From the Holy Cow Department: Using Slime Mold Allows Robots to Make Creepily Human Facial Expressions

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You’ve seen people with a trace of a smile on their face, or a hint of a smirk, or a tinge of doubt. Human facial expressions can be subtle, created as they are by us setting our jaws, raising our eyebrows or tightening our lips. And that subtleness has traditionally been difficult, from a materials standpoint, to design into a robot.

At least until now. Prepare to be grossed out: Remember how we learned that plants can communicate with each other through fungus in the soil? Well, in a similar example of the utility of an often-overlooked material, robotics designers from the UK have now produced a robot whose expressions are controlled by mold. Slime mold.

Slime mold can move. The stuff tends to live in dark shady, wet areas like fallen logs and leaves, and by contracting its tube-like structure and propelling itself towards a food source, it can move at about 1 mm per hour. On top of that, slime mold is surprisingly clever. In 2000 Japanese researchers showed that slime mold can determine the shortest route through a maze, when searching for food. Even more amazing, it has an ability to “remember” where it has been even though it lacks a brain.

So what the heck does this have to do with robots? It starts with that movement capability. Klaus-Peter Zauner at the University of Southampton is a pioneer of connecting mold to a robot. After observing that slime mold shies away from light, Zauner grew the mold into a six-pointed star shape, on a six-pointed circuit, and connected it via computer to a six-legged robot. Each robot leg corresponded to one “arm” of the star-shaped mold. If light hit one of the mold’s arms, then it moved away from the light, while at the same time controlled the movement of one of the robot’s legs. In short, the robot scrambled away from light as an embodiment of the mold.

More recently Ella Gale, a post doc research at the University of The West of England, created a robot whose facial expressions move in sync with the movements of slime mold. She grew the mold on a series of electrodes. The mold would then either move toward a food source or shy away from light, and these movements would send specific electrical signals that were translated into sounds. Each sound corresponded to either happy or sad. A demo of this robot launched at the recent Living Machines conference a the Natural History Museum in London.

Hit the jump to see the video, if you dare….

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An Introduction to Wood Species, Part 8: Rosewood

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This Wood Species series of entries comes to us from guest writer Rob Wilkey, an Atlanta-based woodworker and industrial designer whose expertise is in small home goods, furniture, and large installations.


Over the next few articles, we’ll be analyzing a number of common imported wood species. This week’s featured species:

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Rosewood lumber is harvested from a handful of trees in the Dalbergia genus, all of which emit a sweet, rose-like scent when cut or sanded. The wood of these trees is prized throughout the world for its remarkable coloration and density. Certain species of rosewood have been in such demand that they are now threatened with extinction, and are heavily protected by international laws. In fact, CITES trade regulations restrict Brazilian Rosewood and the Madagascan ‘Bois de Rose’ from crossing international borders in any form.

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Despite these heavy trade restrictions, illegal logging of Brazilian Rosewood and Bois de Rose still occurs, and sources providing it in large quantities are frequently under scrutiny. Many other species of rosewood are less restricted in their trade, and are arguably just as beautiful as the protected woods. The different rosewood species range in color from lighter brown to deep reds, browns and purples. Most rosewoods also exhibit very dark streaks along their growth rings, creating striking patterns in flatsawn boards. The softer sapwood is a light, pale yellow, and is sometimes included on a piece for contrast.

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Mugi Yamamoto’s Materials-Exploring Concept Work

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That’s industrial designer Mugi Yamamoto’s compact inkjet printer concept, Stack. Placed atop a pile of paper, the printer works its way down, sheet by sheet. In addition to providing a wonderful visual cue of whether or not the printer needs to be restocked—or is that re-stacked—there is a practical inspiration behind the design: To get rid of the paper tray, “the bulkiest element in common printers.”

Yamamoto, a freshly-minted ID grad from the Ecole Cantonale d’Art de Lausanne, has generated a good bit of blogosphere buzz for Stack. But the rest of his book is worth a gander as well, demonstrating some brilliant materials experimentation. Check out his Inversilight, which takes advantage of silicone’s flexibility to create a lampshade that the user can “pop” into one of two positions, focusing or scattering the light as needed:

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An Introduction to Wood Species, Part 7: Mahogany

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This Wood Species series of entries comes to us from guest writer Rob Wilkey, an Atlanta-based woodworker and industrial designer whose expertise is in small home goods, furniture, and large installations.


Over the next few articles, we’ll be analyzing a number of common imported wood species. This week’s featured species:

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Mahogany is harvested from trees of the genus Swietenia, whose natural range is in Central and South America. The lumber of these trees is extremely popular, and has been exported throughout the world for centuries. Like cherry, mahogany is prized for its favorable working properties, as well as its durability and beautiful color. Mahogany is initially a lighter pinkish brown hue, and can darken to a rich, deep reddish-brown over time.

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The wood is straight-grained, diffuse-porous, and suffers from very little shrinkage and seasonal movement. At 900lbf Janka, mahogany is soft enough to be cut and sanded quickly and easily, but is hard enough to resist dents and scratches. These properties make it an ideal lumber for every kind of woodworking. The wood also glues and stains well, and becomes even more beautiful under a good coat of finish. In fact, with a glossy finish, the wood will refract light so vibrantly that it changes shades depending on your viewing angle. This effect enhances areas of figured grain, as can be seen on the side table below, built by the talented Todd Clippinger.

