Wayne Clough Extends Hours at Smithsonian Hot Spots to Help Revenue Flow

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Now that Wayne Clough is running the mighty ship that is the Smithsonian Institution, and he’s made a bunch of promises in the LA Times, he’s pulling one of his first big moves to help weather the storm that is the rotten economy (see how well that analogy worked?!). Well, okay, maybe it’s not the biggest of moves, but he’s just announced that three of their top museums, the Air and Space, the Natural History and American History, will extend their hours to hopefully keep capitalizing on the continued bigger turnouts in DC. Though, of course, this comes with a warning, as we recently learned that more people doesn’t always mean anyone’s spending more while they’re visiting, so we’ll have to see if Clough’s gambit pays offs. Here’s some:

“While attendance is up, people aren’t spending as much,” Clough said. That left revenue from museum stores “about flat” over the first three months of 2009, he said. “In this day and age, about flat is pretty good.”

…Still, the Smithsonian has not been able to avoid cutting staff and trimming other budget priorities as its endowment and private revenue has shriveled. After topping $1 billion in late 2007, the Smithsonian endowment has declined to about $756 million because of stock market turmoil.

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Museum Industry Tries Turning to Tech to Drum Up Interest

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Speaking of the museum struggle, here’s another interesting story from the AP about the ways the industry is trying to fight back the tough times with technology. “We won’t think of hanging a work of art without a label and at least the audio clip,” says Dan Keegan at the Milwaukee Art Museum. Everything’s gone free wi-fi, iPod rentals, and even thinking about using GPS to guide people around (how this is possible, we’re not sure, unless they use mini-satellites, which would be awesome times three). But while this tech trend seems fairly centered on those big civic centers like New York and Los Angeles, and as we saw in our previous post that having a big new draw that lots of people show up for doesn’t necessarily translate into more income, it’s likely something that will make for a wide sweep across the industry, at least for those museums who are fortunate enough to keep their doors open throughout the storm.

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Museums Pained Over Both Too Few Visitors and Excess Attendance

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We all know that museums are having a hard time. Other than the bits and pieces of who is laying off and who is cutting back, the general concept is hardly news. But here we present you with two sides. First comes what we’re used to hearing, with the AP reporting on all of the various hardships the museum industry is facing, from the Art Institute here in Chicago raising their entry fees and then fighting with an alderman over it, to the Las Vegas Art Museum going completely under. It’s a great piece that takes a look at the direct effect the failure of the economy has had. But elsewhere, over at the Washington Post there’s an interesting piece about how well museums in Washington D.C., particularly those in the Smithsonian chain, are doing, attendance-wise. It appears that the big Obama bump back in January is still humming right along, with record numbers of people coming through the doors every day. Unfortunately, while this would usually be great news, all those people are neither spending any money in the cafes or the gift shops, nor staying for any length of time in DC, in its hotels, restaurants, car rental services, etc. So it’s a case of tourism being both up and down at the same time, but in the worst possible way. Bizarre times, these. And makes us think maybe we should reconsider that great news we reported on last week about the Seattle Art Museum‘s attendance numbers being way up.

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Seattle Art Museum Surprised by Huge Number of Visitors

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Remember back in January when it felt like we should all be preparing to open the newspaper and read the obituary for the Seattle Art Museum thanks to their losing Washington Mutal as a renter in their fancy new building and JP Morgan Chase telling them they didn’t want to pick up the lease, leaving the museum in the lurch to the tune of $60 million? Well while we’re sure they still haven’t quite figured out all the answers to their problems, as haven’t most museums with such a foggy financial future ahead, at least they have their attendance figures to feel good about, which, according to Arts Journal, have amazingly defied all of their projections by roughly 200%. Sure, that’s just one special exhibit doing that well, but the whole museum has somehow pushed the visitor numbers up across the board. So that has to make for slightly better night’s sleep, right?

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The Louvre Retains Its Place as Worlds Most Popular Museum

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Last year around this time you might recall that we reported on the Louvre‘s dominance at the most visited museum in all the world for 2007. Now the annual ranking has once again been released and it’s more of the same, at least up top, with the Louvre still bringing them in in record numbers (approximately 8.5 million people). Though down the line there were some changes. The British Museum moved up to second place, the Tate Modern dropped from third to fourth, and finally an American museum got some high visitation, with the National Gallery of Art pulling up in third place (no doubt aided by all the visitors to Washington D.C. for all the inaugural hubbub. And back to the Louvre really quickly, we’re interested to see how 2009 will play out, now that Nicolas Sarkozy has made it free for young people and educators.

