Tesla Model S Named Automobile Magazine’s 2013 ‘Car of the Year,’ Car Dealers Not Amused


It’s Electric! The gasoline-free Tesla Model S “epitomizes efficiency, embodying the grace and performance of a world-class athlete,” says lead designer Franz von Holzhausen.

Upstart automaker Tesla has been busy earning its share of cheers and jeers. Autombile Magazine has selected the Tesla Model S as its 2013 Automobile of the Year (the third-generation Porsche Boxster earned Design of the Year honors). “We weren’t expecting much from the Tesla other than some interesting dinner conversation as we considered ‘real’ Automobile of the Year candidates, but in fact, the Tesla blew them all away,” writes associate editor David Zenlea in an article that will appear in the January 2013 issue. How? The car’s pure electric powertrain, long driving range, and performance, with a “crazy speed [that] builds silently and then pulls the edges of your face back,” according to Automobile editor-in-chief Jean Jennings.

However, the the Model S’s sleekly flush door handles (they power out to meet the passenger), 17-inch touchscreen (to tweak audio, navigation, climate, and other vehicle functions), and 265-mile range-cum-battery life aren’t enough to win over everyone. The country’s 18,000 new-car dealers, accustomed to getting a sweet slice of sales, are up at arms at Tesla’s bold move to sell directly to consumers: at a growing network of Tesla stores and online, where you can reserve your Model S for a (fully refundable) $5,000. Some dealers have already lobbed lawsuits at Tesla for circumventing the longstanding automaker-dealer system (which is governed by state laws). Elon Musk is undaunted. “Existing franchise dealers have a fundamental conflict of interest between selling gasoline cars,” the Tesla CEO told the Los Angeles Times. “It is impossible for them to explain the advantages of going electric without simultaneously undermining their traditional business.”

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The Ground Magazine: Innovative business model sheds new light on cultural consumption

The Ground Magazine

The recently launched web outlet, The Ground, is a multifaceted cultural platform that stands out for its innovative entrepreneurial approach. The project integrates a social network, interactive online publication and promotional platform, as well as a biannual print edition filled with notable articles from the virtual edition. The initiative…

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Ai Weiwei Rocks Gagnam Style, Guest Edits New Statesman

Over the past several months, Ai Weiwei and his legal team have continued to fight the tax evasion charges that saddled him with 15 million yuan ($2.4 million) in fines. The artist recently lost his second and final appeal. “We’ve been making a lot of effort getting our evidence, documenting our company’s financial activities,” he told CNN on the day of the latest court ruling. “And the court didn’t really show any hard evidence today to convict us. They’re openly violating the law by infringing on tax payers’ basic rights and ignoring lawful requests time and time again.” Nonetheless, Ai’s work—and play—continue apace. A video (below) shows him rocking Gagnam style dance moves in a pink t-shirt that he occasionally accessorizes with handcuffs. On a more serious note, Ai served as guest editor for the October 18 issue of the New Statesman, the London-based political and cultural magazine. “This special issue, on China, its complex present and its future challenges, is written by Chinese authors and activists and showcases work by Chinese photographers,” said editor Jason Cowley. “It is the New Statesman, made in China.”

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Edvard Munch’s ‘The Scream’ on View at MoMA

Edvard Munch‘s haunting rendition of a hairless figure on a road under a yellow-orange sky has appeared on many a t-shirt, tote bag, and cheeky Happy 50th Birthday mug. It has been riffed upon by countless New Yorker cartoons and a beloved John Hughes film. Today the artwork begins a six-month visit to New York’s Museum of Modern Art, where it will be exhibited along with a small group of Munch prints. The artist created four versions of “The Scream” between 1893 and 1910, and this 1895 pastel is the only one remaining in private hands. Those hands probably belong to Leon Black, who is said to have been behind the winning $107 million bid at a Sotheby’s sale in May. Commissions brought the final price to $119.9 million, a new world record for any work of art at auction.

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Inside Scoop: Dwell Partners with American Society of Interior Designers

Dwell is looking inward for its latest partnership. We hear that the shelter magazine-turned-bicoastal media empire will announce tomorrow that it’s teaming up with the American Society of Interior Designers. With a membership that includes around 18,000 practicing interior designers and 10,500 students, the trade group will move its national conference to Dwell on Design, which caps off Dwell Design Week in Los Angeles. The leaders of 500 ASID chapters nationwide and board members of the organization will join the eighth annual installment of modernism-infused home tours, product demos, and presentations, set to begin on June 21, 2013 at the Los Angeles Convention Center.

