Alphabet Building by MVRDV

Alphabet Building by MVRDV

Dutch architects MVRDV have designed this creative industries office block in Amsterdam that has letters of the alphabet cut out of the facade.

Alphabet Building by MVRDV

Each cut-out is the window to an office unit and each letter signifies the address extension for the occupying business.

Alphabet Building by MVRDV

On the east facade of the Alphabet Building a series of dotted windows spell out the number 52, relating to the address.

Alphabet Building by MVRDV

All letters of the alphabet have been used apart from I and Q. The original design included Q (as shown in top image) but was later replaced by Z .

Alphabet Building by MVRDV

The project is scheduled for completion in 2012.

Alphabet Building by MVRDV

More projects by MVRDV on Dezeen »

The following details are from MVRDV:


Alphabet Building Amsterdam

MVRDV designs creative industry hub

Amsterdam based project development corporation NIC started sale of the MVRDV designed Alphabet building. In Amsterdam small and mid-size creative companies have trouble finding suitable office space. The Alphabet building communicates through a clear exterior design which reveals on the East façade the house number and at the main façade its extension for each company, a letter of the alphabet. The interior is highly flexible and completed with a rough and pure finishing. The 3200m2 creative industry building will be completed in 2012 according to high energy efficiency standards.

Alphabet Building by MVRDV

  • On the East facade the house number, on the front facade its extension.

The creative industry has seemingly unrealistic demands when it comes to office locations: a incubator of creative ideas which is spacious and inspiring with a differentiating design at a great location with car access. The Alphabet building in the Amsterdam port refurbishment Minervahaven unites all these qualities. The former port is currently refurbished to become a creative hub.

Alphabet Building by MVRDV

  • Behind each letter is a flexible office unit

The building is on a relatively small site of 30 x 30 meters and consists of a transparent plinth with a compact office block on top. Behind each letter of the façade the building offers a flexible unit of 128m2, the units can be sold independently or as a series of letters. Design studio Thonik will occupy the top floor or the letters A to F. As it was impossible to put the entire alphabet on the façade the letters I and Q are missing: the IQ is inside the building.

Alphabet Building by MVRDV

  • Interior finishings are concrete, aluminium and steel

The interior finishing follows the demand of creative companies, large loft like spaces with a rough finishing: no double ceilings, exposed materials such as concrete, aluminium and steel. A number of sustainable technologies give the building an excellent energy profile. Parking is located inside the plinth, circulation and spacious outside areas at the back of the building.


See also:

.

Type the Sky
by Lisa Rienermann
Jewish Community Centre
by Manuel Herz Architects
Republic of Korea Pavilion
by Mass Studies

House Meijer by Van der Jeugd Architecten

House Meijer by Van der Jeugd Architecten

This cast-concrete house in Almelo, in the Netherlands by Dutch practice Van der Jeugd Architecten has balconies that appear as extrusions of the walls.

House Meijer by Van der Jeugd Architecten

Cut-aways from the rectangular box shape of House Meijer create window openings, as well as a lightwell in the roof.

House Meijer by Van der Jeugd Architecten

All drainage, piping and wiring and wiring have been concealed in order to maintain the minimalist appearance of the three-storey house.

House Meijer by Van der Jeugd Architecten

Photography is by Ruud van der Koelen.

House Meijer by Van der Jeugd Architecten

More Dutch design on Dezeen »
More houses on Dezeen »

House Meijer by Van der Jeugd Architecten

These details are from the architects:


House Meijer

Modest in situ cast-concrete house in Almelo. Striking are the strategically positioned wall and roof openings, which optimize the view from the house and establish a special lightfall in the dwelling. In addition, the house has an internal logic, combining intimacy and spaciousness in a remarkable way.

House Meijer by Van der Jeugd Architecten

The house is located in the newly developed residential area ‘Hegeman’ in Almelo. Within this plan, 9 lots where available for free sale.

House Meijer by Van der Jeugd Architecten

These plots are well positioned within in the district: adjacent to the canal, with a clear view of woods and meadows. Houses on these lots should to be unique and innovative, with great architectural quality.