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Presidio Museum Registers New Complaint: No Parking

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So we finally got through all the fighting and back and forth planning over Donald Fisher‘s Presidio Contemporary Art Museum and landed in a spot that seemed to at least quiet down the the general uproar for nearly a whole month. But a ha! While you were all collectively basking in the warmth of not having to read another story about this troublesome museum, there were forces at work trying to find something new to raise issue with. And so we have arrived and here is the latest complaint: there is no room for parking and public transportation doesn’t get nearly close enough. Of course, this makes sense, as you probably want people to come visit the thing if you’ve gone to this much trouble over the past few years to just get it built. But it also seems like this could be another clever plot to get Fisher away from the Presidio all together, as casually hinted at in the closure of this op-ed in the San Francisco Chronicle:

New developments are being nudged to areas where transit is readily available: South of Market Street and south of the Bay Bridge, near the Transbay Terminal, at or near Mission Bay with its new UCSF campus, sites adjacent to Caltrans, Muni Metro and freeways.

Indeed, it is in transit-served locations such as those that a Fisher museum could provide a rich cultural addition to San Francisco, more accessible to all. That, indeed, would be a generous and exciting proposal.

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Proposals Unveiled for National Museum of African American History and Culture

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Speaking of architecture, as fewer big, big projects to pitch on land on firms’ desks across the world, it’s now even more exciting when such a project starts the shortlist review process. Such is the case in Washington D.C. with the proposals released for the National Museum of African American History and Culture by six firms, among them a couple of super-pairings like David Adjaye and Davis Brody Bond working with The Freelon Group and I.M. Pei and partners teaming up with Devrouax & Purnell. Though for our money, we think we’re going to side with Norman Foster‘s plans, as most of the rest seem either a) to look like most of the major museums in DC: square blocks with some disjointed piece of wobbly artsy-ness outside, or b) maybe just trying to hard to stand out. The sketches of Foster’s work seems to buck both those trends, yet we can see it fitting very comfortably into the landscape. From up top, it also looks like a huge model of the game Simon, so it has that going for it too. And there’s our bet on who will win the commission. If we are proven right, you each owe us $5 (you entered into this betting contract by first clicking on our site — sorry — you really should start reading more fine print).

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Queens Museum of Art Offers Up New York City for Sale

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If we told you that you could buy an apartment in New York for $50 or an entire building for just a few hundred more, you would likely punch us in the face. As we do not like being punched in the face, we will instead clarify that initial statement. In a clever act of fundraising (found by way of I Like), the Queens Museum of Art has decided to start an “Adopt-A-Building” program using their famous Panorama of the City of New York exhibit, a gigantic modeled replica of the greater New York City metropolitan area, built in 1965. Throw in a few bucks for the building you live in, spend a few more for your old schoolhouse, or even throw down some big money and grab something like the Empire State Building. It’s a great idea, one that’s much more fun than, say, bricks out in front of the building or those usual staples. Here’s to hoping they’re successful and lots of people become pretend property barons, thus finally making their parents pretend proud of them.

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Newport Film Festival Donates $10,000 to Museum of Modern Art

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While it seems that museums just can’t squeeze a dime out of anyone these days, fortunately there are film festivals to lend a hand when times get tough. At least that’s the case for this particular instance, as the Newport International Film Festival, which runs in June, has announced that they are going to donate $10,000 to New York’s Museum of Modern Art to help in their film preservation efforts. They’ll be doing this via the winner of their annual Claiborne Pell Tribute Award, which they’ll announce at the upcoming festival, who will not only have the donation made in their name, but also get to select which films get the restoration and preservation treatment. What’s more, to celebrate the new collaboration between the two, the fest will be screening six films the MoMA has recently saved from celluloid death. Here’s a bit about that:

The 2009 NIFF will also feature a special film series based on the past six years of MoMA’s To Save and Project preservation festival, selected by Joshua Siegel, Associate Curator, and Anne Morra, Assistant Curator, Department of Film, The Museum of Modern Art. Representatives from MoMA’s Department of Film will present selected titles in this NIFF series and also participate in a panel discussion on film preservation.

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Closure of Museum Erotica Proves Were All Doomed

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While all museum closing news is sad, and lord knows we’ve had enough of it to fill a few decades already in just these past couple of months, sometimes you receive a piece of information that you know must be a signal of how truly bad things are. Today, that signal came from the news that the Museum Erotica in Copenhagen has run out of money, largely due to an investment deal gone bad, and is now facing bankruptcy and closure (they officially closed their doors last Sunday, but have hopes of returning to open their doors again, should all of this somehow blow over). So let’s see: you can’t make people invest in and come visit museums about sports, which is incredible enough, and now things have gotten so awful that nationally-celebrated museums about sex are failing? Folks, we’re past the Chicken Little phase and we don’t mind telling you that the end is nigh. Though on the plus side, if the museum does go under, the auction will certainly be far more entertaining than most. Here’s a bit:

The City Council’s cultural committee has turned down a request to support the museum and the museum’s chief executive, Hanne Stensgaard, said the museum is facing the sale of its extensive collection.

Stensgaard told The Copenhagen Post that they are currently in the process of rebuilding the museum but are approximately two to three million kroner short due to a lack of investors.

‘We’ve been hopeful [of securing investors] for a long time and miracles can happen, but if we don’t get the funding within a week, we will have to close.’

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