As Good As New pop-up shop at SPRMRKT by i29

Dutch studio i29 have coated everything in grey at this pop-up furniture shop in Amsterdam.

As Good As New pop-up shop at SPRMRKT by i29

Located inside fashion store SPRMRKT, the As Good As New concession is the launchpad for the designers’ new furniture collection, created from second hand pieces they’ve found in flea markets and charity shops.

As Good As New pop-up shop at SPRMRKT by i29

An industrial spray-on plastic creates a homogenous layer of matte grey over everything.

As Good As New pop-up shop at SPRMRKT by i29

“We chose this material because it sticks to almost everything, and is very durable,” designer Jeroen Dellensen told Dezeen.

As Good As New pop-up shop at SPRMRKT by i29

The shop is furnished like an old-fashioned living room, with a chandelier, a globe, a hunting trophy and pair of old boots.

As Good As New pop-up shop at SPRMRKT by i29

“We selected quite outspoken and weird items,” explained Dellensen. ”In the same finish, the collection of furniture becomes a powerful unified sculptural image and has a surreal alienating effect.”

As Good As New pop-up shop at SPRMRKT by i29

Other objects in the space include mannequins, ornaments and a set of vintage pedal bins.

As Good As New pop-up shop at SPRMRKT by i29

The installation follows on from one of the studio’s past projects, where they furnished an office in the same style. See all our stories about i29 here.

As Good As New pop-up shop at SPRMRKT by i29

Similar projects we’ve featured include an apartment with furniture covered in sticky tape and an abandoned office where everything is painted white.

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PLAY Project by Ka-Lai Chan

Dutch designer Ka-Lai Chan has wrapped a whole wall, furniture and ornaments behind an all-encompassing layer of sticky tape at an abandoned apartment in Utrecht.

PLAY Project by Ka-Lai Chan

The installation was one of ten created earlier this year by artists and designers in a building set to be demolished to make way for a new housing development.

PLAY Project by Ka-Lai Chan

Chan took over one wall in the living room and covered picture frames, a table, a chair, a clock and a telephone beneath the white tape.

PLAY Project by Ka-Lai Chan

She claims her inspiration for the project was the way people “adapt to society” by trying to fit in, but also want to reveal their own identities.

PLAY Project by Ka-Lai Chan

“The tape makes everything the same,” Chan told Dezeen. “Object and wall are merged and belong together, but the objects are also rising out of the wall and want to stand out.”

PLAY Project by Ka-Lai Chan

Curators Niels Janssen, Felice Mul and Wilke Heijnen coordinated the PLAY Project within the Eiland8 development area at the invitation of developers Mitros and Portaal.

PLAY Project by Ka-Lai Chan

London designer Dominic Wilcox created a similar installation last year, when he coated every item and surface inside an abandoned office with white paint.

See more stories about installations »

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Hôtel Droog by Droog

Dutch design brand Droog has opened a hotel in Amsterdam where guests who venture out from their rooms can attend lectures, visit exhibitions and shops or relax in a ”fairy-tale garden” without leaving the building (+ slideshow).

Hotel Droog

Above: the Dining Room 

Droog director Renny Ramakers conceived the hotel as a venue that “brings all of our activities under one roof, from curation to product design, exhibitions and lectures, and invites people to plug in as they choose.”

Hotel Droog

Above: guest suite

Located in a 17th century building that once housed the city’s textile guild, the hotel contains an exhibition gallery curated by Droog and a dining room serving dishes from local neighbourhood recipes.

Hotel Droog

Above: the Gallery

Droog also have their own store at the hotel, alongside a Cosmania cosmetics area, a Kabinet fashion store and a Weltevree products area.

Hotel Droog

Above: the Fairy Tale Garden

French Designers Claude Pasquer and Corinne Détroyat created the garden at the centre of the building and filled it with flowers and edible plants to attract birds, butterflies and insects.

Hotel Droog

Above: Weltevree

Guest suites are located on the top floor of the building and offer a view out over the Amsterdam skyline.