House Meijer by Van der Jeugd Architecten

The plot acquired by the client is located along a green plot which is kept open, creating a vista from the residential area behind the plots to the surrounding landscape of hedgerows, fields and canals.

House Meijer by Van der Jeugd Architecten

During the first visit by the client to the architect, they proved very taken with the in situ-cast concrete work office of the architect. This led us to design a concrete dwelling: spatially strong, with an aesthetic minimalism put through to the last detail.

House Meijer by Van der Jeugd Architecten

Strategically rainwater drains, piping and electrical wiring were eliminated from sight, resulting in an almost Spartan and graphical appearance.

House Meijer by Van der Jeugd Architecten

Knowledge and experience of in situ-cast concrete were used in both design and building process. This has led to a series of thoughtful and ingenious details. Also the building process was well controlled and directed by Van der Jeugd Architecten.

House Meijer by Van der Jeugd Architecten

The dwelling was tailored to the needs of the client and the specificity of the location. When organizing the agreed housing program, the particular views and the specific light fall were of importance. This has led to a three-storey dwelling house and four specific spatial levels.

House Meijer by Van der Jeugd Architecten

The design of the ground floor (split level) is such that a series of area’s were created with its own character, spatially and visually in contact with other area’s: intimacies with a minimum of visual and spatial separation.

House Meijer by Van der Jeugd Architecten

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Much care was taken to the staircases and outdoor spaces. Daylight openings are strategically positioned in the house, optimizing the experience of light and space. The balconies and outdoor spaces are positioned in such way that all the interesting views can be experienced, and are important in the appearance of the house.

House Meijer by Van der Jeugd Architecten

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Meyer House is more than one dwelling. It is a modest but extremely life-proof living machine, which actively enriches the everyday experiences of its residents, increases the quality of the site and particularizes a sense of space.

House Meijer by Van der Jeugd Architecten

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Data:
Architect: Van der Jeugd Architecten
Designteam: Paul van der Jeugd, Ruud van der Koelen, Mirjam Wiggers
Location: City of Almelo, the Netherlands

House Meijer by Van der Jeugd Architecten

Project area: 370 sqm
Costs: €475.000
Project year: 2008

House Meijer by Van der Jeugd Architecten

Key Materials/products: In Situ cast Concrete + Aluminum panels
Software used: Google Sketchup + Vectorworks


See also:

.

House A by
Takeshi Hamada
Hiedaira House by
Thomas Daniell Studio
Knot by Apollo
Architects & Associates

KIVI NIRIA Foyer by AAArchitects

KIVI NIRIA Foyer by AAArchitects

This foyer for the Royal Institute of Engineers in The Hague by Dutch practice AAArchitects has a large door which folds up from the glass facade to create a porch.

KIVI NIRIA Foyer by AAArchitects

Constructed from a gridded steel frame and clad in silicone-seamed glass panels, the KIVI NIRIA foyer increases in height and width from one side to another, linking together the previously completed auditorium and another adjacent building.

KIVI NIRIA Foyer by AAArchitects

Internallly, a long linear bar with a wooden top provides a surface and storage space.

KIVI NIRIA Foyer by AAArchitects

Photography is by Rob ‘t Hart Fotografie

KIVI NIRIA Foyer by AAArchitects

More Dutch architecture stories on Dezeen »

The following information is from the architects:


Foyer
The Hague, The Netherlands

Supplementary to the design of the adjacent auditorium for the Royal Institute of Engineers in The Hague, AAArchitects has been asked to add a foyer to the existing passageway.

KIVI NIRIA Foyer by AAArchitects

Because of this double role in function as a passageway and a foyer, we have chosen to limit the physical separation to a minimum and subtly indicate it with a jump between the roof and ceiling levels.

KIVI NIRIA Foyer by AAArchitects

The passageway runs from the beginning to the end straight and preserves its width, whereas the foyer part broadens towards the auditorium where the busiest junction will be.

KIVI NIRIA Foyer by AAArchitects

By choosing not to separate the space and avoid any columns between the two spaces, both parts together can be used as one space for the biggest crowds.

KIVI NIRIA Foyer by AAArchitects

The grid of the existing historical pawn has been persevered in the new facade and fans to the other building.

