventilation units enable the house to be aired without having to leave windows and doors open.

Villa 4.0 by Dirk Van Gameren

Click above for larger image

Another source of cooling is by means of a roof-top pump that draws up water from the brook and sprays it onto the roof. The water then flows back into the brook. There is a high efficiency wood burning stove in the kitchen, fuelled with wood from the garden. The heat yield supports the heat pump, thereby reducing the energy consumption of the thermal storage system. The house’s open layout ensures that heat from the stove can spread throughout the house.

The living room heats up quickly in winter by being oriented to the south and having all-glass facades, and thus serves as a heat source for the house as a whole.

Villa 4.0 by Dick van Gameren

Interior

All living spaces receive daylight from more than one direction. Storage units, bathrooms and other ancillary spaces also receive daylight, some of it indirect. All artificial lighting is LED-based. Much of the furniture is built-in and where possible made of sustainable materials: wood floors and wardrobes – bamboo, kitchen cupboards – Ecoplex (poplar) laminate,  settees in the living room and kitchen, curtains in the nurseries – woolfilt,  floor covering in the sunken sitting area -bamboo.

Villa 4.0 by Dick van Gameren

Water and garden

Rainwater on the roofs is run off directly into the brook. All waste water (greywater) is run off into a tank where it is purified organically and then discharged into the brook. Only biodegradable cleansing agents are used in the house. The new garden layout is informed as much as possible by the replanting of existing trees and shrubs. This gives a greater openness but also more privacy where this is required. The garden is sprinkled exclusively with water from the brook. An electric lawn mower robot keeps the grass at the correct height, and the planting in the garden can be tended without the need for herbicides and artificial fertilizers.


See also:

.

Villa Geldrop by Hofman
Dujardin Architects
Villa 1 by Powerhouse
Company
H House in Maastricht
by Wiel Arets

Twisted Corner by Sophie Valla Architects and Marc Koehler Architects

Twisted Corner by Sophie Valla Architects

This corner house by Sophie Valla Architects and Marc Koehler Architects is the latest of 670 architect-designed homes to be completed at a new development masterplanned by architects MVRDV in Leiden, the Netherlands.

Twisted Corner by Sophie Valla Architects

Called Twisted Corner, the home is part of the Nieuw Leyden district, located on the site of a former slaughterhouse. See more Dezeen stories about houses in Nieuw Leyden.

Twisted Corner by Sophie Valla Architects

The house comprises three floors that differ in plan to create the irregular angles of the facade.

Twisted Corner by Sophie Valla Architects

Grey panels in graduating shades give the false impression of a shadow on the house exterior.

Twisted Corner by Sophie Valla Architects

More stories about Dutch houses on Dezeen »

Photography is by Luuk Kramer.

Here are some more details from Sophie Valla:


Twisted Corner

In Leiden (Netherlands), private commissioning was chosen for the development of the residential area Nieuw Leyden on the former slaughterhouse site. For the house in the corner plot that the studio Sophie Valla Architects was asked to design, the corner was chosen as starting point and inspiration. The end result offers the inhabitants an unexpected sense of space and changing views.

Twisted Corner by Sophie Valla Architects

For this high density area bordering the city centre, MVRDV in Rotterdam conceived a master plan based on a double ground level: closed building blocks on half sunken parking-lots. This allowed for a densely built neighbourhood, but green and with little traffic. A common coordinator, contractor and advisors worked on each building block. Then each plot owner was able to design his house according to his own needs and wishes.

Twisted Corner by Sophie Valla Architects

The house was built for a young family. From the beginning, the value of the corner position of the plot was fully exploited. The clients were extensively involved in the conception and building process, watching over and nourishing the tectonic quality of the design.

Twisted Corner by Sophie Valla Architects

The lateral façade of the house ending the block presents an intriguing and dynamic play of lines and volume. This is brought about by shifts in the orientation of the façade at each of the three floors. A ‘transformation’ of the geometry of the front and back façades over the length of this side is thereby created. Four supporting columns in the house are freeing the lateral façade from its load bearing function, enabling this free play.