Hotel Droog

Above: Cosmania

Ramakers founded the Droog brand with former partner Gijs Bakker back in 1993, and it has since become one of the leading conceptual design brands in the Netherlands.

Hotel Droog

Above: Kabinet

See all our stories about Droog »

Hotel Droog

Above: Droog Store

Photography is by Thijs Wolzak.

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QR-Code Hotel Room by Antoine Peters

In the most extreme example yet of QR codes used as decor, the new Hotel Modez in Arnhem has a room covered entirely in scannable codes that link to “pornography, pin-ups and other piquancies”.

QR-Code Hotel Room by Antoine Peters

The room, designed by fashion designer Antoine Peters, features bespoke wallpaper, curtains, bed linen and furniture entirely covered in the black-and-white symbols, which can be read by smartphones and other devices to reveal pornographic images, texts and movies.

“The room seems as abstract as it can be, but secretly you are surrounded by porn,” says Peters. “The abstraction of the room symbolizes the fact piquancies are always extracted from the eye, but I think these just belong to hotel rooms. And anyway, aren’t we surrounded by porn everywhere nowadays?

The room features pillows and fabrics created in collaboration with Daphne de Jong while Quinze & Milan produced square stools with a QR-codes laser-cut into their surfaces.

The QR-Code room was commissioned by creative studio Piet Paris, who invited 30 Dutch fashion designers, most of whom are based in Arnhem or are graduates of the city’s Arnhem Art Academy, to each curate a room.

The hotel, which opened last week, is based in the city’s Klarendal district, a once run-down area that is now an emerging fashion quarter.

Other recent examples of QR codes used in architecture and interiors include the Russian Pavilion at the Venice Architecture Biennale, which featured an interior entirely covered with a matrix of codes, and call centre in Dijon by architects MVRDV, which features QR-code cladding.

Photography is by Eva Broekema.

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Veilige Veste by KAW

Victims of human trafficking can find refuge behind the faceted walls of this sheltered housing block in the Netherlands by Dutch firm KAW (+ slideshow).

Veilige Veste by KAW

Named Veilige Veste, meaning ‘safe fortress’, the three-storey building in Leeuwarden, Friesland, provides a home for 48 girls that have suffered as victims of prostitution or abuse.

Veilige Veste by KAW

The building was first constructed as a police station in the 1970s and the new diagonally folded facade panels act to both screen the original structure and provide room for additional insulation.

Veilige Veste by KAW

Beatrice Montesano of KAW compares the faceted white squares to diamonds. Unlike refuges “tucked away in anonymous back alleys,” she says that the facade of the Veilige Veste has “a subtle gleam that interacts with its environment.”

Veilige Veste by KAW

Beneath the white squares, wooden panels and large windows regularly alternate along the ground floor elevations.

Veilige Veste by KAW

Offices, meeting rooms and treatment rooms occupy this ground floor, while bedrooms and living rooms for residents are split into six separate groups on the first and second storeys.

Veilige Veste by KAW

Rooms on the second floor surround a roof terrace, which offers a protected outdoor space that the girls can use without having to leave the building.

Veilige Veste by KAW

“A patio in Italy has a very important function,” said Montesano. “That is where the family comes together, where you relax, where you find tranquillity in a busy city. The atmosphere in the patio is always completely different from outside the building; here you sense a much more warm and intimate atmosphere.”

Veilige Veste by KAW

Other refuges we’ve featured on Dezeen include a centre for drug and alcohol rehabilitation in London and a centre for blinded sailors, soldiers and airmen in Scotland.

Veilige Veste by KAW

Here are a few words from the architects about the building’s energy consumption:


Massive Energy Reduction through Passive House

What is revolutionary about the ‘Veilige Veste’, is that this is the first large office block in the Netherlands to be renovated according to the Passive House standard. ‘Passive House’ is a standard for energy efficiency in a building, reducing its ecological footprint. It results in ultra-low energy buildings that require little energy for space heating or cooling. In this case, the fact that the former police stations’ substructure was placed outside the building, meant an enormous energy abuser to be dealt with.