KIVI NIRIA Foyer by AAArchitects

The complete new facade exists on the outside only of glass and silicone seams, which are supported on the inside by a steel frame of T-profiles.

KIVI NIRIA Foyer by AAArchitects

The profiles are attached with an invisibly mechanical affirmation to the glass. To intensify the relation with the adjacent garden a big door is created. It is opened with hydraulic cylinders and creates a large porch without disturbing the openness of the facade by opening doors. The large opening part of the facade has a steel Construction of T-profiles that has been made rigid by 40 glued glass plates. Without the seemingly weak looking glass the door would simply collapse.

KIVI NIRIA Foyer by AAArchitects

The existing marble of the floor is reused and the same wengé wood of the adjacent auditorium is used to complete the floor finishing to the new outlines of the foyer. The two ceiling levels are materialised in coloured polyester panels and painted rock panel. The polyester panels designed in cooperation with artist Vincent de Rijk hang in a grid that spreads out itself according to the width of the hallway. In this ceiling a line of light is created behind a transparent strip of panels.

KIVI NIRIA Foyer by AAArchitects

To reduce costs and keep the façade free from visible installations, the existing heaters were reused and integrated inside a new wall. The wall is made out of long continuous wooden strips through which the hot air of the heaters can flow into the foyer, and glasses and plates can be laid aside. To make sure the climate stays comfortable during hot summer days, the façade is covered with grey solar control glass.

KIVI NIRIA Foyer by AAArchitects

For the foyer AAArchitects has designed a big linear bar made out of PU coated steel. The bar which has a sufficient amount of storage space is covered with a wengé wooden top which is movable and covers a sink which can be used when it is pushed open. The doors are designed without handles in black mdf and can be opened electrically all at once by one push on the button.

KIVI NIRIA Foyer by AAArchitects

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Client: KIVI NIRIA
Architect & Interior: AAArchitects
Design team: Amer Alhassan, Wim Smits, Florence Paul, Luigi Depperu, Matteo Frongia.

KIVI NIRIA Foyer by AAArchitects

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Construction: ABT
Ceiling: Atlier de Rijk
Installations: ABT
Contractor: DB Bouw
Furniture: Van Eijk meubel – interieurbouw

KIVI NIRIA Foyer by AAArchitects

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See also:

.

KIVI NIRIA auditorium
by AAArchitects
H House in Maastricht
by Wiel Arets Architects
Grotto
by Callum Morton

OneSize by Origins Architects

OneSize by Origins Architects

Dutch practice Origins Architects have designed this office in Amsterdam for motion graphic designers Onesize, incorporating a row of free-standing timber arches over a meeting table.

OneSize by Origins Architects

The polygon starts as a solid form and then breaks down into a series of ribs, creating both fully and partially enclosed spaces.

OneSize by Origins Architects

This timber shape subdivides the office, encasing two meeting areas and a darkened space for projection and studio work.

OneSize by Origins Architects

The photography is by Stijn Poelstra

OneSize by Origins Architects

More Dutch architecture stories on Dezeen »

The following details are from the architects:


Onesize office by Origins Architects

The client, a motion graphics designer firm Onesize needed certain dark spaces for projection and studio work.

OneSize by Origins Architects

The visual modelling work that is done in the studio inspired me to make an object with a minimal of polygons, transforming the program into an interesting shape and in the meantime subdividing the space for a clear routing.

OneSize by Origins Architects

We used low grade spruce multiplex better known as underlayment which is usually used under carpeting.

OneSize by Origins Architects

Besides the cost issue we strongly believed that the juxtaposition of high definition detailing and a low grade material would make both stand out better. This contrast is also echoed in the relation between the existing building and the central sculptural shape. Wood & concrete, detail and material, dark & light.

OneSize by Origins Architects

I hoped to create an interesting and intriguing space with minimal means. We started out with more complex shapes, but the simpler they became the better the result. Besides, our office specialises in sustainable building, so we were also keeping an eye on the environmental impact. By doing so we actually came up with a sculptural volume that hardly has any saw losses in the making. The most important result is that the interior really fits the client, both in terms of program and in appearance.