Twisted Corner by Sophie Valla Architects

Click above for larger image

The horizontal transformation is accompanied over the whole façade by a vertical articulation of the surface panelling and of the window frames. The high and narrow windows on this wall not only emphasise the vertical articulation; from the inside they also give clearly framed views while their form limits the possibility of looking in.

Twisted Corner by Sophie Valla Architects

On the ground floor, bordered by a pedestrian street and the park, is a playroom for the children. The living space is on the first floor. The large window at the front looks into the park, creating a spacious quality inside and offering interesting perspectives to the park.

Twisted Corner by Sophie Valla Architects

Materials

The façades were executed with prefabricated wooden frame panels.
Panels of Eternit in different shades of grey were used to cover the façades. The distribution of the greys accentuates the flowing transformation on the lateral façade and reduces the cutting loss of the Eternit to a minimum. The extra thick seams between the panels, as well as the heavily profiled wooden window frames, accentuate the vertical articulation of this façade.

Twisted Corner by Sophie Valla Architects

Private house in Nieuw Leyden, Leiden

Address: Alexander Gogelstraat 6, 2316 DV Leiden
Client: Floor en Barry Pepers
Design: Sophie Valla architects in collaboration with Marc Koehler architects
Project architect and realisation: Sophie Valla architects
Team: Wouter Hendrikson, Petr Ulrich
Construction advisor: Buro Broersma
Installations advisor: S&W, van Leeuwen
Contractor: KbK Bouw
Bruto surface: 233 m2
Netto surface: 122 m2
Completion: February 2011


See also:

.

V-House by
GAAGA
V35K18 by Pasel
Kuenzel Architects
V21K07 by Pasel
Kuenzel Architects

Faculty Club by Shift architecture urbanism

Faculty Club by Shift Architecture Urbanism

Rectangular voids are carved out of the stone facade of this monolithic pavilion in the Netherlands by Rotterdam-based Shift architecture urbanism.

Faculty Club by Shift Architecture Urbanism

Sliding glass windows fill the voids, but are recessed to create sheltered terraces along the front and rear elevations.

Faculty Club by Shift Architecture Urbanism

As part of Tilburg University, the Faculty Club provides a restaurant, lounge and two conference rooms for the use of academic staff and their guests.

Faculty Club by Shift Architecture Urbanism

More education architecture on Dezeen »

Faculty Club by Shift Architecture Urbanism

Photography is by René de Wit.

Here is some more text from Harm Timmermans of Shift architecture urbanism:


Faculty Club, Tilburg University, by Shift architecture urbanism

Tilburg University has extended its campus with the Faculty Club, a multipurpose pavilion for the academic staff and their guests. Shift architecture urbanism took the initiative to reanimate the quintessential quality of the Tilburg campus: strong solitary buildings in the green. The monumental modernism of Jos Bedaux served as a frame of reference. Bedaux designed the first – still the best – buildings for the university in the sixties.

Faculty Club by Shift Architecture Urbanism

By creating a strong formal relation between the existing university buildings and the new Faculty Club, an ensemble of omni-directional solitaires is created. This enables one to recognize the Faculty Club as part of the university, despite its peripheral forest location and exclusive program.

Faculty Club by Shift Architecture Urbanism

The Faculty Club is designed as a carved-out-monolith, one simple box in which transparency and massiveness melt together. The central restaurant is carved out from the centre, creating a tunnel-effect in the front façade. In order to strengthen its solitaire character the building is lifted from the ground. The height difference is bridged by outside stairs and a ramp integrated within the front façade.

Faculty Club by Shift Architecture Urbanism

Each façade has only one window. By recessing each window, outdoor spaces are created within the front and rear façades. These mark the entrance in front and form a large covered terrace in the back. The simplicity and plasticity of the three-dimensional window treatment further contributes to the building’s sculptural qualities.

