Birkir Snaps + Björk Liqueur

Imbibe in the power of Icelandic birch with these two smooth spirits

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Created by the co-owners of Reykjavik’s renowned Dill restaurant, Björk liqueur and Birkir snaps boast a uniquely smooth, earthy flavor thanks to the Icelandic duo’s clever use of indigenous flora. During spring, sommelier Ólafur Örn Ólafsson and chef Gunnar Karl Gíslason gather felled birch limbs from the half-century-old forest at the foot of the Haukafell Mountain, and infuse the branches’ natural aroma into the spirits at their Foss Distillery. Known for its rejuvenating qualities, birch—even in its potable form—is also believed to benefit skin and hair, and stimulate your libido.

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The honey coloring, sweet taste and subtle nose provide a novel alternative for casual sipping and mixed drinks. Traditionally enjoyed as a shot during meals, the refreshing Birkir snaps is defined by robust floral flavor reminiscent of pine trees. On the other hand, the slightly lighter Björk liqueur
trades in a bit of its birch flavor for more sugar. This rich liqueur is best served in cocktail form to compliment the rich sweetness. Ólafsson explains on their website, “I wanted to capture the sensation of the bright Icelandic summer night at the moment when the rainshower clears and the morning dew sets on the birch clad hill.”

The tall, slender bottles fit into the arboreal theme with a rustic, leaf-adorned label and a birch branch floating in the caramel-colored liquor within. Due to strict alcohol distribution regulations in Iceland all Foss Distillery spirits are only available domestically through local bars or at the Keflavik Airport Duty Free.

Images by Karen Day and Graham Hiemstra


Louise Greenfield

Shark teeth and pheasant feathers in work by a UK artist

50-million-year-old shark teeth and thousands of turkey, pheasant and coque feathers are just a few of the materials comprising the work of UK artist Louise Greenfield. “I’ve always been into making and designing things. Even when I was a little girl I was creating little outfits and packaging boxes. I loved the construction, pattern and color elements equally and was occupied for hours as a child,” laughs Greenfied in her North London studio. “I’d drive my maths teachers crazy day-dreaming about things I could make!”

This love affair with construction and design led London-born Greenfield to complete a 1st Class BA (Hons.) in Applied Art before being offered a chance to work with the jewelry team at Vivienne Westwood. “I’d always admired the incredible theatrical, flamboyant nature of her work,” says Greenfield. During her time there she felt fortunate to work with Wendy Ramshaw, CBE, the queen of British jewelry design. Inspired by what she calls the “execution and finish on her work which is always so incredibly precise and intricate,” Greenfield soaked up everything she could learn about materials—”be it precious metals, jewels, plastics, leather and fabrics”—and used the results to create large-scale installations as well as jewelry and art.

In 2010, Greenfield launched her own range, Targets—intricate and highly detailed wall art utilizing hundreds of pheasant, coque, turkey feathers—at London’s Origin and 100% Design festivals. The positive feedback led to global editorial coverage and the opportunity to collaborate with some of the UK’s top interior designers.

The following year, while visiting New York, Greenfield stumbled upon a 50-million-year-old shark’s tooth, an encounter that eventually led to her latest animal-inspired collection, Dancing Teeth. “I found the my first tooth at an amazing shop called Evolution, an artist’s treasure trove full of preserved butterflies, beetles, snake skeletons and spiders. I found it fascinating to imagine the history behind these items that were so old. The tooth inspired this alternative fairy-tale narrative; I simply wanted to make playful, bright, fresh objects with a static energy,” she says.

Attention to detail and an obsession with structure are at the core of everything Greenfield creates, resulting in breathtaking quality. For Targets and Flight, Greenfield first decides on colors and types of feather before measuring and drawing out the design onto blank canvas. Next, each feather is positioned onto steel pins and Greenfield drills into the board to affix them. “I guess the hardest part is making sure the size, color and patternation on the feathers works with the structural shape,” she explains. “When I’m producing a new piece, it’s very much about working with the design as the shape evolves so timescales vary hugely. Yes, it can be frustrating but also quite therapeutic too!” In Dancing Teeth—a collection Greenfield is currently evolving—each tooth is individually cast before being carefully built into the sculpture.

