House in Ōiso with walls covered in roofing material by atelier HAKO architects

The entire facade of this house in the Japanese town of Ōiso by atelier HAKO architects is clad in fibre-reinforced cement boards and punctuated by a series of scattered windows (+ slideshow).

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Photo by atelier HAKO architects

The grey boards are typically used as a standard roofing material in Japanese housing developments but were also applied by atelier HAKO architects to cover the exterior walls.

House in Oiso by atelier HAKO architects

Designed for a family with two children on a site near the Sagami Bay coastline of the Pacific Ocean, the cement boards also perform a practical role as they are resistant to corrosion from the salty air.

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An offset gable gives the roofline an asymmetrical appearance, which helps the building stand out among its more conventional neighbours.

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“The house was placed on the north side of the site in order to protect the garden from seasonal wind from [the] north in winter,” said the architects, who incorporated small windows on the north facade and positioned larger windows on the south side of the building facing the garden.

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The southern facade also incorporates large sliding windows that open onto a deck reminiscent of an “engawa”, a strip of wooden flooring found between the living space and external storm shutters of traditional Japanese houses.

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“[The] internal area was designed with an emphasis on continuity with the garden,” explained the architects, who created an open plan living and dining area on the ground floor next to a kitchen with an aperture in the wall linking the two spaces.

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A spiral staircase with a bottom tread that appears to hover above the ground connects the living room with a hallway on the upper floor where the bedrooms, bathroom and children’s play area are also located.

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Photography is by Shinsuke Kera / Urban Arts, unless stated otherwise.

Here are some details about the project:


The site is located at the edge of dwelling area close to the sea that is facing the agricultural land spread to the north-east mountain side.

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The house was placed on the north side of the site in order to protect the garden from seasonal wind from north in winter.

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Internal area was designed with an emphasis on continuity with the garden. In the south elevation, wide window and shallow depth wood deck which is like japanese traditional ‘engawa’ were provided as connect elements of the internal area and the garden, whereas other elevation was designed defensive to outside.

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Triangular roof was slightly rotated with respect to the axis of the outer wall, the elevations got asymmetric shapes that offer humorous feeling at glance.

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Fiber-reinforced cement board to be used usually as roofing material of mass production house in Japan was used as the exterior wall finishing material resistant to salt damage, thus overall architecture got abstract appearance covered with the same material all.

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Name: House in Ōiso
Architect: Yukinobu Nanashima + Tomomi Sano / atelier HAKO architects
Structural engineer: Shin’itsu Hiraoka / Hiraoka Structural Engineers
Completion: March 2010
Location: Ōiso, Kanagawa Prefecture, Japan
Primary usage: private residence
Structure: wooden construction, two stories above ground
Site area: 155.31 m2
Building area: 44.86 m2
Total floor space: 89.72 m2

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Nakagin Capsule Tower

Noritaka Minami a imaginé cette série appelée 1972 en l’honneur du Nakagin Capsule Tower, tour insolite imaginée par l’architecte Kisho Kurokawa à Tokyo, cherchant à concevoir des capsules flexibles et temporaires. N’ayant finalement pas bougées, le photographe a voulu immortaliser ces espaces confinés.

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House in Yagi containing an indoor courtyard by Suppose Design Office

An indoor courtyard with an earth floor and central tree is concealed behind the concrete walls of this bulky house in Hiroshima by Japanese studio Suppose Design Office (+ slideshow).

House in Yagi by Suppose Design office

Located beside a canal, House in Yagi was designed by Suppose Design Office to deliberately look unfinished, so its concrete walls were left exposed both inside and outside.

House in Yagi by Suppose Design office

“Unlike other projects, the final stage of construction for this house was not aiming towards a finish stage, but to let the owner experience the sense of completion after living here,” said the architects.

House in Yagi by Suppose Design office

Living, dining and sleeping areas are all located in the uppermost section of the house, freeing up the ground floor to accommodate the double-height courtyard.

House in Yagi by Suppose Design office

Square windows of different sizes surround this space, but were left without glazing to allow wind and rain to enter the building.

House in Yagi by Suppose Design office

“All these elements are to enhance the experience of unlimited lifestyle that you may potentially have in this house, and minimise the boundary,” added the architects.

House in Yagi by Suppose Design office

A concrete staircase folds around one corner, leading up to top-floor living spaces that include a combined dining room and kitchen, a bedroom that can be screened behind a partition, a bathroom and a general storage closet.