Faculty Club by Shift Architecture Urbanism

The primary program consists of a restaurant for eighty persons, a lounge and two conference rooms. The secondary program consists of a kitchen, storage space and other services. The further the functions are situated from the campus, the more intimate and informal the space becomes. The conference rooms look out over the campus, while the lounge completely relates to the forest and the garden. All main functions are physically linked by a transparent axis running the length of the building.

Faculty Club by Shift Architecture Urbanism

Both the lounge and the restaurant are connected to the carved-out terrace situated at the rear of the building. A four-rail system of sliding windows enables one to open up two-thirds of the total eighteen meters of glass façade. This intensifies the experience of the forest without the visitor having to step outside the building envelope.

Faculty Club by Shift Architecture Urbanism

The construction principles of the Faculty Club are deceptively simple. In order to emphasize contrasting space and mass, the structure, installations and details are integrated within walls and floors. The starting point for the engineering was the visual absence of technique. Key contractors and consultants were engaged early in the process of preliminary design, enabling the development of precise and project-specific details that consistently support the overall concept. Shift architecture urbanism was responsible for the design, including the execution drawings and the site supervision.

Faculty Club by Shift Architecture Urbanism

Click above for larger image

The result is an integral, durable and engaging building. A monolith carved in such a way as to both profit and profit from the surrounding landscape while maintaining its distinct primary form. Its architecture refers to the heritage of Jos Bedaux by abstracting and updating his formal language. This makes the building into a solidary solitaire, sober and luxurious, massive and transparent, silent and outspoken.

Faculty Club by Shift Architecture Urbanism

Click above for larger image

Project data:

Client: Tilburg University
Design: Shift architecture urbanism, Rotterdam
Project architects: Harm Timmermans and Pieter Heymans
Collaborators: Sabine Hogenhout, Bahar Akkoclu and Tjeerd Bloothoofd
Developer: Van der Weegen Bouwontwikkeling, Tilburg
Main contractor: Van der Weegen Bouwgroep, Tilburg

Faculty Club by Shift Architecture Urbanism

Click above for larger image

Construction: Bartels, Eindhoven
Installations: Van Delft Installaties, Nieuwkuijk
Stone façade: Van Stokkum Natuursteen, Venlo
Glass façade: MHB, Herveld
Fixed interior: Smeulders IG, Nuenen
Concrete floor: Van Kempen Bedrijfsvloeren, Bergeijk
Garden: Van Helvoirt Groenprojecten, Berkel Enschot
Lighting: Philips Lighting and Living Projects
Furniture: Brokx Projectinrichting, Oosterhout with Vitra
Garden design: MTD, Den Bosch
Garden realisation: Van Helvoirt Groenprojecten, Berkel Enschot

Faculty Club by Shift Architecture Urbanism

Click above for larger image

Gross area: Inside space: 518m2
Outside space: 110m2
Address: Warandelaan 3, Tilburg
Delivery: June 2011
Stone façade: Limestone, type: Muschelkalk
Glass façade: Anodized aluminium, type MHB-Skyframe with Saint Gobain glazing
Ceiling: Acoustic stucco, OWA
Lighting: LED, Philips
Furniture: Vitra


See also:

.

School of Technology and ManagementPedagogic Resource Centre by Béal & BlanckaertHaifa University Student Centre by Chyutin Architects

Temporary Museum (Lake) by Anne Holtrop

Temporary Museum (Lake) by Anne Holtrop

Wiggling back and forth across an Amsterdam nature reserve, this curved timber maze by Dutch architect Anne Holtrop was designed to stage an exhibition of landscape paintings. 

Temporary Museum (Lake) by Anne Holtrop

Made from untreated poplar, the Temporary Museum (Lake) had a lifespan of just six weeks.

Temporary Museum (Lake) by Anne Holtrop

More stories about pavilions on Dezeen »

Temporary Museum (Lake) by Anne Holtrop

Photography is by Bas Princen.