OneSize by Origins Architects

We needed to make a few key decisions on the materialisation of the interior spaces so that acoustics, lighting, fireproofing etc. were all handled properly. By choosing a builder in a preliminary phase we managed to control the whole process quite well, which also shows in the result.

OneSize by Origins Architects

Extra information

Project Name: Onesize interior
Design: interior
Design Office (Official Studio name, www):  www.origins-architecten.nl

OneSize by Origins Architects

Project Design Team: Jamie van Lede
Client: Onesize
Constructor: Kne+ of www.kneplus.nl

OneSize BY Origins Architects

Location: Amsterdam – The Netherlands
Use: Motion Graphics studio
Area: 300 meters
Design Period: mid 2010
Completion Period: start 2011

OneSize by Origins Architects

Floor: concrete/carpeting
Wall: concrete, wood (under layment)
Ceiling: glass, wood


See also:

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Brandbase Pallets
by Most Architecture
The JWT Agency
by Mathieu Lehanneur
Home 07
by i29

Watervilla de Omval by +31 Architects

Watervilla de Omval by +31 Architects

Dutch architects +31 Architects have completed this curvy house boat on the river Amstel in Amsterdam, the Netherlands.

Watervilla de Omval by +31 Architects

The Watervilla de Omval has a kitchen and living space level with the water, with cabins below the water line reached via a split level that houses the bathroom.

Watervilla de Omval by +31 Architects

The roof of this split leve forms a terrace at one end of the house boat.

Watervilla de Omval by +31 Architects

The exterior is clad in aluminium while the interior curves are rendered in white plaster.

Watervilla de Omval by +31 Architects

Photographs are by Colin Morsch unless stated otherwise.

Watervilla de Omval by +31 Architects

The information that follows is from +31 Architects:


Watervilla de Omval, Amsterdam, the Netherlands

This tautly designed houseboat floats in the Amstel river of Amsterdam.

Watervilla de Omval by +31 Architects

The design has, unlike most floating houses, a very contemporary design without losing the characteristic appearance of the typical houseboat. The clients get a lot of positive reactions, it evens happens that people who pass by boat knock on the windows and ask if they can enter the boat.

Watervilla de Omval by +31 Architects

Living on the water gets more and more popular in Holland. The clients/ owners who come to our office always love the typical charms and characteristics of living on the water but don’t like the standard “caravan” appearance of the existing houseboats. More and more people want to live on a contemporary houseboat that has been designed for their specific needs, the houseboat at De Omval is an obvious example of this wish.

Watervilla de Omval by +31 Architects

The clients wanted a boat with an open floor plan where they could enjoy the views to the water and the outdoor space to a maximum. The distinguished curved line of the facade directly derives from this desire and the restriction that the boat couldn’t be more than three meters above the water.

Watervilla de Omval by +31 Architects

The living area and open kitchen are located on the waterfront, from here one has a panoramic view at the Amstel and you can enter the floating terrace. Following on from the living area and kitchen the bedroom is located on a split level. The split level introduces an open route to the ground floor of the boat and, at the same time, makes it possible to create a terrace on the south side without exceeding the maximum building height.

Watervilla de Omval by +31 Architects

To accentuate the round lines of the facade it is carried out in shiny aluminum. The white plastered walls and ceilings follow the curve of the facade creating a seamless transition from the exterior to the interior.

Watervilla de Omval by +31 Architects

Architect: +31ARCHITECTS, Amsterdam, The Netherlands
Project team: Jasper Suasso de Lima de Prado and Jorrit Houwert
Location: Omval 4, Amsterdam, Netherlands

Watervilla de Omval by +31 Architects
Client: private
Construction: Pieters bouwtechniek, Amsterdam, The Netherlands. Alferink-van Schieveen, Zwolle, The Netherlands
Building contractor: Dijkhuis Aannemersbedrijf b.v. / Ardesch, Hardenberg, The Netherlands
Cabinet maker: Forsa meubels, Utrecht, The Netherlands

Watervilla de Omval by +31 Architects
Key materials: Aluminium cladding by Reynobond and Aluminium Windows by Sapa
Built-up floor area: 197 sqm


See also:

.