House in Yagi by Suppose Design office

A narrow void in the floor plate creates a balcony looking down to the space below, but can be screened behind a folding glass door to prevent draughts.

House in Yagi by Suppose Design office

The house accommodates a growing family of four, so could be adapted in the future to add new rooms.

House in Yagi by Suppose Design office

Suppose Design Office is led by architect Makoto Tanijiri. Past projects by the firm include House in Minamimachi, a residence with offset floors, and House in Kamiosuga, which features walls that only reach halfway down from the ceiling.

Photography is by Toshiyuki Yano.

Here’s a project description from Suppose Design Office:


The House of Yagi

The House of Yagi is designed with the idea of an incomplete/complete form. Unlike other projects, the final stage of construction for this house was not aiming towards a finish stage, but to let the owner experience the sense of completion after living here.

Site plan and section of House in Yagi by Suppose Design office
Site plan and design concept – click for larger image

Interior space of the house is designed to maximise the interaction to its surrounding environment. Ground floor material remained the same as the original site, with a single tree standing in the centre to present a natural contrast with the surrounding area. Windows of the 1st storey are kept open without any window shield or glass and creates an interesting interaction with wind and rain.

Floor plan of House in Yagi by Suppose Design office
Floor plans – click for larger image

All these elements are to enhance the experience of unlimited lifestyle that you may potentially have in this house, and minimise the boundary. Through this different interpretation of connecting the exterior and interior space, new ways of living can be explored by the client.

Section of House in Yagi by Suppose Design office
Section – click for larger image

Location: Hiroshima city, Japan
Principal use: personal house
Site area: 155.60 sqm
Building area: 56.24 sqm
Total floor area: 112.48 sqm
(1F: 56.24 sqm 2F: 56.24 sqm)
Completion: June 2012
Design period: April 2011 – January 2011
Construction period: February 2011 – June 2012
Structure: RC structure
Client: a couple and children
Project architect: Makoto Tanijiri [Suppose Design Office] + Ohno Hirohumi [Ohno JAPAN] Lighting: Original
Products: dining table
Flooring: 1F – masa soil, 2F – elm flooring + WAX (mat)
Internal Wall: exposed concrete
Ceiling: exposed concrete
Construction: Shinkou Kensetsu

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Shirasu house with volcanic soil brickwork by Aray Architecture

Volcanic soil was mixed with cement to create the building blocks of this house in south-west Japan by Tokyo studio Aray Architecture (+ slideshow).

Shirasu house with volcanic soil brickwork by Aray Architecture

Located in Kagoshima Prefecture, the two-storey residence accommodates a family of six, who requested an energy-efficient home that incorporates natural systems of heating and cooling.

Shirasu house with volcanic soil brickwork by Aray Architecture

Architect Asei Suzuki of Aray Architecture specified locally produced bricks for the walls of the house, which were made by combining volcanic ash soil with cement. These bricks were used for the both the inner and outer layers of the walls, and are left exposed throughout.

Shirasu house with volcanic soil brickwork by Aray Architecture

“The spaces between bricks form an insulating layer to reduce the thermal load from the outside. It plays the role of an aerated zone to prevent condensation,” Suzuki told Dezeen.

Shirasu house with volcanic soil brickwork by Aray Architecture

A skylight in the centre of the roof helps to draw air up through the building. “The form of the house promotes the airflow stack effect,” added Suzuki.

Shirasu house with volcanic soil brickwork by Aray Architecture

The family dining room and kitchen are positioned in the middle of the house, while a double-height living room occupies a triangular space on one side and opens out to a decked terrace.

Shirasu house with volcanic soil brickwork by Aray Architecture

A timber and steel staircase leads up to the first floor, which contains a children’s room and a study. There’s also a small enclosed terrace, which is fronted by perforated brickwork to allow views down to the street.

Shirasu house with volcanic soil brickwork by Aray Architecture

Asei Suzuki founded Aray Architecture in 2009 and Shirasu house is the studio’s first completed residential project. Before that, the architect was design director for Hiroshi Nakamura & NAP, whose projects include a house with a tree-filled courtyard behind its shimmering glass-brick facade and a cavernous art gallery.

Shirasu house with volcanic soil brickwork by Aray Architecture

Photography is by Daici Ano.