Temporary Museum (Lake) by Anne Holtrop

Here is some more information from Anne Holtrop:


Temporary Museum (Lake)
Anne Holtrop

The drawings that were used to make the Temporary Museum (Lake) were made by chance.

Temporary Museum (Lake) by Anne Holtrop

Not likeness or beauty is its key aspect, as in traditionalism; nor logic or ratio as in modernism; but rather ‘the possible’ in the sense of what is merely conceivable, the idea that all things can be perceived and conceived differently.

Temporary Museum (Lake) by Anne Holtrop

Chance struck me as a way of making work that does not reference to anything specific.

Temporary Museum (Lake) by Anne Holtrop

But the mind of the viewer, like my mind, wishes to see things in them, like in a Rorschach inkblot. Jumping between different visions the mind projects its own ideas on it.

Temporary Museum (Lake) by Anne Holtrop

Each construction, each gesture is a new reality. So is the use of one of these drawings to make the temporary museum.

Temporary Museum (Lake) by Anne Holtrop


See also:

.

Trail House
by Anne Holtrop
Eureka Pavilion by NEX
and Marcus Barnett
Driftwood pavilion
by AA Unit 2 opens

Fabric Facade Studio Apartment by CC-Studio, Studio TX and Rob Veening

Fabric Facade Studio Apartment by cc-studio, studio TX and Rob Veening

Strips of perforated fabric are tacked onto the facades of this house near Amsterdam by Dutch architects CC-Studio and Studio TX.

Fabric Facade by cc-studio, studiotx and Rob Veening

The design for Fabric Facade Studio Apartment was developed in collaboration with client and artist Rob Veening.

Fabric Facade by cc-studio, studiotx and Rob Veening

Each strip is attached to the elevation along one edge only, allowing the fabric to flap in the wind.

Fabric Facade Studio Apartment by cc-studio, studio TX and Rob Veening

The pieces were cut from rolls of teflon, a coated fibreglass material normally used for conveyor belts in food factories.

Fabric Facade by cc-studio, studiotx and Rob Veening

A central atrium with a skylight above provides natural light for an artists studio and exhibition space on the ground floor of the building.

Fabric Facade by cc-studio, studiotx and Rob Veening

The two uppers storeys contain the residential spaces, including a living room with a 4.5m high ceiling.

Fabric Facade by cc-studio, studio TX and Rob Veening

Photography is by John Lewis Marshall.

Fabric Facade by cc-studio, studio TX and Rob Veening

More stories about projects in and around Amsterdam »

Fabric Facade by cc-studio, studio TX and Rob Veening

Here are some more details from the architects:


Fabric Façade: Studio Apartment Rob Veening

Description

The house is built on one of the 350 plots designated for construction by private builders (not very common in the Netherlands), an initiative of Alderman Adri Duivesteijn, in the Homerus quarter in Almere (near Amsterdam in the Netherlands). The “Herenhuis” plots, where extra high ceiling clearance (3.5 m) was required at the ground floor level, are suitable for both residential and work functions.

Fabric Facade by cc-studio, studio TX and Rob Veening

The assignment was to achieve a spacious home with downstairs a studio artist / exhibition space and on the top floors housing. The principal, Rob Veening, had after having lived in Canada for many years, expressed the wish that the house should not be minimally seized and narrow (like many Dutch residences) but spacious, open and giving one a sense of freedom of movement. A dream assignment for space loving designers, with the added challenge of a very limited budget.

Fabric Facade by cc-studio, studio TX and Rob Veening

To save costs and to make the construction of such a large volume financially viable, a number, some innovative, measures were taken.

Fabric Facade by cc-studio, studio TX and Rob Veening

The house (hull) was made wind and watertight by the contractor Postma after which the client finished it himself: stairs, insulation, interior finishes, interior walls, doors, equipment and installation of the external cladding. Contractor Postma’s advantage is that in addition to their own timber structure workshop they also produce their own windows and door frames. This eliminates contractors traditional 10% surcharge cost over these items. It also gave a chance to make very large window frames and doors (2.7m high) which could be realized without any fuss.