Villa Rotterdam by
Ooze
A House in a Church by
Ruud Visser Architects
Villa by
Knevel Architecten

Nike Amsterdam Destroyer

Nike a fait appel au réalisateur Paul Geusebroek pour tourner leur dernier spot intitulé “Nike Amsterdam Destroyer”. Proposant à chacun de trouver sa place, ce spot suit différents groupes de personnes évoluant dans la capitale hollandaise. Une vidéo à découvrir dans la suite.



nikeamsterdamdestroyer3

nikeamsterdamdestroyer2

nikeamsterdamdestroyer

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Villa Rotterdam by Ooze

Villa Rotterdam by Ooze

Architects Ooze of Paris and Rotterdam extended this Rotterdam residence by wrapping a new faceted skin over the house’s existing collection of buildings and extensions.

Villa Rotterdam by Ooze

Called Villa Rotterdam, the project creates a new staircase, kitchen and extra bedrooms in the spaces between the old house and new shell.

Villa Rotterdam by Ooze

Prefabricated solid timber panels were used to speed construction.

Villa Rotterdam by Ooze

The building has green roofs and is clad in wooden panels made from fast-growing softwood that’s treated in a high-tech process to make it more durable than tropical hardwoods.

Villa Rotterdam by Ooze

See also: Between the Waters by Ooze and Marjetica Potrc

Villa Rotterdam by Ooze

More stories about residential extensions on Dezeen »

Villa Rotterdam by Ooze

Photographs are copyright Jeroen Musch & Ooze.

Villa Rotterdam by Ooze

The information that follows is from the architects:


Living in a Structure

This detached Rotterdam house had been extended several times in recent decades. Ooze architects translated the owners’ desire to recycle the ‘soul’ of the house by transforming it in an unusual way. The young architectural firm began with a commission to design a kitchen that then evolved into a complete renovation.

Villa Rotterdam by Ooze

The design was based on the maximum building envelope: ridge height, as well as the depth of the extension was defined by the zoning plan. “We simply connected these points” says Eva Pfannes, the architect who designed the transformed house along with her studio partner, Sylvain Hartenberg. The house on which Ooze began to work had gradually grown over the years.

Villa Rotterdam by Ooze

It now consisted of two perpendicular building volumes with a pitched roof, a lower semicircle building in between connecting the two parts, and several extensions on the other side in the angle of the hook-shaped house.

Villa Rotterdam by Ooze

The owners wanted to reform these incoherent parts into a logical and comprehensive whole. The pre-defined maximum envelope formed the guideline for a new skin that wraps around the old house and shapes new spaces for inhabitation. The new kitchen and a brief to increase the number of bedrooms were the launch for the redesign of the entire house of which the staircases form the backbone.

Villa Rotterdam by Ooze

The layout has been totally reorganized around a central void. A new staircase on the north wall is servicing first and second floor.

Villa Rotterdam by Ooze

Inside, the building manifests itself through a formal language based on prefabricated, solid wood triangles that have a direct reference to the old roof. Folds and facets were generated by an intuitive rationalism following what was permitted and what would benefit the space inside. This skin becomes the structure which sits like a hat on top of the existing one and works as a load carrier to bring down the additional weight burden of the new floors and roofs.

Villa Rotterdam by Ooze

The only construction method able to provide the precision and speed of delivery requested by the client was prefabricated solid timber panel (Lenotec) for the structure of the skin (roof, walls and floor). The prefabricated, solid wood – LENOTEC – elements were cut and arrived as a 3D kit on the building site.

Villa Rotterdam by Ooze

This internal structure communicates a sense of the new and the old: living in a new structure as well as with the old walls. The transition between the two is subtle and gradual – as you go up in the house, the new gradually supercedes the old. The spaces generated for inhabitation become very different and very specific, enriching the life within in the house.

Villa Rotterdam by Ooze

The material also allowed the outer walls and roof to remain relatively thin. Within the given building envelope a maximum interior space could be realized. By varying the thickness of the single material, it could serve as outer wall, roof, interior wall, stair balustrade and stringer.