Here’s some more information from ARAY Architecture:


Shirasu

The resident did not rely on energy in South Kyushu of high temperature and humidity, and hoped for ecology life with the environment.

Shirasu house with volcanic soil brickwork by Aray Architecture

The wind of land is felt, rain water is saved, and it enjoys gardening. It is native life. The site is a residential quarter that extends on a Shirasu plateau near from the Kagoshima City downtown. I then thought native house (eco-house) with the soil (Shirasu) as the material that formed this plateau native by the made Shirasu block.

Shirasu house with volcanic soil brickwork by Aray Architecture

Shirasu has a lot of characteristics in other geological features like fireproof, adiabaticity, the humidity conditioning, thermal storage, and lightness, etc. without. Pressurising and construction it the technology of a monotonous block in Shirasu for the pavement that had begun to spread in the city was made the best use of, and production with the block for the construction of Shirasu was tried for the first time.

Shirasu house with volcanic soil brickwork by Aray Architecture

To secure material strength, the outside wall block changed mixing Cirrus. It inlaid with the raw ore of Cirrus to improve the adsorption and desorption of moisture to the inner wall block. At the same time, the character of this Shirasu appears as an expression of the memory accumulating to the block. The house where in all outer had been piled up on an inside and outside midair layer double wall became a space wrapped in the soil like the cave in Cirrus.

Shirasu house with volcanic soil brickwork by Aray Architecture

This inside and outside midair layer double wall has reduced the thermal loading to the inside. In addition, the inner wall block surrounds like finish in any room of the house, and adjusts the indoor humidity. Therefore, the inside is chilly cool, and warm summer in winter.

Shirasu house with volcanic soil brickwork by Aray Architecture

It is a steady throughout the year thermal environment. It proposed the energy performance of underground resources accumulated in the Shirasu plateau and it proposed the space with a new environmental circulation type to the Shirasu block by reproducing.

Shirasu house with volcanic soil brickwork by Aray Architecture
Floor plans – click for larger image
Shirasu house with volcanic soil brickwork by Aray Architecture
Cross section – click for larger image
Shirasu house with volcanic soil brickwork by Aray Architecture
Elevations – click for larger image

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GreeM hair salon with artifical light and shadow by Takara Space Design

White and black painted patches create artificial shafts of light and shadows on the walls of this salon in Japan by Tokyo studio Takara Space Design.

greeM hair salon by Yozo Suzuki

Architect Yozo Suzuki of Takara Space Design converted a former cafe in the Yamanashi Prefecture to create the hair and beauty salon, which is entitled GreeM.

The space had only small windows, so the architect used different shades of paint to exaggerate the appearance of light and shadow, in an attempt to brighten up an otherwise dark room.

greeM hair salon by Yozo Suzuki

“White and grey paintings, and artificial lighting on the walls looks like daylight from the windows,” said Suzuki. “With the combination of painted lights, shadows and lighting we tried to [add] the comfort that natural light has.”

The shades range from grey, light grey, white and cream, and the lighter patches are used to highlight seating areas and product displays.

greeM hair salon by Yozo Suzuki

There are two hair-dressing stations at the front of the space, with a hair-washing tucked away in a separate room.

Mirrors sit within chunky wooden frames, while wood-like vinyl tiles cover the floor.

greeM hair salon by Yozo Suzuki

Photography is by Keisuke Miyamoto.

Here’s some information from Yozo Suzuki:


Daylight of painting

There was a dark space which previous use is a cafe with small windows. Client requested us to convert the space to a beauty salon with low budget.

The way that we suggested was painting lights and shadows on the interior walls. White and grey paintings and artificial lightings on the wall look like daylight from the windows.

Floor plan of greeM hair salon by Yozo Suzuki
Floor plan – click for larger image

With the combination of painted lights, shadows and lighting,we tried to make a comfort as a natural light has. Customers can enjoy differences from ordinary lights.

Project name: greeM
Location: 4709-1 Ryuchi Kai-city Yamanashi Japan
Floor size: 45 sq m
Use: beauty salon for men and women. Hair cut, hair colour, hair perm, shampoo and head spa.
Floor: vinyl tile (wooden printed)
Wall: paint (white and grey)
Ceiling: paint on steel structures

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by Takara Space Design
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Danner Factory Tour: Behind the scenes at one of the world’s leading boot manufacturers

Danner Factory Tour


Like many heritage brands, the Portland, Oregon-based boot manufacturer Danner Boots has enjoyed a recent surge in popularity. Danner was founded in 1932 as a manufacturer of top-of-the-line work and logging boots, but when Japanese footwear…

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House in Tsurumaki with a hexagonal living room by Case-Real

This house in Tokyo by Japanese studio Case-Real is rectangular at the front and hexagonal at the back (+ slideshow).