Despite the effort involved, Greenfield is overwhelmingly positive about her future. “When you’re working for yourself, the possibilities are endless and I think ultimately you get out what you put in. It’s exciting not knowing what’s coming next or what the next commission will involve. There’s nothing better than doing something you love and I’m excited to be indulging in my own creativity.”


Root

Organic liquor blending tradition and innovation
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It’s not a new product, but for the first time Art in The Age of Mechanical Reproduction’s signature liquor, Root, is available outside of creator Steve Grasse’s home state of Pennsylvania. Art in The Age, which hosts a retail store in Philadelphia, is a brand named after Walter Benjamin’s landmark 1936 essay, “Art In The Age Of Mechanical Reproduction,” the themes of which Grasse tried to incorporate into everything he produces, “Emphasizing a pre-industrial ethos, before mass production turned everything crappy”, he says.

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As a man who prefers gin martinis or straight whisky over flavored liquors, Root surprised me with its layered, complex flavor. It does make everything taste like root beer, and the fact is if you don’t like sugary things you won’t like Root. It’s sweet—in fact I joke that it is what a 14-year-old would drink to get drunk—but it is also 80 proof, old-timey, and delicious.

Grasse, a principal of the creative agency Quaker City Mercantile, is the creator of Hendrick’s Gin and Sailor Jerry rum. After he sold those brands to William Grant and Sons (they own Glenfiddich and Stoli, and are now partners in Quaker City Mercantile) in 2006, he was looking to challenge himself. “I wanted to come up with something that doesn’t fit into any category and is in the plainest possible bottle. I wanted to purposely handicap myself,” says Grasse.

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What he developed was Root. Using American herbs, including anise, birch bark, cloves, spearmint and cardamom, he distilled a certified organic spirit based on root tea, the recipe for which goes back to the 1700s. “I thought it would be interesting to create something that was Authentically American,” he says.

“I read about root tea and how it was a small beer, that’s a beer with low alcohol content,” he says. “Charles Hires was the one who took the alcohol out of root tea and rechristened it ‘root beer’. I was inspired by the root tea story. I decided to make it way more alcoholic, but use those same ingredients.” But the goal was also to create something personal – growing up in Pennsylvania Dutch country, Grasse had always loved root beer. “Spirits tend to have these wild stories of origin based on exotic places. Some of the weirdest, most exotic people I know live in Lancaster county.”

His distributors were skeptical. “They said, ‘No one will buy this. No one will find it in the store. It doesn’t taste like anything out there.’ I told them, ‘People will discover it.’ The fact that it doesn’t taste like anything else will be the story.”

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Instead of paying bars and bartenders to push the stuff, Grasse went grassroots. He placed Root at farmer’s markets, where he would lay out the herbs for people to smell, and have samples in which people could dip bread to try it. He sponsored a chili cook-off and worked with the Pennsylvania Historical Society. “I said, ‘I want the fat civil war enthusiast who plows through a bottle of scotch a day to love it. And they will. They’ll take it to their dinner parties and they’ll talk about it’,” says Grasse. He also put all his focus on getting the stuff into liquor stores, not bars. “Usually a brand is launched entirely in the bars, with mixologists,” he says. “The industry is ripe to be fucked with. It’s like payola. They get the bartenders in their pocket.”

His efforts seem to have paid off. Root is spreading throughout the US, and Grasse has since rolled out Snap, a ginger liquor, Rhuby, based on rhubarb, and Spodee, a high-alcohol, herbed wine distributed in milk bottles. For Grasse, a history buff, the joy is in producing something traditional, and American, but also in doing something truly different, and messing with the system.

“How many more vodkas or rye whiskeys can there be on the market?” he asks. “New vodkas have become parodies of themselves.”


Curio Noir

Naturally scented candles in beautiful hand-blown glass
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The aptly named line of candles, cloth and curiosities from New Zealand-based Curio Noir ranges from the vaguely sinister Lilith Doll candles in the shape of a baby’s head to woven linen napkins with floral line art, but we were most captivated by the carefully scented biodegradable botanical wax candles in hand-blown glass.

Certainly some may see the candle as little more than the go-to generic gift item, or perhaps a collectible for others based on a favorite fragrance, but it’s rare for the home staple’s packaging—in this case gorgeously simple, thick, rounded glass jars handcrafted by a classically trained Venetian glass blower in Auckland—to get as much attention as the product within. “Meticulous hands and eyes are at the heart of Curio Noir,” says founder Tiffany Jeans, who broke down the thoughtful process behind each piece.