Villa Rotterdam by Ooze

The result is a succession of spaces where the difference between ceiling, wall and floor are gone and thus overlap.

Villa Rotterdam by Ooze

The intervention that started the process of transformation remains the most important. Through the creation of a void, the architects transformed the dark and cramped existing stairwell into a bright and social space.

Villa Rotterdam by Ooze

The exterior references traditional Dutch farms through the use of sedum green roofs and black stained ACCOYA (High-technology fast growing, sustainably-sourced wood more durable than teak) planks in a standard width of 15cm. The lines of the cladding wrap around the house like a continuous new skin.

Villa Rotterdam by Ooze

Beyond style or architectural aesthetic, the aim was to engage in a process of rediscovery of the vernacular, to introduce a dialogue between the old and preserved and the new, and to explore a new language which reinterprets the old. It is not an object, it is a collection of very comfortable spaces which are intertwined with the landscape, an extended envelope which extends the possibilities of inhabitation.

Villa Rotterdam by Ooze

We are convinced that reclaiming the past is a form a rediscovery of a different future, away from the tabula rasa, a more sustainable and inspiring way of enriching the environment we live in.

Villa Rotterdam by Ooze

Clients words after completion of the house: “The house is a precedent in establishing a new culture of dealing with an existing structure.

Villa Rotterdam by Ooze

“Recycling” is another nature of work; therefore it is not a formalistic but a conceptual house. The new and old come together, in fact they are melted together. The old does not disappear, it is enhanced, and all shapes of the original are still there. The new reacts to it and explodes the space, and creates an interesting expression. Everything has its value and all shapes have a reason.

Villa Rotterdam by Ooze

An openness in both parties, architect and client, was necessary to make the project more special and more stunning. We went together through an incredible process and the project is the result of this. Both the recycling of the structure and the process can be seen as a sign of the times that will make it into a landmark.”

Villa Rotterdam by Ooze

OOZE 063: Villa Rotterdam
PROJECT: Villa refurbishment
LOCATION: Rotterdam – NL
AREAS: 500m2

Villa Rotterdam by Ooze

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TEAM:
Architect: OOZE architects (Eva Pfannes & Sylvain Hartenberg)
Assistants: Rene Sangers,
Interns: Eloka Som, Maartje Franse

Villa Rotterdam by Ooze

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Building Consultant: BOUWHAVEN Consultants (Ruud Ghering, Corstiaan Verschoor, Jasper Martens)
Engineer: Pieters Bouwtechniek ( Jaap Dijks)
Main contractor: DB Bouw BV

Villa Rotterdam by Ooze

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CAD 3d construction-
drawings: Bouwbreed BV
Services: Interdaad installbouw
Inbuilt furniture: Binnenruimte
Styling: Dutch Style Company (Monique van der Reijden)
DATE: 2009 – 2010

Villa Rotterdam by Ooze

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Villa Rotterdam by Ooze

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Villa Rotterdam by Ooze

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Villa Rotterdam by Ooze

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Villa Rotterdam by Ooze

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Villa Rotterdam by Ooze

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Villa Rotterdam by Ooze

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Villa Rotterdam by Ooze

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Villa Rotterdam by Ooze

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See also:

.

23.2 by Omer
Arbel
Villa by Knevel
Architecten
Ty Hedfan by Featherstone
Young

Louwman Collection

Holland’s new museum paying tribute to some of the world’s rarest classic cars
louwman1.jpg

A 1914 Dodge Type 30 was the initial inspiration for the Louwman Collection of classic cars and automotive art housed in the newly-constructed National Automobile Museum of the Netherlands in the Hague. Located near the Queen’s Palace, the collection dates back to 1934 when a Dutch car importer happened upon the 20-year-old Dodge that was already vintage classic. The Louwman family continued to expand over the years to its current size, boasting over 230 cars.

louwman4.jpg

The cars are divided up into sections consisting of Dawn of Motoring, Motoring, Racing and Luxury. Highlights include a 1900 Georges Richard, which is rumored to have been found in a Parisian side street and “Genevieve,” a 1904 Darracq from the 1953 film. Rare 1948 Tatra T87 and a Spatz Victoria bubble car with central tube chassis, are both designed by the legendary Hans Ledwinka.