House in Tsurumaki by Case-Real

Japanese architect Koichi Futatsumata of Case-Real designed the two-storey House in Tsurumaki for a north-facing site in Setagaya, but was asked by the clients to create a south-facing living room.

House in Tsurumaki by Case-Real

To accommodate this, he added a hexagonal plan to the rear of the house. This created space for additional windows, which are set at 30-degree angles rather than facing directly towards neighbouring houses.

House in Tsurumaki by Case-Real

“This shape resulted in a plan where sunlight continuously shines into the living room from dawn till dusk,” said the design team.

House in Tsurumaki by Case-Real

The living room is located on the upper floor, with a guest bedroom positioned underneath. A wooden staircase runs along the edge of the two rooms, following the outline of the hexagon.

House in Tsurumaki by Case-Real

“The existence of this hexagonal structure works as a strong element to categorise the function, structure and design of the entire house,” added the designers.

House in Tsurumaki by Case-Real

A six-sided ceiling angles up into a central point and is framed by wooden beams that have been painted grey-blue.

House in Tsurumaki by Case-Real

This colour recurs throughout the house, from walls and doors to kitchen cabinets, staircase treads and balustrades. It is also used for the exterior walls and roof.

House in Tsurumaki by Case-Real

Bedrooms for the parents and children are situated on separate storeys at the front of the house. The kitchen can be found on the first floor and features a ladder leading to a small mezzanine loft.

House in Tsurumaki by Case-Real

Photography is by Takumi Ota.

Here’s a project description from Case-Real:


House in Tsurumaki (Tokyo, Japan, 2013)

A detached house standing in the high density residential area in Tokyo.

House in Tsurumaki by Case-Real

The site for this project was one of the five subdivided areas with the north side facing the street, and the other three sides neighbouring the other houses. Within these difficult circumstances the client wished for a living room on the south side full of sun light.

House in Tsurumaki by Case-Real

The core of this residential housing is the hexagon volume on the southern side of the site. This shape resulted in a plan where sunlight continuously shines into the living room from dawn till dusk.

House in Tsurumaki by Case-Real

Creating a minimum parking space needed for a compact car and by sliding the volume of the structure to the north as far as possible, we were able to keep a planting ground and to efficiently let light into the room.

House in Tsurumaki by Case-Real

For the plan of each floor and its traffic lines, the roof and the beam which can be seen at the ceiling of the 2nd floor, the existence of this hexagonal structure works as a strong element to categorise the function, structure and design of the entire house.

House in Tsurumaki by Case-Real

Design: Koichi Futatusmata, Yasushi Arikawa (CASE-REAL)
Structural Engineer: Hirofumi Ohno (Ohno Japan)
Design Cooperation, Construction: Yoshida building firm
Lighting Plan: Tatsuki Nakamura (BRANCH lighting design)Location: Tokyo, Japan

House in Tsurumaki by Case-Real

Type of Project: Newly build
Use: Residence
Period: Jun 2012 – Jun 2013

House in Tsurumaki by Case-Real

Structure: Wood frame
Scale: 2 storey
Building area: 61.2 sqm
Site area: 123 sqm

House in Tsurumaki by Case-Real
Site plan – click for larger image
House in Tsurumaki by Case-Real
Floor plans – click for larger image and key
House in Tsurumaki by Case-Real
Front and rear elevations – click for larger image
House in Tsurumaki by Case-Real
Side elevation – click for larger image

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Arboleda house by Horibe Associates

The clients for this small house in Tokushima, Japan, asked architect Naoko Horibe for a timber interior and an exterior that looks like a sports car.

Arboleda by Horibe Associates

Naoko Horibe of Osaka studio Horibe Associates says she designed the house to “combine two completely opposing concepts in a single structure, without a sense of clashing.”

Arboleda by Horibe Associates

“One was an exterior like a sports car; the second was a natural interior featuring wood,” she said.

Arboleda by Horibe Associates

A cloak of galvanised metal folds over the sides and roof of the structure, forming an asymmetric shape with a streamlined appearance.

