Tania da Cruz

Nature, irony and poetry in a budding designer’s Milan showings

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A poetic mix of function and decoration,
Tania da Cruz’
objects highlight the hidden aspects of daily life. This is how her newest creations, recently presented at the 50th annual Salone del Mobile, come to life.

Born in Lisbon, da Cruz spent her childhood in Brussels before beginning her design training and education at the Accademia di Belle Arti di Brera in Milan. But it was her research at HKU in Utrecht that really started her down the path of uncovering the poetic aspects of projects, both in design and communication.

Of her work showing at Salone Satellite, Wig—consisting of a white ceramic vase in the shape of a head—is among the finest. The clever design allows users to experiment with creating their own imaginative floral hairdos atop designs that recall Modigliani‘s heads in nature and silhouette.

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Another ceramic piece, Cuore Sacro (Sacred Heart) is a white lamp in the shape of a cardiac muscle, inspired by classic representations of the organ in Christian iconography. Twee, a clean and essential floor lamp in lacquered steel, resembles a sort of linear, minimalist tree; roots and branches function as base and hangers.

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Nature also inspires Florafil, a flexible green rubber cover for wires that looks like a green vine snaking across walls. Its concept comes from the desire to give aesthetic value to a functional and unadorned object.

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Senses, a jewelry collection that’s both soft and provocative, is based on the idea of giving emotions through touch. Combining gold and silver with recycled fur in various colors, the different perceptions of soft and hard or cold and warm creates a tactile experience that pairs with the sight of the different colors.


Thomas Phifer and Partners

Modernism grounded by the natural world in this architect’s first monograph
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The beautifully simple design of architects Thomas Phifer and Partners’ first monograph (even lacking page numbers) almost rivals the buildings themselves. Rather than rely on text and sketches, high-res photographs and renderings show in vivid detail what makes the firm’s stunningly minimalist ideas and emphasis on eco-friendly construction so renowned.

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Central to their design process is the use of technology to connect inhabitants to the building’s surroundings rather than creating a divide. Naturally-lit, floor-to-ceiling structures in glass and steel favored by Phifer and his design team make this connection—what they call “Modernism from a humanist standpoint”—most clearly.

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But this connection to nature goes further than a picture window; natural elements inform eco-conscious solutions to lighting, heating and cooling, working with the seasons to deepen residents’ relationship to their environment.

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The American-made monograph is available through Amazon.


A Testimony of Serpent Handling

Photographer Hunter Barnes’ intimate images of an obscure American religion

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In an era of digitally-manipulated images, Oregon-based photographer Hunter Barnes is one of a strong contingent who continue to create powerful pictures through a documentary approach. Intent on revealing unseen lifestyles, Barnes immerses himself within a community—past subjects have included ranchers, bikers and Native Americans—building trust with its members to intimately depict the reality of misunderstood subcultures.

For his latest project, “A Testimony of Serpent Handling,” Barnes traveled to the hills of West Virginia to document the last of a small community of Serpent Handlers. Abiding by the word of God, this dwindling religion (less than 15 members remaining) is largely unknown and fading fast in America. There, Barnes shot traditional black-and-white photography, documenting their miracle healing, poison drinking and serpent handling, in a series which he will exhibit at Milk Gallery NYC and with an extensive book.

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With the process of completing the book underway, Barnes needs to further generate funds by 28 April 2011 to meet production and publication deadlines. To pledge support and help bring this project to publication, jump over to Kickstarter, where he’s halfway to reaching his goal of raising $12,000.


Fourteen Black

Artist Tofer Chin’s black stalagmite sculptures invade a Rio de Janeiro park
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The 30 mosquito bites that eventually landed him in the hospital from a Dengue scare didn’t stop artist Tofer Chin from installing his latest show in Rio de Janeiro’s Parque Lage. “Fourteen Black,” as the Los Angeles native calls it, runs until 30 April 2011 as part of Rojo’s Nova project.

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To address the project’s theme about the absence of light, Chin placed 14 tall, black triangles—a shape that regularly appears in his work—around the Patos Lagoon in the park, located in the Jardim Botanico neighborhood. The wooden, acrylic-coated “black stalagmites,” as he calls them, are meant to be “living and breathing souls, ghosts, spirits, voids, shadows.”

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In contrast to the abundant, bright, green surroundings, they work to emphasize the existence of dark, shady areas in the park and play on the idea of light versus absorption of light. Also, because of the way that light bounces off the sides of the angular sculptures, they give the scene a surreal digital touch.

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You can get a behind-the-scenes look of the artist installing his work as well as other artists participating in the Nova project here .