louwman3.jpg

The collection includes an impressive range of vehicles, ranging in year and stature from 1944 Willys Jeep Model MB to a 1875 Thirion Modele N 2 Horse Drawn Steam Fire-Engine and 1922 American Lafrance Hook and Ladder Aerial Type 31/6.

louwman2.jpg

Conceived by architecture firm Michael Graves & Associates, the 185,000-square-foot structure with its peaked roofs and woven brick facade, consists of temporary and permanent exhibition galleries, a reception hall, an auditorium and workshops for conservation and car repairs.


V36K08/09 by Pasel Kuenzel Architects

V36K08/09 - URBAN DIVA by Pasel Kuenzel Architects

Here’s another house by Rotterdam studio Pasel Kuenzel Architects located on a former industrial site in Leiden, Netherlands as part of their series of eleven town houses for the area.

V36K08/09 - URBAN DIVA by Pasel Kuenzel Architects

Called V36K08/09, the zinc-clad building comprises two separate dwellings for a mother and son, each with its own patio.

V36K08/09 - URBAN DIVA by Pasel Kuenzel Architects

A wooden gate encloses leads directly onto a patio, which acts as the entrance area for the house.

V36K08/09 - URBAN DIVA by Pasel Kuenzel Architects

On the upper part of the building, floor to ceiling windows in the living spaces look out onto a terrace.

V36K08/09 - URBAN DIVA by Pasel Kuenzel Architects

This series of houses is part of an urban masterplan by Dutch architects MVRDV (See our previous stories on homes by Pasel Kuenzel Architects here and here).

V36K08/09 - URBAN DIVA by Pasel Kuenzel Architects

Photographs are by Marcel van der Burg, primabeeld.

V36K08/09 - URBAN DIVA by Pasel Kuenzel Architects

The following information is from the architects:


V36K08/09 – URBAN DIVA

On a former industrial site close to the historical heart of the renowned Dutch university city of Leiden, emerges one of the biggest urban developments of private-collective dwellings in the Netherlands.

V36K08/09 - URBAN DIVA by Pasel Kuenzel Architects

In their series of eleven town houses, Rotterdam based architects pasel.künzel architects present yet another exceptional residence.

V36K08/09 - URBAN DIVA by Pasel Kuenzel Architects

V36K08/09 is the front end of a terrace that is built on a collective parking garage.

V36K08/09 - URBAN DIVA by Pasel Kuenzel Architects

The residence comprises two separate dwellings for mother and son, including two spacious and hidden patios.

V36K08/09 - URBAN DIVA by Pasel Kuenzel Architects

The dark pre-patinated zinc façade with its subtle disposition of seams gives the building a calm but yet spectacular appearance.

V36K08/09 - URBAN DIVA by Pasel Kuenzel Architects

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Looking from the outside, the house appears rather compact and closed – a fortress in the urban tissue.

V36K08/09 - URBAN DIVA by Pasel Kuenzel Architects

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Only by entering the estate through the heavy wooden gate, one gets into an utterly different inner world – an oasis of tranquillity, a living space that is generous and open, where inside and outside merge into each other.

V36K08/09 - URBAN DIVA by Pasel Kuenzel Architects

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V36K08/09 - URBAN DIVA by Pasel Kuenzel Architects

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V36K08/09 - URBAN DIVA by Pasel Kuenzel Architects

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See also:

.

V21K07 by
Pasel Kuenzel Architects
V21K01 by
Pasel Kuenzel Architects
More architecture stories
on Dezeen

Centrum Muziek XXI by Architecten van Mourik

Centrum Muziek XXI by Architecten van Mourik

This music centre in Utrecht, the Netherlands, is built from recycled plastic planks and was designed by Dutch studio Architecten van Mourik.

Centrum Muziek XXI by Architecten van Mourik

Called Centrum Muziek XXI, the building sits on a tight triangular site.

Centrum Muziek XXI by Architecten van Mourik

The three-storey building has a slanting roof to admit light to neighbouring buildings.