Arboleda by Horibe Associates

This layer of cladding overhangs both the front and rear of the building, creating a sheltered entrance and shading the house’s windows.

Arboleda by Horibe Associates

The interior centres around a combined living and dining area, which leads directly into every other room and removes the need for corridors.

Arboleda by Horibe Associates

Timber roof joists are left exposed across the ceilings, plus the pitch of the roof creates a pair of triangular windows along the upper sections of the walls.

Arboleda by Horibe Associates

The angled roof also allows space for a small loft, which the architect describes as a “special den” for the family’s husband.

Arboleda by Horibe Associates

A bedroom and traditional Japanese room run along one side of the house and are slightly elevated to create storage spaces underneath.

Arboleda by Horibe Associates

Photography is by Kaori Ichikawa.

Floor plan of Arboleda by Horibe Associates
Floor plan – click for larger image
Arboleda by Horibe Associates
Loft plan – click for larger image

Key to diagrams:

1.Approach
2.Entrance
3.Living, dining and kitchen
4.Food storage
5.Terrace
6.Japanese-style room
7.Bedroom
8.Walk-in closet
9.Lavatory
10.Washroom
11.Bathroom
12.Closet
13.Loft

Long section of Arboleda by Horibe Associates
Long section
Section of Arboleda by Horibe Associates
Cross section
West elevation of Arboleda by Horibe Associates
West elevation
South elevation of Arboleda by Horibe Associates
South elevation

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Horibe Associates
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Cafe Ki in Tokyo

Situé dans le quartier de Setagaya-ku à Tokyo, ce Cafe Ki au design épuré a été pensé par les équipes du studio de design japonais Id. De superbes espaces blancs, proposant en son sein des portes-manteaux noirs ressemblant à des arbres. Plus d’images de ce projet dans la suite de l’article

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Cafe Ki in Tokyo

The Sea Library in Awashima by ETAT arkitekter

A brass table with a gently rippled surface provides the reading area of this Japanese library dedicated to the sea and designed by Swedish studio ETAT arkitekter (+ slideshow).

The Sea Library in Awashima by ETAT arkitekter

Architects Erik Törnkvist and Malin Belfrage of ETAT inserted the small library inside a 1920s schoolhouse on Awashima Island – one of the 12 islands within Japan’s Seto Inland Sea that is hosting the Setouchi Triennale 2013.

The Sea Library in Awashima by ETAT arkitekter

As one of a series of projects organised for the art exhibition, the Sea Library is a place where visitors are invited to donate any books containing history or stories of the ocean.

The Sea Library in Awashima by ETAT arkitekter

The rectangular brass table fills the centre of the space, allowing enough space for eight people to sit and read together. The architects have also added a rippled brass screen in front of one wall, creating wavy reflections of the interior that are reminiscent of water.

The Sea Library in Awashima by ETAT arkitekter

“[The] refurbishment is designed to highlight the material and spatial qualities of the existing wooden building and to enhance its relationship to the sea,” said Törnkvist and Belfrage.

The Sea Library in Awashima by ETAT arkitekter

Brass brackets support wooden shelves along the edges of the room, providing storage areas for books that have been collected in various languages.

The Sea Library in Awashima by ETAT arkitekter

The Setouchi Triennale takes place across three seasons and will continue until 4 November. Other architectural additions to this year’s show include a pair of galleries by Kazuyo Sejima and public toilets framed by a single curved wall.

The Sea Library in Awashima by ETAT arkitekter

Photography is c/o ETAT arkitekter.

Here’s a project description from ETAT Arkitekter:


Library in Awashima

ETAT arkitekter/ETAT Architects has been commissioned by Art Setouchi to design a library located on Awashima Island in the Seto Inland Sea, Japan.

The new library is housed in an existing heritage-classified building from the 1920’s located on the port’s sea front. ETAT’s refurbishment is designed to highlight the material and spatial qualities of the existing wooden building and to enhance it’s relationship to the sea. For new additions the predominant material is brass, which is used as wall surface, for fittings and for the 3.6 x 3.6 meters reading table.

The Sea Library in Awashima by ETAT arkitekter
Cross section – click for larger image

The library is a regional development project in order to revitalise Awashima and the project is part of the art and architecture triennale Setouchi International Triennale 2013.

The library was opened in early October 2013 and has since attracted more than 1,000 visitors.

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by ETAT arkitekter
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