Fable

New absurdly allegorical paintings by Edward del Rosario

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Set against monochrome backgrounds, painter Edward del Rosario‘s fairytale-like scenes depict people counterposed with nature in charmingly unsettling ways. The Brooklyn-based artist has been exploring the subject for the past eight years, each piece adding to a larger meta-narrative that explores the “aftermath of a post-colonial world.” His latest installment of curious paintings will show at L.A.’s Richard Heller gallery in the upcoming exhibition simply titled “Fable.”

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An active performance artist while earning his MFA at RISD, del Rosario’s theatrical roots are evidenced by the comedically tense or absurd situations in which he carefully depicts his characters. The melodramatic situations often depict his characters’ misunderstandings of each other and their conflicts over the balance of power. As explained in a 2009 interview with Lowdown Magazine, del Rosario’s performances, influenced by absurdist playwright Eugene Ionesco, still inform his painterly study of social interaction and group mentality.

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“Fable” is on view at the Richard Heller Gallery from 26 March 2011 through 30 April 2011.


Pure Water Vision

Creativity and one of the world’s biggest environmental challenges intersect in a group show
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EcoArt uses art as a platform for drawing attention to the environment and surrounding issues. Their altruistic endeavor aims to inspire creativity that will raise awareness through various events and exhibitions, such as their current show “Pure Water Vision.” Featuring a collection of works from the ten finalists of the Acea EcoArt 2010 Pure Water Vision competition, artists explore the relationship between man, water and the environment through photography, video, painting, sculpture or performance.

Focusing on the inherent interactions between humans and nature, the artists addressed issues from global warming to biodiversity to the human effect on ecosystems, covering a broad spectrum of issues facing the environment today.

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Of the 600 submissions to the competition, 30 will be featured in the next volume of the EcoArt book and the ten finalists will have their work displayed in the exhibit, one lucky winner being awarded €10,000 and admission to the Acea Group Collection. The Pure Water Vision exhibition runs through 5 April 2010 at the Auditorium Conciliazone di Roma in Rome.


Dan Holdsworth

Après la série pour les 20 ans de Warp Records, voici une sélection du travail photographique de l’anglais Dan Holdsworth utilisant pour ses clichés des expositions très longues. Des scènes de paysages surréalistes et futuristes en pleine nature comme certaines aurores boréales.



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Portfolio de Dan Holdsworth

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Check In 11: Unpacked

Bees and strawberries inspire furnishings at Stockholm Design Week’s premiere satellite show

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With the world’s press and monochrome-clad fans of design descending on Sweden for a glimpse of the distinctive “Scandi” style at Stockholm Design Week, we checked in on one of the most promising satellite shows, “Check In 11: Unpacked” to see what the ten promising new designers exhibiting there had to show. Curated by Frida Jeppsson (author of In Case of Design—Inject Critical Thinking“), this ambitious show seeks to let the work of the ten do the talking in a “work in progress” format.

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We were happy to see the geometrically exuberant work of the furniture designers Zweed, but the show includes some exciting furnishings from Daniel Svahn, whose work focuses on the form of the beehive. Svahn’s two cabinets (below) and tactile drooping lamp (above right) twist the hive form into something that we can enjoy without getting stung. Stained legs and gentle external coloring in green and gray play against the honey-colored interiors of the two cabinets, while the semi-translucent white of the lamp gives it an almost ghostly quality—devoid of the buzz of frenzied bees.

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Young design practice Glimpt collaborated with artisans in South Africa on a range of lighting inspired by strawberries (top right and above). The two lights on view, called “Last Fruit Standing” and “Forbidden Fruits,” mix the colors and vibrancy of the region with Swedish aesthetics, drawing the viewer’s attention to reward it with the charming little touches. Each ceramic element has been hand detailed, while the colorways of the shades are enhanced by more accent colors, instead of taking a safe road with neutrals. Each of Glimpt’s lamps command attention and are all the more covetable for their bold, almost carefree use of coloring.


Alex Stoddard

Découverte du travail d’Alex Stoddard, ce jeune photographe âgé de seulement 17 ans. Des auto-portraits étonnants afin d’exprimer ses sentiments dans des mises en scènes assez variées. Un style complet à découvrir dans la galerie et dans la suite de l’article.



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La suite de son travail dans la galerie.

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7 Billion People

Une belle animation typographique, sur l’initiative du magazine National Geographic, pour le cap franchi cette année des 7 milliards en population mondiale. Un aperçu de la croissance et de ces tendances démographiques, de la géologie ainsi que les impacts sur la planète pour demain.



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