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Can you explain how the glass containers are made?

I have had a fascination with glass for a long time. Until the 19th century glass blowing was the main technique of hot working glass. Air is blown through a hollow blow-pipe to inflate a mass of molten glass gathered at the end. In this nearly liquid state a blob of glass can be formed in to a bubble that can then be reshaped, layered or decorated by other means. Glass blowing requires speed, strength and dexterity. The classic technique of glass blowing is used for each piece from the Curio Glass range, one piece at a time, making them truly individual, unique objects of art. We use a mold and then once the glass is out we have another piece of glass added to the surface where the Curio Noir stamp is applied. To turn glass batch in to glass, it gets melted at 1300 degrees Celsius over the course of a day. Once it has cooled to 1100 degrees the glass is ready to be worked.

How do you get colored glass?

To make our colored glass, metal oxides are added in powdered form to the raw batch before it is heated. Luke, my glass blower, makes his own colors from scratch so to have maximum control over the end product. As these are also made in small batches there are slight variants in color tones within a range, which I love, as this shows these are not factory pieces. Once a piece of glass is finished it is left to cool for many hours.

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How are the candles scented?

The candles are scented with perfume which is made in small batches mixed in Grasse, France. We currently have Vetyver Bouquet with notes of cypress, jasmine, orange flower and vetyver; Black Spice with notes of aniseed, cinnamon, nutmeg and fresh tea leaves; Chypre Gardenia with notes of gardenia, violet, musks and iris; and Tubereuse Noir with notes of tuberose, violet, heliotrope and spices.

The entire Curio Noir collection is available at select boutiques in New Zealand, Australia and online.


Soapwalla

Effective organic deodorant cream for sensitive skin
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The issue of aluminum-based, fragrance-added deodorant poses a problem for those with allergies or sensitivity, or anyone averse to the chemicals required to fight sweat and odor. If we still lived in a nomadic hunter-gatherer society, our personal scents would identify us to our tribe, but unfortunately, that kind of natural state isn’t always a viable option. Anyone who has experimented with alternatives has likely discovered that most natural deodorants, baby powder and crystals are comically ineffective.

That’s why we were thrilled to discover Soapwalla Kitchen deodorant cream. Gently scented with lavender and peppermint, the light formula is applied by hand like any body cream, and absorbs instantly into the skin. No white streaks betray its presence, and there is no waiting period for it to dry. Most importantly it’s effective—having gone dry and stain-free during both everyday activities and even on a particularly intense three-mile run, we can confirm. The moisture-absorbing properties come courtesy of a mix of arrowroot powder, starches, baking powder and kaolin clay, without a trace of aluminum.

Soapwalla founder Rachel Winard started her line of bath and body products about 10 years ago as she was struggling with the symptoms of systemic lupus, one of which is extremely sensitive skin. Although she designed the products for herself, she vetted the formulas, their application and their scents with her friends and family before debuting them to a larger audience who could benefit as well. “I tried other application methods for deodorant but I didn’t love the texture or the fact that I needed to use waxes for them to maintain their shape,” Winard says. “I like the minimal packaging, and the user has much more control over how much and where they’d like to apply the deodorant.”

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For anyone who has spent years wiping baby powder off clothes or felt resigned to choose between aluminum or sweat stains, Soapwalla’s deodorant cream might seem like a lifesaver. The cream sells for $12 and can be found online, along with Soapwalla’s complete line of vegan, organic, sensitive-skin body oils, lip balms and soaps.


Purity Coconut Water

Organic hydration in an eco-friendly powdered mix
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Powdered varietals of anything can be a bit hit-and-miss. As coconut water aficionados, we approached YogaEarth‘s “Purity” coconut water with a due degree of skepticism. While it didn’t quite live up to other fresh offerings, the mix was met with unanimous approval. Powder—while not the sexiest of states—has the advantage of extended shelf life, commuter-friendly packaging and a lower ecological footprint since you’re transporting powder in biodegradable paper rather than liquid in plastic bottles.

YogaEarth’s personal relationship with their farms ensures fair treatment of workers at the source, and their commitment to health keeps the crystalized coconut water 100% organic. The virgin coconuts are hand-harvested in Brazil and Java, and no ingredients are added to enhance the flavor.