Veilige Veste by KAW

The substructure created a thermal bridge that works exactly like a tunnel sucking in the cold outside air. By wrapping the building with the diamond-cut square panels, the substructure is now within the building and the whole building is covered by a thick layer of insulation. At some points, the façade is over 3 feet thicker now. Thanks to optimal insulation, draft proofing and the use of very little, highly energy-efficient equipment, the ‘Veilige Veste’ consumes exceptionally little power.

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Villa Nieuw Oosteinde by Engelarchitecten

A prefabricated concrete cube appears to hover above the wooden base of this house near Amsterdam by Dutch practice Engelarchitecten (+ slideshow).

Villa Nieuw Oosteinde by Engelarchitecten

Located in the town of Aalsmeer, the villa was built on a lot that had very specific development requirements set out by the local government – the building had to be a small tower, like a gatekeeper’s house.

Villa Nieuw Oosteinde by Engelarchitecten

“It had to be out of the ordinary and not the same as other traditional houses in the vicinity,” architect Maarten Engel told Dezeen. Fortunately, “this very much appealed to the clients, so they purchased the lot.”

Villa Nieuw Oosteinde by Engelarchitecten

The architects came up with a cost-efficient cube of prefabricated concrete measuring just nine metres on each side, which sits atop a horizontally clad hardwood base.

Villa Nieuw Oosteinde by Engelarchitecten

Above the wooden base is a narrow strip of glazing to give the impression that the concrete cube is hovering slightly above it.

Villa Nieuw Oosteinde by Engelarchitecten

On the ground floor, a glass corridor connects the kitchen and living areas to a separate workspace used by one of the residents, who is a florist.

Villa Nieuw Oosteinde by Engelarchitecten

A walled roof terrace is embedded in the top of the cube and also equipped with a kitchen.

Villa Nieuw Oosteinde by Engelarchitecten

Other Dutch houses we’ve featured recently on Dezeen include a houseboat with geometric patterns on its facade and a pair of houses disguised as one.

See all our stories about Dutch houses »
See all stories about concrete »

Villa Nieuw Oosteinde by Engelarchitecten

Photography is by Marcel van der Burg.

Here’s some more text from the architects:


Engel Architecten has realised a villa with a building system that has its roots in industrial and commercial buildings.

The villa is made from prefabricated concrete element. This system is widely used for industrial and commercial buildings, but this is one of the first times it has been used for a villa. One of the big advantages is the cost and the building speed, without having to make concession in build quality and spatial experience.

Villa Nieuw Oosteinde by Engelarchitecten

Ground floor plan

It consists of a perfect cube placed in the axis of a green strip in a newly formed neighborhood in Aalsmeer, a medium-sized town close to Amsterdam. Next to the cube a small workspace is placed. The workspace is connected to the main volume by a glass corridor. On top of the house there is a roof terrace with a built-in kitchen.

Villa Nieuw Oosteinde by Engelarchitecten

First floor elevation

The materials used are both natural and industrial: precast smooth concrete and wooden sidings made from padouk, an African FSC hardwood type. The concrete and wood are separated by glass windows. This disconnects the concrete from the wood so that the concrete block seems to hover above the wooden plinth.

Villa Nieuw Oosteinde by Engelarchitecten

Roof terrace plan

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Stripe House by GAAGA

Horizontal grooves create tactile stripes across the plaster-covered walls of this house in Leiden, the Netherlands, by architects GAAGA (+ slideshow).

Stripe House by GAAGA

Named Stripe House, the three-storey residence is one of the 670 architect-designed homes being completed in the residential district masterplanned by architects MVRDV.

Stripe House by GAAGA

The building is located at the end of a row of houses and the stripes wrap around all three exposed elevations.

Stripe House by GAAGA

“The grooves are not purely decorative, but also have an architectural function,” architect Arie Bergsma told Dezeen. “They enhance the ‘all-sidedness’ of the volume, to link the facades and enhance the perspectival effect of the cube-like shape.”