Fabric Facade by cc-studio, studio TX and Rob Veening

One of the most expensive items in a building budget is the facade which is usually the first item that is reduced in ambition. This always has serious consequence for the architectural image. From there came the radical proposal.

Fabric Facade by cc-studio, studio TX and Rob Veening

The municipality of Almere has C2C in high esteem and even drafted its “Almere Principles”! This course offered a chance to see how much they really meant it and how much liberty they were willing to give private clients. From this, cc studio developed the idea to try to produce the facade from residual waste, using their contacts with the tent industry. The extremely durable, non-combustible, residual material comes from rolls of PTFE (Teflon) coated fiberglass fabric, used in the industrial manufacture of conveyors belts for the food industry. This special material was completely sponsored by Verseidag-Indutex from Krefeld, Germany. The 5 m long rolls (about 1200m2 gross) were cut by the principal and cc-studio into strips and placed as overlapping shingles and tacked on a backing of osb panels. The flexible material moves with wind, creating a lively image. In the sidewall up to a height of 7 meters no pattern is applied due to possible future building that must, by regulation, build up to a minimum height of 7 meters.

Fabric Facade by cc-studio, studiotx and Rob Veening

Through integrated design it was also possible to omit the traditional steel portal for stability. The entire stability comes from stapled Fermacell (fiberboard) plates in the front, rear and side facades.

Fabric Facade by cc-studio, studio TX and Rob Veening

To ensure the internal spatial relationship vides and split-levels were used. The artist’s studio downstairs is, at the side of the garden façade, visually connected with the living room on the first floor trough a vide. The studio therefore has an extra window giving it more light deep into the studio.

Fabric Facade by cc-studio, studio TX and Rob Veening

In the middle of the building volume a central vide with at the top a skylight was carved out, visually connecting all the upper floors. A continuous internal space is the result which has a very pleasant light quality and orientation. Additional advantage is that the study / TV room, top level street side, does not need windows nor received them to save costs. Due to the split-level in the front part of the living room the ceiling height reaches 4.5 m giving it a real mansion (“herenhuis”) quality. The dimensions of the wooden doors 3.5 m wide x 2.7 m height contributes also to this sense of space. But due to all those large measurements the scale of the building is quite difficult to read and can only be measured by comparing it with the traditional sizes of the neighboring house.

Fabric Facade by cc-studio, studio TX and Rob Veening

Finally, the house has a lower energy requirement than demanded by law (A EPC required then was 0.8, achieved 0.6) and also features a number of other sustainability features which made it eligible for “Green” financing (a lower interest rate for sustainable building).

Fabric Facade by cc-studio, studio TX and Rob Veening

It was a special, very nice and close collaboration between client and designers that made the best use of the, sometimes somewhat unconventional, opportunities.

Fabric Facade by cc-studio, studio TX and Rob Veening

design: cc-studio & studiotx in collaboration with R. Veening
structural engineer: cc-studio
building physics consultant: bureau Kent
contractor & frame manufacturer: bouwbedrijf Postma
facade material: Verseidag-Indutex
hull completion: september 2010
interior completion: juni 2011
plot size: 168 m²
plot price: € 48.000,-
gross floor area: 190m2 floor + 30m2 vides + 31m2 roof terras
gross volume: 1030m3
height: 13,5m
construction costs hull: € 170.000,- incl. VAT
finishing and installations: ± € 80.000,- incl. VAT
building system: timber frame structure on a concrete foundation and concrete hollow core slab ground floor


See also:

.

House by
Jorge Mealha Arquitecto
Villa by
Knevel Architecten
Home 06
by i29

V-House by GAAGA

V-House by GAAGA

Dutch architecture studio GAAGA have completed this house in Leiden, the Netherlands, with a roof that pitches inwards to create a v-shaped profile.