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YogaEarth’s recently released ready-to-go sticks are also a boon for commuters in need of convenient hydration. The powder fully dissolves without any gritty dregs for a slightly sweet drink or a healthy addition to smoothies. Teeming with electrolytes and minerals, coconut water is the recovery drink of choice post-workout and post-Saturday night.

Purity Coconut Water is available from YogaEarth’s online shop.


Natural Sodas

Organic ingredients and natural sweetness from six boutique soda makers

Channeling the flavors of childhood without the sugary side effects, natural sodas keep the fizz while eliminating harmful preservatives. Instead, these sustainably sourced drinks call upon organically grown ingredients for the freshest in flavor. The following is a selection of six sodas that combine light sweetness with a bit of zest for a satisfying substitute to that classic can of Coke.

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Hot Lips Soda

The 100% local, fresh ingredients packed in a bottle of Hot Lips bring the best of the Pacific Northwest straight to your lips. Recycled glass bottles house some spectacular essences, and we’re partial to the velvety Boysenberry—a rare flavor in the soda world—which is made from fruit out of Western Washington’s Willamette Valley.

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Belvoir Fruit Farms

Handcrafting cordials since the 70s, Belvoir Fruit Farms
creates perfectly balanced sodas that reflect their freshly picked contents. The assortment of fizz-filled “pressés” actually quench your thirst while tingling your palate with the delicate flavors of elderflower, lime and lemongrass, cranberry and English apple, among others.

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Fresh Ginger

Created by Bruce Cost, the author of “Ginger East to West”, Fresh Ginger Ale is arguably the purest ginger drink around. The lightly carbonated soda is made exclusively from fresh ginger and cane sugar, and is left unfiltered with a rich, full-bodied flavor profile. While perfectly good solo, the drink shines when paired with a plate of fresh sushi or mixed with a measure of gin.

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Fentimans

The century-old soda maker Fentimans prides itself on a “botanically brewed” process, which involves infusion, boiling and a seven-day fermentation period. Made from natural ingredients like ginger root, dandelion leaves and juniper berries, many of the heavily spiced concoctions drinks also pack a strong caffeine punch.

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Dry Soda Co.

Dry Soda Co. was born from the intent to create a non-alcoholic drink with full flavor and a small amount of pure cane sugar. Clear and elegant bottles contain exotic flavors of rhubarb, juniper, lavender and lemongrass alongside more mellow offerings of blood orange, cucumber, wild lime and vanilla bean.

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Maine Root

Old-fashioned Maine Root is rightfully known for flagship root beer, although we’re partial to the Spicy Ginger brew and regional favorite sarsaparilla, which is touted as a lighter alternative to the root beer. The Portland-based company uses fair trade ingredients and organic evaporated cane juice for sweetness.


Liddabit Sweets

Re-imagining traditional candy bars
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Herds of experimental chocolate makers have entered the game in recent years, while the crowd championing traditional American candy bars remains much more subdued. Brooklyn-based Liddabit Sweets is one of a few confectionaries aiming to reverse-engineer the classic bar with a heritage touch. While we’ve enjoyed their creative caramels in the past (particularly the “Beer & Pretzel” variety), we were once again impressed by the marriage of classic flavors and natural ingredients in their signature “Snack’r” candy bar.

Founders Liz Gutman and Jen King became friends in culinary school, bonding over their shared vision of taking high-end confectionary beyond classic French bonbons and molded chocolates. Shortly after introducing their sweets to the Brooklyn Flea’s “Smorgasburg“, they were able to quit their day jobs to maintain what remains a small operation making bars cut and dipped by hand. Materials for their creations are sourced locally, with honey from the Tremblay Apiaries, chocolate from Taza, dairy from Ronnybrook and beer from the Brooklyn Brewery.

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Mother’s Day marks an expansion in the Liddabits line with the addition of “Lemon Moe-ringue“, a tart and tangy take on a classic meringue with lemon agar jelly candy topped with bruléed lemon-zest marshmallow, named for King’s mom. An ode to Gutman’s mother, the yet-to-be-released “Janberry Shortcake” layers strawberry jelly candy and tarragon shortbread under a coating of white chocolate. Also in the works is the “Vegan Coconut-Ginger Caramel”, which promises a wacky departure from the more traditional fare.