Stripe House by GAAGA

Bergsma also explained how the grooves make the facade more tactile. “The funny thing that we did not expect is that a lot of people are actually touching the facade with their hands,” he said.

Stripe House by GAAGA

The stripy grey walls also extend beyond the front of the house to enclose a small garden, which leads residents into the dining room and kitchen on the first floor.

Stripe House by GAAGA

A concrete staircase connects the ground floor with the first floor living room, while metal stairs lead up to bedrooms on the top floor.

Stripe House by GAAGA

We’re previously featured other housing projects from the development zone in Leiden. See them all here, including two others by GAAGA.

Stripe House by GAAGA

Photography is by Marcel van der Burg.

Stripe House by GAAGA

Here are a few words from GAAGA:


Stripe House

Stripe House is a small, mixed-use house located in the city of Leiden, The Netherlands. It takes its name from the characterizing horizontal stripes carved deep into the façade.

Stripe House by GAAGA

The house resides in a new urban planning area where clients can develop their own houses. It is on a corner plot adjacent to the park nearby and south-east of pedestrian streets.

Stripe House by GAAGA

Despite its limited size, the plot is not entirely built on. One quarter of the plot is reserved for a small enclosed garden, creating a soft transition from public to private space as well as a distance to neighbouring houses. Opting for a garden implied also a concentration of program on one side of the plot.

Stripe House by GAAGA

The cube-like structure encloses a stacking of three floors, all similar in size but different in program. Going upwards the functions have an increasingly private nature. The ground floor houses the office space and the patio, the next level contains the kitchen, living and dining space, while the upper floor holds two bedrooms and a bathroom.

Stripe House by GAAGA

The large void along the north façade is the focal point in the house. It connects the two upper floors and it spatially zones the kitchen area. The enormous window at the top offers an abundance of natural light as well as an impressive and poetic sight on the Dutch sky.

Stripe House by GAAGA

Because the house is situated on a corner it has an almost all-round orientation and presence. There are not many window openings, but the ones that are present are large and oriented towards interesting views. On the first floor the three windows together form a triptych. They show three different scenes each representing a specific side of the house: the park on the east side, the neighboring houses on the west and the sky on the north.

Stripe House by GAAGA

Plans – click above for larger image

The huge exterior walls are made tangible and appealing by means of horizontal grooves in the plaster. The grooves, with a total length of approximately 7000 meters, are handmade and carved into a semi-hardened plaster by using several moulds. The result is an unparalleled piece of craftsmanship.

Stripe House by GAAGA

Section

The Stripe house is also a very sustainable house that scores well in several energy performance and environmental index calculations and labels.

Stripe House by GAAGA

Elevation detail

Architects: GAAGA
Team: Esther Stevelink and Arie Bergsma
Location: Leiden, The Netherlands
Realisation: 2010 – 2012
Contractor: Verbeij Bouw, Boskoop.
Plasterwork: Mulder Afbouw – Maarten Mulder
Structural Engineering: IMD Raadgevende Ingenieurs BV, Rotterdam
Energy performance & building physics: GAAGA – Arie Bergsma
Paintings: Marion van Egmond, Emmy Stevelink-Willemsen

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Stedelijk Museum Amsterdam by Benthem Crouwel Architects

Benthem Crouwel Architects have completed the new extension to the Stedelijk Museum in Amsterdam, which looks rather like the underside of a kitchen sink (+ slideshow).

Stedelijk Museum Amsterdam by Benthem Crouwel Architects

Designed by A. W. Weissman in 1895 the museum’s original red brick building has been renovated and enlarged with a curvy white extension, part of which is underground.

Stedelijk Museum Amsterdam by Benthem Crouwel Architects

The entrance is situated in a transparent facade facing onto the open grassy expanse of Museumplein.

Stedelijk Museum Amsterdam by Benthem Crouwel Architects

The upper edges of the white extension extend outwards to shelter the plaza.

Stedelijk Museum Amsterdam by Benthem Crouwel Architects

Above image is by Ernst van Deursen

The museum’s shop and restaurant are located next to the entrance, while a large exhibition hall, library and ‘knowledge centre’ all lie below ground.