V-House by GAAGA

Named V-House for this reason, the building forms part of a terraced row and is located on a former industrial area where experimental housing is encouraged.

V-House by GAAGA

The roof shape is emphasised internally by exposed wooden eaves, which stand out from an otherwise monochrome interior.

V-House by GAAGA

The bedrooms of the house are located on the ground floor and the living room and kitchen can be found on the open-plan, L-shaped first floor.

V-House by GAAGA

Photography is by Marcel van der Burg.

V-House by GAAGA

More projects in the Netherlands on Dezeen »

V-House by GAAGA

More stories about houses on Dezeen »

V-House by GAAGA

The following information is from the architects:


V-House, Leiden

V-House is designed for a private client and is located in the urban planning area “Nieuw Leyden”, a high dense area in the city of Leiden (The Netherlands).

V-House by GAAGA

Urban context

The site is a former industrial area near the city centre, designated by the city of Leiden as an experimental housing zone where people can develop their own homes. The local authorities supplied a schematic urban plan based on a grid, giving private persons a framework to fill in. It consists of more than a hundred plots in a pedestrian precinct. Regarding the appearance of the houses there are no limiting conditions other than a fixed maximum volume.

V-House by GAAGA

V-House is part of an ensemble of eight houses which are grouped side by side and back to back. Each house is an autonomous object designed by a different architect. The houses are connected to each other by means of a party wall. V- House is situated on a plot which has a surface area of nine by sixteen meter. The house itself is approximately nine by ten meter, leaving a space of six by ten meter for a garden at the back side of the house.

V-House by GAAGA

Architectural design
V-House is a white stucco abstract looking house of which the V-shaped roof is its most striking feature. The roof is constructed of wood and is modeled after a common saddle roof with the difference that the top is turned downwards, resulting in a dip at the centre of the house. From the outside the V-shaped roof gives the house its distinguishing and dynamic appearance and from the inside it vitalizes and intensifies the interior space. The roof is thus an important constituent of the architecture.

V-House by GAAGA

The house covers a practically square area and consists of two floors. On the outside there is no clear distinction between the floors; the façade is composed as an unambiguous whole with a cluster of windows in the middle. From the inside though, each floor has a typical program and spatial lay-out.

V-House by GAAGA

The top floor accommodates the living, dining and kitchen area. It is one open space, with a varying height of 2.8 meters at the centre to 4.1 meters at the edges. At the front corner of the floor a large void is situated. This vacant space not only links the upper floor to the ground floor, it also creates an L-shaped floor plan. The freestanding bearing wall at the inner corner of the “L“, together with the dip in the roof, divides the space in two: the kitchen and void on the left side and the living and dining area on the right. In this way the kitchen area is subtle separated from the sitting area. The interior and outward vistas, resulting from a well thought-out positioning of openings (windows, roof lights, void, and openings between the bearing wall and façade), evoke a sense of openness and spaciousness. In addition to this the use of natural materials like stone and wood contributes to an informal and friendly atmosphere.

V-House by GAAGA

Click above for larger image

The ground floor accommodates different functions which are zoned in adjacent strips parallel to the partition walls. The strip in the middle accommodates the stairway, the corridor and also the entrance hall from where a view is presented to the garden, the street, the void and the roof. Through the corridor the two other strips are opened up: at the right side a strip designated for private rooms like bedrooms and bathroom and on the left side a more than three meter wide strip accommodating a large polyvalent space. Because of the void overlapping this space, there is a strong visual relation with the kitchen and sitting area on the top floor. Furthermore, the large window situated at the top of the front façade and the casement doors at the back façade provide a view of the sky and the closed garden respectively. These interior and outward vistas in combination with the natural light coming in from above (roof lights, top window) make the space intriguing, poetic and serene.