Liddabit Sweets will be offering a “Mamacita Gift Package” for Mother’s Day, and the duo have plans to release a cookbook this coming Fall. All the goods can be found at the Liddabit Sweets online store.

Photos by James Thorne


Reyka Vodka

Iceland’s small-batch spirit distilled over lava rocks
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Only a handful of components are necessary for making Reyka vodka: a grain spirit made from quality wheat and barley, water, geothermal energy, lava rock filtration and a custom-crafted, copper Carter-Head still. The incredibly smooth spirit is the upshot of Iceland’s pristine environment, which affords the distillery an extremely pure brewing process. We recently had the chance to meet with Reyka’s master distiller Kristmar Olafsson in Borgarnes, who shed greater insight on their small-batch production.

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Steam produced by molten rock is funneled in a stainless steel pipe to the distillery, where it heats Olafsson’s beautiful Carter-Head gin still, which was handcrafted in Scotland. One of only six in the world, Reyka’s earns the unique distinction of being the only one used for crafting vodka. This gives Olafsson the advantage of controlling the spirit’s path, manually manipulating the machine throughout the process and capturing only the best part of the spirit for bottling. Traditional vodka stills force the distiller to use the entire spirit from beginning to end, and in order to remove impurities it has to be distilled again.

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“When we start to distill—this is just like when you’re boiling water in the kitchen—the vapors start to rise up when the spirit is close to 100 degrees [celsius], and we keep it inside the tower here in the beginning because when the vapors start to rise up it passes through a lot of copper pipes. Everything is created just to remove impurities from the spirit, and we distillate, or boil it, for about 30-40 minutes and keep it always inside the tower. The lightest ingredients stay in the upper part of the still, and that’s the part we are removing from the spirit. These are the impurities that give it a bad taste and bad smell.”

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Olafsson removes about 30-40 liters of impure liquid in this initial process, which is simply discarded. He knows when the time is up by his expert sense of smell, and the remaining desirable vapor is pushed to another tower in the still, cooled down for a bit and returned to a liquid state. They then distill about 1,200 liters of 96% alcohol for five or six hours, resulting in the spirit that is used for Reyka later on. The last 250 liters is significantly weaker at around 35% alcohol, which they separate and use for flavor-infused vodkas like Opal Red.

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To bring the spirit down to a more drinkable 80 proof, they blend it with water from the nearby Grábrók spring, ideally located on a 4,000-year-old lava field. This is then run through actual lava rocks—which they change about every three months—for the ultimate in natural filtration.

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One taste of Reyka vodka and it’s clear that something is different. It feels silky on the palate, and the clean flavor is easily sipped neat. Currently the eight-person team at Reyka is producing around only 400,000 bottles a year, but Olafsson hopes to increase this over time, slowly but surely. His distribution approach is not unlike that of his distillation process, both the result of extreme patience and well-earned instinct.

You can purchase Reyka at shops throughout the U.S. and U.K. (as well as in Iceland) for around $20 a 750ml bottle.

See more images in the slideshow. Photos by Karen Day


Ursa Major

Vermont-made natural skincare for men

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Made among the Green Mountains of Vermont, Ursa Major skin care launched in late 2010 to provide men with a healthy and effective alternative to chemical-laden products. By favoring organic over synthetic, Ursa Major promotes a “super natural” regimen of face wash, toner and shaving cream, and a newly created fortifying face balm to be released in the coming weeks.

Each product in the line blends a variety of essential oils ranging from aloe, lemon and carrot to bamboo and cedar that come together with a pleasant, mild fragrance. We were keen to give the new Fortifying Face Balm a try—after using it we found the lightweight, non-greasy balm absorbs quickly leaving nothing but a refreshing and slightly firming feeling. “The vast majority of men’s after-shave lotions/moisturizers out there contain irritating and sometimes unhealthy synthetic chemicals,” says founder Oliver Sweatman. “Fewer than 1% are 100% natural, which we feel is especially important for a leave-on product that ultimately penetrates your skin.” Designed to be the final step in a man’s daily routine, the face balm is full of potent natural actives that actually hydrate and protect skin, fight razor burn and minimize wrinkles. Besides the effectiveness of the product, we like the simple, recyclable packaging emblazoned with the bear constellation for which the brand is named.

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Ursa Major’s Fortifying Face Balm will be available mid-April. Until then it is available for pre-order online for $36 alongside their entire line of men’s skin care products.