Stedelijk Museum Amsterdam by Benthem Crouwel Architects

Above image is by KLM Carto

Two escalators in an enclosed tube connect the exhibition spaces on the lower and upper levels, allowing visitors to bypass the entrance area.

Stedelijk Museum Amsterdam by Benthem Crouwel Architects

We recently featured another large white extension to a red brick building – a museum in a former brewery in Zurich.

Stedelijk Museum Amsterdam by Benthem Crouwel Architects

See all our stories about museums »
See all our stories about Amsterdam »

Stedelijk Museum Amsterdam by Benthem Crouwel Architects

Photographs are by John Lewis Marshall except where otherwise stated.

Stedelijk Museum Amsterdam by Benthem Crouwel Architects

Here’s some more information from the architects:


Amsterdam’s Stedelijk Museum is renovated and enlarged. Designed by A.W. Weissman, the building is celebrated for its majestic staircase, grand rooms and natural lighting. These strong points have been retained in the design along with the colour white introduced throughout the museum by former director Willem Sandberg. The existing building is left almost entirely intact and in full view by lifting part of the new volume into space and sinking the rest underground.

Stedelijk Museum Amsterdam by Benthem Crouwel Architects

Its entrance has been moved to the open expanse of Museumplein where it occupies a spacious transparent extension. The smooth white volume above the entrance, also known as ‘the Bathtub’, has a seamless construction of reinforced fibre and a roof jutting far into space. With this change in orientation and the jutting roof, the museum comes to lie alongside a roofed plaza that belongs as much to the building as to Museumplein. Against the backdrop of the old building, the white synthetic volume is the new powerful image of the Stedelijk Museum.

Stedelijk Museum Amsterdam by Benthem Crouwel Architects

Besides the entrance, a museum shop and the restaurant with terrace are situated in the transparent addition on ground level. Below the square are among others, a knowledge centre, a library and a large exhibition hall of 1100 m2. From this lowest level in the building it is possible to move to a new exhibition hall in the floating volume level. Via two escalators in an enclosed “tube”, straight through the new entrance hall, the two exhibition areas are connected. This way the visitor crosses the entrance area without leaving the exhibition route and without being distracted by the public functions; visitors remain in the museum atmosphere.

Stedelijk Museum Amsterdam by Benthem Crouwel Architects

The detailing and color on the inside of the old and new buildings is in alignment, making the explicit contrast between the old building and the new building barely noticeable when walking through the museum. The Weissman building is reinstated in its former glory as it embarks on a new life, facing Museumplein, under one roof with the new addition.

Client: City of Amsterdam
Architect: Benthem Crouwel Architekten
Gross floor area: 12000 m²
Start design: 2004
Start construction: 2007
Completion: 2012

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Villa Sonnehaert by Hollandse Nieuwe

These offices for the Dutch Football Association in Zeist by interior designers Hollandse Nieuwe were inspired by mown grass, painted white lines and football kits (+ slideshow).

Villa Sonnehaert by Hollandse Nieuwe

The contemporary offices are concealed behind the classical facade of a three-storey mansion, which architects StudiOzo completely reconstructed after all that remained of the original building was a facade.

Villa Sonnehaert by Hollandse Nieuwe

Hollandse Nieuwe used studs like those on the soles of football boots to create the shapes of sporting figures on the inside walls, as well as to spell out words.

Villa Sonnehaert by Hollandse Nieuwe

Numbers are stitched onto sofas so that resemble the backs of football players’ shirts, while opaque circles look like little balls on the glazed partitions to meeting rooms.

Villa Sonnehaert by Hollandse Nieuwe

Surfaces are predominantly green and white in each room, matching the colours of a freshly painted pitch.

Villa Sonnehaert by Hollandse Nieuwe

Other football-related projects we’ve featured include a football training centre in South Africa.

Villa Sonnehaert by Hollandse Nieuwe

See more stories about football »

Villa Sonnehaert by Hollandse Nieuwe

Photography is by Gerard van Beek.