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Documenta Curator Carolyn Christov-Bakargiev, Larry Gagosian, Ai Weiwei Top ArtReview ‘Power 100’

Just as you’re putting the finishing touches on your Larry Gagosian Halloween costume comes word that the uberdealer has climbed a few notches on the just-released ArtReview “Power 100,” edging out last year’s list leader, artist Ai Weiwei, to claim the #2 slot. Leading this year’s ranking of art world stars is–would you believe?–a curator! Carolyn Christov-Bakargiev made quite an impression with her shape-shifting Documenta 13, “spanning, as it did, the cities of Kabul, Banff, and Alexandria/Cairo after sprawling over Kassel [Germany] more than ever before, and encompassing screenings, performances, talks, essays, books, and disciplines that extend far beyond the field of art,” note the editors, who have published the annotated Power 100 in the November issue of ArtReview.

So how did they go about determining that artist Theaster Gates (#56) is more powerful than both Jeff Koons (#58) and Miuccia Prada (#93), and that Cindy Sherman trumps all of them at lucky #13? Entrants are ranked according to “a combination of influence over the production of art internationally, sheer financial clout (although in these times that’s no longer such a big factor) and activity in the previous 12 months,” according to ArtReview. See if you agree with their math by perusing the full list below, and then click over to the magazine’s website, which includes all ten previous Power 100s and a portfolio of portraits commissioned for each issue, among them work by photographers Juergen Teller, Ari Marcopoulos, and Roe Ethridge.

1. Carolyn Christov-Bakargiev
2. Larry Gagosian
3. Ai Weiwei
4. Iwan Wirth
5. David Zwirner
6. Gerhard Richter
7. Beatrix Ruf
8. Nicholas Serota
9. Glenn D. Lowry
10. Hans Ulrich Obrist & Julia Peyton-Jones continued…

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Everything is Fucked, Everything is Okay

Writers from across the globe talk the ups and downs of modern life in a new zine

Everything is Fucked, Everything is Okay

Responding to common feelings of being overwhelmed by our chaotic modern world, Everything is Fucked, Everything is Okay is a new print zine featuring writing from contributors based in NYC, London and Sydney. Assembled by hand by Brooklyn-based writer and founder James Aviaz, the zine touches on those confusing…

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Around the World with Ai Weiwei: Artist’s ‘Visionary Globe’ on the Block for Charity

Ai Weiwei, Michael Bloomberg, Hillary Clinton, and Puma CEO-turned-PPR Chief Sustainability Officer Jochen Zeitz are among the dozen “Visionaries” that Condé Nast Traveler will celebrate (along with its 25th anniversary) next week at a gala in New York City. The globe-trotting magazine asked each of the honorees, selected for “shaping the world in which we travel and striving to make it a better place to live,” to make their mark on the traditional school globe for an online benefit auction that kicks off today on CharityBuzz.

Bidding is open until September 25 for globes customized by Visionaries including Richard Branson, Christy Turlington Burns, Nicholas D. Kristof, Somaly Mam, Okello Sam, and Susan Sarandon. Water.org founder Gary White tapped designer Annie DeGraff to cover his globe in Keith Haring-esque squiggles to show the unifying essence of water, while actress Olivia Wilde created a globular tribute to Haiti out of paper mâché, palm fronds, and feathers. Ai Weiwei made this bold gesture with yellow paint. Proceeds from the sale of his globe will go to Ye Haiyan, an advocate for the rights of China’s sex workers and AIDS victims, who runs the Fuping Health Workshop in Yulin, Guangxi.

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Popshot Magazine

The illustrated poetry magazine adds fiction to the mix in the October issue

Popshot Magazine

For a glimpse at the changing face of poetry, cast aside the dusty anthology and make room for the 21st century’s answer to an ancient art form—Popshot Magazine. Created in 2008, the British-based print magazine is now the flag-bearer for a new generation of creative writers and illustrators. The…

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Food for Thought: Is Alice Waters Cooking Up a Restaurant in a Museum?

Alice Waters may be bringing her garden-fresh, local fare to a museum in the near future. The chef, author, and proprietor of Berkeley’s Chez Panisse recently hinted that such a project is in the works. “I’ve always wanted to do a restaurant in a museum,” Waters told Elle Decor’s Ingrid Abramovitch in an interview that appears in the magazine’s July/August issue. “There are a couple of possibilities on the horizon. For now, that’s all I can say.” No word as to whether this would be an initiative of her Edible Schoolyard Project. Meanwhile, Waters was more forthcoming about her love of design (“If I weren’t involved with food, I’d be working in architecture.”) and cited Christopher Alexander‘s A Pattern Language as a major influence. “[Alexander] wrote about how architecture can be used to convey universal values,” she said. “After a fire in Chez Panisse’s kitchen that burned down the wall between the kitchen and dining room, I decided not to put it back. For the first time, the light from the dining room flowed into the kitchen. The cooks and I could look out and see the sunset. For the diners, it demystified what was happening in the kitchen. It’s been a revelation.”

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