Centrum Muziek XXI by Architecten van Mourik

Two music studios and a larger rehearsal room are separated by offices, and a central entrance hall.

Centrum Muziek XXI by Architecten van Mourik

Sound insulation is achieved through a double skin while tinted glass allows for privacy and prevents overheating.

Centrum Muziek XXI by Architecten van Mourik

Photographs are by Dirk Vroemen.

Centrum Muziek XXI by Architecten van Mourik

Here’s more information from the architects:


‘Unity in diversity’

The Loevenhoutsedijk music house is an initiative of the Cultural Affairs department of the Municipality of Utrecht and the SWK art accommodation foundation, and is aimed at realising a centre for small-scale music ensembles.

Centrum Muziek XXI by Architecten van Mourik

The plan is part of the ‘Hoogstaat aan de Vecht’ urban renewal plan, where it is the head of a new uninterrupted housing wall along the Loevenhoutsedijk.

Centrum Muziek XXI by Architecten van Mourik

It is precisely at a location where houses may not be built, due to the noise from the adjacent water purification plant, that this concentration of a musical programme has been built.

‘Unity in diversity’ is the urban development motto of the Hoogstaat aan de Vecht urban renewal plan. The combination of a small-scale surrounding built up area and a large-scale neighbourhood programme is the leading theme of the design.

Centrum Muziek XXI by Architecten van Mourik

Closed volumes and transparant intermediate space

The building is a conglomerate of open and closed volumes, a small village that transforms into a large volume, fitting in the morphology of its surroundings.

Centrum Muziek XXI by Architecten van Mourik

The starting point of the design is the realisation of a maximum building volume which takes shape through the light let through to the adjacent houses and gardens.

Centrum Muziek XXI by Architecten van Mourik

It results in a 3 layer building volume with a 45° corner on the housing side. For technical audio reasons, the music studios and the rehearsal room have been positioned separately, resulting in two closed music buildings which differ in nature; a long and high rehearsal room with a slanting roof bordering the garden and garage of the adjacent house and two stacked triangular studios, raised from the ground in the point of the building.

Centrum Muziek XXI by Architecten van Mourik

The basis for sound insulation is a bearing stone type construction with a ‘box in box’ construction inside. The service functions which depend on daylight, such as the entrance, stairs, foyer and office, are in the intermediate space formed by the two music buildings.

Centrum Muziek XXI by Architecten van Mourik

The office function on the street ensures social safety. The floors in the fanciful intermediate space form exciting spaces, where people can meet up and from where the building can be understood.

Centrum Muziek XXI by Architecten van Mourik

Monochroom colours

Monochrome colours turn the conglomerate of various spaces into a single building. Based on the idea of a ‘cultural shed’, the two closed music buildings have been built from green plastic recycled planks.

Centrum Muziek XXI by Architecten van Mourik

The intermediate space is clad with four tints of green coloured, reflective glass. These tints are the result of a specific combination of glass thickness and a reflective coating, geared to the amount of sun protection required by the four individual glass facades.

Centrum Muziek XXI by Architecten van Mourik

The tinted glass not only keeps the sun out but also limits passers by from looking in. The glass dimensions differ per space. The fenestration of the entrance facade is based on the size of the entrance door.

Centrum Muziek XXI by Architecten van Mourik

The fenestration of the foyer and office facades is in keeping with the column structure. The foyer facade is smooth with a putty seam, while the top office facades are explicitly present due to their ventilation flaps.

Centrum Muziek XXI by Architecten van Mourik

In keeping with the function, the characteristic design of the music house results in a striking object which lends identity to the neighbourhood entrance.

Location: Loevenhoutsedijk, Utrecht
Function: music studio’s
Client: SWK art accommodation, Utrecht
Gross floor area: 1.000 m²
Team: Klaas van der Molen, Martijn van den Ban, Judith Dorlandt
Advisers: DGMR, Arnhem (constructional physic); Pieters Bouw Techniek, Utrecht (constructions); W+R, Maarssen (installations)


See also:

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Tour des Arts
by Forma 6
Alhóndiga Cultural and Leisure Center by Philippe StarckDance and Music Centre in The Hague by Zaha Hadid