Villa Sonnehaert by Hollandse Nieuwe

Here’s some more information from the designers:


For the Dutch premiere and first league football association as well as two other associated organisations, Hollandse Nieuwe developed an inspiring office.

Villa Sonnehaert by Hollandse Nieuwe

The building is a rebuilt villa and only the facade is original.

Villa Sonnehaert by Hollandse Nieuwe

Whilst the exterior looks like a traditional mansion, the interior has no reference to its historical context.

Villa Sonnehaert by Hollandse Nieuwe

An abstract of the world that is associated with professional football were the inspiration to develop a visual language based on studs, stitching, leather, chalk lines, patterns of mowed grass and shirt numbers.

Villa Sonnehaert by Hollandse Nieuwe

Without becoming literal these elements form a new language where for example studs are used to make logos, patterns and figures; stitching is used in detailing benches; the green and white create a fresh and crisp atmosphere. The meeting place for football professionals.

Villa Sonnehaert by Hollandse Nieuwe

Project: Dutch premiere and first league football association
Delivered: 2012
Size: 1500 m2

Villa Sonnehaert by Hollandse Nieuwe

Above: original building before reconstruction

Villa Sonnehaert by Hollandse Nieuwe

Above: original building before reconstruction

Villa Sonnehaert by Hollandse Nieuwe

Ground floor plan – click above for larger image

Villa Sonnehaert by Hollandse Nieuwe

First floor plan – click above for larger image

Villa Sonnehaert by Hollandse Nieuwe

Second floor plan – click above for larger image

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Water Villa by Framework Architecten and Studio Prototype

Timber batons create geometric patterns across the exterior of this houseboat in Amsterdam by architects Framework Architecten and Studio Prototype.

Water Villa by Framework Architecten nd Studio Prototype

Named Water Villa, the boat is moored on a canal in the south-west of the city and features a sunken floor below the level of the water.

Water Villa by Framework Architecten and Studio Prototype

An atrium at the centre of the house connects the children’s rooms in the basement with the ground floor living and dining room, as well as with the first floor bedroom and study.

Water Villa by Framework Architecten nd Studio Prototype

Narrow gaps in the timber-clad facade reveal the positions of glass doors and windows on the two upper floors.

Water Villa by Framework Architecten nd Studio Prototype

One window on the top floor features a remote controlled shutter, which folds up for additional privacy.

Water Villa by Framework Architecten nd Studio Prototype

See more Dutch houses on Dezeen »

Water Villa by Framework Architecten nd Studio Prototype

Photography is by Jeroen Musch.

Here’s some more information from Studio Prototype:


Water Villa

This water villa was designed by FRAMEWORK Architecten & Studio PROTOTYPE for a waterfront location near the Olympic Stadium in Amsterdam.

Water Villa by Framework Architecten and Studio Prototype

The relation between the water and house is central to the design. There is a subtle playfulness between open and closed. The vertically designed pattern, an abstract allusion to the water, provides not only optimal privacy but also a subtle play of light inside the residence itself.

Water Villa by Framework Architecten and Studio Prototype

The inhabitants are able to regulate their privacy by, for example, an integrated folding window that can be opened and closed by remote control.

Water Villa by Framework Architecten and Studio Prototype

The house is spacious with three levels, one of which is below the water, while living and work areas are located above the water.

Water Villa by Framework Architecten

The three levels are spaciously connected by an inner patio, which not only centrally organizes the plan of the house but creates sufficient light in the lower level as well.

Water Villa by Framework Architecten

Also, the steel staircase that has such distinctive significance for the character of the house, is located in the patio.

Here again, the vertical pattern of the staircase, consisting of a steel stripe pattern, provides a dynamic display of light and direction.

Water Villa by Framework Architecten

Design: FRAMEWORK Architecten i.c.w. Studio PROTOTYPE
Type: residence
Design team: Maarten ter Stege,Jeroen Spee, Jeroen Steenvoorden, Thomas Geerlings
Design Phase: 2011
Builder: Post Arkenbouw
Area: 250 sqm

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