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Witu Bags: The independent Aussie brand accessorizing with neoprene

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Witu is a fun, Melbourne-based accessories label with a penchant for neoprene. The highly functional, protective foam is perfect for bags, camera straps and tech cases, yet it’s seemingly a largely unexplored material among the accessories…

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Ancient Egyptian Bling from Outer Space Screws Up Historic Timeline for Metalcrafting

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In the early 1900s, guys dressed like Indiana Jones were ripping through Egyptian tombs in a somewhat shameless search for treasure. In 1911 a collection of elementally rare beads was uncovered in a 5,000-year-old tomb south of Cairo. Primitive early-20th-century tests revealed the beads had an unusually high nickel content, and it was assumed that they were carved out of meteorites.

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As Live Science reports, archaeology professor Thilo Rehren recently made a more startling discovery. By X-raying the beads, Rehren and his team observed an elemental composition consistent with iron meteorites, which merely confirmed suspicions; but the X-rays also showed that these beads were actually tubes, of the sort that can only be made by forging metal into thin sheets and then rolling it.

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An Introduction To Wood Species, Part 6: Cherry

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This Wood Species series of entries comes to us from guest writer Rob Wilkey, an Atlanta-based woodworker and industrial designer whose expertise is in small home goods, furniture, and large installations.


Over the past few weeks, we’ve been looking at a number of common North American wood species. This week’s featured species:

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The wood of the cherry tree is popular among woodworkers for being a very well-rounded species. It is cheaper than walnut, more workable than maple and oak, and exhibits some of the most beautiful colors and grain patterns of any domestic species. Although it isn’t harvested very abundantly, and isn’t commonly available in larger boards, cherry is still used for large projects like cabinetry and furniture simply because it is so easy to manipulate and always looks remarkable.

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In North America, the most commonly sold species is Black Cherry. A number of other domestic and imported species are sold with ‘cherry’ in their name, but only wood from the genus Prunus is true cherry lumber. Cherry is a pale, pinkish yellow hue when initially cut. This color changes rather quickly to a darker reddish brown with exposure to sunlight. The images below show a salt and pepper shaker that I built several years ago using Black Cherry. The picture on the left was taken within a week of applying the final coat of finish, and the image on the right shows the same piece one year later.

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From the Holy Cow Department: Disney Uses Bursts of Air to Create Virtual Haptic Feedback

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From Canon’s Mixed Reality System to Microsoft’s see-through 3D display to Google Glass, the world’s biggest technology companies are getting good at tricking our eyes into seeing things that aren’t really there. But the missing piece in the feedback puzzle has always been the sense of touch. Videogame controllers can vibrate to simulate gunfire and racing car engines, but they require you to be physically grasping the devices.

Now, however, the folks Disney Research have created a way for those tingly little nerve endings on your skin to receive feedback. And they’ve done it by sculpting air.

This new haptic technology is called Aireal, and through it the gamers that it’s initially aimed at can feel virtual objects, experience the sensation of touching various textures, or get kinetic feedback. All without any need to wear gloves, vests or suits. Puffs of air can be controlled in terms of varying strength and speed. So it will be capable of creating a sensation as gentle as a butterfly’s wings or as strong as a baseball caught in a glove.

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So how the heck does this work? The technology creates a vortex, which is a tightly held column of moving air that can travel relatively far and keep its shape and speed. (A tornado is a type of vortex.) Vortices can travel much farther than regular jets of air. In fact vortices can travel nearly five feet before accuracy drops below 80 percent. But when this traveling spinning ring of air touches something, like a person’s skin, the low-pressure within the vortex collapses and this produces a force the user can feel.

Next question: How can this “force” provide haptic feedback that is perceived by the user as three-dimensional?

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Aireal uses a flexible nozzle secured to a gimbal (a gimbal is a structure that allows for something to rotate in all directions on a single axis.) A 3D depth camera tracks the user and using data from various sensors this nozzle can send a vortex of air to precise locations anywhere within a three-dimensional space. Place multiple nozzles in multiple locations, and you’ve got your dimensional bases covered.

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Apple’s Materials Experimentation with Glass Continues, with Potential Cross-Product Development

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While Google may have locked down the word “Glass,” in the public cognizance, for their hi-tech specs, it is Apple that’s pushing the boundaries of the actual material. Years ago glass unexpectedly cropped up in their iPhones; they subsequently erected an improved Fifth Avenue glass cube; with almost no fanfare, they built two gi-normous staircase stringers out of the stuff; and Steve Jobs, shortly before his premature passing, indicated that they’ve “learned how to ‘do’ large sheets of curved glass through designing various Apple Stores around the world.”

The latest in Apple’s love affair with glass comes to us from Patently Apple, who uncovered an Apple patent application published last week by the EPO. It’s interesting because this “fused glass process for device housings” appears to be applicable across a broad range of products:

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Suigeneric Watch Straps: Josef Albers-inspired stripes and leopard prints in an inaugural collection of waxed cotton watch straps

Suigeneric Watch Straps


While a watch face may be timeless (pun not intended), over the course of changing seasons a watchband can wear out or its novelty can wear off. Fresh off the digital printing press in Seoul, South Korea are );…

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