V-House by GAAGA

Click above for larger image

Factsheet
Architects: GAAGA
Team: Esther Stevelink and Arie Bergsma
Location: Leiden, The Netherlands
Client: private
Realisation: 2008 – 2010
Contractor: Verbeij Bouw, Boskoop.
Structural Engineering: IMD, Rotterdam
Energy performance & building physics: GAAGA – Arie Bergsma

V-House by GAAGA


See also:

.

V35K18 by Pasel
Kuenzel Architects
V21K07 by Pasel
Kuenzel Architects
Villa by
Knevel Architecten

Rijkswaterstaat Assen by 24H architecture

Rijkswaterstaat Assen by 24H architecture

Rotterdam studio 24H architecture have completed this office building in the Netherlands that has a solid concrete and asphalt south facade and a patterned timber north facade.

Rijkswaterstaat Assen by 24H architecture

The building, named Rijkswaterstaat Assen, is located between woodland and a highway with the contrasting elevations intended to mediate between the two.

Rijkswaterstaat Assen by 24H architecture

Rainwater from the accessible terraced roof is directed to drain over parts of the grey stone, encouraging moss and and plants to grow on the building.

Rijkswaterstaat Assen by 24H architecture

More on Dutch architecture and interiors on Dezeen »

Rijkswaterstaat Assen by 24H architecture

More stories about offices on Dezeen »

Rijkswaterstaat Assen by 24H architecture

The following information is from the architects:


Project Text – General

For Rijkswaterstaat, who are building and maintaining highways, waterways and nature, 24H-architecture designed the new districts head office along the highway in Assen, The Netherlands.

Rijkswaterstaat Assen by 24H architecture

The ambition of the client and the architect was to create a sustainable building that explicitly shows the identity of Rijkswaterstaat.

Rijkswaterstaat Assen by 24H architecture

The concept was developed with the idea to represent their three core activities and also integrate the typical ingredients of the site:

Rijkswaterstaat Assen by 24H architecture

The south facade of the building is brutally solid.

Rijkswaterstaat Assen by 24H architecture

Through its mass and its horizontal openings, the wall will block the heat of the sun and at the same time stop the noise of the next door highway.

Rijkswaterstaat Assen by 24H architecture

The facade, made of concrete and asphalt with lines and patterns, is an abstract representation of a highway.

Rijkswaterstaat Assen by 24H architecture

As the rainwater is directed from the roof over the facade, in time, the facade will become green as moss and plants will start growing.

Rijkswaterstaat Assen by 24H architecture

This way all 3 aspects of Rijkswaterstaat (road, water and green) are represented in this facade, that will develop in time.

Rijkswaterstaat Assen by 24H architecture

At the north facade a light wooden construction creates maximum flexibility and openness.

Rijkswaterstaat Assen by 24H architecture

This facade and its wooden beams form the base for the open layout of the office and the central void where employees of Rijkswaterstaat can meet and exchange knowledge; the social durability of the building.

Rijkswaterstaat Assen by 24H architecture

The green roof terrace also provides the possibility to gather.

Rijkswaterstaat Assen by 24H architecture

The design team looked for the best integration of all disciplines.

Rijkswaterstaat Assen by 24H architecture

All technical facilities are integrated into the prefabricated wooden walls and floors.

Rijkswaterstaat Assen by 24H architecture

This way an effective building time as well as a maximum of space is realised.

Rijkswaterstaat Assen by 24H architecture

The wooden floor will be directly used as a ceiling and the air will flow through the Climalevel system directly into the offices.

Rijkswaterstaat Assen by 24H architecture

With the Thermal Energy Storage, solar panels on the roof and the use of fsc certified wood, the building gets a class A level in the Greencalc calculation method and could also be classified as a BREEAM Excellent building.

Rijkswaterstaat Assen by 24H architecture


See also:

.

EDF Archives Centre
by LAN Architecture
The Langley Academy
by Foster + Partners
Laboratory of Genomics
by TEN Arquitectos